Holme c geoffrey editor (52 risultati)

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Light green cloth, lettered in blue. Ex-library copy, typically marked/stamped, non-circulating and thus only mild wear. Cover cloth tanning a bit toward edges, with mild soiling in a few areas. 1st ed. 128 pp., b&w plates. Size: 4to - over 9¾" - 12" tall. Book.…

Hardcover. Condizione: Good. Ex-library, worn library rebind, no dj, inside solid and clean.

Cloth. Condizione: with no dust jacket. No Dust Jacket. Fair; 128 pages. Black/white photos and color illustrations. Special winter number of "The Studio". Blue cloth library binding with library tape completely covering spine. Edges are worn and corners are frayed. Boards are very scuffed and scratched. ; Ex-Library; 4to - over 9¾" - 12" tall.…

Condizione: Fair. Acceptable condition. Acceptable dust jacket. (Folk art, Pennsylvania Dutch, Decorative arts) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included. …

Soft cover. Condizione: Very Good. Stiff black wrappers printed in gold, 4to., xiii, 175, (1) pages, profusely illustrated including 16 in color. Spine chipped and front cover neatly detached, else a clean, very good copy in archival mylar.

Hardcover. Condizione: Good. Printed and engraved in Great Britain by Herbert Reiach, LTD. Photogravure plates by Harrison and Sons, LTD. Introduction by W. Gaunt. Burgandy cloth covered boards with gold lettering on the front and at the spine. Book contains 120 Etchings/Plates. Pages have toned. Book is clean with no marks or page folds. Bookseller Inventory BS/RLR005623072017. …

Condizione: Good. Good condition. No Dust Jacket (folk art, pennsylvania, pennsylvania dutch art) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. 4to. (26 cm.) [4]5-136p. Profusely illustrated with 4 color plates and uncounted black and white captioned photos. Title page and several other pages decorated in red. Brown cloth with gilt letters on the front cover and the spine. Minor wear to extremities, top and bottom of spine just starting to fray, torn spot near top of spine, small water spot on front cover, spine gilt dulled, cover gilt bright, else very good to near fine with no internal markings. Signed by Author(s).…

Soft cover. Condizione: Good. 80 pages. Illustrated. Malcolm C Salaman "Etty's Pictures in Lord Lever-Hulme's Collection" / "Leaves from the Sketch-Book of Walter Brand / Eric Brown "Some New Purchases by the National gallery of Canada" / J Quigley "The Flower-Piecein Modern art" / Pictures from the Recent London Exhibitions (U.P.).…

Wraps. Condizione: Poor. 120 plates (some in color). Front cover gone. Part of last page and back cover gone. vii, 120, v pages. As is condition, but illustrations appear clear, clean and intact. Includes Terms used in engraving and a Directory of Etchers. Illustrations by Edward Hopper and Augustus John are included. Charles Holme (1848 1923) was an English journalist and art critic, founding editor of The Studio from 1893. Holme himself worked in the silk and wool trades, trading with Turkestan, India and China in the 1870s. He subsequently opened offices in Japan visiting the country in 1889 with the painter Alfred East and Arthur Lasenby Liberty and his wife. He served as vice-president of the Japan Society, and was a recipient of the Order of the Rising Sun in 1902 Following his retirement from trade in 1892, Holme founded The Studio: an illustrated magazine of fine and applied art, a magazine dedicated to fine arts and decorative arts, giving roughly equal weight to each. The first issue appeared in April 1893. The first serving editor was Joseph Gleeson White (Lewis Hind had acted as editor for four months before the launch of the magazine). In 1895 Holme took over as editor himself, although Gleeson White continued to contribute. Holme retired as editor in 1919 for reasons of health, and was succeeded by his son Charles Geoffrey Holme, who was already the editor of special numbers and year-books of the magazine.…

Hardcover. Condizione: Used - Good. The Studio Ltd, London, 1930. 176 pages. Illustrated. 11.5 x 8.25", cloth, no dj. Cover bit rubbed, text toned, clean, tight, good/none.

hardcover. Condizione: Acceptable. Condizione sovraccoperta: Includes dust jacket. First Edition. First edition. With dust jacket. First Edition.

Condizione: A VG+ copy in a VG jacket. 1st Edition. 128 pp. Adverts at front. Profusely illustrated. 11-5/8" x 8" Green cloth binding with blue title lettering stamped to front board and spine. Green dust jacket with blue graphic and title lettering printed to front panel and spine.

Hardcover. Condizione: Good. No Jacket. The Studio, 1923. Greenish blue cloth-covered boards with gilt lettering in panel to upper front and gilt title to spine. Artists include: Anna, Airy, John Austin, Walter Bayes, Frank Brangwyn, Edmund Dulac, W> Russell Flint, C. Lovat Fraser, D.W. Hawksley, Laura Knight, Henry Lamb, A J Munnings, Sir William Orpen, H Davis Richter, F. Cayley Robinson, Henry Rushbury, Albert Rutherston, John Singer Sargent, Randolph Schwabe, Claude A. Shepperson, and Olive Carleton Smith. 24 tipped-in color plates. 14 pages of text. Foreword by George Sheringham. Condition: Good. Prior owner's blind stamp to the front free end-paper; his name in ink to upper corner of title page. Binding firm. Corners have rubbing wear; spine ends worn. No dust jacket. …

Soft cover. Condizione: Very Good. 86 pages. Illustrated. Alex J Finberg "Gerald Brockhurst's Paintings and Drawings" / The Albizzi Madonna of Leonardo Da Vinci / The Collection of Mr William Burrell / Malcolm C Salaman "Miss Eileen Soper's Etchings of Childhood" / Pictures and Etchings from London Exhibitions" (U.P.).…

