Henry james novel (22 risultati)

Softcover. Condizione: Fine. First Edition. Paperback original. Fine in printed wrappers. The screenplay adapted from Henry James' novel. A Jane Campion film.

Vintage black-and-white still photograph from the 1953 film. Based on Lloyd C. Douglas' novel, about a man who inherits Jesus' robe after the crucifixion. 8 x 10 inches. Very Good plus, with ink annotations on the verso, and light creases at the edges.

Vintage studio still photograph from the 1997 film, showing actors Jennifer Jason Leigh and Ben Chaplin. Based on the 1880 novel by Henry James, about an untalented, overweight young heiress who falls in love with a poor but handsome man, to the displeasure of her father, who believes the man only wants her for her inheritance. Set in New York, shot on location in Baltimore. 8 x 10 inches. Fine.…

Two vintage studio still photographs of James Stewart and Glynis Johns from the 1965 film. Both with "Silver Screen Archives" stamp on the verso. Based on John Haase's 1963 novel Erasmus with Freckles. The bumbling Robet Leaf (Stewart) is a poet and Arts professor at the local university, who shuns all things scientific. When its revealed his young son Erasmus (Bill Mumy) has no artistic abilities, but is a mathematic genius, the professor's life suddenly becomes much more complicated. With an appearance by Brigitte Bardot as herself. Set in and shot on location in Sausalito, California and Paris. 8 x 10 inches. Near Fine.…

Four vintage studio still photographs from the 1985 television re-release of the 1951 film. A brilliant yet socially awkward aeronautical engineer predicts that the newest airplane model, the Raindeer, will break up mid-flight after reaching 1,440 hours of use due to accumulated stress. The engineer, Theodore Honey (played by James Stewart), tries desperately to prove his prediction and alert the those in charge before another disaster occurs. Shot on location in England. 8 x 10 inches. Near Fine with pin holes to each.…

Reader's Notes script for an unproduced film, intended for development at Selznick International in 1939. A document designed to summarize James' story down to two readable pages, created for producers and other filmmakers to consider. White wrappers, title page integral with the first page of text, with credit for reader Frances Millington and novelist Henry James, dated July 19, 1939. 45 leaves, carbon typescript on onionskin stock. Very Good plus, with three hole punches at the left margin, but bound with just one brad in the topmost hole. …

Studio Wrappers. Condizione: Very Good. First Edition. 29 pp plot outline, 15 page interview, 2 page bio, all on publcity letterhead. Undated but 1974.

Two vintage hand-tinted color British front-of-house cards from the 1963 film. Based on the 1961 novel by Earl Hamner Jr. A poor father who dreams of building a new house on Spencer's Mountain has a difficult decision to make when his eldest son is accepted into college. Set in The Grand Teton Mountains in Wyoming, shot on location in Grant Teton National Park and Jackson Hold, Wyoming and Raymond, California. 8 x 10 inches. Near Fine.…

First Rough Draft script for an unproduced film, intended for development at Vanguard Films, inherited by Vanguard from Selznick International. Based on the 1902 novel by Henry James. Blue titled wrappers, noted as First Rough Draft on the front wrapper, dated February 3, 1949, with credits for screenwriter Robert Stevenson. Title page present, dated February 3, 1949, noted as First Draft, with credits for novelist Henry James. 127 leaves, with last page of text numbered 123. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, internally bound with three silver brads.…

Vintage reference photograph of Agnes Moorehead being made to look 105 by makeup artist Bud Westmore on the set of the 1947 film noir. Mimeo snipe on verso. Loosely based on Henry James' 1888 novella "The Aspern Papers." A young publisher (Robert Cummings) attempts to obtain a famous writer's long-lost love letters, which are kept hidden by the poet's former mistress (Agnes Moorehead), now an elderly recluse living in a decaying Venetian mansion. The old woman's niece (Susan Hayward), who acts as her live-in caretaker, agrees to help the publisher find the poems, discovering in the process the house holds far darker secrets. The first, and only, film directed by Martin Gabel. Set in Venice. 8 x 10 inches. Near Fine.…

