mankiewicz joseph director (28 risultati)

Soft cover. Condizione: Very Good. Promotional/press leaflet. Single sheet with folding crease, app 13" x 8". Slightly tanned with slight creasing, nicks and small tear to top edge (no loss), ;A CERT 10970 FT' written in ink at foot of leaflet. V.g. Synopsis. 5pp. Mimeographed. Stapled at corner. Pages slightly tanned, Couple of nicks to fore-edge, V.g. Based on the novel by Graham Greene, written for the screen and directed by Joseph L. Mankiewicz.

Soft cover. Condizione: Very Good. Single publicity sheet 10" x 8" with poster illustration to one side and story, cast and credits to verso. Folding crease plus corner crease, V.g. With Synopsis 3pp (actually 2 and a half) mimeographed sheets plus Vital Statistics 9pp mimeographed sheets (stapled at top corners). Slightly used, V.g. Based on the book 'Operation Cicero' by L.C.Moyzisch, directed by Joseph L. Mankiewicz an staring James Mason, Danielle Darrieux and Michael Rennie.

Four vintage reference photographs, all featuring Michael Caine and two featuring Laurence Olivier, from the 1972 film. A successful crime fiction writer invites his wife's lover to his mansion with a complex plan designed to humiliate him. Shot on location in England. 8 x 10 inches. Near Fine with manuscript graphite and blue ink annotations to the verso. Penzler 101.

Condizione: Muy Bueno. **RECOMENDADO: Envío Certificado (sólo 2,90 euros, con número de seguimiento). Así evitarás posibles retrasos o pérdidas por parte de la empresa de reparto. (Con el envío ordinario, Correos suele dejar un aviso en el buzón para recoger el paquete en oficina, y pueden producirse retrasos importantes, incluso pérdidas, especialmente durante el Black Friday, Navidad o las vacaciones de verano).

Vintage press photograph of the film's premiere at the Chicago World Fair, at the "Century of Progress" exhibition, on July 30, 1934. The premiere was reported as being attended by 15,000 people, including international celebrities, civic and industrial leaders, newspapermen, and five governors. In early October, 1934 the film had a special White House screening, attended by President Franklin Delano Roosevelt. In the midst of the Depression, a young couple flee the city to a farm, where they and others establish a collective. Produced independently by director King Vidor after he failed to secure studio backing, and one of the most significant films of the era. 10 x 8 inches. Near Fine. National Film Registry. Godard, Histoire(s) du Cinema. Rosenbaum 1000.

Estimating Script for the 1970 film, seen here under the working title "The Prison Story." Included is a vintage reference photograph from the film. The leader of a band of outlaws steals $500,000, but not before many in the gang are shot dead. Before he is arrested, he hides the loot in women's underwear and drops it into a pit, using the promised loot to bribe his fellow inmates into helping him escape from prison. Screenwriting duo David Newman and Robert Benton shared many of their first films together as cowriters, including "Bonnie and Clyde" (1967), "What's Up Doc" (1972), and "Superman" (1978). Set in Arizona, shot on location in California and New Mexico. Tan titled wrappers, noted as ESTIMATING SCRIPT on the front wrapper, rubber-stamped copy No. 166, dated July 23, 1968. Distribution page present, with receipt intact. Title page present, dated July 23, 1968, with credits for screenwriters Newman and Benton. 167 leaves, with last page of text numbered 162. Mimeograph duplication on yellow stock, rectos only. Pages and wrapper Near Fine, bound internally with three gold brads. In a custom green quarter-leather clamshell box. Pitts 4330.

Vintage oversize satin finish borderless photograph of actor Marlon Brando on the set of the 1955 film. Stamp of Dell Publishing on the verso, with annotations in manuscript pencil crediting photographer Peter Basch. Based on the 1950 Broadway musical, in turn based on Damon Runyon's short stories "The Idyll of Miss Sarah Brown" and "Blood Pressure." A gambler wins a bet that he can get a Christian missionary to travel with him to Havana, where the pair begin to fall for each other. Nominated for four Academy Awards. Set in New York and Havana. From the archive of the PIX Agency, an American photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. 11 x 14 inches, with wide top and bottom margins, archivally matted in a 16 x 20 inch 8-ply white mat. Very Good plus, with a small splash on the bottom edge.

