keux henry (63 risultati)

Condizione: New. Jewitt, Thomas Orlando Sheldon; Le Keux, John (illustratore).

Single sheet. A view from the top of the city down to the sea. The tower of Llandaff Cathedral and smoking factory chimneys, the dominant features. A steel engraving with later hand colouring. In very good and clean state. A guaranteed genuine antique print. A steel engraving with later hand colouring. In very good and clean state. A guaranteed genuine antique print. Image 18 x 12 cm.

No Binding. Condizione: Very Good. Wolfensberger (artist), John Henry Le Keux (engraver) (illustratore). Print is 19cm by 13cm. Delicately hand coloured. The surround is a bit browned. Johan Wolfensberger died in 1850 so presumably from before that date.Unmounted.

No Binding. Condizione: Good. No Jacket. Engraved by Henry Le Keux after a drawing by Frederick Mackenzie (illustratore). A print of an engraving of St George's Chapel, Windsor (Interior View of the North Aile, looking West), engraved by Henry Le Keux after a drawing by Frederick Mackenzie, Plate X An antique print, guaranteed to be over 200 years oldThis plate was taken from the book The Architectural Antiquities of Great Britain, Volume III, by John Britton, FSA, 1812, London, printed for Longman, Hurst, Rees & Orme, Paternoster Row/J Taylor, Architectural Library, 59, High Holborn/The Author Some marking and some scuffing, a little dimpling and light foxing Mounted and matted with white and antique-white acid-free card, measuring 10" x 12" (254cm x 305cm) with a window size of a little under 8" x 10" and comes in a cellophane bag This would make for a lovely gift and may appeal to those interested in Britain, Windsor, architecture, antique prints and the work of Le Keux and/or Mackenzie. n.

No Binding. Condizione: Good. No Jacket. Engraved by Henry Le Keux after a drawing by Frederick Mackenzie (illustratore). A print of an engraving of St George's Chapel, Windsor (Interior View of the North Aile, looking West), engraved by Henry Le Keux after a drawing by Frederick Mackenzie, Plate X An antique print, guaranteed to be over 200 years oldThis plate was taken from the book The Architectural Antiquities of Great Britain, Volume III, by John Britton, FSA, 1812, London, printed for Longman, Hurst, Rees & Orme, Paternoster Row/J Taylor, Architectural Library, 59, High Holborn/The Author Some marking and some scuffing, with a heavier scuff across middle of image, together with light foxing Mounted and matted with white and antique-white acid-free card, measuring 10" x 12" (254cm x 305cm) with a window size of a little under 8" x 10" and comes in a cellophane bag This would make for a lovely gift and may appeal to those interested in Britain, Windsor, architecture, antique prints and the work of Le Keux and/or Mackenzie. n.

Paperback. Condizione: New. Print on Demand. This book provides a richly detailed study of Christ's College, one of Cambridge University's most ancient and prestigious colleges. Tracing the college's origins from the 15th century foundation of Godshouse, the author describes how the college grew as a center for academic excellence. Through wars and religious turmoil, the college flourished under the patronage of some of England's most powerful families, and the author's meticulous research reveals how donations from successive benefactors shaped the college's architecture and curriculum. This book will not only enthrall alumni and current students of the college but will also appeal to anyone with an interest in the history of education and the role of wealthy philanthropists and patrons in the development of English society. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

1. Original-Stahlstich von Le Keux (in der Platte signiert) nach Bartlett auf rückseitig unbedrucktem Büttenblatt, extrem feine und detailreiche Ansicht, bildliche Darstellung ca. 17 x 12,5 cm, Blattgröße ca. 27 x 20,5 cm (jeweils Höhe x Breite), sauber und sehr gut erhalten, sehr schönes und seltenes Blatt 1100 gr.

Condizione: Good. Engraving. 12.5" x 8.5". Very Good with minor creasing, faint stains. In mylar protective sleeve.

