Gunnar danbolt (28 risultati)

Hardcover. SIGNED. First edition, presumed. The catalogue for an exhibition of work by the Norwegian sculptor Gunnar Torvund, held at the Bergen Art Association, May 21 - June 21, 1987. Essay by Gunnar Danbolt; photographs by Oystein Klagegg. SIGNED BY TORVUND on the page opposite the first page of text; no inscription. 25 pages of text with b&w text illustrations + color plates of works, studio scenes, and the artist at work; 7.25 x 12 inches. Biography/exhibition history. Text in English and Norwegian. Condition: Good+ hardcover with a half-inch loss to the spine at the crown; a half-inch tear at the spine, and light shelf wear; interior clean and bright; no dj as presumed issued. Ships the next business day, wrapped in padding, in a box. Oystein (photographer); Over 30 Color Photographs; Few B/w Illustrations Klagegg (illustratore).…

Hardcover. Condizione: Very Good. 1st Edition. hardback, laminated boards, 25pp followed by colour plates, ownership label to ffep. Oystein (photographer); Over 30 Color Photographs; Few B/w Illustrations Klagegg (illustratore).

Hardcover. Condizione: Very Good. No Jacket. First Edition. A very good copy with slight soiling and rubbing to covers (plain white boards; chiefly at edges); slight bumping to lower edges (midsections); slight internal browning to edges. 25, [43] pages (chiefly unpaginated). Upper cover title. Text in English and Norwegian. Catalogue issued for the festival exhibition of the Bergen (Norway) Art Association, May - June 1987, and the subsequent viewings at 3 other Scandinavian and 1 US institutions, October 1987 - November 1988. Essay by Danbolt; includes biographical chronology. Signed by Torvund in blue ink on page [2]. Scarce in any condition.Klagegg, Oystein (photographer); Over 30 Color photographs; Few b/w Illustrations. Oystein (photographer); Over 30 Color Photographs; Few B/w Illustrations Klagegg (illustratore).…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. No inscriptions and not price clipped. The Dust Jacket is near fine. Bright and clean. Intact. Hardly any shelf wear. The corners are very good. Very, very small amount of wear (not nicked) at the top and bottom of spine of DJ. The book itself is fine. Blue hardcovers. Pages are bright and clean and the spine is tight. 185 pages. Text is in English and Norwegian. Copious colour plates Printed on fine quality part silk paper. .Encompasses the main trends in Norwegian painting of the past 40 years from the 1960's to 2002. A stunnning and considerable collection of art. No other copy on worldwide websites at time of input. This book weighs over 1 kg and postage in the UK in Nov 2009 will be £4.41 and international will be more. An excellent copy of a scarce book.…

Condizione: As New. Unread book in perfect condition.

4°, OLn. mit OSU. Aufl.: 800 Expl... 96 S. mit zahlr. Abb., Text in norw. u. engl., Name auf Vorsatz, sonst sehr gut erh. nn Gewicht in Gramm: 1050.

hardcover. Condizione: Good.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New. In English.

Condizione: New.

hardcover. Condizione: Gut. 336 Seiten; 9783897906341.3 Gewicht in Gramm: 4.

Decorative Cloth. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. First English language edition, 1994. Printed and bound in Finland. 11.75 x 9.5 inches. Bound in black buckram, with silver design to the front board and with silver lettering to the spine. Unbumped spine head and tail, and with fairly sharp corners. Text block firmly bound in. 223 numbered pages, with dozens of crisp color plates and archival photos, including several full-page and double-page plates, all on coated stock. An impressively clean interior. No stains, stampings or underlining noticed. With an illustrated, glossy paper dust jacket. The DJ with very minor edge wear top and bottom. A Near Fine copy in a Very Good DJ. 3 lbs. "Arne Åse is one of Norway's most prolific ceramic artists and enjoys wide recognition both nationally and internationally due to his artistic work, his position as a teacher, and his strong opinions on the ceramic arts. He was the first professor of ceramics in Norway and has always worked to raise the reputation and prestige of the ceramic arts.". Åse, Arne (illustratore).…

Large Hardcover. Scuffed Dustjacket. Signed / Inscribed. Good.

