Hans kreitler (46 risultati)

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Good. Dust Jacket Included. 1st Edition. dark grey full cloth hardcover 8vo. (octavo). dustwrapper in protective brodart book jacket cover. underlined copy in good cond. binding square & tight. covers clean. top edge has faint spots, other edge clean. previous owner's name inked on front flyleafapproximately 21 pages underlined in pencil (erasable, in chapters 3& 5). dustwrapper in good cond. smudgey, soiled, pull tear at spine top, not price clipped (no price listed). good used reading copy. no library markings, no remainder markings. first edition. first printing (same date on title & copyright page, no additional printings indicated). xiv+514p. 16 pages of glossy (mostly) full color plates. b&w illustrations. notes. references. name index. subject index. psychology. art history. art books. philosophy. pedagogy. ~ Psychology of the Arts combines an authoritative and clear coverage of basic theories and experimental findings with the presentation of an original theory about the experiencing of art. It is the most comprehensive textbook on art psychology published for many decades. It covers painting, sculpture, music, dance and literature, integrating an experimental approach in psychology with a professional examination of the specific arts and a discussion of major issues in art~both traditional and modern. The authors examine the psychological experience of the art spectator to answer the question: "What characteristics and qualities must a work of art possess so that it can elicit an art experience?", and they examine the qualities of works of art to answer the question: "What kind of experience can be elicited by stimuli of this type?" The first part of the book deals with the impact of the basic media of the arts. It centers on questions such as: What is the experiential impact of colors on the spectator? How does the interaction of space and surface, or of material and shape in sculpture affect the observer? What kind of experiences are evoked by harmony, melody, and rhythm in music, by movement in dance, or by phonetic sounds in poetry and different sentence structures in prose? In answering these and other questions, the authors analyze the basic art stimuli in terms of their effects on arousal, processes of tension and relief, and meaning elaboration of the input. The second part attempts to answer questions such as: How does a work of art emotionally involve the spectator? In what ways does this involvement differ from that in a story heard from a friend or a landscape viewed through a window? When does a work of art provide cathartic relief and when does it elicit imitation in the spectator? How is it that each one of innumerable spectators in various periods and cultures experiences the contents of a specific work of art as uniquely meaningful for him personally? And, what if any is the long~range cognitive impact of art? The answers to these and other questions entail discussion of processes such as empathy, feeling~into, identification, projection, sublimation, abstraction, multi~leveledness, symbolization, and the fourfold prism of realities ~ common, archaeological, normative and prophetic~which reflect art's contribution to the cognitive orientation of the audience. Teachers and students of psychology, of the special arts, of aesthetics, and art history will welcome a text like this, one that reviews the subject in a modern psychology framework. But Psychology of the Arts is much more than the title suggests. The questions that Psychology of the Arts examines are co~extensive with the fundamental issues of human psychology. Above all, the reader will find his own experience of the arts turning into something richer and broader because of this fine volume.…

Hardcover. Condizione: Used - Very Good. Open copy with mild age-based wear, clean pages with tight binding.

Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Cloth Over Board. Condizione: Good. Good (Protective cover). 1st Edition. tight binding; some discoloring due to age; signed by previous owner; underlining and notes Size: 8vo - over 7¾" - 9¾" tall. 1st Edition.

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

loose_leaf. Condizione: Very Good. 1976. First Edition and first printing (by number line) pages all clean and bright. White cloth hardcover is clean and strong. Dust jacket is clean with wear and several small tears at top edge of jacket.

Brosch., leicht angestoßen, Deckel fleckig, sonst guter Zustand.

Hardcover. Condizione: Sehr gut. Gebunden. Orig.-Leinen mit Orig.-Schutzumschlag, 14x22, S 170. Sehr guter Zustand.

Leinen. Condizione: Gut. 443 S. : Ill., 24 cm. Guter Zustand. Bibliotheksexemplar mit Stempeln und Signatur auf Einband. Sonst Seiten sauber. / Good. Ex-library with usual markings. Clean pages. Sprache: Deutsch Gewicht in Gramm: 860.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Pages are clean and well bound, unmarked and undamaged. There is one marking underneath text and dust jacket has minor wear around edges.