Condizione: Good. Engraving. 5 1/4 x 3 3/4 in. (image); 7 7/8 x 5 1/8 in. (sheet). Very Good, light toning and foxing in the margins and image.

Condizione: Good. Hand-colored engraving. 5 1/4 x 3 3/4 in. (image); 7 7/8 x 5 1/8 in. (sheet). Very Good, light toning and foxing in the margins, a crease in upper right margin.

Condizione: Good. Hand-colored engraving. 5 x 7 1/4 in. (image); 9 x 12 in. (sheet). Very Good, light toning and foxing in the margins, tape along verso top sheet edge.

1. Original-Stahlstich in Aquatinta-Manier von Le Keux (in der Platte signiert) nach einer Zeichnung von Wagner auf rückseitig unbedrucktem Büttenblatt, extrem feine und detailreiche Ansicht, bildliche Darstellung ca. 15,5 x 10 cm, Kartongröße ca. 21,5 x 14 cm (jeweils Höhe x Breite), sauber und sehr gut erhalten 2100 gr.

Softcover. Condizione: Very Good. Folded for mailing. Remains of prior mounting on the reverse. Tiny chips to the lower outer corner and one to the center of the right edge. ; Handwritten note, one page, signed J. H. Le Keux. Approx. 4 3/8" wide by 7". Handwritten heading 30 [or 31] Argyle St, New Road, April 19/50 [or 56]. To H. [Henry] Mogford. In its entirety "I am glad to see the announcement of a picture gallery at Sydenham under your direction. Do you admit Water Colour! If so I shall be glad to contribute.".

Brown hardback cloth cover. Condizione: Good. First Edition. G : in good condition. Cover lightly rubbed with some edge wear. Respined with new eps and tape reinforcements. Some browning and age toning to plates. 300mm x 230mm (12" x 9"). 80 plates,4pp, viii, xx, 40pp, + plates. 80 plates. Heavy item - shipping supplement may apply for overseas.

1. Original-Stahlstich von Le Kreux (in der Platte signiert) nach Bartlett und Brooke auf Büttenblatt, sehr geschmackvoll koloriert, bildliche Darstellung ca. 22 x 14 cm, Passepartoutgröße ca. 31,5 x 27 cm, unter Schrägschnitt-Passepartout montiert, im breiten Rand außerhalb der bildlichen Darstellung etwas Alterspatina, ansonsten sauber und sehr gut erhalten, selten 2100 gr.

80 plates of which two on stained glass are coloured, 64pp, 10pp publishers catalogue (this dated 1837) 30x23, boards, pasted on spine label. Covered rather rubbed, with small hole on front edge of spine, foxing and damp marks on most plates, text less affected, edges of pages a little rubbed, binding cracking in a few places. Important Gothic revival source book, with its fine accurate measured drawings, reissued in the 1870s in an edition edited by Spiers. Editor's Introduction explains why Nattali had felt in necessary to issue the essays separately to the engravings (to avoid the "arbitrary and oppressive" requirement to lodge no few than eleven copies of each book in public libraries, something that was prohibitive for heavily illustrated books like this); readers were then encouraged to reassemble their separate purchases. The date on the catalogue suggest that this copy was probably bound by the publisher in around 1837.

Hb. Condizione: VG. Condizione sovraccoperta: None. Le Keux and Storer, Steel Copper Plates and Ethcings on Copper By Robert Farren (illustratore). First Edition. 'Greatly Enlarged From the Work of J. Le Keux.' Covers: green cloth on boards with gilt titles to spine and gilt boarder trims. All three: light rubbing, soft dusting of a little smudges and faint few only marks. Spines: Thin bumping and some cracks, but not splits. Small rubbed wear to some of the boards fore corner tips. Edges: Gilt top edge lightly rubbed & scratches; fore and bottom edge with moderate foxing and dusting of soiling. Mild rubbing to some of the extremeties. Feps: signature to head fore corners. Sprinkling of foxing to several pages albeit mostly to their margins. Vol.I: 'St. Peter's College to Jesus College'; small splits to frontis fore-edge; short rubbing wear to front guttering. Tiny split to second to last page fore-edge. 403p Vol. II.: Christ's College to Emmanuel College 393p Vol. III: Sidney College, Downing College, Parish Churches, & c. : Front hinges with splitting revealing mesh and some to rear hinges. one illustrated page sightly loose from binding. 383p.

