joshua poole (13 risultati)

Condizione: Gut. 178 Seiten : Illustrationen ; 21 cm Schönes, ordentliches, gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 550.

Hardcover. New edition completely revised and corrected. [9], 297 p.; 19.5 cm. Pages lightly toned. [First edition 1951] VG orig. navy cloth in sl. edgeworn illus. red dj.

Hardback, the red cloth binding has some wear and slight fading, it is sound. The portrait has an inscription from Joshua and Mary Poole. There is some slight browning in the text which is otherwise clean and crisp. A scarce title, only four location s noted in the U. K. Portrait + 96.

Condizione: Gut. 226 S., Ill. American studies in Austria ; Vol. 14. From the contents: Austro-Hungarian Migration and Transnational Identity: Banat and Ethno- Linguistic Labels, Hooray for a big Apple, "Vienna Touch" in Hollawood: Viennese - Born/Educated Composers and early Film Scores and many more. Language English. Inside in good condition. deu B12-03-03B|5930AB Sprache: Deutsch Gewicht in Gramm: 444 21 cm. Original Broschur. Deckel mit einem Knick unten.

Cloth. Condizione: Good. No Jacket. Originally published in 1646; this is a facsimile reprint using the Bodleian Library copy but using a 1662 edition for the last 3 pages which were damaged in the unique 1646 copy. A Good, internally clean, solid hard cover without a dust jacket. There are various small spots and scrapes to the covers and some wear to the corners of the covers. 28 pages. #.

Hardcover. Condizione: Fair. Facsimile reprint of 1657 edition; lightly bumped corners with wear to covers, name and date on front free endpaper, otherwise text clean and solid; no dust jacket; English Linguistics 1500-1800; Vol. 359; 8vo 8" - 9" tall; 597 pages.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Bien. SLANT Gary Indiana on George W. S. Trow and Daniel Harris BOOKS: SECRET AGENT Arthur C. Danto on Walter Benjamin PASSAGES: HEAD OVER WHEELS Carroll Dunham on Peter Cain FILM: GRRRL S LIFE Katherine Dieckmann on All Over Me SPIN CYCLE David Frankel on Golden Palominos SPIN CYCLE David Poole on Digital Hardcore SPIN CYCLE Mark Van de Walle on Low LETTER FROM BERLIN Harald Fricke on the Shift to Mitte LETTER FROM BERLIN Jochen Becker on Development Projects LETTER FROM BERLIN Diedrich Diederichsen on Heiner Müller LETTER FROM BERLIN J. Hoberman on Berlin Film Festival HOTLIST Mark Van de Walle on Americana Websites TOP TEN Greil Marcus' Real Life Rock COLUMNS FEATURES REVIEWS SMOKING MIRRORS: THE PHOTOGRAPHS OF MIGUEL RIO BRANCO David Levi Strauss CRITICAL REFLECTIONS Max Kozloff, Introduction by David Frankel GOOD-AS-DEADFELLAS: THE FILMS OF TAKESHI KITANO Howard Hampton THE HANG OF IT Hans-Ulrich Obrist with Pontus Hulten OPENINGS: FRANCES STARK Dennis Cooper COLUMNS FEATURES REVIEWS David Rimanelli on Robert Overby Bruce Hainley on The Eye of Sam Wagstaff Adrian Rifkin on Face à l histoire Alexandra Munroe on Contemporary Art in Asia: Traditions/Tensions Rudolf Kuenzli on Making Mischief: Dada Invades New York NEW YORK Barry Schwabsky on Agnes Martin Frances Richard on Rudolf Stingel Jan Avgikos on Yasumara Morimura Donald Kuspit on Paula Rego Sydney Pokorny on Sharon Lockhart David Frankel on Patricia Cronin RoseLee Goldberg on Terra Bomba George Baker on Richard Serra George Baker on Jeff Nelson Alexander Alberro on Martha Rosler Joshua Decter on Piotr Uklanski Tom Moody on Bill Davenport David Levi Strauss on Darrel Ellis PHILADELPHIA Eileen Neff on Sarah McEneaney DALLAS Michael Odom on Tatsuo Miyajima SAN FRANCISCO Daniela Salvioni on Katharina Fritsch LOS ANGELES Bruce Hainley on Elizabeth Peyton ATHENS Mark Van de Walle on PUSH-UPS LISBON Alexandre Melo on Rigo 96 BARCELONA Menene Gras Balaguer on Pep Agut ROME Mario Codognato on Lucavalerio NAPLES Marco Meneguzzo on Remo Salvadori GRENOBLE Giorgio Verzotti on Allen Ruppersberg VIENNA Christian Kravagna on Elke Krystufek MUNICH Justin Hoffmann on David Lamelas BERLIN Noemi Smolik on Michel Majerus LONDON James Hall on Tony Cragg.