Leinen. Condizione: Gut. 23,5cm 443 Seiten. Gewebe (Brauner Leinen). Zustand: Sehr Gut, eher ungelesen; Schutzumschlag (hat geringe bis leichte Gebrauchsspuren - auch einen kleinen Riß); * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

[0-8223-0269-1] 1972. (Hardcover) Very good in very good dust jacket. 514pp. Photographs, illustrations, notes, bibliography, indices. The dust jacket is lightly soiled and there is a small chip missing from the bottom back edge of the dust jacket spine. (Art, Dance, Music, Painting, Psychology, Sculpture, Writing). …

Hardcover. Condizione: Sehr gut. Ohne Schutzumschlag. 1. Auflage. Sehr gutes Exemplar der Erstauflage mit Signatur von Autor und Autorin im Jahr der Veröffentlichung des Buches, Hardcover im leicht fleckigen und minimal schiefgelagerten Leineneinband ohne Schutzumschlag, 206 Seiten in fester Bindung, an einigen Stellen Randbemerkungen, keine Beschädigungen oder Verschmutzungen, im Ganzen leichte Gebrauchsspuren, daher sehr gut als antiquarisches Geschenkbuch oder zum Weiterverkauf geeignet, im Anhang ein Fragebogen und eine weiterführende Bibliographie sowie einiges beiliegendes handschriftliches Material enthalten. »Die Annahme, dass man in kognitiver Orientierung, in dem System der Meinungen, Gedankeninhalte und Urteile, einen Faktor zu erblicken hat, der Verhalten und Entwicklung entscheidend beeinflusst, widerspricht den üblichen Auffassungen der Psychologie. Wenn wir dennoch behaupten, dass die Ansichten eines Menschen, seine Weltanschauung zum Beispiel, auf sein Tun, seine zwischenmenschlichen Beziehungen und seine normale oder abnormale Entwicklung als steuernde Kräfte einwirken, so wagen wir dies, gestützt auf eine Reihe eigener und fremder Forschungen, die zeigen, dass eine solche Behauptung theoretisch gerechtfertigt ist und als Arbeitshypothese neue und fruchtbare Aspekte erschließt. (.)« (Zitat aus der Einleitung zu Kapitel 1) Näheres, auch Inhaltsverzeichnis, siehe Fotos. Bitte um Vorkasse bei Angeboten (Buchpreis + Versandkosten) über 15 Euro, vielen Dank! Die angezeigten Portokosten ins Ausland werden den jeweiligen aktuellen Versandpreisen je nach Gewicht der Sendung angepasst. Widmung des Verfassers.…

N.Y., Springer Publishing Company, 1976. XV447 pp. Figs & tables. Hardcover with dustjacket. Fine, #0826120504. [171241].

Condizione: Good. 1990th Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Condizione: New. pp. 432.

Hardcover. 443 S. Guter Zustand. Die Leseseiten sind sauber und ohne Markierungen. Leichte Lager- und Gebrauchsspuren. Mit SU. SU mit Randläsuren und Rissen. Einband leicht fleckig. Ansonsten ordentliches Exemplar. 9783170050204 Sprache: Deutsch Gewicht in Gramm: 786.

Condizione: New. pp. 432 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

rilegato. Condizione: Very Good. Book.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condizione: Very Good.

Reinhardt, München/Basel 1965, 170 S., Obrosch., Einband etwas verknickt und fleckig.

Leinen mit SU. 443 Seiten. Kaum Lagerspuren. Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 800.

Gebunden. Condizione: New.

Condizione: New. In English.

Condizione: New. In English.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Hardly anything in psychology is as irking as the trait concept. Psychologists and laypersons alike use primarily adjective trait-names to characterize and even concep tualize the individuals they encounter. There are more than a hundred well-defined personality traits and a great many questionnaires for their assessment, some of which are designed to assess the same or very similar traits. Little is known about their ontogenetic development and even less about their underlying dynamics. Psy choanalytic theory was invoked for explaining the psychodynamics underlying a few personality traits without, however, presenting sufficient empirical evidence for the validity of these interpretations. In a reductionistic vein, behaviorally inclined psy chologists have propounded the thesis that all traits are acquired behaviors. Yet, this view neither reduces the number of personality tests nor explains the resistance of traits to modification by means of reward and punishment. Dissatisfied with these and some other less well-known approaches to person ality traits, we decided to explore whether applying our psychosemantic theory of cognition to the trait concept would do better. The way we had to follow was anything but easy.…