Lingua: Inglese
Editore: National Gallery of Australia; Distributed by Thames and Hudson, Canberra, NSW, 1996
ISBN 10: 0500974373 ISBN 13: 9780500974377
Da: LEFT COAST BOOKS, Santa Maria, CA, U.S.A.
Prima edizione
Paperback. Condizione: Near Fine. 1st. 240 pages, colour illustrations; 29 cm. Published on the occasion of an exhibition held at the National Gallery of Australia, 16 March to 10 June 1996. Near fine. Firm binding, clean inside copy. Light edgewear to wraps, age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** CONTENTS: Past and Present: Turner and his Brother Artists, by Andrew Wilton; Dunstanborough Castle, 1797-1834, by Evelyn Joll; Rule, Brittania?; Patriotism, Progress and the Picturesque in Turner's Britain, by David Blayney Brown; Picturesque Views in England and Wales; The Burning of the Houses of Parliament, by Evelyn Joll; Turner: A Watershed in Watercolour, by John Gage; The Late Swiss Watercolours, by Irena Zdanowicz; Venetian Journey, by Margaret Plant; Turner's Last Journey, by John Golding; Being There, by Michael Lloyd; Turner and the Origins of Landscape Painting in Australia, by Andrew Sayers; Liber Studiorum; List of Works in the Exhibition; Index of Works by J.M.W. Turner illustrated in this Catalogue. Size: 4to.
Lingua: Inglese
Editore: J. M. Dent, London England, 1996
ISBN 10: 0460878026 ISBN 13: 9780460878029
Da: The London Bookworm, East Sussex, Regno Unito
EUR 5,16
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. 1st Paperback Edition. Paperback. Label to inside back cover. 103 pp. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions ,and all types of Academic Literature.).
Lingua: Inglese
Editore: Oxford University Press, Oxford, England / New York, New York, 1999
ISBN 10: 0192141821 ISBN 13: 9780192141828
Da: Andover Books and Antiquities, Andover, MA, U.S.A.
Hardcover. Condizione: Excellent condition. Condizione sovraccoperta: dj. li, 690 pp. Dustjacket. LCC: 9920831.
Editore: Ward, Lock & Bowden, Limited, London
Da: Blue Moon Books, Stevens Point, WI, U.S.A.
Decorative Hardcover. Condizione: Very Good. With Frontis (illustratore). Very good+/no dust jacket--as issued. Decorative green boards and spine with gold lettering and designs. Gold gild on head of page ends. Moderate fraying to corners and foot. Moderate toning to pages. Circa 1890s. Very nice copy.
Editore: England: R. C. C. Press, 1980, 1980
Da: Jacques Gander, Fairford, Regno Unito
EUR 14,32
Quantità: 1 disponibili
Aggiungi al carrelloIllustrated with photos and maps. 215 pages.very good book in a good price clipped dustwrapper a bit worn at the corners and a short split at the fore edge.
Lingua: Inglese
Editore: William Heinemann, United Kingdom
Da: Ann's Old Town Books, Swindon, Regno Unito
Prima edizione
EUR 71,60
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Four Days: 25-29 September, 1938, Edited by Michael Killanin (Lord Killanin), Hardcover, First UK Edition. Book in very good condition, in a similar unclipped dust jacket. The book has slight bumping to the spine ends, with some ageing/ foxing to the page edges. The dust jacket shows some general wear and ageing, with a few slight nicks and small closed tears to the extremities. The dust jacket is now encased in a protective removable plastic sleeve. Overall a very good, tight and clean copy for a book of this age. (See pictures). A symposium by leading journalists from the major European capitals and the United States of what they felt and saw during those September days, after weeks of tension, when the world's peace was at stake.
Editore: The Free Press of Glencoe, (New York), 1962
Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Prima edizione
Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. First Edition. Lightly browned foredge, else fine in a near fine lightly rubbed dustwrapper with some minor edgewear.
Editore: London: Elkin Mathews & Marrot, Ltd., 1928., 1928
Da: Minster Gate Bookshop (est. 1970), YORK, Regno Unito
Membro dell'associazione: PBFA
Prima edizione
EUR 65,64
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good. First edition, 8vo., pp.176, uncut, pictorial yellow paper-covered boards backed in yellow cloth, design and lettering in black, b/w pictorial title; foxing to edges and margins of boards, occasional foxing within, splash-mark to top-edges, slight splash-marking to spine, a very good copy.
Editore: Causeway Books, New York, 1974
Da: JBK Books, North Manchester, IN, U.S.A.
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. xlviii 268pp. Contents clean and unmarked. No ownership or library markings. Orange cloth with black printing on spine. B/W diagrams. DJ flap price unclipped. DJ: "Here is a most rare work, an authentic magic manual of a Jewish magician of the Middle Ages. .Among the occultists this book has the reputation of being the most genuine and powerful magical manual ever published.".
Editore: John Walker, London, 1881
Da: Muir Books [Robert Muir Old & Rare Books], PERTH, WA, Australia
Prima edizione
EUR 156,75
Quantità: 1 disponibili
Aggiungi al carrelloDecorated Cloth. Thomas Seccombe (Illus.) / Ford Madox Brown (illustratore). 1st edition thus. 1st ed thus, octavo, cloth boards, fountain design (with flowers, birds, butterflies) stamped in gilt, silver and black upper board. gilt lettering and publisher's device to spine, all edges gilt, frontis portrait (bust in circular design), single title page, b&w plates, text illustrations and decorations, all page prdered in red, pp xx 604. N.d. (1881). Light rubbing to head and foot of spine. The second free endpaper has a gift insciption and a second short inscription dated 1892. The tissue plate to the frontis is foxed, otherwise all is generally very clean. Binding firm. Very good condition. An attractive and unusual edition of Lord Byron's work, introduced by the poet William Rossetti. This printing matches one in The British Library, which is catalogued as "Illustrated by Thomas Seccombe [or rather, by Ford Madox Brown]". (It is not clear why Ford Madox Brown would be using the name of another artist as a pseudonym.) This edition also matches the description in The British Library: "Without the additional titlepage and the frontispiece, the latter being replaced by a portrait. With different illustrations from the [1880] edition, that facing p. 410 signed: "M. W. Ridley.".