Graves robert edmund (49 risultati)

Condizione: Very Good. Reprint. VERY GOOD CONDITION, A small check mark near a very few poems ; Gold spine titles on dark blue cloth hard covers. Large EL in script bottom spine.INDEX OF AUTHORS.ALL ON NICE WHITE MATTE PAPER. ; 351pg pages. Illustrated by Decorated Endpapers "EL"(orange) (illustratore). …

Condizione: New.

Condizione: New.

Condizione: New.

Hardcover. Condizione: Very Good. 2 volumes, tall 8vo, 3/4 calf & buckram, t.e.g., marbled endpapers; 755pp. + 779pp. The revised & enlarged edition by Graves & Armstrong. 1902 printing of I, 1895 printing of II. No gap or overlap. VG: calf rubbed and chaffed along the edges and at the corners but still presentable; edges clean and unfussy; hinges solid; text clean. A robust and workmanlike set. Extra postage will be asked (11).…

Condizione: New.

Condizione: New.

Quarter Bound. Condizione: Very Good. New Edition, Revised and Enlarged. 755 pages, b/w illustrations, corrigenda slip tipped in. Some bumping, wear to extremities, fraying to spine, some loss, front hinge starting but firm, previous owner's blind stamp to front endpaper, age toning to pages. [801] Size: 270mm. x 190mm. …

Condizione: New.

Condizione: New.

Condizione: New. pp. 766.

Soft cover. Condizione: Very Good. 1st Edition. FIRST EDITION. Octavo (20 x 15cm), pp.x; 133-172; xi-xiv. Publisher's card wraps printed in red and black, price of one shilling net to upper. Some spotting to edges and covers, staples rusted, lightly handled. Very good.

Condizione: Fine. First edition hard back binding in publisher's original black cloth covered boards, blocked and lettered gilt back. Quarto. 10'' x 8''. Contains 192 pp with monochrome illustrations and archive photographs throughout. Fine condition book in Fine condition dust wrapper, not price clipped. Member of the P.B.F.A. FIRST WORLD (Great) WAR.…

Buch. Condizione: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Condizione: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Kartoniert / Broschiert. Condizione: New.

Taschenbuch. Condizione: Neu. Neuware - This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. …

Taschenbuch. Condizione: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Condizione: New.

Hardcover. First Edition; First Printing. Very Good+ in a Very Good+ dust jacket. Small closed tears on spine crown and bottom front panel. Small open tears on panel corners.

Condizione: Sehr gut. Zustand: Sehr gut | Seiten: 766 | Sprache: Englisch | Produktart: Bücher | This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.…

Buch. Condizione: Neu. Neuware - 'Dictionary of Painters and Engravers, Volume 1' is an invaluable resource for art historians, researchers, and enthusiasts. Compiled by Michael Bryan, Robert Edmund Graves, and Sir Walter Armstrong, this volume provides detailed biographical entries on a wide array of painters and engravers. First published in 1899, it offers insights into the lives, techniques, and artistic contributions of numerous figures in the art world. This dictionary serves as an essential reference work, preserving the legacies of artists and providing a rich tapestry of art historical information. The comprehensive nature of this work ensures its continued relevance for anyone seeking to understand the depth and breadth of artistic achievement across different eras and regions.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Two vols. 4to. 756pp.and 780pp. Two-tone, brown and plum buckram, a very good copy indeed. Heavy set. Please contact seller direct for accurate overseas shipping charge. The revised & enlarged edition by Graves & Armstrong. A major reference work.

Condizione: Very Good. 23 volumes (22 Augustan Books of Modern Poetry & 1 Augustan Books of English Poetry). Volumes of the following authors: Laurence Binyon, Edmund Blunden, Robert Bridges, Rupert Brooke, John Davidson, W.H. Davies, Austin Dobson, Lord Alfred Douglas, John Freeman, Sir Edmund Gosse: Robert Graves, Andrew Lang, Walter de la Mare, Alice Meynell, Siegfried Sassoon, Edward Shanks, Dora Sigerson Shorter, Edith Sitwell, Robert Louis Stevenson, Algernon Charles Swinburne, Edward Thomas, Humbert Wolfe & W.B Yeats (Second Series, number 4 of the English Poetry series). Staple-bound. Rusting to staples in all copies with some staining to wrappers. Chipping to wrappers of some issues. Previous owner's name, date, and location written in pen on most copies (see Yeats copy for representative mark). All copies free of internal marks. Some light toning and bumping along edges, some foxing to a few copies. All copies bound and intact. Condition consistently Good to Very Good. Feel free to write about interest single or select titles from series.…

Condizione: New. Print on Demand pp. 188.

Leather. Condizione: Very Good Indeed. An attractive two volume set of this comprehensive art reference work from English art historian Michael Bryan. Complete in two volumes. The first reprint of the new edition, revised and enlarged. Volume one covers artists from A to K, and volume two covers artists from L to Z. With five pages of the monograms of artists and engravers to the rear of volume two. A detailed and comprehensive reference work for painters and engravers through history that would become a standard reference guide from its initial publication in 1813-1816 until its final printing in 1920. With reference to each individual artist's work, education, biographical history, and critical reception. Written by Michael Bryan, an English art historian, art dealer and connoisseur who owned a fashionable art gallery in Savile Row, London. Edited by Robert Edmund Graves, an English librarian and Sir Walter Armstrong, a British art historian and author. Bound in half crushed morocco with cloth covered boards. Externally, smart with light rubbing to the extremities and fading to the spine. The odd small mark with minor loss to the spines. Internally, firmly bound. Pages are very bright with light scattered spotting. Further spotting to the first and last few pages with minor age toning to the extremities. Previous owners' bookplate to the front pastedown. Very Good Indeed. None (illustratore). book.…