Vintage oversize double weight photograph of James Mason on location in Bronson Canyon, California, for the shooting of "Julius Caesar" in 1952. Shot and struck by the film's still photographer, Bob Willoughby. SIGNED by Willoughby at the bottom right margin in black ink, with his rubber stamp on the verso (noting his Los Angeles address). Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. In a custom museum-quality frame, archivally mounted, with UV glass. 16 x 17.25 inches. Near Fine.

Three vintage reference photographs from the 1944 film, including one showing actor Gregory Peck standing with a shovel, one showing Peck talking with costar Rose Stradner on the set, and the third showing Peck talking with actor Vincent Price. Annotations in manuscript ink and pencil on the versos. Based on the 1941 novel by A.J. Cronin. A Catholic priest is sent to China to establish a parish, initially facing hostility and distrust from the community, but eventually gaining the locals' trust and affection. Nominated for four Academy Awards, including Best Actor. Set in China and Scotland, shot on location in California. 8 x 10 inches. Very Good plus.

Vintage photograph of Elizabeth Taylor and Montgomery Clift on the set of the 1959 film. With manuscript annotations in black ink and a press agency stamp on the verso. Based on the 1958 play by Tennessee Williams. Catherine Holly (Elizabeth Taylor) is being evaluated and coerced by her wealthy aunt Violet Venable (Katharine Hepburn) into receiving a lobotomy after witnessing the death of her cousin while the three of them were on vacation in Europe the summer before. Set in New Orleans, and various locations in Spain. Shot on location in Spain, and England. 10 x 8 inches. Near Fine.

Vintage reference photograph from the 1963 film, showing Elizabeth Taylor as the titular pharaoh, taking a bath. Newspaper clipping with date stamp, annotations in manuscript pencil, and provenance label on the verso. Based on Carlo Maria Franzero's 1957 book "The Life and Times of Cleopatra." Twentieth Century-Fox's ambitious, bank-breaking venture, the most expensive production ever made at the time, and the first film to pair Taylor with Richard Burton, beginning their tumultuous love-hate relationship. Set in Egypt and Rome, and shot on location in Spain and Italy. 10 x 8 inches. Near Fine.

Vintage black-and-white studio still photograph from the 1929 film. Shown is George Bancroft being pulled away from a prison cell where Richard Arlen is being held. Nominated for an Academy Award. 8 x 10 inches. Very Good plus condition, with a handful of pinhole tears and a short closed tear at the extremities.

Vintage pressbook for the 1933 pre-Code film musical. A Broadway star discovers a talented variety act during a trip to Ohio, and arranges to add them to the show upon his return to New York, although tensions arise as a love triangle develops. 11 x 17 inches. 16 pages, side-stapled. Near Fine.

Vintage borderless reference photograph taken on the set of the 1941 film, showing wardrobe aide Earl Leas adjusting director Orson Welles' collar in preparation for a scene. With a printed mimeo snipe affixed to the verso. Often considered to be one of the finest American films ever made, the story of a reporter investigating the last words of wealthy newspaper magnate Charles Foster Kane. Welles' first feature film, winner of an Academy Award and nominated for eight others, including Best Picture. Shot on location in New York and California. 7 x 9 inches. Very Good plus overall. National Film Registry. Ebert I. Godard, Histoire(s) du cinema. Grant US. Spicer US. Rosenbaum 1000. Schrader 6. Scorsese, A Personal Journey Through American Movies.

Vintage reference photograph from the 1934 film, showing actors Clark Gable and Joan Crawford canoodling, while Robert Montgomery looks on. French mimeo snipe and annotations in manuscript ink and pencil on the verso. Based on the 1933 Broadway play by Edward Barry Roberts and Frank Morgan Cavett, about a years-long love triangle between three friends. Crawford's first of nine collaborations with screenwriter Joseph L. Mankiewicz. 10 x 8 inches. About Near Fine.

Vintage reference photograph from the 1950 film, showing actors George Sanders and Ann Baxter. Printed mimeo snipe in French affixed to the verso, along with a provenance stamp. Based on the 1946 story "The Wisdom of Eve" by Mary Orr. An aging Broadway star finds her life slowly and insidiously overtaken by her new assistant, an ambitious young woman named Eve. Nominated for 14 Academy Awards, winning six, including Best Picture. The only film in Oscar history to receive four acting nominations for women-Bette Davis and Anne Baxter for Best Actress, and Celeste Holm and Thelma Ritter for Best Supporting Actress. 10 x 8 inches. Very Good plus, moderately faded. National Film Registry. Criterion Collection 1003. Ebert I. Rosenbaum 1000.