Hardcover. Condizione: Very Good. 2018 OUP hardcover reprint edition. Unread copy in very good condition. CONTENTS: Introduction: Visual Representations of the State as Propaganda and Legitimation: Allan Ellenius The Baroque Stage The Rhetoric of Images PART I The Rhetoric of Images and the Spell of Metaphors 1. The Portrait of the Prince as a Rhetorical Genre: Kurt Johannesson 1.1 To Teach and Persuade with Examples 1.2 The Instruction of Princes 1.3 Princely Portraits 1.4 Epilogue 2. From the exemplum virtutis to the Apotheosis. Hercules as an Identification Figure in Portraiture. An Example of the Adoption of Classical Forms of Representation: Friedrich Polleross 2.1 Introduction 2.2 Identification in Portraiture 2.3 Hercules after the Revolution 3. The Orb as the Symbol of the State in the Pictorial Cycle Depicting the Life of Maria de' Medici by Rubens: Matthias Winner 3.1 Consignment of the Regency 3.2 Coronation of Maria de' Medici 3.3 Apotheosis of Henry IV and the Proclamation of the Regency 3.4 Council of the Gods 3.5 Felicity of the Regency PART II Agents of Fame-Making 4. Monarchic Liturgies and the 'Hidden King': The Function and Meaning of Spanish Royal Portraiture in the Sixteenth and Seventeenth Centuries: Fernando Checa Cremades 4.1 The Beginnings of an Image: From the World of Burgundy to the Defining Iconography of Maximilian I 4.2 Art, Architecture, and the Establishment of Power under Charles V: Limits and Symbols of Authority 4.3 The Purposes and Functions of Court Portraits 4.4 Philip II and the Ritual Concept of the Image 4.5 The 'Realistic Portrait' and Images of the Kings and Queens of Spain, 1500-1800 4.6 The Hidden King and Funeral Images 4.7 The Extension and Transformation of Seventeenth-Century Art 5. Propaganda and Legitimation in Castile: Religion and Church 1250-1500: Jose Manuel Nieto Soria 5.1 Apparent Secularization 5.2 Ideology and Government 5.3 Resources of Propaganda and Legitimation 5.4 Popular and Courty Devotion 5.5 A Christian King for a respublica christiana PART III Medieval Legacy and Renaissance Imagery 6. Rex et sacerdos: The Holiness of the King in European Civilization: Sergio Bertelli 7. Visual Images of Papal Power: The Legitimation of Papal Power in the Thirteenth and Fifteenth Centuries: Gunnar Danbolt 7.1 Introduction 7.2 The SS Quattro Coronati Frescoes from 1246 7.3 From SS Quattro Coronati to the Stanza dell' Incendio in the Vatican 7.4 The Stanza dell' Incendio in the Vatican 7.5 A New Political Situation for the Church 7.6 The Internal Political Situation 7.7 Significance and Presentation 7.8 Conclusion 8. Visual Ideas of Papal Authority: The Case of Bologna: Rudolph Preimesberger PART IV Rituals and Ceremonies 9. Ceremonial Space: Juliusz Chroscicki 9.1 Terminology 9.2 Church 9.3 Residence 9.4 Town 9.5 Country 9.6 Routes in Four Areas of Ceremonial Space 9.7 The Iconography of the Modern State and Ceremonial Space 9.8 Conclusion 10. Beneath the Ceilings of Versailles: Towards an Archaeology and Anthropology of the Use of the King's 'Signs' during the Absolute Monarchy: Gerard Sabatier 10.1 The Functional Issue 10.2 Descriptive Approaches PART V The Demise of Time-Honoured Mythologies 11. The Demise of Royal Mythologies: Peter Burke 11.1 The Crisis of Representation 11.2 The Decline of Correspondence 11.3 New Mythology 12. Republican Virtues and the Free State: Conceptual Frame and Meaning in Early Modern Europe and North America: Thomas Froschl.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Presumed First Edition. Presumed first edition w/NAP, hardcover, published on the occasion of the exhibition by the same title, the book has a mild skew to the binding, moderate bumps to the upper cover corners with a hint of creasing to the pages, and some faint rubbing to the covers. Otherwise, this is a solid, tight and bright Very Good copy in a like dust jacket, which has light bumps with a touch of creasing to the upper fore corners, slighter shelfwear to the spine ends and edges, and some rubbing to the covers with a small smudge to the back. The jacket is wrapped in Mylar.…