18 mo (16 cm), printed purple wrappers. 31 pp., song lyrics on back wrapper. A tale of spiritual redemption by a fiddler nicknamed "Fiddler Joss" (given name Joshua Poole), an ex-con who found the Lord in the Wakefield Jail (West Yorkshire, England) and toured giving inspirational speeches to organizations such as the Odd Fellows. The song printed on the back wrapper is entitled "The Prison Bell. Sung by Fiddler Joss." CONDITION: Soiled wrappers, bumping with 1 cm loss at corners, worn at extremities, creases on back wrapper, foxing throughout, spine and contents intact.

Hardcover. Condizione: Good. Condizione sovraccoperta: No Dust Jacket. Full contemporary vellum, red title label. Binding separated from textblock. Old ink trials to verso of frontis; engraved frontis with creasing and chips to edges. Title page in red and black ink. [31], 628pages. Loose in binding; may be missing final page or pages. Few folded corners; dampstains, foxing. Presumed 2nd edition. ; 16mo 6" - 7" tall.

Hardcover. First Edition. 12mo., 229-596pp.; G; quarter bound leather binding, spine brown leather, no lettering, moderate wear including chipping to head and tail of spine, creases in spine, bumping and chipping to corners, boards; marbled paper boards; interior has some writing in margins; title page has some soiling, signs of repair, two names in ink; pages 231-234 loose within; some waving to upper fore corner; shelved case 0. 1271186. Shelved Dupont Bookstore.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1867 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 145 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 145.

Containing a collection of all the rhythming monosyllables, the choicest epithets and phrases. With some general forms upon all occasions, subjects, and themes, alphabetically digested. London: Henry Brome, Thomas Bassett, and John Wright, 1677. Second edition (first published in 1657). Octavo, finely bound in nineteenth century full vellum by Seton & Mackenzie, contrasting red morocco title labels to spine (one with small chip), lettered and ruled in gilt, edges stained red, marbled endpapers, frontispiece, title leaf in red and black (foxed), pp. [xxxii]; 639, scattered foxing, a very good copy. An attractive copy of this source book of words and phrases for the English poet.

Condizione: Very Good. London: Henry Brome, Thomas Bassett, and John Wright, 1677. Second Edition. Small octavo; contemporary gilt-tooled calf, elaborately gilt-tooled spine in six compartments, all edges stained red, supplied endpapers; [32],639,[1]pp.; A8 a8 B-2S8 (collated complete); engraved frontispiece printed on leaf [A1]. Boards sympathetically reattached though hairline crack along joints remain, extremities a bit scuffed and rather darkened, 20th-century bookseller description and attractive ownership ex libris to front pastedown, else a Very Good, attractive copy overall. First published in 1657, Joshua Poole's Parnassus provided the young poet (a student, based on the charming frontispiece) with a thesaurus-like dictionary of poetic terms. Struggling to describe a pomegranate? Poole suggests "Delicious, vermilion, blushing, juicy, many-kernell'd." Of special interest are the manuscript additions made in an early hand. The work is preceded by a useful "Alphabet of monosylables [sic]" and a list of "Books principally made use of in the compiling of this Work," though referring to "Comedies and Tragedies, Many," is rather vague. [ESTC R18752; WING P2815].