Hay charles l (28 risultati)

Hardcover. Condizione: Like New. Guideposts Edition. Boards and pages in great shape.Binding tight.Dust jacket has minor shelf wear.

paperback. Condizione: Very Good.

hardcover. Condizione: Very Good. Hardcover no DJ. We have 75,000 books to choose from -- Ship within 24 hours -- Satisfaction Guaranteed.

Condizione: New. In English.

Soft cover. Condizione: Very Good. SIGNED BY THE COMPOSER Charles Marshall on the front cover. Marvellous cover, suitable for framing. Some light edgewear, slight creasing, spine tape repaired, former owner's name on front cover, interior fine - music is clean and bright. Pianoforte score with lyrics. Signed by Author(s).…

Condizione: New. In English.

Condizione: New. Print on Demand.

PAP. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Buch. Condizione: Neu. Neuware - It is early in the morning during the second week of elk hunting season in Montana as Harold Hendricks leaves a note for his sleeping wife, Shayla, and heads out on a solo bowhunting excursion into the woods. But when he spontaneously decides to change direction and hunt in another location, Harold has no idea of the implications of his choice.A few hours later, Harold sustains an accident that leaves him momentarily unconscious and severely crippled. When he regains consciousness, he realizes he is alone in the mountains of Montana unable to summon help, and in life threatening circumstances. As his time in the mountains drags on, his loved ones embark on a desperate search to find him. And Harold finds himself on his own trip that he has no control over-a trip of beauty and wonder that is also more terrifying than any trip he has taken before. In the course of this trip, Harold searches for a loving God to help him amidst his suffering, his fear, and his troubled relationships at home and at work. Will he find the answers he seeks, and will his family find him before it is too late In this inspirational novel, an attorney must grapple with his complicated feelings about God after a hunting accident leaves him injured and without much hope in the mountains of Montana.…

Hardcover. Condizione: Very Good. FERRIOL, CHARLES DE (Marquis) - LE HAY - [VAN MOUR] Recueil de cent estampes representant differentes nations du Levant tirees sur les tableaux peints d'apres nature en 1707 et 1708. Istanbul: Yayin-Matbaacilik Ticaret Limited Sirketi, 1979. 4to., [4], 26, [1] p., 99 color plates, 3 color folding plates. Fac-smile edition. Original binding. Dust wrapper. Very good ISBN: CATALOG: Ottoman history KEYWORDS: Costume Clothing fashion Ottoman State Ottoman culture Ottoman Court Travel memories. …

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Condizione: New. FERRIOL, CHARLES DE - LE HAY - VAN MOUR Lale devri ressami Van Mour'un cizimleriyle Osmanlilar kiyafet albumu = An album of the wardrobe of the Ottomans with illustrations by the Tulip-era artist Van Mour. Edited and commentary: Sina Ceco. Istanbul: Kultur A.S. 2013. 4to., xci, [11], 26 p., 103 plates. In Turkish, English and French. Original binding. New ISBN: 9786054595570 CATALOG: Ottoman history KEYWORDS: Costume Clothing fashion Ottoman State Ottoman culture Ottoman Court Lale Devri Ressami Vanmour'un Cizimleriyle Osmanlilar Kiyafet Albumu, Jean-Baptiste Van Mour'un, Fransiz Buyukelci M. de Ferriol'un emriyle cizdigi ve padisahtan baslayarak, yonetici sinifa mensup kisileri, saray gorevlilerini, Osmanli toplumunu olusturan farkli etnik gruplari ve din adamlari gibi onemli tipleri yansitan resimlerini icermektedir. 102 adet resim ve bunlara ait aciklamalari barindiran kitap, M. de Ferriol 1711 yilinda Paris'e dondukten sonra, yine Ferriol tarafindan Fransa Krali XIV. Louis'e sunulmus, 1714 yilinda da yine kralin destegiyle Paris'te yayinlanmistir. Hollandali ressam Van Mour'un basarili cizimleriyle, gorsel bir solene donusen eser, yayinlandigi ilk gunden itibaren Paris halkinin ilgisine mazhar olmus ve kitabin yeni baskilari yapilmistir. Bu kiyafet albumune duyulan ilgi, Avrupa'daki "Turk Modasi" isimli akimin olusmasina katki saglamistir. Bu kitabin yayinlanmasindan yalnizca 68 yil sonra, Mozart tarafindan, Topkapi Sarayi'ni konu edinen "Saraydan Kiz Kacirma" operasinin yazilmasi da tesaduf olmasa gerek. …