[Art Reference] LEATHER-BOUND REVISED EDITION. Complete in two volumes. Large octavo (27 x 19cm), pp.viii, 755 [3]; pp.viii, 779 [3]. Contemporary navy half morocco, with raised bands, gilt titles and decoration to spines, and marbled paper over boards. Top edges gilt, with marbled endpapers. Gently toned throughout, with a touch of spotting to edges and endpapers. Spines toned and rubbed, with some re-colouring, otherwise light wear to bindings. Very good.…

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A good condition complete set of two books. The New Editions, Revised and Enlarged and edited by Walter Armstrong and Robert Edmund. Both are ex-library rebinds into half-leather red boards with the usual amount of stamps. Rubbing to the leather sections. The contents show a typical amount of tanning and age, with the outer textblock edges notably darkened and occasionally nicked or with minor bent corners. The internal pages are in nice shape, with bright centres and unfaded print. Structurally sound copies. …

Condizione: New. Print on Demand pp. 798.

For information on Graves see the generous obituary of him in The Times, 18 April 1944. Both items in fair condition, lightly aged and worn, with minor staining from paperclip to first leaf of letter. The work was not published, and although Graves states in Item One that the greater part of the text is 'in the hands of my typist', there is no record of its survival, or of the thousand related documents he states were sent to him by M. H. Spielmann. ONE: ALS from 'C L. G.' to 'Dear Evoe'. 4pp., landscape 8vo. Having sent Knox a typescript of the first part of his book, Graves begins on the subject of Knox's memorandum, saying that he is 'sending in a separate envelope my notes on your questions and very helpful suggestions arising out of the first instalment'. He explains that he has been asked 'to undertake the book' by 'Phil', who 'made it clear that it should consist of only one volume' With reference to M. H. Spielmann's 'History of Punch', Graves reports that 'Phil' found that 'Spielmann's idea of incorporating in the work his own volume in a revised form was quite impracticable. Speilmann acquiesced and very handsomely handed over his book to be condensed in the introductory part of the new book, subject of course to due acknowledgment.' Spielmann has sent Graves 'an enormous quantity of material, which he has collected since his history of Punch was published in 1895, for a second edition of it. These have been arriving at intervals during the last few months and I calculate that they run to at least a 1000 documents, letters, newspaper cuttings, articles &c'. Having felt 'bound to go through them', Graves is 'at last emerging from the wilderness, having made extracts from and notes on the very small proportion that was of any real value.' The correspondence includes 'some letters from Burnand Furniss and that old bore Arthur-à-Beckett', but is 'mostly of an intimate and controversial character & quite unsuitable'. He praises Spielmann's 'instudstry ( 'No contributor to Punch however insignificant has escaped his notice'), but considers that, being a literary critic, he 'leaves much to be desired, giving as an example his 'admiration for Clement Scott's verses(!)'. Graves also feels that Spielmann's 'loyalty to his race has not unnaturally affected his judgment in dealing with Punch's attitude towards Jews'. Graves has nevertheless found 'a small residuum of interesting new matter, notably about Charles Keene ad his relation with Edward FitzGerald, and letters from Ansty Guthrie on his authors'.These matters have a bearing on Graves's 'primary preoccupation': 'the condensation of the work into one volume of normal size'. The book 'ought not to run to much more than 100,000 words', but 'drastic revision will be necessary', as he has 'already written nearly that on the period down to 1920', 'it is really a rather appalling job, but if my health remains as good as at present, I do not despair of bringing the record more or less up to date by the end of the year.' At Graves's age (81 or 82) 'one can't look far ahead'. He explains his 'scheme': 'to treat the progress of Punch in sections. The first deals with the Jerroldian régime democratic and humanitarian, the second with Punch's gradual move to the Right, while remaining a Reformer and an advocate of non-intervention. The third covers the long duel between Gladstone and Dizzy, Dizzy's imperial policy and his decline. The fourth covers the Victorian climax, culminating in the pageantry of the Jubilee of 1887, and the fifth treats of the passing of the Old Order and events which led up to the Great War.' He has written a shorter section on 'Punch in War Time, and there remains the Epilogue, or whatever it shall be called, on the aftermath of the Versailles Conference'. Each section 'opens with a review of High Politics as they are dealt with by Punch, and contains chapters on the other activities and interests, manners, fashions, art and sport &c.' He concludes the letter with a justification of his 'method', despite its 'drawbacks'. He hopes to 'send in the sections down to the end of the War by the end of the month; they are now in the hands of my typist'. TWO: 5pp, 8vo. Headed 'Notes on your Memorandum. | When you have found time to read them, would you kindly return them, as there are some passages that I may possibly want to refer to.' A closely-written draft, with deletions and emendations. Graves responds to comments by Knox on the first 87pp. of typescript of the work, with subjects including: Mark Lemon; the first Almanac; the Mark Twain dinner; Punch's attitude to 'Dizzy' ('Punch did not love Jews, but he was never an anti-Semite. Spielmann misrepresents him in this matter, and disregards Punch's consistent support, in its final stages, of the Jewish Disabilities Removal Bill.'); Punch a London paper; the Prince Consort; attacks on Foreign Sovereigns; the change of opinion in the Jerrold family; Thackeray and his political opinions; Leech's picture of "The Great Social Evil". There is also a long section headed: 'General Question of Punch's attitude to Popes, Roman Catholicism and Ritualism.'.…