Gunn grazia (16 risultati)

1 Audience: General/trade. Very good. light shelf wear, ex museum stamp on blank flyleaf.

Small 4to, 93pp. Colour and black & white illustrations. A very good paperback copy. Exhibition Catalogue.

Soft cover. Condizione: Near Fine. Not Indicated. A couple of price labels on cover, otherwise in very nice condition. Arthur Merric Bloomfield Boyd AC OBE (24 July 1920 - 24 April 1999) was a leading Australian painter of the late 20th century. Boyd's work ranges from impressionist renderings of Australian landscape to starkly expressionist figuration, and many canvases feature both. Several famous works set Biblical stories against the Australian landscape, such as The Expulsion (1947-48),[1] now at the Art Gallery of New South Wales. Having a strong social conscience, Boyd's work deals with humanitarian issues and universal themes of love, loss and shame.[2] Boyd was a member of the Antipodeans, a group of Melbourne painters that also included Clifton Pugh, David Boyd, John Brack, Robert Dickerson, John Perceval and Charles Blackman. The Boyd family artistic dynasty includes painters, sculptors, architects and other arts professionals, commencing with Boyd's grandfather Arthur Merric Boyd, Boyd's father Merric and mother Doris, uncles Penleigh Boyd and Martin Boyd, and brothers Guy and David. Mary Boyd, his sister and also a painter, married first John Perceval, and then later Sidney Nolan, both artists. Boyd's wife, Yvonne Boyd (née Lennie) is also a painter; as are their children Jamie, Polly, and Lucy. In 1993, Arthur and Yvonne Boyd gave family properties comprising 1,100 hectares (2,700 acres) at Bundanon on the Shoalhaven River to the people of Australia. Held in trust, Boyd later donated further property, artwork, and the copyright to all of his work. Color & B/W Plates (illustratore).…

Soft cover. Condizione: Very Good. 1st Edition. remains of a small sticky label on the front end paper, illustrated, 42 pages.

Small 4to, 93pp. Colour and black & white illustrations. A very good paperback copy. Exhibition Catalogue.

Soft cover. Condizione: Near Fine. Near Fine paperback. Overall a bright and attractive copy. No major wear or aging. Color plates. 200 pp.

4to, 94pp. Original pictorial wrappers, slightly edgeworn. Numerous full colour and b/w reproductions of Boyd's works. Name inscription of Leigh Astbury on spine. A near-fine copy. First edition.

Large quarto softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copIes, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.…

21 x 20,5 cm. 41,(1) p. Original illustrated boards. Good condition. =================== LIEBE KUNDEN, ICH MACHE MEINE DIESJÄHRIGE HERBSTAKTION MIT 30% AUF DEN GESAMTEN BESTAND. DIE AKTION LÄUFT BIS EINSCHLIESSLICH SONNTAG 25. OKTOBER. WICHTIG: DER 30%-RABATT WIRD ERST NACH IHRER BESTELLUNG ABGEZOGEN, SIE ERHALTEN EINE EMAIL MIT DEN AKTUALISIERTEN ZAHLUNGSINFOS VON MIR. ICH FREUE MICH WIE IMMER AUF IHR INTERESSE AN MEINEN SELTENEN BÜCHERN, ARCHIVALIEN UND UNIKATEN.====================.…

Paperback. Condizione: Very Good. [Aboriginal Australian Art Exhibitions] Softcover. Good binding and cover. Clean, unmarked pages. 45 pp, illustrated in colour.

Soft cover. Condizione: Fine. First Edition. 5 pages of text, introductions etc, 23 pages of black/white pictures of various primitive works of art. This is the program for the Exhibition held in Melbourne.

200 pp including index, quarto, decorated end papers, colour and b&w plates and illustrations, very good copy in illustrated, limp wrappers. 2nd edition, first published 1993.

Canberra : Australian National Gallery, 1985. Quarto, illustrated card wrappers, pp. 93, illustrated. Provenance: The library of the late Felicity St John Moore, art historian, curator and author, signed by her on the front free endpaper.

