giovanni guidetti (66 risultati)

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: Fine. Abnutzung / Risse - leicht; Gebrochener Buchrücken / Seiten oder Softcover umgeknickt.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

In-8° gr. bross. edit. ill. Angolo posteriore mancante.

In-8° pp. 292 con molte ill. n.t. Bross. edit. ill. Come nuovo.

Condizione: NEW.

Paperback. Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New.

Paperback. Condizione: New. Print on Demand. This book presents an exhaustive guide to ecclesiastical chant, rooted in the traditions of the Roman Catholic Church. It offers comprehensive instructions, ranging from the most basic elements of music theory to advanced techniques of choral singing. Written by a respected authority on sacred music, the book delves into the historical evolution of chant, tracing its origins to the early centuries of Christianity. The author provides insights into the profound connection between chant and liturgy, demonstrating how it enhances the sacredness of religious ceremonies. Beyond its historical context, the book examines the technical aspects of chant performance in detail. It offers practical guidance on vocal production, proper breathing techniques, and the nuances of musical notation used specifically in chant. The author also addresses the challenges of blending voices in choral settings, ensuring a harmonious and unified sound. This book serves as an invaluable resource for choir directors, singers, theologians, and music historians seeking a deeper understanding of chant. Its comprehensive approach and meticulous attention to detail make it an essential reference for anyone interested in preserving and perpetuating this ancient musical tradition. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

copertina morbida. Condizione: buone.

Paperback. Condizione: Sehr gut. 695 p., Ill. Der Einband ist leicht berieben, sehr dezenter Nikotingeruch, ansonsten ein sehr gutes und sauberes Exemplar ohne Anstreichungen. / The cover is slightly scuffed, has a very faint smell of tobacco, but is otherwise in very good condition and clean, with no markings. -- INDEX -- Aceti F., Gualco L., Marioni P. Death in Anorexia Nervosa: A scientific literary review -- Bauer B., Bagnato G. University life and eating disorders. Epidemiology, prevention and treatment of student's eating disorders -- Bollea E. Psychoanalytic survey on body image alterations in eating disordered behaviours -- Brancaccio L., Palmese M.I., Palumbo D., Vilardi P., Celani T. Eating disorders in a school population. Preliminary study -- Ceccherini Nelli A., Guidi L. Psychometric instruments for pharmacologic research in bulimia nervosa: possibilities and limits -- Ciurluini P. Lung cancer and anorexia nervosa. A controlled study -- Ciurluini P. Eating disorders in lung cancer patients after chemotherapy: Indications for a cognitive behavioral psychotherapy -- Ciurluini P. Graphic visual test and psychological aspect in obesity -- Ciurluini P. Cognitive-behavioral treatment in hyperphagia -- Ciurluini P., Psychopathological aspects in obesity: a controlled study -- Civitarese G., Bressani R., Bianchi A. Psychogenic polydipsia and schizophrenia: a clinical case -- Clerici M., Sacchetti E. The psycho-educational approach to eating disorders -- Cooper P.J., Goodyer J. Disturbed attitudes to shape and weight in 11 to 16 year old girls -- Cuzzolaro M. To recover from what? The long-term psychiatric outcome of people who recover from eating disorders -- Daini S., Henschel A.H., Trucchi S., La Rosa C. The female identity of patients with mental anorexia in the Rorschach Test -- Daini S., Lazear M., Moscianese K. Meaning of the amennorrhea in the anorexia syndrome: a comparison among three clinical observations -- Dotti A., Eating disorders in an italian students population. Epidemiology and follow-up -- Federico P., Labella A.G., Barbato G., Buogiovanni M., Staibano A., -- Cozzolino F., Guarino G., Parisi I., Rossi V. The lifestyle of an obese, bulimic patient: first observations of a comparative study -- Fernandez F., Probst M., Meermann R., Bents H., Vandereycken W. Video assessment of body image in anorectic and bulimic patients compared to women with normal eating behavior -- Fioroni L., Bolognesi E., Matteo M.L., Facchinetti F., Guaraldi G.P., Genazzani A.R. Prevalence of amenorrhea in bulimic patients faced with stressful life events -- Forza G., Schifano F., Gallimberti L., Davide Ferrara S. Restriction as a copying style for young overweight students -- Gard M., Freeman C. Eating disorders in the young homeless -- Gorio R., Carè S., Monica S., Spedo C. Risk factors and eating disorders in a school adolescents group -- Gorio R., Speranza T., Salis P., Spedo C. Eating and adaptation disorders in adolescents -- Guaraldi G.P., Orlandi E. Relation between field dependence/independen-ce and body image distortion -- Guareschi Cazzullo A., Carugo A., Foppa Pedretti A., Orofino P., Ruggeri S., Musetti M.C. Eating disorders as an affective disturbance -- Halmi K.A., Romano S., Sunday S., Braun D. Obsessive compulsive disorders and eating disorders -- Hoek H.W., Bosveld J.J.F., Limpens V.E.L., Maiwald M. The epidemio-logy of eating disorders -- Krch F.D., Faltus F. Eating disorders in Czechoslovakia: Epidemiological and clinical aspects -- Lalli N. The perception of the body and body image: Two distinct concepts in understanding the body schema in eating disorders -- Leibl C., Fichter M., Quadflieg N., Rief W. A longitudinal study on Bulimia Liberti S., Cuzzolaro M. Is bulimia nervosa associated with borderline -- personality disorder? Marchio B., Bolognesi E., Savelli L., Fava M., Guaraldi G.P. Bulimia -- nervosa: Clinical-phenomenological observations Marioni P., Aceti F., Ferrucci G. Anorexia nervosa follow-up criteria -- Pallanti S., Mezzani B., Ra.