Two vintage reference photographs of actor Gregory Peck on the set of the 1971 Western film, including one borderless and one bordered. Annotations in manuscript ink and pencil on the versos. Based on Will James' 1930 novel "The Lone Cowboy," about a bank robber who is forced to care for a young girl while searching for his duplicitous former partner. Shot on location in Santa Fe, Cerrillos, Chama, and Los Alamos, New Mexico, and in Lake Crowley, Inyo National Forest, and Round Valley, California. One 8 x 10 inches, the other 7.5 x 9.75 inches. About Near Fine.…

Vintage oversize, double weight, borderless still photograph from the 1961 musical film, based on both the 1958 Rodgers and Hammerstein musical, and the 1957 novel by C.Y. Lee. Nominated for five Academy Awards. Shot, struck, and mounted by the film's still photographer, Bob Willoughby, with his ASMP rubber stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 13.5 x 9.5 inches. Near Fine with a shallow diagonal crease to one corner. Hirschhorn, p. 373.…

Archive of three draft scripts from the 1951 television film, originally aired on February 26 on CBS as part of the Studio One anthology series. Screenplays belonging to production manager Mickey Delamar, one with his manuscript ink annotations throughout. Delamar worked as a producer, production manager, and assistant director on over 30 films, with a career spanning four decades. His credits include Julien Duvivier's "Anna Karenina" (1948), Francois Truffaut's "Fahrenheit 451" (1966), and Terence Young's "Mayerling" (1968). Based on the 1903 novel by Henry James, about an older American sent to France to rescue his wealthy, widowed fiancee's son from a supposedly corrupt Parisian lifestyle. Shot on location in New York. First script: Blue titled wrappers, noted as copy No. 4, undated, with credits for novelist Henry James and screenwriter Lois Jacoby. Title page integral with the front wrapper, as issued. 152 leaves, with last page of text numbered 161. Mimeograph duplication, rectos only, with undated white revision pages throughout. Pages Very Good plus, wrapper Very Good, moderately dampstained and soiled overall, bound with three gold brads. Second script: Tan untitled Jaffe Agency wrappers. Title page present, undated, with credits for screenwriter Lois Jacoby and novelist Henry James. 153 leaves, with last page of text numbered 161. Mimeograph duplication, rectos only, with white undated revision pages throughout. Pages and wrapper Very Good plus, moderately foxed and toned, bound internally with three silver brads. Third script: Tan untitled Jaffe Agency wrappers. Title page present, undated, with a label noting association with M. Delamar affixed to the bottom right corner, with credits for screenwriter Lois Jacoby and novelist Henry James. 152 leaves, with last page of text numbered 161. Mimeograph duplication, rectos only, with white undated revision pages throughout. Pages and wrapper Very Good, moderately soiled and toned, bound internally with three silver brads.…

Archive of production material for the 1952 film noir consisting of the following: breakdown, set list, wardrobe plot, shooting schedule, and a summary of detail budget. With a type written letter outlining the contents of the archive from producer Edward Small to Dan O'Shea, signed by Edward Small in manuscript ink and dated October 7, 1947. Based on Samuel Fuller's 1944 novel, "The Dark Page." The editor of an exploitative magazine murders his wife, then has one of his journalists investigate the matter in order to divert attention from himself. Breakdown: Title page present, dated September 17, 1947. 83 leaves, with last page of text numbered 81. Typescript on production form, rectos only. Pages Near Fine, bound with three gold brads. Set List: 2 leaves, with last page of text numbered 2. Typescript, rectos only. Pages Near Fine bound with a single staple in top left corner. Wardrobe Plot: Title page present, dated September 17, 1947. 11 leaves, with last page of text numbered 11. Typescript, rectos only. Pages Near Fine, bound with three gold brads. Shooting Schedule: Dated 9/19/47. 6 leaves, with last page of text numbered 6. Typescript, rectos only. Pages Near Fine, bound with two gold brads. Summary of Detail Budget: Dated September 29, 1947. 34 leaves, with last page of text numbered 26. Typescript, rectos only. Pages Near Fine, bound with two staples in the top left corner. Grant US. Selby US Canon. Silver and Ward Classic Noir. Spicer US.…