Hard Cover. Condizione: Very Good. No Jacket. First Edition. First edition, second state, with Rockwell & Churchill device on copyright page (BAL 3363). Front and end matter and a couple plates foxed, front hinge just beginning to weaken. 1875 Hard Cover. xv, 411 pp. Original green cloth, gilt and black titles and decorations, all edges gilt, 19 engravings, 31 illustrations. Includes first appearance of Mark Twain's 'An Encounter with an Interviewer' as well as contributions by: Whitelaw Reid, Wilkie Collins, Mark Twain, John Hay, John Brougham, Noah Brooks, P.V. Nasby, I.H. Bromley, John Elderkin, Thomas W. Knox, W.J. Florence, Chandos Fulton, J. Henry Hagar, Champion Bissell, J.B. Bouton, W.S. Andrews, Gilbert Burling, Chas. I. Pardee, M.D., C. McK. Leoser, Hon. R.B. Roosevelt, William F. Gill, C. Florio, C.E.L., Holmes, Charles Gayler, James Pech, Mus. Doc., H.S. Olcott, Edward Greey, J. Brander Matthews, and Alfred Tennyson.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. Near Fine Book in better than Very Good jacket. See scans. Boulder, CO: The Geological Society of America, Inc., 1968. First Edition and First Printing, with Errata slip tipped in following contents page. Frontis photo of honoree Howel Williams; plenty of scholarly graphics as well, including a veritable armada of fold-out maps and charts, some in color. Hefty quarto; photo-illustrated jacket, maroon boards with gilt spine imprinting, 678 pp. Rich in scholarly articles on the title topic, with great geographic diversity - see scan of contents page for detail. All offered as a tip of the hat to Howel Williams. The book itself is Near Fine, with a Syracuse University professor's inked signature on the ffep, and precious little else to mention. No salient flaws. See scan. The jacket is bright and unclipped, does show some moderate tatters, primarily at front panel bottom and at spine top (scan). Very handsome copy of a highly collectible genre first edition, with the full coterie of maps, charts etc. See scans. L83.…

Pas de couverture. Condizione: bon. RO50009451: XXème. In-4. En feuillets. Bon état, Livré sans Couverture, Dos satisfaisant, Intérieur frais. 4 pages. Couverture muette. . . . Classification Dewey : 780.26-Partitions.

First collected, and first hardcover edition, first printing. Signed by the the authors. Publisher's original quarter black faux leather and textured paper covered boards, with titles in silver to the spine, in the Michael Whelan illustrated dustwrapper. Housed in the grey cloth, velvet-lined solander box, with a paper title label to the spine. Black silk bookmark. A fine copy, the binding square and firm, bright and fresh. The contents are clean throughout, and without previous owners' inscriptions or stamps. Complete with fine pictorial dustwrapper that is without fading, loss or tears. Not price-clipped ($150.00 to the rear flap). The solander box is also in fine condition. Issued in an edition of 300 copies from which this example is numbered 58, and is signed by the editor and contributor Karl Edward Wagner and the following authors: David Drake, Michael Bishop, T. E. D. Klein, Darrell Schweitzer, Richard A. Moore, Alan Ryan, Robert Keefe, Hugh B. Cave, William Relling Jr., Dennis Etchinson, Jack Vance, Russell Kirk, Janet Fox, John Carter Tibbetts, Harlan Ellison, Lisa Tuttle, Ramsey Campbell, Steve Sneyd, Eddy C.Bertin, and Peter Valentine Timlett. The third volume in the 'Horrorstory' series, collecting all forty short stories from DAW Books' 'Year's Best Horror Stories VII, VIII, and IX', spanning the years 1979-1981. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers.…

