Georges a bonnard (28 risultati)

Condizione: Good. Light wear to boards. Content has light toning. Good DJ.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Reprint. Most text in French, remainder in English. Pages crisp and clean, if gently age-toned throughout; binding square and secure, full cloth cover shows only little spots of rubbing and fading at corners and spine ends; dust jacket is mildly rubbed at corners, somewhat sunned along the spine with a few small, faint dust spots, and lightly chipped around the head edges, otherwise striking and well-kept, now protected in a clear sleeve.…

Cloth Over Boards. Condizione: Fair. Fair / with Protective Cover. This copy has little corner bumping or edge wear. There is spotting of the edges of textblock and boards. Interior text has yellowed with age, tight in binding. Numerous black and white illustrations. Clipped DJ has edge wear and rubbing. Size: 8vo - over 7¾" - 9¾" tall. Various (illustratore).…

Hardcover. Condizione: Very Good. No Dust Jacket. Light shelfwear to book. Faint bump to heel of spine.; Text in french with English commentary.; 268 pages; Text of Edward Gibbon's journal from his 1764 trip from Geneva to Rome.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Good+. Dustjacket has edgewear with chipping and tears. DJ is price-clipped. Light foxing to textblock.; Text in french with English commentary.; 268 pages; Text of Edward Gibbon's journal from his 1764 trip from Geneva to Rome.

Condizione: Very Good. Funk & Wagnalls New York 1969.

Condizione: New.

Condizione: New.

Hardback or Cased Book. Condizione: New. Gibbon's Journey From Geneva To Rome: His Journal From April 20 To October 2, 1764. Book.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: Gut. XXIV., 268 Seiten / p. Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - sehr guter Zustand / very good condition - Preface -- The Journal which Gibbon began to write on the 4th of August 1761, when he was a captain in the Hampshire militia, and which he kept, on and off, for the next three years until his arrival at Rome on the 2nd of October 1764, was among the papers that, after his death, were sent from Lausanne to Lord Sheffield, his chief executor. -- In his will Gibbon had expressed the desire that some at least of his manuscripts should be published, and entrusted his executors with the necessary selection. Lord Sheffield took upon himself the delicate task. When he had to decide whether the Journal was to be included in the contemplated edition of his friends posthumous works, he felt he might give the public, if not the complete text of what was a private and motley Diary, at least such extracts as formed an account of Gibbons literary occupations. These extracts he gave in the second volume of the Miscellaneous Works (1796). He used a few other passages as notes to the Memoirs of my Life and Writings which he composed by combining into a single narrative the autobiographical fragments also found among the papers sent from Lausanne. In the second edition of the Miscellaneous Works (1814), he added many more extracts to these notes. Sprache: Englisch Gewicht in Gramm: 550 Originalleinen kaschiert / Cloth laminated.…

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Pages clean, wear to edges. Complete with 7 plates. Dust jacket unclipped with light edgewear. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN.…

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1500grams, ISBN.

Hardback. Good+ in edgeworn dustwrapper. xxxv + 346pp.

230x160mm, XXIV - 268pages, Book in very good condition. Envoi groupé : les frais de port sont calculés sur le poids total de la commande ; chaque livre supplémentaire coûte donc beaucoup moins cher à expédier. Commandez plusieurs livres et économisez sur le port ! / Combined shipping: postage is charged on the total weight of your order, so each additional book ships at a reduced rate. Order several books from us and save on postage ! / Envois Europe : Droits et taxes inclus - aucun frais à la livraison / Shipments to Europe: Duties and taxes included - no delivery charges.…

Condizione: Good. 8vo., 268 pp., Very Good, Black Cloth, Dust Jacket with rubbing & edge wear, shelf wear.

Paris: Centre Georges Pompidou, 1984. First Edition. 28 x 28 cm. Hardcover with damaged dust jacket. Richly illustrated in color and b/w. 291 pages. Text in French. [Art / international artist [Buitenlandse Kunstenaars] ].

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. DJ in archival cover. Stated first American editio.