Couverture rigide. Condizione: Assez bon. Historical and descriptive essays accompanying a series of Engraved Specimens of The Architectural Antiquities of Normandy. Edited by John Britton. The subjects measured and drawn by Augustus Pugin and engraved by John and Henry Le Keux.London, Britton - 1828. Eighty prints (80 planches légendées). 40 pages de texte.Reliure demi basane rouge de l'époque. Dos lisse muet. Étiquette de titre sur le premier plat. Accident au dos. 1er plat en partie détaché. Plats frottés. Pas de rousseur. Intérieur en bon état. Format in-4°(30x24).

First Edition. Worn copy bound in quarter leather over buckram boards with a gilt title to the spine. Some slight wear and tear as with age. Remains well preserved overall; bright, clean and sharp-cornered. Includes previous owner's inscription. Physical description; 291 p., CXI [i.e. CXV] leaves of plates : ill., plans ; 35 cm. Notes; "An extensive series of plates and many hundred engravings on wood." Includes index. Subjects; Carpentry. Joinery. Geometrical drawing. Framing (Building). Carpentry. Geometry and geometrical drawing. Joinery. Genres; Engraved title pages - Scotland - 1860. Engraved title pages - Scotland - 1869. Etchings - Scotland - 1860. Etchings - Scotland - 1869. Illustrated. Library bindings - England - 1894. Library bindings - England - 1934. Library bindings - England - 1974. Marbled papers - England - 1894. Steel engravings - Scotland - 1860. Steel engravings - Scotland - 1869. Treatises - Scotland - 1860. Wood engravings - Scotland - 1860. Wood engravings - Scotland - 1869. 4 Kg.

Hardcover. Condizione: Near Fine. 1st Edition. The Engraved title page is dated 1827 and the printed title dated 1828, also the dedication is dated 1828. The plates are all dated between 1825 and 1827. PP: xx, 40, 4, Plus the plates. Contemporary half leather, rubbed and faded; occasional browning and foxing. Size: 29 X 23 Cms.

Cloth with leather spine. Condizione: G/No Dustjacket. Black&White/Color Plates (illustratore). First Edition. London, UK: J. Britten. G/No Dustjacket. 1827. First Edition. Cloth with leather spine. Cover is rubbed, bumped, leather has scrapes, corners are frayed, The front hinge has separated from the textblock, rear hinge is cracked and weak. There is a hinge crack inside the textblock. light foxing Each plate is separated by a blank sheet. Pugin is credited as the pioneer of Gothic Revival. Two stained glass plates are hand colored. . 4to., 80 plates, 64 pp text. .

First Edition. Worn copy bound in quarter leather over buckram boards with a gilt title to the spine. Some slight wear and tear as with age. Remains well preserved overall; bright, clean and sharp-cornered. Includes previous owner's inscription. Physical description; 291 p., CXI [i.e. CXV] leaves of plates : ill., plans ; 35 cm. Notes; "An extensive series of plates and many hundred engravings on wood." Includes index. Subjects; Carpentry. Joinery. Geometrical drawing. Framing (Building). Carpentry. Geometry and geometrical drawing. Joinery. Genres; Engraved title pages - Scotland - 1860. Engraved title pages - Scotland - 1869. Etchings - Scotland - 1860. Etchings - Scotland - 1869. Illustrated. Library bindings - England - 1894. Library bindings - England - 1934. Library bindings - England - 1974. Marbled papers - England - 1894. Steel engravings - Scotland - 1860. Steel engravings - Scotland - 1869. Treatises - Scotland - 1860. Wood engravings - Scotland - 1860. Wood engravings - Scotland - 1869. 3 Kg.

