leslie serge (36 risultati)

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Printing. 172pp. Hardback with DJ, VG, b&w photos and illustrations, The life and career of dancer Doris Niles,

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. First Edition, First Printing. Not price-clipped (£10.95 price intact). Published by Dance Books, 1987. Octavo. Yellow cloth boards stamped in black. Book is very good. Sharp corners and spine straight. Binding tight and pages crisp.Ex-library with stickers on copyright page and library stamp on top of page ends. Sticker residue on flyleaf. Dust jacket is very good with light shelf wear and partially removed sticker on bottom of spine. 172 pages. ISBN: 1852730013. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York.

Cloth. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. This work is the story of a beautiful California girl and a new theatre in New York. The girl was Doris Niles, who was to become one of the great Broadway dancing stars of the 1920s and later a famous Spanish dancer in the Europe of the 1930s. The theater was the Capitol on Broadway at 51st Street, the most important and glorious of the new movie theatres in New York. Photographs and illustrations are included. This HARDCOVER copy is clean and solid. Appears to be unread.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Hardback book (172 pages) illustrated with vintage b/w photographs/reproductions. Light rubbing on dust jacket. Bookseller since 1995 (LL-Base2-1-Bottom-Up-R) rareviewbooks.

Hardcover. Condizione: As New. Condizione sovraccoperta: Dustjacket included. First Edition. ISBN . Hardback. First Printing. Near Fine Condition book in a Near Fine Condition Dustjacket. Tight, bright, attractive copy with no markings to the book. As new condition. No Signature.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. 172pp Illus "From the Capital Theatre, New York City to Carnegie Hall with Doris Niles. A Chronicle 1919-1929.".

Hardcover. Condizione: Very Good +. Condizione sovraccoperta: Good. Illustrated (illustratore). Hardcover. (Being an account of the career of Doris Niles) Gift inscription on endpaper. Clean boards and text. Light wear to jacket. No remainder or other notations. Size: 8vo.

Hardcover. Condizione: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.

Hardcover. Condizione: New. Shipped from the UK within 2 business days of order being placed.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 172 pages. The book is a little worn. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size F: 9"-10" Tall (228-254mm).

Condizione: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.

Condizione: Good. Light wear to boards. Content is clean with light age tone. Spotting to end papers and page ends. DJ with some edge wear, soiling and creasing.

Hardcover. Condizione: Brand New. 172 pages. 9.75x6.75x1.00 inches. In Stock.

23 pp.; 27.9 x 21.4 cm.; staple bound; black-and-white; edition size unknown; unsigned and numbered; offset-printed; Issue number 54 of New Observations: "The Magazine that Lets the Artists Speak for Themselves." Guest edited by Serge Gavronsky. Contents include: "Once Again," by Serge Gavronsky; "Interview with Julia Kristeva," by Serge Gavronsky; "Work Vertical and White," by Anne-Marie Albiach; "Go, Monster," by Ludovic Janvier;" "Poems," by Marcelin Pleynet; "Alley of Pepper Plants in California," by Emmanuel Hocquard; "The Brooklyn Bridge," by Leslie Kaplan and "Interview with Jacques Roubaud," by Serge Gavronsky. Cover by Denis Roche. Good. Sunning and rubbing of covers with curl to bottom right corner of periodical. On the last page an advertisement measuring 13.9 x 10.4 cm. has been cut out. Contents otherwise clean and unmarked.

Hardcover. Condizione: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condizione: Very Good. FIRST EDITION with dust jacket - rare and collectable - will send out 2nd class tracked post within 12 hours of receipt of order.

284pp. 8vo. Original cloth in dustwrappe, light marking and edgeworn. Pale foxing to edges. A very good copy.

Condizione: Very Good. The books dust jacket is in very good condition with small scuffs and light staining. The content is in like new condition.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good+. First. Boards tight, inner pages crisp and clean. Corners lightly bumped. Warmly inscribed by subject Doris Niles, "For two charmers _____ and _______-with my best wishes Small tears to front, back and spine of dust jacket, now contained in mylar cover. ; 234 pages; Signed by Biographee.