soft cover. Condizione: fine. first edition. Grand in-quarto broché, couverture rouge carmin imprimée. Cette revue ne se présente jamais en raison de sa grande fragilité dans un tel état excellent de conservation. L'Art vivant est une revue artistique publiée bimensuellement à partir de 1925. La parution est mensuelle de 1931 à 1934 et irrégulière de 1935 à 1939, éditée par Les Nouvelles littéraires et associée aux éditions Larousse. Le premier numéro est publié le 1er janvier 1925. Les titres et sous-titres alors indiqués sont Revue bimensuelle des amateurs et des artistes. L'art vivant. Arts décoratifs et appliqués. Peinture. Le livre. Sculpture. Les arts de la femme. Les directeurs fondateurs sont Jacques Guenne (qui dirige la revue jusqu'à sa disparition en 1939) et Maurice Martin du Gard. Le rédacteur en chef est Florent Fels jusqu'en septembre 1930. La revue a accueilli, notamment, dans ses colonnes Georges Charensol et Georges Rivière. Elle disparaît en juillet 1939 après 234 numéros. - - - - - - Large paperback quarto, printed carmine red cover. This journal never comes due to its great fragility in such an excellent state of preservation. L'Art vivant is an artistic magazine published bimonthly from 1925. The publication is monthly from 1931 to 1934 and irregular from 1935 to 1939, published by Les Nouvelles littéraires and associated with Larousse editions. The first issue was published on January 1, 1925. The titles and subtitles then indicated are Bimonthly magazine for amateurs and artists. Living art. Decorative and applied arts. Paint. The book. Sculpture. The arts of women. The founding directors are Jacques Guenne (who directed the journal until its disappearance in 1939) and Maurice Martin du Gard. The editor-in-chief is Florent Fels until September 1930. The review has welcomed, in particular, in its columns Georges Charensol and Georges Rivière. It disappeared in July 1939 after 234 issues. - - - - - Gran libro en rústica en cuarto, tapa impresa en rojo carmín. Esta revista nunca llega por su gran fragilidad en tan excelente estado de conservación. L'Art vivant es una revista artística publicada bimensualmente desde 1925. La publicación es mensual desde 1931 hasta 1934 e irregular desde 1935 hasta 1939, editada por Les Nouvelles littéraires y asociada a las ediciones Larousse. El primer número se publicó el 1 de enero de 1925. Los títulos y subtítulos que se indican a continuación son Revista bimestral para aficionados y artistas. Arte vivo. Artes decorativas y aplicadas. Pintar. El libro. Escultura. Las artes de la mujer. Los directores fundadores son Jacques Guenne (quien dirigió la revista hasta su desaparición en 1939) y Maurice Martin du Gard. El redactor jefe es Florent Fels hasta septiembre de 1930. La revista ha acogido, en particular, en sus columnas a Georges Charensol y Georges Rivière. Desapareció en julio de 1939 tras 234 números. - - - - Großes Taschenbuch im Quarto-Format, bedruckter karminroter Einband. Dieses Journal kommt aufgrund seiner großen Fragilität nie in einem so hervorragenden Erhaltungszustand. L'Art vivant ist eine Kunstzeitschrift, die ab 1925 alle zwei Monate erscheint. Die Veröffentlichung erscheint monatlich von 1931 bis 1934 und unregelmäßig von 1935 bis 1939. Sie wird von Les Nouvelles littéraires herausgegeben und ist mit den Larousse-Ausgaben verbunden. Die erste Ausgabe erschien am 1. Januar 1925. Die damals angegebenen Titel und Untertitel lauten Zweimonatliche Zeitschrift für Amateure und Künstler. Lebendige Kunst. Dekorative und angewandte Kunst. Malen. Das Buch. Skulptur. Die Künste der Frauen. Die Gründungsdirektoren sind Jacques Guenne (der die Zeitschrift bis zu ihrem Verschwinden im Jahr 1939 leitete) und Maurice Martin du Gard. Chefredakteur war bis September 1930 Florent Fels. Die Rezension begrüßte in ihren Kolumnen insbesondere Georges Charensol und Georges Rivière. Es verschwand im Juli 1939 nach 234 Ausgaben.…

Librairie Plon. Broché. Bon exemplaire.

Hardcover. Condizione: As New.

First limited edition of Edward Gibbon's journal of the momentous journey to Italy during which he conceived his monumental History of the Decline and Fall of the Roman Empire. Quarto, bound in original full vellum with a gilt-lettered spine, printed on Millbourn hand-made paper, top edge gilt, frontispiece, illustrated. One of 105 numbered copies, this is number 2. Presentation copy, inscribed by the editor in the year of publication on the limitation page, "May this copy of Gibbon's Italian Journal convey to the owner Allan Ogilvie, of Montrose, the gratitude of the editor for the interest taken in his work. G. Bonnard. May 1961." In very good condition with light soiling and toning, in the original glassine wrapper. Edited by Georges A. Bonnard. Edward Gibbon (1737 to 1794) was the greatest historian of the English Enlightenment, celebrated above all for The History of the Decline and Fall of the Roman Empire, one of the supreme achievements of eighteenth-century prose. This volume prints the journal he kept during the Italian journey of 1764, the very tour on which, as he famously recalled, the idea of his great history first came to him as he sat musing amid the ruins of the Capitol in Rome while barefooted friars sang vespers in the Temple of Jupiter. Edited by the Gibbon scholar Georges A. Bonnard and printed in a tiny hand-made-paper edition, it is a treasured record of the origins of one of the monuments of Western historical writing. …

Paris, N.R.F., 1945, in-folio, broché, couverture imprimée, 86 pages, table, achevé d'imprimer. Piquante étude sur le critique d'art et anarchiste Félix FENEON, qui explique aussi comment les marchands de tableaux ont fait fortune. Tirage limité à 1.075 exemplaires. Un des 960 sur hélio mat supérieur, N°492. Livre. . Illustrateur : VAN DONGEN (Kees), VUILLARD (Edouard), VALLOTTON (Félix), BONNARD (Pierre), MATISSE (Henri), SEURAT (Georges), ROUSSEL (Xavier Kerr), GUITRY (Sacha), CROSS (Henri Edmond), VAN RYSSELBERGHE (Théo), LUCE, RAPPA, ESTOPPEY, ROUVEYRE. (illustratore).…