Gille vincent (78 risultati)

Paperback. Condizione: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Softcover exhibition catalog, 232 pages, in French; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra for this item.

Paperback. Condizione: Very Good. Pages clean and bright, no markings, light wear to edges. Binding tight. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: Very good. - Quarto, 10-5/8 inches high by 8-1/4 inches wide. Softcover, bound in color pictorial cream wraps. The spine is slightly soiled. A substantial unpaginated book with descriptions of 392 items including books, documents, paintings, drawings, and prints by Jean Cocteau, profusely illustrated in color and black & white. Near fine. First edition. A catalogue produced by the "Ville de Paris" for the exhibition at the Pavillon des Arts. …

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. This book is in very good condition; no remainder marks. Dustjacket does have some shelfwear, edgewear, and two small edge tears on the back. Inside pages are clean. ; 11.70 X 9.70 X 1 inches; 256 pages.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: Good. Original blind stamped cloth, dust jacket, illustrations in colour and b/w.

Stiff Wrappers. Condizione: Near Fine. 351 pages 300 illustrations in color. Minor scuffing, rubbing and wear to the covers and edge. Pictorial wraps. First paperback edition. Foreword by Sir Nicholas Serota, Director. Acknowledgments by Jennifer Mundy. Published on the occasion of the exhibition from the Tate Modern, London 20 September 2001-1 January 2002 and The Metropolitan Museum of Art, New York NY 6 February-12 May 2002. Includes list of exhibited works, notes, and index. Book.…

Soft cover. Condizione: Near Fine. 1st Edition. Softcover, bound in printed wraps. Light rubbing to the rear panel, else unmarked. Text in French.

Softcover exhibition catalog, 232 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra for this item.

paperback. Condizione: very good(+). Illustrated in black and white and color. 240 pages. Thin 4to, glossy pictorial wrappers. Paris: Gallimard, (1997). Slight wear and scuffs on the edges and corners, still very good(+).

Softcover. Condizione: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Soft cover. Condizione: Near Fine. 349pp. Illus throughout. Interesting art photography exhibition catalogue reference literature. First edition. The book is excellent condition - very clean and bright. It presents very nicely on the shelf. A heavy book - overseas customers lease request postal quote. PARROTT BOOKS - established for over 20 years offering a prompt friendly and efficient servic.…

Softcover/Paperback. Condizione: Gut. 160 pages. Good. Ex-library with usual markings. Clean pages. Sprache: Französisch Gewicht in Gramm: 730.

Softcover. 4°, 27,5 x 22,5 cm. Brochure originale, légèrement frottée. 239 (1) pages, illustrées en couleurs et monochromes. Propre, bon exemplaire. --- Originalbroschur, leicht berieben. 239 (1) Seiten, farbig und einfarbig bebildert. Sauberes, gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Genießen Sie den goldenen Herbst! Machen Sie es sich gemütlich , bei uns finden Sie sicher die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! KuAllg.…

Hardcover. Condizione: VG+. Quarto. Hardcover. Bound in teal paper with illustrated jacket. 224 pages : illustrations (chiefly color), portraits ; 29 cm. This definitive monograph on Modigliani incorporates new research into one of the most comprehensive surveys ever published on the seminal twentieth-century artist. Amedeo Modigliani (1884-1920) is one of the most important artists of the early twentieth century. This ambitious volume includes 150 works from throughout Modigliani's tragically brief yet formative career, from the artist's celebrated erotic nudes and iconic, elongated figures to his lesser-known treasures. Accompanying one of the largest exhibitions of Modigliani's paintings, sculptures, and drawings ever shown in Europe, this comprehensive catalogue contextualizes the modernist master alongside works by his peers, such as Cézanne, Brancusi, and Picasso.…

Condizione: very good. Photo non contractuelle. Envoi rapide et soigné.

Softcover exhibition catalog, 256 pages, in French; very good condition; light yellowing to page edges; otherwise clean and crisp; small stamp on first blank page; no other internal marks. Foreign shipping may be extra.

Soft cover. Condizione: Very Good. No Jacket. Large paperback copy with french flaps, no dustjacket as issued. 351pp. Illustrated throughout. Not library copy, no creasing to spine, no inscriptions. (3/3).

Oblong imperial octavo, green cloth boards, light green lettering to spine, light green tiger motif to front board, frontispiece, 230pp, illus colour plates, VG+ in d/w VG (slight scuffing and creasing).

