Kobayashi yukio (126 risultati)

hardcover. Condizione: Very Good. Legacy smart filter userdata3=general (pricing criteria).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Written in Japanese, with the names of birds written in Latin and English, in addition to Japanese. Also, there are three bird indexes in rear of book, one in Japanese, one in English, and the third in Latin.Hoikusha Publishing Co., Ltd. 1972. Osaka, Japan. Hardcover. Mid-size. Book is clean, with a firm spine, a strong binding, no page folds, no tears, and no writing. Revised and enlarged edition. Copiously illustrated with exacting color illustrations of all the birds. 241 pages. Securely packed in a lidded box for protection during shipment. Takashi Miyamoto and Yukio Matsuda (illustratore).…

Hardcover. Condizione: Very Good. Japanese language text. Profusely illustrated.

Condizione: New. Idioma/Language: Español. " En mi interior, belleza, erotismo y muerte se hallan en la misma línea. " Dos entrevistas, dos tiempos, dos puntos de vista opuestos para proyectar un poco de luz sobre la biografía, la manera de pensar y la creación literaria de Yukio Mishima. Uno de los más importantes escritores japoneses contemporáneos, autor de culto polémico y ambiguo que, varias décadas después de su suicidio, aún levanta pasiones encontradas en torno a su persona y su forma de ser en contraposición a la unanimidad sobre la inquietante belleza y calidad de sus obras literarias. "Últimas palabras" de Yukio Mishima recoge dos de las entrevistas más completas concedidas por el autor de "Confesiones de una máscara". Ambas realizadas por dos de los más conocidos y prestigiosos críticos literarios japoneses, desde posiciones opuestas entre sí: Takashi Furubayashi, de formación marxista, severo censor de las posturas políticas de Mishima, pero muy sensible ante la belleza y complejidad de su creación literaria; e Hideo Kobayashi, nacionalista, más afín políticamente al autor, e igualmente seducido por su narrativa. La entrevista de Furubayashi es la última que concedió Mishima, días antes de su suicidio ritual, el 25 de noviembre de 1970. La de Kobayashi, se llevó a cabo cuando, a sus treinta y dos años, Mishima ya era el escritor más leído en Japón y el de mayor proyección internacional. Las dos entrevistas, inéditas en español, revelan desde posiciones diferentes múltiples aspectos de la vida, las ideas y el proceso de creación artística de uno de los más grandes y controvertidos autores de la literatura universal. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Rustica (tapa blanda). Condizione: New. Condizione sovraccoperta: Nuevo. 01. LIBRO.

Condizione: New.

Paperback. Condizione: Brand New. Spanish language. 9.06x6.22x0.55 inches. In Stock.

Softcover, 96 pages; in Japanese with 1 essay and illustration titles also in English; very good condition; clean and crisp; no internal marks. (Spine in Japanese) Foreign shipping may be extra.

Soft cover. Condizione: Good. Spine slightly worn with discolouration along margins -- 12 June-17 August, 1969; The National Museum of Modern Art, Tokyo.

Condizione: Fair. 12 June-17 August, 1969; The National Museum of Modern Art, Tokyo. Richly illustrate din b/w.; Part cover and spine badly discoloured; wrinkles in cover; corners and top and bottom spine bumped.