Condizione: NEW.

ooo Scheda a cura di Equilibri libreria. L'immagine corrisponde alla copia in vendita. 011.83.90.381.

Paperback. Condizione: New.

Paperback. Condizione: New.

Hardcover. Condizione: Very Good. 157, xi, 107, 70 pages. Three works bound as one. Half leather over paper covered boards. Binding sturdy, moderate wear to extremities and rubbing to boards, hinges strong; occasional foxing and dampstaining else contents very good, clean, and attractive. Observationes medicinales is the "Editio secunda Italica iuxta Offenbachianam" (title page) of 1792. 430 grams.

Condizione: Good. 8vo (157x98 mm). [16], 1-479, [1 blank], 480-573, [2 blank] pp. Collation: A-Z8 AA-OO8. Leaf HH8v is a blank. The final blank leaf OO8 is missing. Woodcut arms of Pope Gregory XIII on the title page. Printed in red and black throughout, mainly type-set music on 4-line staves. Later blind-tooled dark leather with clasps, red edges. Margin cut short occasionally slightly affecting the headlines and printed marginalia, small restorations to title-page verso, some foxing and staining.Rare first edition, dedicated to Pope Gregory XIII. All sixteenth-century editions of Guidetti's manual on liturgical chant (the book was reprinted in 1589 and 1591, then again in 1604, 1615, 1619, 1624, 1641, 1665, 1730, and 1737) are rare on the market.?This is one of the most important books for the history of church music? (Lathrop Harper, 1970). Between 1575 and 1581 Guidetti collaborated to a great extent with his teacher Giovanni Pierluigi da Palestrina and Annibale Zoilo to the revision of liturgical music (gradual and antiphonary), with the aim to revive Gregorian singing in its pristine integrity and to free it from the additions and melodic alterations arbitrarily added over the years by cantors. To Guidetti was assigned ?the final revision and completion of all portions requiring it? (The New Grove Dictionary of music and musicians, 2001, X, p. 520). The reformed gradual and the antiphonary were published at Venice in 1580.Two years later, in 1582, Guidetti published his major work, the Directorium chori, on the direction of the choir and on how the various chants were to be conducted according to the uses of the pope's chapel. With this very innovative work Guidetti provided a rhythmically differentiated notation, better suited to represent the respective durational values of the notes of the chant, of which he defined the exact execution without having to employ an excessive number of symbols: ?the brevis (square), worth a tempus; the semibrevis (lozenge), worth half a tempus; the brevis sub semicirculo (under a half circle), that is one and a half time; another brevis sub semicirculo, but that ?intra semicirculum habet punctum' (i.e., the crowded brevis, we would say), which is worth two times; finally the group of linked brevis and semibrevis (?Brevis et semibrevis simul coniunctae sub eodem semicirculo') in which the vowel is repeated, but the precise mensural value of the two notes involved is not explained. Despite the enormous popularity of Guidetti's manual, it seems that neither the semi-circle nor the crowns over the notes were ever adopted by others. Nevertheless, we observe Guidetti's attempts to capture actual mensural practice through the use of a variety of notational symbols. In any case, the Directorium chori was a highly successful book? (cf. M. Gozzi, Liturgical music and liturgical experience in early modern Italy, in: ?Listening to Early Modern Catholicism: Perspectives from Musicology?, D.V.  