Soft cover. Condizione: Fine. 1st Edition. 160 pages : illustrations en noir et en couleurs, couverture illustrée en couleurs ; 21,0 x 27,0 x 1,1 cm || Texte français || Impression 1999 || Sans aucune inscription. Softcover book in FINE condition. All text in French. Color and b/w illustrations. 160 pages. Tight binding. All pages cleanwithout any markings, notations, or folds. Actual book is pictured. See images provided. 1st edition. This catalogue was published on the occasion to the exhibition "Georges Malkin: The tramp of surrealism", which was held at Pavillon des Arts, Paris, 1999. The exhibition featured works from the surreal period (1926-1931) and the work of the 1950s and 1970s. Unknown to the majority, they allow you to restore the path of this mysterious and free artist who did not stop his whole life, exploring the boundaries of the world and its color. Georges Malkine(1898-1970) is known to art history for one fact alone: he is the only visual artist named by André Breton's 1924Manifesto of Surrealismas a founding member of the Surrealists, originally a literary movement.   Important though this is, it is a very small part of the picture.  Malkine's work hung at the inaugural Surrealist exhibitions in Paris from 1925-1928 alongside that of Max Ernst, Joan Miro, and Man Ray.  His first solo exhibition in 1927 was nothing short of an artistic coup, with sales to collectors including Nancy Cunard and John Maynard Keynes.  Malkine counted André Masson, Robert Desnos, Louis Aragon, E.E. Cummings, and Pablo Picasso among his friends. An innovator in Surrealist techniques, Malkine painted abstractions before a word existed to describe them and commingled eerie landscapes and visual puns, academic realism and absolute fantasy in ways that would become the hallmarks of better-known contemporaries like Yves Tanguy and Salvador Dali. But instead of reaping the benefits of his 1927 success, Malkine skipped town.  He abandoned painting and drifted, developing an opium dependency which lasted until the end of World War II.  He worked multiple odd jobs and for 10 years as a film actor, then arrived on American shores in 1948.  Malkine lived in Woodstock from 1953-1966, where he took up painting again with greater intensity than he had in the 1920s.  His surprise return to Paris in 1966 met with a retrospective exhibition organized by Ernst, Masson, and other luminaries of Surrealism, many of whom had presumed him dead.  This presumption was not without the reclusive Malkine's complicity.  His calculated refusal to assign himself a place in history included an unshakeable disdain for personal promotion, which late in life he put thus: "I did everything I could to escape the attention of my contemporaries."  More aggressively self-effacing, Malkine even set flame, twice, to whatever work he had on hand.…

Softcover, 168 pages, in French with Portuguese and English at rear; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Condizione: New. Brossura originale con copertina figurata a colori, 423 pagine con alcune figure in nero nel testo redatto in lingua francese - french text. Ottima copia mai letta. Spedizione in 24 ore dalla conferma dell'ordine. Book.

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. Z : 349 pages, clothbound - Published to accompany a major transatlantic exhibition of international surrealism, this lavishly illustrated catalogue explores desire in surrealist art in both words and images. Key works by such artists as Duchamp, Magritte, Ernst, Dali, de Chirico, Giacometti, Bellmer, Oppenheim, and Cahun are illustrated and discussed, as are surrealist films and photographs by Man Ray, Brassaï, and others. The volume also features some of the rare and beautiful books produced by the surrealists in their celebration of love, as well as a selection of fascinating manuscripts, letters, and documentary photographs that reveal the personal contexts of the group's exploration of desire. Essays by leading scholars show how the theme of desire was implicated in almost all aspects of surrealist activity--not only its art and writings, but also its political struggles and its ethical stances on issues involving individual liberty and the social control of sexuality.…

Cloth. Condizione: New. Fine Condition. 351 pages 300 illustrations in color. Foreword by Sir Nicholas Serota, Director. Acknowledgments by Jennifer Mundy. Published on the occasion of the exhibition from the Tate Modern, London 20 September 2001-1 January 2002 and The Metropolitan Museum of Art, New York NY 6 February-12 May 2002. List of Works Exhibited. Book. …

Condizione: D'occasion - Très bon état.

Trade Paperback. Condizione: Used - Very Good. Minor shelf wear to outside. Overall book is bright, neat, and crisp. Binding feels excellent and unworn.

Trade Paperback. Condizione: New.

paperback. Condizione: Perfetto (Mint). Opera con copertina morbida in brossura , Numerose illustrazioni in b/n nt . LF72.