Cloth. Condizione: Very Good. Grey cloth, gilt titles. pp. 144, profusely illustrated with b/w and color plates. Special Winter Number of "The Studio," analysed by F. J. Harvey Darton. Contains the work of 85 illustrators from the "golden age" of book illustration. Shows some light rubbing. Size: Quarto. …

1st edition. Good copy in the original title-blocked cloth. Spine bands and panel edges heavily foxed, dust-toned and rubbed as with age. Remains particularly well-preserved overall Physical description; 128 pages illustrations, color, plates. Notes; Special autumn number of "The Studio". Subjects; Landscape painting. Europe in art. Art, British 20th century. Europe ; Pictorial works. Europe ; Ouvrages illustre?s. Europe. Europe Description and travel ; Pictorial works. Europe Description and travel. Landscape painting. Landscape painting, British - 20th century. 1 Kg. …

1st edition. Good copy in the original title-blocked cloth. Spine bands and panel edges heavily foxed, dust-toned and rubbed as with age. Remains particularly well-preserved overall Physical description; 128 pages illustrations, color, plates. Notes; Special autumn number of "The Studio". Subjects; Landscape painting. Europe in art. Art, British 20th century. Europe ; Pictorial works. Europe ; Ouvrages illustre?s. Europe. Europe Description and travel ; Pictorial works. Europe Description and travel. Landscape painting. Landscape painting, British - 20th century. 1 Kg. …

Hardcover. Quarto, ix, 36 pages, 95 leaves of plates. In Good minus condition. Spine is white with gold print, raised bands. Boards quarter bound with white vellum to spine and grey paper to boards, gold print on brown banner; wear to spine caps and corners, smudging/shelf wear, damp stain to rear panel. Text block has has gilt top edge, deckle edges; tanning to endpapers, slight occasional foxing. Illustrated: b&w and sepia photogravure reproductions of etchings, some are accompanied by guard sheets with descriptive letterpress. [Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire for rates]. NOTE: Shelved in Locked Annex in column ND-QC. 1405736. FP New Rockville Stock.…

Hardcover. Condizione: Good/NO DUSTJACKET. New York, NY: Albert & Charles Boni Inc. Good/NO DUSTJACKET. 1930. . Hardcover. Creative Art Special Spring Number 1930 . 4to., 176pp., cover light shelf wear at edges and corners, light rubbing, lightly bumped corners and spine tips, spine panel partially weak, light fraying at spine edges, binding slightly warped, otherwise good; front hinge cracked,light soiling/foxing of front pastedown and free-endpaper, small bookplate on front pastedown (measures approx. 1.25x0.5in.), top edged of text block gilded, pages clean and unmarked. . Black & White/Color Illus. (illustratore).…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 128pp. Colour and b&w illustrations.

Hardcover. Condizione: Good ++. No Jacket. 1st Edition. Tremendous selection of woodcuts from the 1920s, lacks two of the colour illustrations.

hardcover. Condizione: Fair. First Edition. 1940 edition. Hardcover, no jacket. Rubbing and soiling to covers, cover split at the spine on rear cover. Owner name on front end page. Text is unmarked. Binding lightly cracked in one or two places. Moderate wear.

4to, 128pp. Colour and black & white illustrations. A good, foxed hardback copy. In a fair, torn and foxed dust jacket.

Hardcover. Condizione: Near Fine. 1st Edition. Cloth, 4to. 1st edition. Unpaginated. Rebound in black buckram, gilt titles at spine & front.

hardcover. Condizione: Good. First Edition. Hardcover, no jacket. Light sunning to spine. Clean and unmarked. Binding lightly cracked in one or two places. Good condition. Photos available upon request.

hardcover. Condizione: Good. 1932 FIRST EDITION with worn dust jacket - rare and collectable - will send out 2nd class tracked post within 12 hours of receipt of order.

Cloth. Condizione: Very Good. Condizione sovraccoperta: Good. Dustjacket worn and chipped, aome pages of text, age-toned, plates bright unmarked, illustrated with 120 plates, some colour, VG/G. Book.

Hardcover. Condizione: Good. 1st Edition. True First Edition. Quarto. viii, 175 pp. Published by The Studio, Ltd., London (1923). Lavishly illustrated with 106 full-page plates (16 in vibrant color) documenting the historic lineage of British graphic narrative art. A Good only copy structurally, bound in a neat, protective contemporary stiff card binding with a handwritten title to the spine in ink executed directly by legendary bibliographer David Chambers. Crucially, the front free endpaper features a pristine, highly important early youth signature from his collection, written long before his leadership at the Private Libraries Association: 'D.J. Chambers 18th June 1948.' The internal text block remains tight and secure, with the front inner hinge just starting to show but remaining completely uncompromised and firm. Pages are internally very good and clean, showing only occasional, light, and localized foxing spots mostly restricted to the preliminary leaves. A deeply evocative, foundation-tier association copy showing the origins of a lifetime of book collecting. NOTES: Published by The Studio in 1923, this definitive anthology curated by critic Malcolm C. Salaman served as a foundational visual dictionary mapping the transition between old print methods and new trends. It showcases masterworks from the 1860s wood-engraving boom straight through to early 20th-century titans like Arthur Rackham and Aubrey Beardsley. NB: The fact that an 18-year-old David Chambers bought this exact guide in the summer of 1948 tells a beautiful story. It proves that his obsession with the history of book illustration—the exact subject he would spend the next sixty years writing about, publishing, and indexing—was already firmly cemented when he was a teenager. Signed by Author(s). …

Condizione: Very Good. 4to. hardcover. 128pp. colour & b/w illus. Very good,foxing to endpapers. / Good+, foxed d/w.