Condizione: Good. Bergen: Bergens Kunstforening, 1987. 4to. Unpaginated. Norwegian and English. Illus. Good book. Front joint chipped about 1/3 of the way down from crown. Gifter's inscription on dedication page. (sculpture, exhbition catalog, books in Norwegian) [ISBN 8273260097] Inquire if you need further information.…

Buch. Condizione: Neu. Pål Vigeland | When Metal Becomes Nature, Engl/norweg | Gunnar/Veiteberg, Jorunn Danbolt | Buch | 224 S. | Englisch | 2019 | Arnoldsche Verlagsanstalt | EAN 9783897905528 | Verantwortliche Person für die EU: arnoldsche Art Publishers, Olgastr. 137, 70180 Stuttgart, art[at]arnoldsche[dot]com | Anbieter: preigu. …

Soft cover. Condizione: Very Good. No Jacket. Text in English and Chinese.

Hardcover. Condizione: New. Andy Warhol (1928-1987) famously once declared: "If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There's nothing behind it." In 1984, the avatar of superficiality took on a potentially surprising new subject: the work of Norwegian Symbolist Edvard Munch (1863-1944). Warhol made an extensive series of prints based on four of Munch's major subjects--the iconic "The Scream," "Madonna," "Self-Portrait" and "The Brooch"--working with dazzling new color tones including silver and gold. Published on the occasion of an exhibition at the Louisiana Museum of Modern Art, and featuring a beautiful silkscreened cover, Warhol after Munch unites Warhol's unusual series with its source material. With some never-before-reproduced works, along with in-depth scholarly essays, this catalogue is a must for fans of Munch and Warhol alike, and anyone interested in the cross-germination of visual ideas.…

Universitetsforlaget, Oslo 1988. 248 sidor + xvi planscher. Förlagsband. Gott skick.

4to. 224pp. Original boards in dustwrapper. Numerous colour and black and white illustrations; previous owner's name. A near fine copy. Heavy book. Please contact seller direct for accurate overseas shipping charge. First edition in English.

Museum Tusculanums Forlag, København 2003. 304 sider. Illustreret i s/h. Orig. papbind. * Tekst på norsk.

Museum Tusculanums Forlag, København 2003. 304 sider. Illustreret i s/h. Orig. papbind. * Tekst på norsk.

Softcover. Condizione: Sehr gut. Text in Hungarian and English. Softcover. 158pp. Very good copy, as new.

The human figure is the centerpiece of NilsenÆs paintings, which resound with deep vibrant colors and an energy harkening to both the conscious and unconscious worlds. A very personal glimpse into the life and work of this intriguing Norwegian artist, with a revealing interview between the artist and good friend Gunnar Danbolt., Norwegian/ English, Year1998, Illust. B/W14, Illust. Color162, ISBN 8273931110, Code 4706. Hardbound w/ Jacket, In Pristine Condition, Bio. Pages 232, Size 10öx 12ö.…

A very comprehensive book on contemporary ceramics, including large public murals to sculptures and functional ceramics.Beautifully illustrated., Norwegian, Year1990, Illust. B/W44, Illust. Color44, ISBN 8209106139, Code 0193. Clothbound, Jacket damaged, book in perfect condition., Pages 127, Size 11öx 9 1/2ö.…

Hardcover without dustjacket as issued, 158 pages, in English and Hungarian; very good condition; rubbing to white covers; no internal marks. Foreign shipping may be extra.