Vintage reference photograph of Ewa Aulin in the 1968 film. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. Based on the 1958 novel co-written by Terry Southern and Mason Hoffenberg, following the psychedelic, frequently involuntary erotic experiences of a teenager named Candy. Set in New York and California, shot on location in New York. 8 x 10 inches. Near Fine.…

Vintage black-and-white studio still photograph from the set of the 1970 film. Shown are director Gene Kelly with James Stewart and Henry Fonda. A revisionist Western in which James Stewart, an aging cowboy, inherits his brother's house of prostitution. 8 x 10 inches. Near Fine.

Vintage oversize borderless color reference photograph of actress Ewa Aulin from the set of the 1968 film, showing director Christian Marquand with a hand-held camera, getting a close-up shot of Aulin sitting, fully clothed and soaking wet, on the floor of a shower. With a gold foil title label from the film's French release on the verso. Based on the 1958 novel co-written by Terry Southern and Mason Hoffenberg, following the psychedelic, frequently involuntary erotic experiences of a teenager named Candy. Set in New York and California, shot on location in New York. 9.25 x 11.75 inches. Very Good plus, with pinholes and light creases to the corners.…

Original US one sheet poster for the 1970 X-rated film. Based on Miller's 1934 groundbreaking novel of life and love in Paris, a book initially banned in the US. Miller (Torn) and his wife Ellen (Burstyn) dally in France's finer things, while he tries teaching English at a school in Dijon, takes a boy to a bordello, and aids his asylum-bound friend who's in love with a prostitute. 27 x 41 inches, folded. Studio stamp on the verso. Very Good plus, with small central holes, faint creases. Uncommon.…

Two vintage borderless reference photographs from the 1981 French film, both showing actress Dominique Sanda. Annotations in manuscript ink on the versos. Based on Henry James' classic 1902 novel, about a London escort who arranges for her lover to marry a wealthy, dying heiress in Venice. Shot on location in Paris and Venice. 7 x 5 inches. Near Fine.…

Vintage publicity photograph of Marlene Dietrich from the 1939 film, with two Universal Picture stamps on the verso, one crediting photographer Ray Jones and one noting actress Dietrich. From the archive of noted Hollywood still photographer Ray Jones. Born in Wisconsin on January 1, 1901, Jones worked for Paramount Pictures in the early 1930s, and went on to be the head of the still photography department at Universal Pictures in 1935, where he worked well into the 1950s. Loosely based on the 1930 novel by Max Brand. Previously made in 1932, directed by Benjamin Stoloff, and starring Tom Mix and Claudia Dell. An outstanding comedic western, starring James Stewart as a gun-abhorring deputy who tries to use his wits to bring law and order to the town of Bottleneck. Starring Marlene Dietrich as the tough saloon singer Frenchy. Shot on location in Kernville, California. 8 x 10 inches. Near Fine. National Film Registry. Byrge and Miller, The Screwball Comedy Films: A History and Filmography 1934-1942. Criterion Collection 1024.…

Three vintage studio still photographs from the 1970 film, showing actors Rip Torn and Ellen Burstyn. Based on Henry Miller's 1934 novel, a book initially banned in the US. A broke writer travels from New York to Paris, living on the generosity of his expatriate American friends, and spending any money he can get on alcohol and women. Rated X in the US upon release, a rating that was changed to NC-17 in 1992. 10 x 8 inches. Near Fine.…

Vintage borderless reference photograph from the set of the 1970 film, showing writer Henry Miller sitting on a balustrade with director Joseph Strick. Annotations in manuscript pencil on the verso. Based on Henry Miller's 1934 novel, a book initially banned in the US. A broke writer travels from New York to Paris, living on the generosity of his expatriate American friends, and spending any money he can get on alcohol and women. Rated X in the US upon release, a rating that was changed to NC-17 in 1992. 8 x 10 inches. Near Fine.…