Lewis eleanor editor (21 risultati)

paperback. Condizione: Fair.

Paperback. Condizione: Fair.

Paperback. Condizione: Fair. 2nd Printing. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way. B/w (illustratore).

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. B/w (illustratore).

Paperback. Condizione: Acceptable. This is a damaged book. May be ex-library, water-damaged, or spine creased/broken. Acceptable, Reading copy only, with writing/markings and heavy wear. Standard-sized. B/w (illustratore).

Hardcover. Condizione: Very Good. No Jacket. Green Cloth Boards With Navy And Gold Lettering. Light Bumping To Spine Ends And Edges. Binding Is Tight And Square. Pages Are Clean. 3Rd Printing. No Jacket. A Great Selection Of Works By Some Of The Best Authors.

Condizione: Very Good. Condizione sovraccoperta: 48901313. 1793064331. 10/27/2026 1:25:31 AM.

Paperback. Condizione: Near Fine. 297 clean, unmarked pages/index; 2nd Printing. B/w (illustratore).

Condizione: Used - Very Good. VG paperback. 2016 1st edition with numerous colour and B&W illustrations; spine and cover uncreased with light wear to edges and corners; otherwise, a clean, tidy copy. Used - Very Good. VG paperback.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st. 1st priinting; 287 clan, unmarked pages/inde; ownr's insc. B/w (illustratore).

Paperback. Condizione: Fine. First Edition. Chicago: The Poetry Foundation. Fine. 2005. Softcover. First edition. Magazine. Pictorial wrappers [about 5.5" x 9"], last numbered page is 380 [first numbered page is 287] [plus ads at the rear]. Fine copy. clphE, whb10.

Soft cover. Condizione: Very Good. Large paperback, 183 page, many b + w plates by contributors; book is solid and square, with some general rubbing to covers, light scratching. Mild reading wear. Older edition is slightly fragile. photo.

Soft cover. Condizione: Very Good. First edition. A very good copy with some rubbing to the covers but a fine interior. See my photos of the book you will receive, not stock photos. More available upon request. This book is in my possession and will be packed in bubble wrap and shipped in a cardboard box. USPS tracking provided. #190.…

paperback. Condizione: Fair.

Condizione: New. Satisfaction Guaranteed or your money back. B/w (illustratore).

Soft cover. Condizione: Very Good. Book has very light wear. Binding is solid. Book is in Very Good+ condition.

Condizione: Good. 4to. [ca. 200 pp.], Soft Cover, Good some Abrasions and Tear at Spine, Creasing at Corners, Front Cover has Ripples which may be minor Damp-staining but does not affect the Rest of the Book. Slight Foxing. B&W and Color Plates. "from the Library of Richard Lorenz" label attached to Inside Front CoverLoosely Laid In: 7-page Photocopy of an Article by Paul Anderson, "Sensitizing Platinum Paper"; 4 Clipped Magazine articles re. Historical Printing/developing methods.Provenance: Richard A. Lorenz (1952-2001), author, art conservator,curator and director of the San FranciscoRegional Art Conservation Center. As a trustee of The ImogenCunningham Trust , Mr. Lorenz organized and curatedexhibitions of Cunningham's photographs and authored four major books onthe photographer.…

paperback. Condizione: Very Good. Shelf wear to covers.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good-. First Edition. No signatures. 15mm chips at head and tail of dust-jacket spine. Dust-jacket protected in archival mylar cover.; 183, [1 (blank)] pages. Black cloth boards with grey lettering on spine and front board. Page dimensions: 271 x 238mm. Black and white photography. Essays by various contributors: Wynn Bullock; Jerry Burchard; Larry Clark; Linda Connor; Ralph Gibson; Betty Hahn; Eikoh Hosoe; George Krause; Elaine Mayes; Duane Michals; W. Eugene Smith; George Tice; Jerry Uelsmann.…

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

4pp., 4to. In fair condition, on lightly-aged paper, with short closed tears at heads of both leaves. The recipient is not named, but the letter is from the Lynd family papers. Robert Lynd was in St Ives at the time of writing, and the letter begins: 'I'm so glad you are in such a nice place & that the children can join you there. They will love it. London gets so odious by the 15th of July. I came her e last week as I was very tired, & sick of the stuffy feeling of everything. The children enjoy it all thoroughly.' She describes her daughter Anne (for whom see the Oxford DNB) as 'a fat object now with a brick-red nose so is not so attractive to the casual observer, but to my anxious mind quite ideal from the health point of view.' She is sending Lynd's 'picture show card to [her husband] Rolfe', whose holiday plans she explains. The rest of the letter contains references to 'Raspberries & cream', 'Ivy Low' (Anglo-Russian author and translator Ivy Therese Low Litvinov), Wyndham Lewis (who 'came to tea with me after the party though, & I liked him. He is great fun.'), 'MIss Charlotte Mew' ('who, I believe, used to write for the Yellow Book, but no one took any notice of her'. She would like to show Lynd her 'part of Dorset [.] near Sturminster Newton. An old house with secret passages & a secret room in the chimney where a skeleto was found!' She announces that they are 'going to have an orgy at Rottingdean on Ssunday to celebrate [her other daughter] Marie's Eighth birthday!' She concludes with a reference to a novel, adding: 'Will you read Mary Crosbie's new one? Aren't vicarage teas awful!' In a postscript she writes: 'The Editor & Proprietor of the N[ew]. W[eekly]. do not like Ivy Low; but the latter said Mrs. Lynd [the writer Sylvia Lynd] had one of the nicest faces he had seen for ages! I don't know why Ivy Low seems to rouse so much antagonism. I think one can't forgive her for being such friends with W. L[loyd] George!'.…