Garb tamar editors (5 risultati)

Essays by Julia Kristeva, Marshall Berman and others, on Jewish representation in Western art and literature. -- Hardcover. Condition: near fine (owner name) with near fine dust jacket. ISBN 0500016674.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. London,UK: Thames and Hudson, 1995. Hard cover w/DJ. First Printing (NAP). 8vo, 335pp (including Notes, Notes on the Contributors and Index), with 72 illustrations. Blue cloth with gilt titles, binding is clean with sharp edges and corners. Hinge at title page is lightly cracked. Pages are clean with no writing, marks, underlining, or bookplates. No remainder or library marks. Dj is clean and bright, protected by archival Brodart cover. An attractive book with minimal signs of use. Book and DJ condition: Near Fine. Packaged with care and shipped in a box.…

Soft cover. Condizione: Fine. 1st Edition. 518 pp., x. '10' in number line. Profusely illustrated with black and white illustrations. Following the Preface and "Introduction: The Expanding Discourse", Contents divided into 29 successive Essays: (1) Margaret R. Miles, "The Virgin's One Bare Breast: Nudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture"; (2) Patricia Simons, "Women in Frames: The Gaze, the Eye, the Profile in Renaissance Portraiture"; (3) Mary D. Garrard, "Leonardo da Vinci: Female Portraits, Female Nature"; (4) Patricia L. Reilly, The Taming of the Blue: Writing Out Color in Renaissance Theory"; (5) Lilian Zirpolo, "Botticelli's Primavera: A Lesson for the Bride"; (6) Rona Goffen, "Titian's Sacred and Profane Love and Marriage"; (7) Yael Even, "The Loggia dei Lanzi: A Showcase of Female Subjugation"; (8) Margaret D. Carroll, "The Erotics of Absolutism: Rubens and the Mystification of Sexual Violence"; (9) Natalie Boymel Kampen, "The Muted Other: Gender and Morality in Augustan Rome and Eighteenth-Century Europe"; (10) Anne Higonnet, "Secluded Visiion: Images of Feminine Experience in Nineteenth-Century Europe"; (11) James M. Saslow, " ' Disagreeably Hidden ' : Construction and Constriction of the Lesbian Body in Rosa Bonheur's Horse Fair"; (12) Tamar Garb, " ' L'Art Feminin ' : The Formation of a Critical Category in Late Nineteenth-Century France"; (13) Linda Nochlin, "Morisot's Wet Nurse: The Construction of Work and Leisure in Impressionist Painting"; (14) Griselda Pollock, "Modernity and the Spaces of Femininity"; (15) Norma Broude, "Edgar Degas and French Feminism, ca. 1880: ' The Young Spartans ', The Brothel Monotypes, and the Bathers Revisited"; (16) Tamar Garb, "Renoir and the Natural Woman"; (17) Abigail Solomon-Godeau, "Going Native: Paul Gauguin and the Invention of Primitivist Modernism"; (18) Peter Brooks,"Gauguin's Tahitian Body"; (19) Carol Duncan, "The MoMA's Hot Mamas"; (20) Marilyn Lincoln Board, "Constructing Myths and Ideologies in Matisse's Odalisques"; (21) Mary Ann Caws, "Ladies Shot and Painted: Female Embodiment in Surrealist Art"; (22) "Janice Helland, "Culture, Politics, and Identity in the Paintings of Frida Kahlo"; (23) Helen Langa, "Egalitarian Vision, Gendered Experience: Women Printmakers and the WPA/FAP Project"; (24) Anne M. Wagner, "Lee Krasner as L.K."; (25) Barbara Buhler Lynes, "Georgia O'Keeffe and Feminism: A Problem of Position"; (26) Josephine Withers, "Judy Chicago's Dinner Party: A Personal Vision of Women's History"; (27) Lowery S. Sims, "Race Riots, Cocktail Parties, Black Panthers, Moon Shots, and Feminists: Faith Ringgold's Observations on the 1960s in America"; (28) Freida High W. Tesfagiorgis, "Afrofemcentrism and Its Fruition in the Art of Elizabeth Catlett and Faith Ringgold"; (29) Craig Owens, "The Discourse of Others: Feminists and Postmodernism"; Notes on the Contributors, pp. 503-505; Index, pp. 506-518. Glossy decorative green wrappers with Title and Editor names in White letters across top third and bottom front cover, respectively. Subtitle in yellow, just above a large, middle-lower middle, front cover, color illustration of Edgar Degas' "Spartan Girls Challenging Boys". Tiny nick to lower left spine corner and similar tiny nick to left edge spine near midpoint; small, soft crease, diminishingly, at top corners, pp. 11-40, First three pages of #8 Essay (Carroll) have small amount of yellow highlighting and first five pages of Essay #14 (Pollock), similarly,(i.e., 8 pp of 518 pp) : describes worse than it is, but there you have it. Virtually As New: Tight binding (NO cracks); square corners; NO remainder marks; NO previous owner names. Essentially, Clean text. Solid copy. …

Hardback in card slipcase. First Edition. 26 x 34cm 1208pp over three near fine hardback volumes in dust jackets, housed in a hard, card slipcase. The three volume work represents the collection's multi-year exhibition and publishing programme, investigates African photography and video through the themes of portraiture, landscape, and the historic archive. Including Events of the Self: Portraiture and Social Identity, Appropriated Landscapes, and Distance and Desire: Encounters with the African Archive. A heavy set, may need extra postage. Near fine in near fine dustjacket.…

1st Ed. Forewords by Brian Moynihan, Bank of America, Nicholas Serota, Tate Modern, London and Earl A. Powell III, National Gallery of Art, Washington. 255 PP with b/w or colour illustrations with 55 figures and 155 plates. Title spread: "Faa Iheihe" (Tahitian Pastoral). Stiff covers, pictorial front (Nevermore O Tahiti), 1897). The 20 page Guide to the exhibition, a 2 page flyer with 2 entry tickets, loosely inserted. 29.1 x 14.5. Exhibition held at Tate Modern, London: 30 September 2010 to 16th January 2011.…