Paperback. Condizione: Very Good. A wonderful collection of 24 Australian art magazines printed 1996-2002. Softcover. Good bindings and covers. Shelf wear. A couple volumes sunned on spine. Clean, unmarked pages. Related ephemera included. Interesting articles in this collection include: That Sidling Sight, The art of Rosalie Gascoigne by Hannah Fink; Illusion as metaphor, the art of Marion Borgelt by Paul McGillick; Religion, an unfamiliar art by Rod Pattenden; Rick Amor, Returning to Long Island by Gary Catalano; Asian-Australian Artists, Cultural shifts in Australia by Melissa Chiu; Pip Stokes, Unfolding the night by Stephanie Radok; Monet and Japan, Fragments of one floating world by Nick Waterlow; Gardens of Night and Shadow by Laura Murray Cree; Hunting the Puma, the art of Peter Graham by Grazia Gunn; The Book of Kells, Icon for a digital age by Hilary Maddocks; Meaning and Abstraction, The essence of Aboriginal Art by Judith Ryan; Central Psychie, Non-indigenous art in Alice Springs by Kieran Finnane; The Magnificent Seven, The imaginary worlds of Domenico de Clario by Grazia Gunn; David Noonan, A space odyssey by Natalie King; Going to Extremes, George Silk photographer by Gael Newton. Contents: Vol. 34, No. 1, 1996; Vol. 34, No. 2, 1996; Vol. 34, No. 3, 1997; Vol. 34, No. 4, 1997; Vol. 35, No. 1, 1997; Vol. 35, No. 2, 1997; Vol. 35, No. 3, 1998; Vol. 35, No. 4, 1998; Vol. 36, No. 1, 1998; Vol. 36, No. 2, 1998; Vol. 36, No. 3, 1999; Vol. 36, No. 4, 1999; Vol. 37, No. 1, 1999; Vol. 37, No. 2, 1999; Vol. 37, No. 3, 2000; Vol. 37, No. 4, 2000; Vol. 38, No. 1, 2000; Vol. 38, No. 2, 2000; Vol. 38, No. 3, 2001; Vol. 38, No. 4, 2001; Vol. 39, No. 1, 2001; Vol. 39, No. 2, 2002; Vol. 39, No. 3, 2002; Vol. 39, No. 4, 2002. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.…

83 pp.; 29.6 x 19.5 cm.; glue bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed; Reprint of issue no. 2 out of three published issues of Eau de Cologne, a magazine edited by gallerist Monika Sprüth focused on women in the artworld. Includes features on Meret Oppenheim, Christiane Meyer-Thoss, Sophie Taeuber-Arp, Louise Lawler, Jenny Holzer, Marianne Eigenheer, Nancy Dwyer, Annette Lemieux, Gretchen Bender, Anne Loch, Bettina Semmer, Jutta Koether, Ina Barfuss, Katharina Fritsch, and Susan Hiller ; "Louise Bourgeois : LAIR," by Stuart Morgan ; "Russische Konstruktivistinnen Die 'Anderen' der Anderen welt" by Jo-Anna Isaak ; an interview between Eva Hesse and Cindy Nemser ; "Desire" by Ulla Frohne ;"Speech Acts : Tokens of the 1980s," by Paul Taylor ; "If You're Successful Why Do You Feel Like a Fake," by Mary-Anne Staniszewski Interviews with Barbara Kruger, Barbara Jakobson, Iwona Blazwick, Catherine Lacey, Maureen Paley, Dorine Mignot, Marie-Claude Jeune, Adelina von Fürstenberg, Carmen Giminez, Maria Corall, Grazia Gunn, Mary Jane Jacob, Lisa Phillips, Linda Shearer, Bernice Rose, Joan Simons, Kathy Halbreich, Sue Grace, Katharina Schmidt, Marie-Luise Syring, Evelyn Weiss, and Marianne Stockebrand. Cover image by Barbara Kruger.Text in English and German. Very Good. Light rubbing of covers. 1 cm. tear to top layer of paper along lower edge of spine. Contents clean and unmarked.…

Parkville, Vic. : University of Melbourne, [1973]. Small quarto (240 x 210 mm), spiral bound pictorial wrappers, 45 pp, illustrated in colour and b/w; a very good copy; with a loosely enclosed typed letter from the Vice-Principal of the University of Melbourne, Ray Marginson, dated 18 June 1986, presenting this copy to Werribee Councillor Frank Purcell, together with Purcell's typed letter of reply. Catalogue for an exhibition curated by Grazia Gunn which showcased the important group of Groote Eylandt bark paintings and traditional artefacts from the Leonhard Adam collection at the University of Melbourne. …