ingberman jeanette (25 risultati)

Paperback. Condizione: Near Fine. 1st. 45 pages, illustrations (some colour), portrait; 23 cm. Exhibition held at Exit Art, New York, October 24 to November 28, 1987. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. Size: 8vo.

Softcover staple bound, 14 pages, very good condition, slight wave to pages; no internal marks. Includes the work of : Xavier Villaverde, Raul Rodriguez, Jose Ramon da Cruz, Antonio Cano, Gerardo Armesto, Isabel Herguera, Joan Pueyo, and many others.

Softcover staple bound exhibition catalog, 34 pages, abrasion mark on back cover, no internal marks.

Paperback. Condizione: Fine. Original covers, glossy coated paper, 7 7/8 x 9 7/8 inches, 32 pp, includes laid-in notice of the exhibition SIGNED by Jeanette Ingberman. Softcover, fine. Upper corner of front cover creased, otherwise tight, clean, paper crisp, unmarked and apparently never read. Art; exhibition catalogue (catalog) ; autograph.

Softcover, 48 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. [48p] 8.5x11 inches, essays, CV, catalogue, illustrated with b&w and color reproductions, very good monograph catalog of the show in trade paperback, black pictorial wraps. Puerto Rican artist living in NYC.

Paperback. Condizione: Very Good. Staplebound magazine with glossy covers. Very Good with moderate wear to covers and no marks to text. Staining on page 56 from adhesive for event poster (Still there) glued to other side of page. Film; 4to 11" - 13" tall; 56 pages.

Paperback. Condizione: Very Good +. Face to Face is the catalog for a 1982 exhibition of portraiture at The Alternative Museum in NYC curated by Jeanette Ingberman who also wrote an essay. Artists include Papo Colo, William Coupon, Duncan Hannah, Komar & Melamid, Wendy MacNeil, richard Mock, cara Perlman, Mike Roddy, Lucas Samaras, Jolie Stahl, Beriah Wall, Reese Williams and Robin Winters. Full page reproduction and biographical info about each artist / photographer. 34 pages, paper with stiff cover. Black and white reproductions. 8 1/4" x 7". Very good condition.

Condizione: Good. 8to. 108 pp. VG, plates.Provenance Peter NortonProvenance Peter Norton. From the collection of Peter Norton Family Foundation, Santa Monica, CA. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of MoMA PS1.

Soft cover. Condizione: Very Good. 1st Edition. Quarto softcover in stiff wraps, staple bound. Unpaginated with black and white and color illustrations. Clean, internally unmarked, well bound. Catalogue published to coincide with an exhibition at EXIT ART, New York, 1989. This was the American artist Jane Hammond's first solo exhibition. with an appreciation by Robert Creeley and artist's biography. Nice copy of this less common catalogue.

Softcover. Condizione: Very good. Six loose plates: one color and four black-and-white reproductions, biographical details and list of works in the exhibition. Three page essay on a folded card. All laid inside a larger folding card. Light edgeware to the covers, but very clean.

Soft cover. Condizione: Near Fine. Cardboard portfolio, sealed with diagonal green tape (seal broken) containing 24pp catalogue (stapled green card wraps) and glossy white envelope holding 40 loose colour plates by Moscow artists.

Condizione: VG. NY 1987. Exhibition Catalogue. Sm.4to., 45pp., monochrome illustrations (one in color), original wraps. VG.

Condizione: Good. 4to. Oblong. 30 pp. Soft, stapled black and white photographic wraps. Very good with marginal creasing along wraps. Black and white plates. Includes additional essay by Carlo McCormick. Catalogue created on occasion of exhibition "Anton Van Dalen: The Memory Cabinet" at the Cleveland State University Art Gallery from September 17 through October 29, 1988. From the Collection of the Art Historian Peter Selz.

Condizione: Very Good. 1st. A 1st ed. very good paperback, minor signs of wear on cov. as in image, text/block tight clean. 176p. 28x21,5cm. 600gr. Notice: Has increased shipping cost due to weight (600gr.). Look up "Shipping terms".

Soft cover. Condizione: Very Good. 9 1/2" x 11 1/2" two-pocket folder with an "Exit Art / The First World" sticker professionally affixed to the front. Contents: "The Garden of Sculptural Delights" bag of seeds (1994); "Comic Power: Independent/Underground Comix USA" promotional (1993); ".It's How You Play the Game" promotional sheet (1994/5); "Let the Artist Live!" promotional sheet (1994); "Terra Bomba" promotional card (1997); "Conspiracies" poster (1994); "The LP Show" promotional flyer (2001); "Spunky" folding promotional card (2001); "The End: An Independent Vision of Contemporary Culture, 1982-2000)" promotional poster cum program (2000); a stapled magazine-sized retrospective/prospective, seemingly from the period of "The End" (2000); 30 or so sheets of xeroxed reviews of Exit Art shows and/or interviews with the founders, ca. 1994 forward (Village Voice, Pform, NY Times, etc.). Unclear when these were assembled and distributed, but early 2000s seems close enough as a guess. VG+: light handling, clean, sound, etc.