Hardcover. Condizione: Near Fine. 1st Edition. Baltimore, tall octavo (10 by 7 inches), variously paged, hundreds of plates and text figures. ***CONTENT: The small State of Maryland is nonetheless noteworthy for its diversity of landscapes: from west to east, the folded Appalachians, the Piedmont Plateau, and the broad Coastal Plain. These volumes document the 19th century history of geological investigations, the physical features and geomorphology of the State, its geological formations, mineral resources, and paleontology. Maryland rock formations range in age from Precambrian to Pleistocene, and produce a noteworthy assortment and diversity of fossils: stromatolites, sponges, corals, trilobites and other arthropods, crinoids, brachiopods, mollusks, fishes, dinosaur remains, shark teeth, whale bones, mammoth and mastodon skeletons, and more. Volumes in this set include: VOLUME ONE (1897), with 539 p. and 17 plates; CAMBRIAN-ORDOVICIAN (1919), with 424 p. and 58 plates; SILURIAN (1923), with 794 p. and 67 plates; DEVONIAN (IN THREE VOLUMES) (1913), with 1436 p. and 171 plates; LOWER CRETACEOUS (1911), with 622 p. and 97 plates; UPPER CRETACEOUS (IN TWO VOLUMES) (1916), with 1022 p. and 90 plates; EOCENE (1901), with 331 p. and 64 plates; MIOCENE (IN TWO VOLUMES) (1904), with 670 p. and 135 plates; and PLIOCENE AND PLEISTOCENE (1906), with 292 p. and 75 plates. The authors that made contributions to these volumes reads like a list of early 20th century "who's who" of the country's most notable geologists and paleontologists. ***CONDITION: These volumes are in VERY GOOD+ TO FINE condition, uniformly bound in the original ribbed green cloth, with gilt lettering on the front covers and backstrips. The covers are well preserved, with only a trace of rubbing to the extremities. All outer joints are solid, as are most inner hinges; the bindings are firm. The text pages and illustrations are near pristine: fresh, clean and bright, with no foxing or dampstains. Most volumes are NOT ex-library, but have former owner's signatures on the front endpapers. Four volumes are signed by Marshall Kay (1904-1975), the celebrated Columbia University geologist. Save for one volume, no external ownership markings. This is a very handsome set of highly informative, profusely illustrated volumes. Domestic and international shipping will be extra, but only at my cost.…

First edition of both parts of this important work which established the standard depiction of peoples of the ottoman empire and the levant. In addition to the sixty or so plates depicting Turkish Court, noble, military and other costume, the work illustrates the regional, religious or national costume of several other parts of the Turkish Empire. These include Greeks (10); Albanians (2); Jews (3); Hungarians (2); Wallachians (3); Bulgarians (2); Crimean Tartars (1); Armenians (5); Persians (2); Indians (2); Arabs (1); Barbary Coast (4); and Moors (1). The plates for this work were commissioned by Charles de Ferriol (1652-1722), the French ambassador to the Porte between 1699 and 1709. The plates were engraved after drawings by the Flemish artist J.B. van Mour, who lived and worked in Constantinople for many years during the first part of the eighteenth century. It has been suggested that van Mour came to Constantinople with the entourage of Ferriol in 1699. When the paintings were complete, Ferriol helped Le Hay to publish the present prints of the pictures. Le Hay's work was an instant success and the plates quickly became the principal source of turqueries for artists and publishers throughout Europe. In recognition of van Mour's talents, he was granted the unique post of 'Peintre ordinaire du Roi en Levant' in 1725. Van Mour's paintings (and the plates that derive from them) show Constantinople as a cosmopolitan place with Muslims and non-Muslims uniting in shared 'Ottoman' pleasures. Armenians, Franks, Greeks and Persians are shown drinking coffee, playing mankeh (a version of backgammon), or making music. One of the folding plates shows the famed Whirling Dervishes. First edition; 2 vols in one (as intended), large folio (50 x 35 cm); [6 (title, blank, preface, advertisements)], [1]-26pp., copper-engraved music plate, copper-engraved title, 102 copper-engraved costume plates, of which 3 double-page, a touch of foxing to text only, a few marginal paper flaws, small tear and hole repaired to 100th plate; contemporary French mottled calf, gilt spine in eight compartments, gilt red morocco lettering-piece, board-edges gilt rolled, edges speckled green and red, joints and corners professionally restored, a little rubbing to extremities, a very good copy. Atabey 429; Blackmer 591; Cohen de Ricci 619; Colas 1819, 1820; Lipperheide 413, 414.…