Filippi & M. Noone, eds., Leiden-Boston, 2017, pp. 74-76).The enthusiastic reception of this first edition is proved by the 1589 reprinting and by all subsequent editions. The Directorium is the most authoritative manual of this kind published after the Council of Trent. The rhythmic and vocal simplification it proposes made it an indispensable work of consultation for all cantors.?Of the chant books issued during the Catholic Reformation, Giovanni Guidetti's Directorum chori (1582) is of special importance in relation to the history of chant notation. In modern scholarship, Guidetti's system of notation is famous for its unique note forms; it also recommends most parts of accentus (prayers, Epistles, Gospels etc.) to be chanted on a single pitch ? recto tono. Through this system of notation, Guidetti applies the basic rules of ancient prosody to plainchant? (Hyun-Ah Kim, Humanism and the Reform of Sacred Music in Early Modern England, e.book, 2013).This is one of the few books printed by Robert Granjon at Rome. Robert. Book.

Couverture rigide. Condizione: fine. first edition. 8vo (157 x 102 mm) 8 nn.ll., 573 pp. ; printed in red and black with musical scores. Seventeenth-century morocco, gilt border on covers, spine gilt with raised bands, gilt edges. Fétis, IV, p.144-145 ; Vervliet, "Robert Granjon à Rome", in : Bulletin de l'Institut historique belge de Rome, 1967, p. 209 ; cf. Clavreuil & Perier, Les Français à Rome, n° 9.Rare first edition of this important collection of Church music.The book bearing pope Gregory XIII arms on the title is beautifully printed by Robert Granjon ; this is the only known book by the famous printer published with the Rome address. This "excellent livre" (Fétis) was very successful and reissued until 1757. Giovanni Guidetti, chaplain to Pope Gregory, was born in Bologna in 1532. He studied in Rome under Palestrina, the latter being in charge to review and correct the books of Church Chant after the oldest existing manuscripts in the Vatican. Guidetti offered his help and together they both worked in this project for several years. The work was finished in 1579 but an important edition of the Graduale had already been undertaken in Venice in 1580. While Palestrina gave up his efforts Guidetti gave a new impulse to his work and concentrated his book on choir songs. According to Vervliet, the scores are new compositions and are by Granjon himself."On ne trouve pas d'ingéniosité stylistique dans cette musique très simple, carrée, communément appelée 'Romaine'. Cette simplicité ne trahit pas le maître, à l'exception peut-être de la forme parfaite des chiffres interlinéaires et des points d'orgue." (cf. Vervliet).Fine copy. Some occasional slight staining, title page slightly thumbed, small restauration to foot of title and corner of one leaf of the preface. From the library of Camillo Zeppa, "sacerdote", with his rubberstamp on the verso of the title.