Softcover, staple-bound, 32 pages; very good condition; light rubbing to covers; no internal marks.

Condizione: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED1989. Catalog of an exhibition of the work of Krzysztof Wodiczko including black and white glossy photos of his works. Very good condition. Clean copy. *.

No Binding. Condizione: Good. 3BY5 exhib card, a seminal show with many artists.folded for mailing, Colo piece on cover.vv2/0/25.

Softcover printed folder contains 5 folded photographic illustrations and text sheet documenting Hsieh s year long performance to stay outside on the streets of NYC during 1981-1982; very good condition; light creases to 1 edge of folder; internally fine. An edition of 500. Foreign shipping may be extra.

No Binding. Condizione: Very Good. 1st Edition. Twelve loose 5"x 7" black and white plates plus one tipped onto die-cut, gatefold cardboard case. With folded exhibition flyer plus accordion-fold card with an essay by the curator Jeanette Ingberman. Cards bright and fresh with little wear, card case with very little discernible wear. Exhibition catalaogue for a group show at legendary alternative exhibition space EXIT ART focusing not on pornography "in its traditional definition as a manifestation of a diseased society. but rather the valid expression of an extreme human experience, the secrets of eroticism portrayed by individual artists as they emphasize, in a subjective way, a particular fantasy". With art by Martha Boyden, Papo Colo, Jane Dickson, Dan Freeman, Michael Hafftka, Kim Keever, Komar & Melamid, Roberto Llimos, Carey Marvin, Richard Mock, Mike Roddy, and Betsy Rosenwald. An exemplary copy.

Cardboard box with velcro closing tape; affixed illustration of hands on the front and the artist's fingerprint seemingly signed in pencil on the inside flap; includes: 2 loose title/bio sheets, two staple bound booklets with essays by Carlo McCormick, and conversation with Jeanette Ingberman and Mary Anne Staniszewski and 36 loose illustrations. Foreign shipping may be extra.

Two separate cardboard boxes each with affixed illustrations of hands and eyes on the front of the boxes and the artistâs fingerprint seemingly signed in pencil on the rear of each box. Coloisms has loose sheets with essays by Jeanette Ingberman, Dominique Nahas and Robert C Morgan and 15 loose illustrations. Coloisms II has 2 loose title/bio sheets, two staple bound booklets with essays by Carlo McCormick, and conversation with Jeanette Ingberman and Mary Anne Staniszewski and 36 loose illustrations. Foreign shipping may be extra.

Condizione: Very good plus. First edition. Rare portfolio documenting Hsieh's third extended performance piece, a full year in New York City spent outside shelter of any kind (save for 15 hours inside a police station courtesy of the NYPD), issued in conjunction with an installation at Franklin Furnace. Each of Hsieh's one-year performances was preceded by a written statement of intent and documented with notes, on film, and in photographs, as his long endurance of his chosen conditions progressed: "In the same way that the images offer an apocalyptic view of the world, they show us the survivor hero who managed to endure the penalties of his circumstances" (Ingberman). Hsieh's first two performances required only personal and artistic discipline and the cooperation of one assistant - staying inside a constructed cell in his own studio and punching a time clock every hour, respectively. This third performance, his so-called 'Outdoor Piece,' was also an experiment in restriction and discipline, but one which took the artist outside the narrow ambit of a controlled gallery or studio space, relinquishing as much control as he asserted: in New York, outside, like Hell, is other people. An uncommon document of this pioneering performance artist. 11'' x 14''. Folder containing six bifold leaves [24 pages] printed with artist's statement and large-scale black and white photographs. Light to moderate edgewear and creasing to folder. Faint foxing here and there. Overall, sound.

New York; Exit Art, 1982. 28x21,5 cm. 27 folded sheets in a brown cardboard box. The box has been sealed with a dollar bill, and has been opened. There is a small crack in onr of the foldings. A fine copy. Published on the occasion of Exit Art's first event, a group exhibition at Franklin Furnace in New York. The exhibiting artists were Vito Acconci, Gempei, Akasegawa, Louis Aragon, Scott Billingsley, Marc Blane, Gunther Brus, Barry Bryant, Chris Burden, Papo Colo, Bogomir Ecker, William Farley, John Fekner, Lou Forgione, John Giorno, John Halpern Gaag, Abbie Hoffman, Sam Hsieh, Jay Jaroslov, Komar & Melamid, George Maciunas, Gordon Matta-Clark, Ann Messner, Richard Mock, Peter Monnig, Charlotte Moorman, Otto Muehl, Hermann Nitsch, Dennis Oppenheim, Peoples Flag Show, Jan Van Ray, and Real Estate Show. "The show explored the ways in which the practice of art had occasionally run afoul of the law, from Charlotte Moorman playing cello in the nude to Chris Burden ordering his assistant to shoot him in his arm. The catalogue consisted of a series of artists? statements housed in a box, which was sealed shut. In order to open it, you had to tear through a dollar bill glued across the flaps?an illegal act, albeit of the mildest kind." (Hua Hsu, "Exit Art 1982-2012", in The Paris Review, April 12, 2012). From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on inside of the box.