Folio. (21 x 13 1/2 inches). Cars's edition. [2] [I]-[XVI] [1-210] 228 pp. 114 ff. 102 hand-colored engraved plates extensively heightened with gold and mica chips, numbered 1-100, 2 unnumbered, and 3 are double-page. The engravings are by Bernard Baron (1696-1762), Charles-Nicolas Cochin (1688-1754), Jacques de Franssieres (fl.1670-1730), Claude Du Bosc (1682-1745), Jean-Baptise Haussard (c.1680-1749), Pierre de Rochefort (1673-1728), Gerard Scotin the Older (1643-1715) and Younger (c.1698-1755), and Philippe Simmoneau (c.1685-1753), after Jean-Baptiste Van Mour. Title, Preface, Anecdotes de l'Ambassade, Explication des Figures, Music Sheet, 102 hand-colored engravings. Quarter green morocco with tips, straight-grain paper boards with gilt roll-tooled borders, spine in seven gilt-ruled compartments with title in second compartment and gilt device of a lyre in the rest, edges uncut A beautiful example of the expanded edition, uncut with all the plates finely colored and many luxuriously heightened with gold and mica chips, of Le Hay, de Ferriol, and Van Mour's landmark Turqurie work depicting the costume of the Ottoman Empire. The greatest color-plate book of the Ottoman Empire, the Recueil has 99 typological portraits and 3 scenes of Ottoman life at the dawn of the Tulip Era after paintings by Jean-Baptiste Van Mour. Van Mour was a Flemish-French painter who studied with Jacques-Albert Gérin (d.1702) and lived in Constantinople from the early-1700s until his death in 1737. One hundred of Van Mour's highly successful paintings were commissioned by the Marquis Charles de Ferriol between 1699 and 1709, while de Ferriol was the French ambassador to the Porte. De Ferriol represented Louis XIV in the Ottoman Empire at Hungary and Constantinople from 1692-1711 during the rule of Sultan Ahmed III. De Ferriol then worked with the artist and publisher Jacques Le Hay to have a roster of well-regarded printmakers execute engravings after Van Mour's paintings, and to publish the resulting collection. The project was so well-received that Van Mour was granted the unique post of "Peintre Ordinaire du Roi en Levant" in 1725. The plates after Van Mour depict Ottomans in the costumes of the Turkish court, nobility, and military, as well as of the distinctive regional, religious, and ethnic identities found in the diverse Empire. These include portraits of the Chief Eunuch; a Turkish man cutting his arm to prove his love for his mistress; Turkish women playing a form of backgammon; Dervishes whirling; an Albanian soldier; and a merchant in a bazaar feeding six cats. Van Mour's paintings, and the plates which were derived from them, show Constantinople as a cosmopolitan cultural center where Muslims and non-Muslims unite in shared Ottoman pleasures. Armenians, Franks, Greeks, and Persians drink coffee, make music, and dance together. The diverse peoples depicted here include Greeks (10); Armenians (5); Barbary Coast (4); Jews (3); Wallachians (3); Albanians (2); Hungarians (2); Bulgarians (2); Persians (2); Indians (2); Crimean Tartars (1); Arabs (1); and Moors (1). The Recueil enjoyed widespread popularity and dissemination and became the "basic prototype for Levantine costume plates." [Atabey] It was in part responsible for the vogue for Turquerie, or European images of Turkish Ottoman life, a form of exoticism popular in the Rococo period, which prefigured the Orientalist craze which would come to dominate much of European painting in the 1800s. The Recueil's use as a sourcebook by artists and publishers of other European texts was rampant. The work was translated into at least five languages, including the German edition printed at Nuremberg in 1719-21, and Italian and Spanish pirated editions. The plates were used by Thomas Jeffreys in his Collection of the Dresses of Different Nations in 1757 and by Viero in his Raccolta, published in Venice in 1783. Most copies were issued uncolored, and these are still the majority of copies seen today. A few w.…

Hardcover. Condizione: Good. Folio 19 x 13 1/2 inches, full period calf, spine repaired. 2 parts in one volume. Engraved title, (iv) pages and 102 FINE ENGRAVED PLATES (3 double page) plus one engraved sheet of music. 2nd title page to Explication and 26 pages of descriptive text. One leaf of text repaired in the blank margin. Complete. Fine dark impressions of these iconic costumes plates of the peoples and customs of the Levant in the eighteenth century. The females and males being equally represented. A good copy. Commissioned by Charles de Ferriol French ambassador to the Porte between 1699 and 1709, Le Hay's work was widely appreciated and became the template for future prints of regional costumes of this area. The Levant - a large area of the Eastern Mediterranean including Turkey and the Greek Islands. Reference Atabey 430; Blackmer 591: Colas 1819-1820.…

