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Hardcover. Condizione: Comme neuf. Edition 2023. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, As new. Edition 2023. Ammareal gives back up to 15% of this item's net price to charity organizations.

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Brossura. Condizione: new. English Text.Roma, 2017; paperback, pp. 312, ill., cm 17x24.(I Libri di Viella. Arte). The objective of this book is to draw attention to fifth-century Rome - to those hundred years which even today need to be looked at from different perspectives. It is a key moment, a border between worlds, far too important not to receive further attention. The studies, presented here together, aim to respond to new demands: the art object remains at the centre, but with a new search for its context. This context would be unthinkable without the key concept of co-existence - between popular and elite culture, popes and emperors, pagans and Christians. As well as between liturgy - necessary to the Christian world - and patronage - the intellectual project which stems from a cultural concept. Moreover, co-existence is crucial between the mindset of the Roman elites (the tradition inscribed in the city's DNA), and new demands arising from this rich moment in the history of Rome. The fifth-century, studied in this book, is the moment in which future and past meet, and Antique and Christian coincide. An artistic moment with only one identifying feature: its incredibly rich complexity. With articles by Sible de Blaauw, Olof Brandt, Zuzana Frantová and Dale Kinney. Libro.

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Brossura. Condizione: new. A cura di M. D'Onofrio.Roma, 2016; br., pp. 566, ill. b/n, cm 17x23.(I Libri di Viella. Arte). Il volume offre un quadro della committenza artistica a Roma nel corso di tutto il Medioevo attraverso uno studio dettagliato sulle figure dei singoli pontefici che ne furono i principali promotori. I fatti artistici, analizzati dal punto di vista della committenza papale, non solo consentono di capire il significato primario connesso alla loro funzione, ma ricreano anche un'immagine speculare del contesto culturale di appartenenza. L'ambito cronologico, circoscritto fra il pontificato di Silvestro I (314-335) e quello di Martino V (1417-1431), lascia intravedere nel comportamento di molti pontefici la persistenza di una mentalità che, da un atteggiamento iniziale di semplice patronato e protezionismo, si tramuta nel tardo Medioevo in vero e proprio mecenatismo. I saggi raccolti, ricchi di spunti e suggestioni, pongono sotto la giusta luce aspetti meno noti di una città come Roma, quale centro ideale della cristianità e termine imprescindibile di riferimento per le sue valenze storico-artistiche. Libro.

Brossura. Condizione: new. Edited by S. Romano, Foletti I. and Gianandrea M.English Text.Roma, 2018; paperback, pp. 468, col. ill., cm 17x24.(Études Lausannoises d'Histoire de l'Art. 27). Libro.

Condizione: NEW. Roma: Viella, 2017 9788867282111 Studia artium Medievalium Brunensia 4 905 312 p. : ill. col. b/n, indice, biografia, bibliografia ; 24 cm. The objective of this book is to draw attention to fifth-century Rome to those hundred years which even today need to be looked at from different perspectives. It is a key moment, a border between worlds, far too important not to receive further attention. The studies, presented here together, aim to respond to new demands: the art object remains at the centre, but with a new search for its context. This context would be unthinkable without the key concept of co-existence between popular and elite culture, popes and emperors, pagans and Christians. As well as between liturgy intrinsically necessary to the Christian world and patronage the intellectual project which stems from a cultural concept. Moreover, co-existence is crucial between the mindset of the Roman elites (the tradition inscribed in the city's DNA), and new internal and external demands arising from this rich moment in the history of Rome. The fifth-century, studied in this book, is the moment in which future and past meet, and Antique and Christian coincide. An artistic moment with only one identifying feature: its incredibly rich complexity. The objective of this book is to draw attention to fifth-century Rome to those hundred years which even today need to be looked at from different perspectives. It is a key moment, a border between worlds, far too important not to receive further attention. The studies, presented here together, aim to respond to new demands: the art object remains at the centre, but with a new search for its context. This context would be unthinkable without the key concept of co-existence between popular and elite culture, popes and emperors, pagans and Christians. As well as between liturgy intrinsically necessary to the Christian world and patronage the intellectual project which stems from a cultural concept. Moreover, co-existence is crucial between the mindset of the Roman elites (the tradition inscribed in the city's DNA), and new internal and external demands arising from this rich moment in the history of Rome. The fifth-century, studied in this book, is the moment in which future and past meet, and Antique and Christian coincide. An artistic moment with only one identifying feature: its incredibly rich complexity. Foletti,Ivan - Gianandrea,Manuela.