Vintage borderless photograph of Elizabeth Taylor as Catherine Holly from the 1959 film. With manuscript annotations in graphite on the verso. Based on the 1958 play by Tennessee Williams. A disturbed young woman is coerced by her aunt into receiving a lobotomy after witnessing the death of her cousin while the three of them were on vacation in Europe the summer before. Set in New Orleans, and various Locations in Spain. Shot on location in Spain, and England. 8 x 10 inches. Near Fine.

Vintage reference keybook photograph of actor, director, and screenwriter Orson Welles with a dresser on the set of the 1941 film. Linen backed with two sets of punch holes along the top edge. Often considered to be one of the finest American films ever made, the story of a reporter investigating the last words of wealthy newspaper magnate Charles Foster Kane. Welles' first feature film, winner of an Academy Award and nominated for eight others, including Best Picture. Shot on location in New York and California. Photograph 8 x 11 inches, image 3.5 x 4.5 with large margins. Very Good plus, with adhesive residue on the verso and toning. Ebert I. Godard, Histoires du cinema. Grant US. National Film Registry. Rosenbaum 1000. Schrader 6. Scorsese, A Personal Journey Through American Movies. Selby US. Spicer US.

Set of eight vintage black and white still photographs from the 1958 film. Based on the 1955 novel by Graham Greene, about a young American economist who begins a relationship with an older British diplomat in 1952 Vietnam. One of the first American films to discuss geopolitics in mainland southeast Asia, although later disavowed by Greene as a "propaganda film for America," with many of the novel's original antiwar messages removed. 8 x 10 inches. Near Fine, with "The Quiet American" noted in neat manuscript pencil on the verso of each photograph. Phillips US.

Vintage studio still photograph from the 1941 film, showing Orson Welles and Ruth Warrick surrounded by policemen. SIGNED by Warrick on the recto. Numeric stamp and annotations in manuscript pencil on the verso. Often considered to be one of the finest American films ever made, the story of a reporter investigating the last words of wealthy newspaper magnate Charles Foster Kane. Welles' first feature film, winner of an Academy Award and nominated for eight others, including Best Picture. Shot on location in New York and California. 10 x 8 inches. Near Fine. Ebert I. Godard, Histoires du cinema. Grant US. National Film Registry. Rosenbaum 1000. Schrader 6. Scorsese, A Personal Journey Through American Movies. Selby US. Spicer US. Signed.

Vintage reference photograph taken on the set of the 1955 film, showing director Joseph L. Mankiewicz handing a cup of coffee to actress Jean Simmons. Provenance label on the verso, along with manuscript ink annotations. Based on the 1950 Broadway musical, which was in turn based on Damon Runyon's short stories "The Idyll of Miss Sarah Brown" and "Blood Pressure." A gambler wins a bet that he can get a Christian missionary to travel with him to Havana, where the pair begin to fall for each other. Nominated for four Academy Awards. Set in New York and Havana. 10 x 8 inches. Near Fine.

Vintage reference photograph from the 1963 film, showing director Joseph L. Mankiewicz sitting on the set, surrounded by crew members. Based on Carlo Maria Franzero's 1957 book "The Life and Times of Cleopatra." Twentieth Century-Fox's ambitious, bank-breaking venture, the most expensive production ever made at the time, and the first film to pair Elizabeth Taylor with Richard Burton, beginning their tumultuous love-hate relationship. Set in Egypt and Rome, and shot on location in Spain and Italy. 10 x 8 inches. Very Good plus, lightly creased at the corners.

Vintage reference photograph from the 1959 film, showing actress Katharine Hepburn and producer Sam Spiegel laughing together on the set. Annotations in manuscript pencil on the verso. Based on the 1958 play by Tennessee Williams. In New Orleans in 1937, a traumatized young woman struggles with memories of her cousin, who died under strange circumstances during a European vacation the previous year. Nominated for two Academy Awards, including one for Best Actress for both Hepburn and Elizabeth Taylor. Set in New Orleans and throughout Spain, shot on location in Spain and England. 8 x 10 inches. Near Fine.