An exceptional example. Most copies were issued uncoloured. Few were sold with hand-colouring and a smaller number were issued heightened with gold and mica. Very few copies, however, have as many engravings heightened with mica as the present one. This important work forms the 'basic prototype for Levantine costume plates' (Atabey). The most luxurious edition, with hand-coloured plates, many enhanced with gold and mica, arguably the finest colour plate costume book of the Ottoman Empire. In addition to the sixty or so plates depicting Turkish Court, noble, military and other costumes, the work illustrates the regional, religious or national costume of several other parts of the Turkish Empire. These include Greeks (10); Albanians (2); Jews (3); Hungarians (2); Wallachians (3); Bulgarians (2); Crimean Tartars (1); Armenians (5); Persians (2); Indians (2); Arabs (1); Barbary Coast (4); and Moors (1). The plates for this work were commissioned by Charles de Ferriol (1652-1722), the French Ambassador to the Porte between 1699 and 1709. The plates were engraved after drawings by the Flemish artist J.B. van Mour, who lived and worked in Istanbul for many years during the first part of the eighteenth century. It has been suggested that van Mour came to Istanbul with the entourage of Ferriol in 1699. When the paintings were complete, Ferriol helped Le Hay to publish the present prints of the pictures. Le Hay's work was an instant success and the plates quickly became the principal source of turqueries for artists and publishers throughout Europe. In recognition of van Mour's talents, he was granted the unique post of 'Peintre ordinaire du Roi en Levant' in 1725. Van Mour's paintings (and the plates that derive from them) show Istanbul as a cosmopolitan place with Muslims and non-Muslims uniting in shared 'Ottoman' pleasures. Armenians, Franks, Greeks and Persians are shown drinking coffee, playing mankeh (a version of backgammon), or making music. Folio (49 x 33 cm approx.), engraved throughout, comprising: title with preface by Cars on verso, 'Anecdotes' (pp.I-II), 'Explication des figures' (pp.III-XIV), leaf of music (printed recto only), and 102 engraved plates (3 double-page), all with fine contemporary hand-colouring, 30 plates heightened with gold and mica; full contemporary French red morocco, boards & spine richly tooled in gilt, with superb floriated endpapers; some restoration to extremities of spine; a particularly fine example. Koç 105; Atabey 430 (uncoloured); Brunet 947-48; Blackmer 591; Colas 1819-20.…