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Brossura. Condizione: new. A cura di Bock N., Foletti I. e Tomasi M.Testo Italiano e Inglese.Roma, 2017; br., pp. 540, 17 ill. b/n e col.(Études Lausannoises d'Histoire de l'Art. 23). Dedicato a Serena Romano, questo libro vorrebbe restituirle un po' di quel tanto che ha offerto, in vari modi, a tutti quelli che hanno avuto la fortuna di conoscerla e di frequentarla. L'argomento generale, quello delle continuità di lunga durata, dei ritorni in generale, e delle rinascite dell'antico, le è caro da sempre. Lei stessa lo ha esplorato in contributi fondanti e i numerosi autori che hanno accolto l'invito a partecipare al volume ne hanno dato declinazioni diverse. La decisione di dare un tema unitario a questo volume miscellaneo si giustifica anche per un'altra ragione: figlia del '68, Serena Romano ha sempre avuto una certa reticenza nei confronti di onorificenze troppo accademiche, staccate a volte dalla dimensione concreta della ricerca. Da qui il desiderio di costruire un volume che possa essere un prolungamento tangibile di un modo di guardare la storia cui Serena Romano ha contribuito per anni. Libro.

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Paperback. Condizione: new. Paperback. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue duree, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality - with restorations of ancient monuments - and in ideas - writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second Vatican Council (1962-1965), which can be considered the most significant reaction of Catholicism towards modernity. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue duree, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condizione: NEW. Roma: Viella, 2018 9788867289134 Études lausannoises d'histoire de l'art 27 1409 468 p. : indice ; 24 cm. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue durée, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality with restorations of ancient monuments and in ideas writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue durée, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality with restorations of ancient monuments and in ideas writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second. Foletti,Ivan - Gianandrea,Manuela - Romano,Serena.

Condizione: NEW. Roma: Viella, 2016 9788867284467 1105 566 p. : ill. col., indice, bibliografia ; 24 cm. Il volume offre un quadro della committenza artistica a Roma nel corso di tutto il Medioevo attraverso uno studio dettagliato sulle figure dei singoli pontefici che ne furono i principali promotori. I fatti artistici, analizzati dal punto di vista della committenza papale, non solo consentono di capire il significato primario connesso alla loro funzione, ma ricreano anche un'immagine speculare del contesto culturale di appartenenza. L'ambito cronologico, circoscritto fra il pontificato di Silvestro I (314-335) e quello di Martino V (1417-1431), lascia intravedere nel comportamento di molti pontefici la persistenza di una mentalità che, da un atteggiamento iniziale di semplice patronato e protezionismo, si tramuta nel tardo Medioevo in vero e proprio mecenatismo. I saggi raccolti, ricchi di spunti e suggestioni, pongono sotto la giusta luce aspetti meno noti di una città come Roma, quale centro ideale della cristianità e termine imprescindibile di riferimento per le sue valenze storico-artistiche. D'Onofrio,Mario.

Condizione: New. 2018. Paperback. . . . . .

Condizione: NEW. Roma: Viella, 2017 9788867287819 Etudes lausannoises d'historie de l'art 23 1505 540 p. : ill. b/n, fotografie, indice, bibliografia ; 24 cm. Dedicato a Serena Romano, professore di Storia dell'arte medievale, questo libro vorrebbe restituirle un po' di quel tanto che ha offerto, in vari modi, a tutti quelli che hanno avuto la fortuna di conoscerla e di frequentarla. L'argomento generale, quello delle continuità di lunga durata, dei ritorni in generale, e delle rinascite dell'antico, le è caro da sempre. Lei stessa lo ha esplorato in contributi fondanti e i numerosi autori che hanno accolto l'invito a partecipare al volume ne hanno dato declinazioni diverse. La decisione di dare un tema unitario a questo volume miscellaneo si giustifica anche per un'altra ragione: figlia del '68, Serena Romano ha sempre avuto una certa reticenza nei confronti di onorificenze troppo accademiche, staccate a volte dalla dimensione concreta della ricerca. Da qui il desiderio di costruire un volume che possa essere un prolungamento tangibile di un modo di guardare la storia cui Serena Romano ha contribuito per anni. Bock,Nicolas - Foletti,Ivan - Tomasi,Michele.

Brossura. Condizione: new. A cura di Lucherini V.Roma, 2018; br., pp. 200, ill. b/n, tavv. b/n, cm 17x24.(I Libri di Viella. Arte). In che modo l'età moderna e contemporanea hanno guardato alle immagini medievali di culto? Come le hanno percepite? Sotto quali istanze le hanno conservate e ri-contestualizzate? E, invece, in che modo un'immagine che non era stata oggetto di culto diventa, alla fine del Medioevo o dopo il Medioevo, vettore di miracoli e fulcro di una nuova devozione? Il libro porta un contributo significativo a un tema ancora relativamente poco studiato, presentando esempi di più geografie europee, attraverso i quali si pone l'accento sulla dialettica tra ri-appropriazione e cancellazione del senso e delle funzioni originarie delle immagini, con uno sguardo particolare verso le componenti sociali implicate nei diversificati processi di modificazione connessi agli oggetti figurativi medievali. Libro.