Hardcover. 594 S. A02359 Ex-library with stamp and library-signature in good condition, some traces of use. Sprache: Englisch Gewicht in Gramm: 500.

hardcover. Condizione: Fine copy in fine dust jacket. Illus. with photos (illustratore). 1st. 8vo, 172 pp.

Condizione: As New.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. Inscribed and signed on 1st free endpaper by Doris Niles & Serge Leslie (her husband), plus loosely inserted is a letter in longhand by Niles on her personalized stationery. Octavo bound in dark red cloth. B&W photos. Condition: small edge-tear to the bottom of the spine; minor spotting to binding; minor bumping to corners; else VG. 234 pages. Inscribed by Author(s).

Hardback. Condizione: VG. Condizione sovraccoperta: G++ DW. 1st Edition. Inscribed By Subject of Book on front endpaper "For Rirka Tompson with my good wishes and apprceiation of our mutual interests Sincerely Doris Miles London 1975". Book is in very good plus condition with very minor signs of wear and/or age. Spine a little bumped.Clean DW has 3 x 2 inch loss at base of rera cover. Inscribed By Subject of Book.

Hardcover. 8vo. pp 290-594. Original publisher's blue cloth, lettered gilt on spine. Volume two only, L-Z. Covers slightly marked, otherwise near very good in slightly chipped, near very good dust jacket.

Couverture souple. Condizione: Très bon. Condizione sovraccoperta: Très bon. Edition originale. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Les haillons du réalisme par Pierre Léon - Bleu Antonioni par Adriano Aprà - L'imitation de la Parole selon Oliveira par Xavier Carrère - L'écran et le scénario par Frédéric Sabouraud - Sauver l'image par Raymond Bellour - La vingt-cinquième image par Chantal Akerman - Schefer analyste (éloge) par Jacques Aumont - Interpréter, lire, commenter par Jean Louis Schefer - Il faut sortir de la forêt par Serge Bozon - À mes parents par Sylvie Pierre - « Raconte-moi des histoires » par Leslie Kaplan - Grand Hôtel Solitude par Eric de Kuyper - Hollywood, inventaire critique (4) par Tag Gallagher - Sur la route de la Floride par Jack Kerouac - Lettres de New York par Robert Frank - Qui voit Dieu meurt par P. Adams Sitney.

Couverture souple. Condizione: Très bon. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Les haillons du réalisme par Pierre Léon - Bleu Antonioni par Adriano Aprà - L'imitation de la Parole selon Oliveira par Xavier Carrère - L'écran et le scénario par Frédéric Sabouraud - Sauver l'image par Raymond Bellour - La vingt-cinquième image par Chantal Akerman - Schefer analyste (éloge) par Jacques Aumont - Interpréter, lire, commenter par Jean Louis Schefer - Il faut sortir de la forêt par Serge Bozon - À mes parents par Sylvie Pierre - « Raconte-moi des histoires » par Leslie Kaplan - Grand Hôtel Solitude par Eric de Kuyper - Hollywood, inventaire critique (4) par Tag Gallagher - Sur la route de la Floride par Jack Kerouac - Lettres de New York par Robert Frank - Qui voit Dieu meurt par P. Adams Sitney.

hardcover. Condizione: Very Good. Condizione sovraccoperta: Includes dust jacket. Signed. First Edition. inscribed and signed by author. dj in mylar sleeve, shows minor wear and tear. pages clean.

Hardcover. Condizione: Good. 1966 & 1968 Hardcover, Volumes 1 & 2. Ex-Library Reference Books. Text is clean. Binding is strong. Blue cloth covers, some uneven fading, light scratches. *No shipping outside the United States available for this heavy book.*.

Ballet. Fletcher was a bookseller specialising in Performing Arts and founder of the Society for Theatre Research. One page, 4to, chipped, four small tears, fold mark, punch-holes, small hole in centre, but complete and legible. He thanks Fletcher for submitting a print to "us" (Leslie and Niles?) but they decline regretfully, requesting others from the Romantic Period as they occur. "The 'Pas de Quatre' is most beautiful and now graces our walls." He requests an English translation of "Stepanow alphabet les Mouvements du Corps Humain". He refers to an enclosed cheque and asks if Fletcher has a copy of "Lo Barbarino Campanini [?]", giving publishing detail. Fletcher has added some annotation in pencil, revealing his acting on the requests.