Folio. (19 3/4 x 13 inches). Engraved title, 102 engraved plates (comprising 100 numbered plates and 2 unnumbered, 3 double-page), one leaf of engraved music. Contemporary red morocco, covers ruled in gilt, spine in eight compartments with raised bands, black morocco lettering piece in the second compartment, the others with an overall repeat decoration in gilt, marbled endpapers (expert restoration to the joints) Provenance: Jacob Bouverie, 1st Viscount Folkestone (armorial bookplate on verso of the title) A beautiful copy bound in 18th-century red morocco of the greatest illustrated book of the Ottoman Empire, featuring portraits and scenes of Ottoman life and significantly influencing European perceptions of Ottoman culture and sparking the Turquerie vogue in Rococo art. The greatest illustrated book of the Ottoman Empire, the Recueil includes portraits and scenes of Ottoman life at the dawn of the Tulip Era after paintings by Jean-Baptiste Van Mour. Van Mour was a Flemish-French painter who studied with Jacques-Albert Gérin (d.1702) and lived in Constantinople from the early-1700s until his death in 1737. One hundred of Van Mour's highly successful paintings were commissioned by the Marquis Charles de Ferriol between 1699 and 1709, while de Ferriol was the French ambassador to the Porte. De Ferriol represented Louis XIV in the Ottoman Empire at Hungary and Constantinople from 1692-1711 during the rule of Sultan Ahmed III. De Ferriol then worked with the artist and publisher Jacques Le Hay to have a roster of well-regarded printmakers execute engravings after Van Mour's paintings, and to publish the resulting collection. The project was so well-received that Van Mour was granted the unique post of "Peintre Ordinaire du Roi en Levant" in 1725. In 1707, Ferriol commissioned Jean Baptiste van Mour to paint one hundred pictures of the Turkish court, nobility, and military, as well as of the distinctive regional, religious, and ethnic identities found in the diverse Empire. These include portraits of the Chief Eunuch; a Turkish man cutting his arm to prove his love for his mistress; Turkish women playing a form of backgammon; Dervishes whirling; an Albanian soldier; and a merchant in a bazaar feeding six cats. Van Mour's paintings, and the plates which were derived from them, show Constantinople as a cosmopolitan cultural center where Muslims and non-Muslims unite in shared Ottoman pleasures. Armenians, Franks, Greeks, and Persians drink coffee, make music, and dance together. The diverse peoples depicted here include Greeks (10); Armenians (5); Barbary Coast (4); Jews (3); Wallachians (3); Albanians (2); Hungarians (2); Bulgarians (2); Persians (2); Indians (2); Crimean Tartars (1); Arabs (1); and Moors (1). The Recueil enjoyed widespread popularity and dissemination and became the "basic prototype for Levantine costume plates." [Atabey] It was in part responsible for the vogue for Turquerie, or European images of Turkish Ottoman life, a form of exoticism popular in the Rococo period, which prefigured the Orientalist craze which would come to dominate much of European painting in the 1800s. The Recueil's use as a sourcebook by artists and publishers of other European texts was rampant. The work was translated into at least five languages, including the German edition printed at Nuremberg in 1719-21, and Italian and Spanish pirated editions. The plates were used by Thomas Jeffreys in his Collection of the Dresses of Different Nations in 1757 and by Viero in his Raccolta, published in Venice in 1783. Atabey 429; Blackmer 591; Colas 1819-20; Brunet III, 947-8; Cohen-de Ricci 392l; Lipperheide 413, 414.…

HRD. Condizione: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1910 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 82 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 82.…

Taschenbuch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - It is early in the morning during the second week of elk hunting season in Montana as Harold Hendricks leaves a note for his sleeping wife, Shayla, and heads out on a solo bowhunting excursion into the woods. But when he spontaneously decides to change direction and hunt in another location, Harold has no idea of the implications of his choice.A few hours later, Harold sustains an accident that leaves him momentarily unconscious and severely crippled. When he regains consciousness, he realizes he is alone in the mountains of Montana unable to summon help, and in life threatening circumstances. As his time in the mountains drags on, his loved ones embark on a desperate search to find him. And Harold finds himself on his own trip that he has no control over-a trip of beauty and wonder that is also more terrifying than any trip he has taken before. In the course of this trip, Harold searches for a loving God to help him amidst his suffering, his fear, and his troubled relationships at home and at work. Will he find the answers he seeks, and will his family find him before it is too late In this inspirational novel, an attorney must grapple with his complicated feelings about God after a hunting accident leaves him injured and without much hope in the mountains of Montana.…

[Paris: Le Hay, Duchange, 1714]. In-fol.: 50 x 34.5 cm, 100 pl. grav. chiff. 1 à 99 + 1 pl. double in fine. Recueil de 100 grandes figures orientales principalement par Scottin et Simonneau mais également par Du Bosc, J. Haussard, Cochin, J. du Franssieres, P. Rochefort et B. Baron. Notre exemplaire ne comporte que les planches. Ces estampes représentent principalement des costumes de l'mepire Ottoman. Elles furent exécutées d'après les tableaux du peintre flamandJ.B. Van Mour, qui arriva à Constantinople avec l'entourage deCharles de Ferriolen 1699. On y découvre aussi des costumes de Grecs, Juifs, Albanais, Hongrois, Perses, Arméniens, Bulgares ou Arabes. Reliure moderne en veau brun. Dos à six nerfs avec pièce de titre en maroquin rouge et caissons fleurdelisés, Encadrement à froid des plats. Manque en tête de la pl. 48. Quelques rousseurs. Exceptionnel recueil de figures orientales caractéristiques de la gravure du premier XVIIIe siècle français.…

Taschenbuch. Condizione: Neu. The Arrow, the Wolves, and the Guardians | Charles L. Hay | Taschenbuch | Englisch | 2024 | Westbow Press | EAN 9798385012985 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.