Paperback. Condizione: Sehr gut. Das Exemplar ist in einem sehr guten und sauberen Zustand ohne Anstreichungen. / The copy is in a very good and clean condition without markings. -- INDEX OF ILLUSTRATIONS -- JÕMON PERIOD (Ca. 5000-4th cent. B.C.) -- 1. FLAMBOYANT VESSEL: Excavated in Niigata Prefecture. Middle Jomon Period. Fired clay. Height 32 cm. Nagaoka Municipal Science Museum, Niigata. the Jomon Period people lived chiefly on fishing, hunting and gathering. In this decora-tive vessel, we see their vigour and their passion for form. In -- 2. FIGURINE: Excavated in Yamanashi Prefecture. Middle Jomon Period. Fired clay, Jomon type pottery. Height 25.5 cm. Tokyo National Museum, Tokyo. kind of figurine must have had some magical function. It has a delightful naïveté and vivid emotion. This -- YAYOI PERIOD (3rd cent. ..-3rd cent. A.D.) -- 3. JAR: Excavated in Tokyo. Late Yayoi Period. Fired clay. Height 21.5 cm. Tokyo Uni-versity. People of the Yayoi Period who formed settled farming communities loved simpler forms than those of the Jomon Period. This simplicity became one of the keynotes throughout the history of Japanese art. -- 4. DOTAKU or BRONZE BELL: Detail. From Kagawa Prefecture. Middle or Late Yayoi Period. Bronze. Height 43 cm. Ohashi collection, Tokyo. (Preserved by Tokyo National Museum.) It is said that these flat bell-shaped objects were used in rituals. Here on the cast bronze-work we see a dancing scene, a hunting scene, figures threshing rice and an elevated house, all having importance in the life of the people of that age. -- TUMULUS PERIOD (4th cent. early 6th cent.) -- 5. WOMAN'S HEAD OF HANIWA: From Nara Prefecture. Late Tumulus Period, 5th-6th cent. Fired clay. Height of remaining part, 16.3 cm. Tokyo. Haniwa means figurines and models of various objects, made of terra-Tokyo National Museum, cotta, which were placed around and on the side of the huge tombs of ruling class people in the Tumulus Period. Notice the mild, peaceful countenance of the figurine. -- 6. WALL PAINTING OF TOMB CHAMBER, TAKEHARA TUMULUS: Colour on rock. Late Tumulus Period, 6th cent. Fukuoka. Here we see the most primitive type of a mythological world, not so sophisticated but fantastic and serious. The boat, horse and dragon-like creature may have been vehicles for the dead to go to heaven, on land, on water and in air. -- 7. MAGATAMA, COMMA-SHAPED ORNAMENT OF JADE AND OTHER STONES : Tumulus Period. Length of the largest one, 5 cm. Maeda Collection, Kanagawa. Jade beads and tubular jade were found in China and Korea as well as in Japan. But comma-shaped ornaments in jade and other materials were made only in Japan. This and other shapes of jade were used as personal ornaments by upper class people of the age. -- 8. SANCTURY OF ISE GRAND SHRINE: The last regular replacement, 1953. Plan 11.2 X5.46 m. Mie. It is believed that the building of certain old shrines con-serve the form of residence of the ruling class of primitive-age Japan. They must have built the best they could for their gods. -- ASUKA PERIOD (Late 6th cent.-7th cent.) -- Nara. 9. MAIN HALL (GOLDEN HALL) AND FIVE-STORIED PAGODA OF HORYUJI: 7th cent. Main Hall: Plan 18.4×15.2 m.; Pagoda: Plan 10.85 m. sq.; Height 32.45 m. pound, was broken, and the Golden Hall and Pagoda were arranged on opposite sides Here the tradition of having a symmetrical plan for the temple com-of the axis connecting the center of the gate and the Lecture Hall. But the cubic space occupied by each is about the same, resulting in a well-balanced feeling. -- 86.5 cm. H?ry?ji, Nara. 10. SHAKA TRIAD: By Tori. Dated 623. Bronze. Height of Shaka, the central figure, dhism is here shown with the two side-figures. In this triad, the emphasis is put on the Shaka (in Skr. Sakyamuni), the founder of Bud. frontal view, a characteristic of this age. The sharp but rigid treatment of the drapery and the elongated faces are due to the influence of Chinese sculpture of the middle 6th century. -- 11. GUZE KANNON: 7th cent. Wood covered with lac.…

Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condizione: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.

Condizione: New. pp. ix + 144.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Revised edition. Book - near fine, dust jacket (spine faded) in slipcase. Japanese text. Revised & enlarged in 1965 (this copy - 1971 reprint). Miyamoto, Takashi and Matsuda, Yukio (illustratore).

Condizione: New. pp. ix + 144 Illus.

Paperback. Condizione: Fair. First Edition. 18 x 26cm 68pp fair paperback exhibition catalogue, wrappers soiled and worn, spine slightly torn. With Japanese and English text, largely black and white reproductions featuring works by Sten Eklund, Gun Maria Pettersson and many more.

Soft cover. Condizione: Fine. Condizione sovraccoperta: No Jacket, As Issued. Trade softcover. Published Tokyo: A.D.A. Edita, 1991. Text in English and Japanese. Folio wrappers, 12 1/4" 11 3/4", 194pp., profusely illustrated with color and b/w plates. Edited by Yukio Futagawa, criticism by Riichi Miyake, photographed by Toshiyuki Kobayashi. Fine. Over 250 Color & B/w Photos (illustratore).…

Condizione: Fine. KOS01207052.

Condizione: Fine. KOS01205675.

Condizione: Fine. KOS01205959.

Condizione: Fine. KOS01205358.

Condizione: Fine. KOS01204992.

Condizione: Fine. KOS01202901.

Condizione: Fine. KOS01201632.

Condizione: Fine. KOS01200518.

Condizione: Fine. KOS01200355.

Condizione: Fine. The book is in fine condition.

Condizione: Fine. Number of pages: 215p + 4p Size: A5.

Condizione: Fine. Number of books: 1.