Leather. Condizione: Very Good Indeed. Edward Blore; Frederick Mackenzie; John and Henry Le Keux; Charles Askey; Augustus Pugin; Charles Ferdinand Porden; Thomas Frazer Ranson; Samuel Rawle; R.C. Roffe; Robert Sands; John Scott; Edmund Turrell (illustratore). First edition. Two volumes bound together of these fascinating first editions of fundamental works on English ecclesiastical architecture by John Britton, with superb illustrations. Two works by nineteenth-century, antiquary, John Britton. Comprised of; the 1817 first edition The History and Antiquities of the See and Cathedral Church of Winchester, bound with the 1819 first edition of The History and Antiquities of the Metropolitical Church of York.Two books bound in one volume of half calf with marble covered boards.Illustrated with two engraved title pages, additionally, Winchester Cathedral with a frontispiece and twenty-nine further plates, York Cathedral with thiry-four plates [xxx and xxv omitted]. Collated complete from digitised copies held by the New York Public Library and Harvard University via The Hathi Trust.These works were published as part of a monumental, fourteen-volume series on ecclesiastical architecture entitled; Cathedral Antiquities of England: Or, an Historical, Architectural, and Graphical Illustration of the English Cathedral Churches andproduced by Britton between 1814 and 1835.The series included surveys of the Cathedrals at Salisbury, Norwich, Winchester, York, Lichfield, Oxford, Canterbury, Wells, Exeter, Peterborough, Gloucester, Bristol, Hereford and Worcester.The copious beautiful plates required a remarkable collaboration between multiple renowed artists and engravers.With many ambitious ventures such as this having failed during the nineteenth-century, Britton is celebrated as an early populariser of the genre of vast, detailed topographical works. Two books bound in one, with a half calf binding and marbled boards. Externally, in smart condition. Noticeable scuffs to paper covers. Wear from rubbing to extremities and joints. The odd mark to leather. Rebound, with new end papers. Hinges starting but firm. Internally, firmly bound. Pages bright and clean. Plates collated complete, numbers xxx and xxv omitted in original publication. Offsetting from plates to opposing pages throughout. Scattered spotting to pages and plates, Notably to Winchester engraved title page. Age toning throughout. Very Good Indeed. book.

