lymberopoulou (136 risultati)

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Paperback. Condizione: Very Good. This book focuses on the values, priorities, and motives of patrons and the purposes and functions of art works produced north and south of the Alps and in post-Byzantine Crete. It begins by considering the social range and character of Renaissance patronage and ends with a study of Hans Holbein the Younger and the reform of religious images in Basle and England. Viewing Renaissance Art considers a wide range of audiences and patrons from the rulers of France to the poorest confraternities in Florence. The overriding premise is that art was not a neutral matter of stylistic taste but an aspect of material production in which values were investedwhether religious, cultural, social, or political. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: as new. Wie neu/Like new.

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Annotations to some page edges/pages, may include notes, highlighting or underlining.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:9781849760485.

paperback. Condizione: Fair. Some wear on the corners and edges. Clean pages with no markings. Ships same day in most cases!The image in this listing is stock photo for reference. Actual item may differ. Any queries, just ask for photos. Your satisfaction matters!

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Soft Cover. Condizione: Good. No Jacket. 333 pages. will require extra postage - Hug Book Size: 4to - 9.75" - 12" tall. Used.

Condizione: Good. Volume 3. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:9780300123432.

Paperback. Condizione: Very Good. Clean tight illustrated Softcover. ALL ITEMS ARE DISPATCHED FROM THE UK WITHIN 48 HOURS ( BOOKS ORDERED OVER THE WEEKEND DISPATCHED ON MONDAY) ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Paperback. Condizione: new. Paperback. "Exploring Art and Visual Culture: A Reader" brings together essential primary texts by artists, critics and art historians ranging from the medieval period right through to our own times. There is no other reader available that covers such an extensive period. Selected by leading academics in their field, and published in conjunction with the Open University, the reader will be an essential sourcebook for every student of art history as well as all those seeking a greater understanding of art and of the cultural and historical context in which it is made. "The Reader" is organised in three parts. The first section, Medieval to Renaissance, 1000 - 1600, includes extracts from the writings of the Venerable Bede, Vasari, Bernard of Clairvaux, Aristotle, Erwin Panofsky, Nikolaus Pevsner, Erasmus and Walter Pater, among others, and sections on sacred art, Gothic architecture, the art of the crusades and the Renaissance. The second part Patronage to the Public Sphere, 1600 - 1850 includes texts by W.J.T. Mitchell, Sir Joshua Reynolds, Thomas Crowe, Richard Shiff and Caspar David Freidrich and examines the city and the country, the golden age of Dutch painting, London and Paris, landscape design, exploration, neoclassicism and the birth of Romanticism. The section on Exploring Art from Modernity to Globalisation, 1850 - 2010 includes writings by Marinetti, Gauguin, John Ruskin, William Morris, John Berger, Clement Greenberg, Lucy Lippard and Miwon Kwon examining modernism, the rise of abstraction, conceptual art and globalisation. Suitable for students of art history as well as those seeking an understanding of art and of the cultural and historical context in which it is made, this title brings together primary texts by artists, critics and art historians ranging from the medieval period right through to our own times. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:9781849760485.

Condizione: new.

Binding sound, text unmarked. Condizione: Fine. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. No ownership marks. Binding sound, text unmarked. Size: 333pp, many illus, 28.5 x 22 cm. No ownership marks.

paperback. Condizione: New.

Soft cover. Condizione: Very Good. 1st Edition. Tate Publishing / Open University (2012). Softcover in very good condition but with extensive notes, underlining and highlighting. Not an ex-library book. Dispatched from UK within three days.

Soft cover. Condizione: Near Fine. 1st Edition. illustrated, 333 pages.

Condizione: Good. Volume 3. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:9780300123432.

paperback. Condizione: Fine.

Condizione: As New. Unread book in perfect condition.

Soft cover. Condizione: Very Good Plus. First. 384pp.Well illus throughout. Interesting art culture reference interest. First ed. An excellent copy. PARROTT BOOKS - established for over 20 years offering a prompt friendly and efficient service Size: 8vo - over 7¾" - 9¾" tall.

Condizione: New.

Paperback. Condizione: New. Dr Angeliki Lymberopoulou lectures on Byzantine Studies at the Open University, and is an expert on the art and society of Venetian-dominated Crete (1211-1669). During this period, Crete was perhaps the most important Venetian stronghold in the Mediterranean . The traditional view that there was little cultural interaction between the native Greek Orthodox population and the Venetian colonists has recently been cast in doubt. From the early fourteenth century onwards, the two ethnically and religiously different inhabitants of Crete formed in fact a hybrid society, and Cretan artistic development reflects this progress. The book focuses as a case study on the church of the Archangel Michael at Kavalariana. This is a small church in the village of Kavalariana on the south-western part of the island. It is dated by a dedicatory inscription to the year 1327/28. The conservative iconographic programme of the wall paintings inside the church consists of seventeen religious scenes and thirty-three isolated saintly figures. As the paintings are signed Ioannes, they have been attributed to the prolific fourteenth-century Cretan artist Ioannes Pagomenos. A close examination of the style and comparisons with Pagomenos' oeuvre suggest, however, that Ioannes of Kavalariana was a separate artist with an identity of his own. A unique feature of the Kavalariana cycle is the pro-Venetian inscription which, in combination with the fourteen portraits of the donors that appear in the church, forms an important witness to Venetian/Cretan cultural interaction.

1st Edition. Fine copy in the original stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description: 333 pages: illustrations (chiefly color), color map; 29 cm. Contents: Art, class and wealth / Rembrandt Duits -- Florentine art and the public good / Jill Burke -- Renaissance bibliomania / Alixe Bovey -- Monarchy and prestige in France / Thomas Tolley -- Audiences and markets for Cretan icons / Angeliki Lymberopoulou -- Art and death / Carol M. Richardson -- Holbein and the reform of images / Kim W. Woods. Subjects: Art, Renaissance Europe. Art and society Europe History. Art history. Art criticism and interpretation. Renaissance art history. Renaissance art criticism and interpretation. International trade History. 1 Kg.

paperback. Condizione: Sehr gut. 333 Seiten Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). Very good, clean copy. This book focuses on the values, priorities, and motives of patrons and the purposes and functions of art works produced north and south of the Alps and in post-Byzantine Crete. It begins by considering the social range and character of Renaissance patronage and ends with a study of Hans Holbein the Younger and the reform of religious images in Basle and England. Viewing Renaissance Art considers a wide range of audiences and patrons from the rulers of France to the poorest confraternities in Florence. The overriding premise is that art was not a neutral matter of stylistic taste but an aspect of material production in which values were invested?whether religious, cultural, social, or political. ISBN 9780300123432 Sprache: Englisch Gewicht in Gramm: 1260.

Condizione: Very good.

Paperback. Condizione: Brand New. 370 pages. 9.25x6.50x1.00 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.