Vintage borderless black-and-white double weight press photograph from the set of the 1967 film comedy. With the stamp of photographer Pierluigi Praturlon on the verso. Born in Rome, Praturlon (better known simply as Pierluigi) embarked upon a career in photography in 1947. The young paparazzo got his first big story by snapping candid shots of Greta Garbo, who was passing through Rome incognito. Armed with his newfound celebrity, he became an habitue on Cinecitta film sets, and many movie icons, including Frank Sinatra and Sofia Loren, made him their regular photographer. Pierluigi's name is often associated with Federico Fellini's "La Dolce Vita," as he covered that shoot extensively. Inspired by his favorite play, Ben Jonson's "Volpone," millionaire Cecil Fox (Harrison) devises an intricate plan to trick three former mistresses into believing he is dying. Based on Frederick Knott's play "Mr. Fox of Venice" and Thomas Sterling's novel "The Evil of the Day." Set in Venice and shot on location both there and in Rome. 8 x 10 inches. Near Fine.

Two vintage borderless black-and-white reference still photographs from the 1941 film. Both stills with annotations on the verso, one with an RKO Radio Pictures rubber stamp. The first still shows a young Kane (Orson Welles), at a celebration for the inauguration of his newspaper, "The Inquirer." The second still shows Kane as an older man, reviewing finances with his advisors. Stills are 9.5 x 7 inches. Near Fine. National Film Registry. Ebert I. Godard, Histoire(s) du cinema. Grant US. Spicer US. Rosenbaum 1000. Schrader 6. Scorsese, A Personal Journey Through American Movies.

Two vintage reference photographs taken on the set of the 1955 film, one showing director Joseph L. Mankiewicz with actors Jean Simmons and Stubby Kaye and wardrobe designer Irene Sharaff, and the other showing Sharaff, Mankiewicz, and choreographer Michael Kidd. Mimeo snipes on the versos. Based on the 1950 Broadway musical, in turn based on Damon Runyon's short stories "The Idyll of Miss Sarah Brown" and "Blood Pressure." A gambler wins a bet that he can get a Christian missionary to travel with him to Havana, where the pair begin to fall for each other. Nominated for four Academy Awards. Set in New York and Havana. 10 x 8 inches. Near Fine, one with three hole punches on the left edge.

Four vintage candid reference photographs from the 1955 film, showing variously, actors Marlon Brando, Frank Sinatra, composer Frank Loesser, and director Joseph L. Mankiewicz on the set. The first photo, double weight, shows Marlon Brando, as Skye Masterson, surreally socking one of his gangster companions in the nose. The second photo shows Brando rehearsing "Luck Be a Lady," with sheet music in hand, and with the song's composer Frank Loesser at the piano. The third photo shows Sinatra and Brando in a candid moment. The fourth photo, single weight, shows director Joseph L. Mankiewicz and dancer Carey Leverette relaxing contemplatively, Mankiewicz sitting and smoking his pipe, Leverette inside a large industrial exhaust pipe. Based on the 1950 Broadway musical, which was in turn based on Damon Runyon's short stories "The Idyll of Miss Sarah Brown" and "Blood Pressure." A serial gambler wins a bet that he can get a Christian missionary to travel with him to Havana, where the pair begin to fall for each other. Nominated for four Academy Awards. Set in New York and Havana. All photos: 8 x 10 inches. Very Good to Near Fine overall, variously with a few pinholes and very shallow creasing.

Two vintage borderless black-and-white double weight keybook photographs from the 1941 film. Both stills linen backed as issued, one still with a mimeo snipe on the verso, the other with the RKO Radio Pictures rubber stamp on the verso. The first still shows a young Kane (Orson Welles), smoking a pipe and smiing, signing his "declaration" with advisors Jedediah Leland (Joseph Cotten) and Mr. Bernstein (Everett Sloane). The second still shows Kane as an old man, looking on as his young bride (Dorothy Comingore) completes a giant jigsaw puzzle at a table. Both stills 9.5 x 7.5 inches. Near Fine. National Film Registry. Ebert I. Godard, Histoire(s) du cinema. Grant US. Spicer US. Rosenbaum 1000. Schrader 6. Scorsese, A Personal Journey Through American Movies.