Condizione: Good. Large folio. 3/4 red morocco and red roan boards, repaired. 59 x 45 cm.[62] p., [29] pl.; 606 mm. Some foxing. Tissue guards.OCLC Number: 1105189Each plate gives the name of the source-artist and is signed by its engraver. The engravers were H. Le Keux, George T. Doo, W. Bromley, J.H. Watt, E. Goodall, John Pye, William Miller, W. Humphrys, John Burnet, J. Stewart, W. Greatbatch, John H. Robinson, R. Golding, W. Finden and J. Le Keux. Each plate carries the publisher's imprint of John Pye, and the name of the printer, McQueen. The work is dedicated to King William IV by John Burnet, George Cooke, George T. Doo, William Finden, Edward Goodall, John Le Keux, Henry Le Keux, John Pye and John H. Robinson.The title page and plate [10] carry the date of 1840, but all other plates carry an earlier date - 1830 March 1 (nos. 5, 17, 24, 26, 28); 1832 March (1, 9, 11); 1837 March (1) (2, 14, 19, 20, 22, 29); 1834 Sep. 1 (6, 15, 16); 1836 July (1) (12, 13, 21, 25); 1837 July (3, 8, 18, 27); 1839 Aug. (4, 23); 1839 Nov. (7). The idea of publishing a series of engravings after paintings in the National Gallery (which had opened to the public in 1824) originated with John Pye, and was subsidised by John Sheepshanks. Seven instalments appeared by 1840. Pye was a leading advocate of the Royal Academy's opening full Membership to engravers. He had petitioned the Prince Regent for this in 1812; in 1826 he and other leading engravers vowed never to apply for Associateship; in 1836 and 1859 he published pamphlets attacking the Academy. Each plate is accompanied by one leaf of printed explanatory text (in English on the recto, in French on the verso); and each is captioned. They show: [1]'A view of Venice' by Canaletto; [2]'Christ appearing to St. Peter' by Ann. Carracci; [3] 'Silenus' by Ann. Carracci; [4] 'Susanna and the elders' by Lud. Carracci; [5] 'An Italian sea-port' by Claude; [6] 'The marriage-festival of Isaac and Rebecca' by Claude; [7] 'The embarkation of St. Ursula' by Claude; [8] 'A pastoral landscape' by Claude; [9] 'The Annunciation' (in text, ' . appearance of the angel to Hagar') by Claude; [10] 'The Holy Family' by Correggio; [11] 'Evening' by A. Cuyp; [12] 'The market cart' by Gainsborough; [13] 'The watering place' by Gainsborough; [14] 'Spanish peasant boy' by Murillo; [15] 'A landscape with figures representing Abraham preparing for the sacrifice' by Gaspar Poussin; [16] 'A Bacchanalian scene' by N. Poussin; [17] 'The adoration of the shepherds' by Rembrandt; [18] 'The Crucifixion' (in text 'Christ taken down from the Cross') by Rembrandt; [19] 'Portrait of a Jew' by Rembrandt; [20] 'The banished lord' by Reynolds; [21] 'Lord Heathfield' by Reynolds; [22] 'The rape of the Sabines' by Rubens; [23] 'Peace and War' by Rubens; [24] 'Gevartius' by A. Van Dyck; [25] 'The Emperor Theodosius refused admission into the church' by Van Dyck; [26] 'Portrait of Rubens' by Van Dyck; [27] 'The consecration of St Nicolas' by Veronese; [28] 'The village festival' by D. Wilkie; [29] 'Maecenas' villa at Tivoli' by R. Wilson.Ref: A. Dyson, Picture to print: the nineteenth-century engraving trade (1984); C. Fox, 'The engraver's battle for professional recognition in early nineteenth-century London', in London journal, 2 (1976), p.3-31.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1825 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 28 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 28.

No Binding. Condizione: Good. Cathedral and Market Place, Mechlin. A view of St. Rumbold's Cathedral in Mechelen. Steel Engraving by John Henry Le Keux (1812-1896), after Thomas Allom (1804-1872), c. 1850. Source: Published in London by Longman &co. Good condition. Paper slighty browned. Some minor creasing. Verso: blank. Dimensions: 113 x 174 mm. c. 1850. Print.

In-4 de 80 planches + 4 + VIII + XX +40 pages. Ex-libris manuscrit et gravé de A. Colette. Rousseurs. Demi-chagrin aubergine, dos lisse frotté. Pugin, architecte et dessinateur français demeurait à Londres où il est mort en 1832. L'édition originale anglaise de cet ouvrage a été traduite en français en 1844. Frère.

In-4 d'un frontispice, 80 figures gravées sur 73 planches, certaines doubles et 40 pages d'explication des planches placées en fin de volume ainsi que le titre principal (anglais). Rousseurs, certaines planches volantes. Demi-basane verte, dos lisse. Pugin, architecte et dessinateur français demeurait à Londres où il est mort en 1832. L'édition originale anglaise de cet ouvrage a été traduite en français en 1844. Frère.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1859 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 135 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 135 Volume 1 Language: English.

No Binding. Condizione: Good. The Cathedral of Malines. A city view of Mechelen with the Cathedral in the background. Steel Engraving by John Henry Le Keux (1812-1896), after Thomas Allom (1804-1872), c. 1850. Good condition. Paper slighty soiled and slightly browned. Verso: blank. Dimensions: 112 x 174 mm. c. 1850. Print.