Size: Three volumes. 4to. viii, 50; [i], 18; [i], 17pp. Plain grey wrappers. Some tears and many edges reinforced (with old paper). Marginal annotations, various ink blots, worming and creasing; a used set. " Italian singer and editor of plainsong. He was at some point a pupil of Palestrina, with whom he was evidently on good terms and who admired his work. He was a singer in the papal chapel in 1575 and was chaplain to Pope Gregory XIII. In 1592 he received a printer's privilege permitting him to publish chant books in small format, in contrast to the large folio size then commonly in use for such books. His publications of plainsong are the most complete and authoritative manuals of their kind from the period following the Council of Trent. The chief one is the Directorium chori, inspected and corrected by Palestrina, which provides a standardized church calendar and useful plainsong formulae based on older traditions at Rome"(Grove Music Online). Not in RISM. WorldCat appears to reference four locations (incomplete, and with different pagings). Gaspari, Biblioteca II, 85.

Not in RISM or WorldCat. Size: 4to. 52pp. [i.e. 48, p.52 misnumbered]. Marbled boards. Inner corner of title-leaf torn and repaired, some small holes; one or two small marginal repairs, lower outer corner of pp.5/6 missing with loss of a few notes in final stave.

Condizione: molto buono. in-8 (175x125), pp.(16), 669, (7), leg. antica in  velluto porpora, tagli rossi. Musica annotata impressa in rosso e nero in tutto il volume. Una delle prime edizioni di uno dei fondamentali trattati di musica sacra, voluta da Palestrina che ebbe da Papa Gregorio XIII l'incarico di regolare e unificare le musiche e i toni dei cori. Fu il giovane Guidetti (1532-1592) a redigere con quello scopo il presente trattato, grazie alla profonda sua conoscenza delle fonti manoscritte di musica sacra. (La prima ediz. fu pubblicata nel 1582, e venne ristampata sino al 1874). Assai raro così ben conservato. Wolffheim II, 2300. Eitner, IV, 417. Book.

Condizione: molto buono. 3 vol. in-4, pp. 52, 20, 16. Leg. coeva m. perg. e ang. Titoli a stampa rossa e nera racchiusi in larga bordura silogr., con vignetta a centro pagina. Nel testo 12. capilettera con grandi vignette silogr. ripetute nelle tre parti, raffiguranti i quattro evangelisti, ciascuno col proprio simbolo. Pagine interamente musicate con notazione gregoriana, testo evangelico in nero (i tre vol. sono suddivisi rispettivamente: Verba evangelistae, Verba Christi, Verba turbarum); nel I vol. precede una pag. di spiegazione circa le cerimonie, le note, le linee, ecc. Quarta edizione (la prima era apparsa nel 1586) di quest'opera originale del ''Canto della Passione'', completo e corretto, che ebbe notevole successo e diffusione. G. Guidetti (Bologna 1531 - Roma 1592) fu allievo e collaboratore di Palestrina, cantore nella Cappella papale e cappellano di Gregorio XIII, compositore e revisore di opere della liturgia cattolica (Graduale, Antiphonarium). Rara opera, mai apparsa nelle vendite d'asta degli ultimi decenni. Ottimo esempl Fétis IV, 144-5. Encicl. Musica III, 229. STC, XVII sec., 429 (ed. 1637). Book.

Condizione: molto buono. in-8, pp. (16), 669, (7), bella legatura dell'epoca in marocchino nocciola, decorata in oro, ai piatti due riquadri di triplice filetto, fiorone agli angoli, al centro placca ovale contenente armi gentilizie, dorso a 5 nervi, titolo e motivi vegetali in oro, tagli dorati. Stemma del cardinal Farnese al frontespizio; il volume è interamente stampato in rosso e nero, con musica notata. Uno dei fondamentali trattati di musica sacra, voluto da Palestrina che ebbe da Papa Gregorio XIII l'incarico di regolare e unificare le musiche e i toni dei cori. Fu il giovane Guidetti (1532-1592) a redigere per quello scopo il presente trattato, grazie alla sua profonda conoscenza delle fonti manoscritte di musica sacra. (Antico timbro al frontespizio, rare fioriture, restauro a cuffia e cerniere inf.). Book.

Paperback. Condizione: New.