Maserell frans (17 risultati)

Paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condizione: Good.

Paperback. Condizione: Very Good. First Edition. A trade paperback in excellent condition, clean with a tight binding and an unmarked text.From a private smoke free collection.Shipping within 24 hours, with a tracking number and delivery confirmation.

paperback. Condizione: Very Good. First Paperback Edition. Publisher: Penguin Books, London, 1989. VERY GOOD in illustrated French wraps, as issued. Introduction by Thomas Mann. Light wear at extremities. First Softcover Edition, First Printing.

Hardcover. Condizione: Fine. Condizione sovraccoperta: As New. First Thus. Small Paperback. 6 x 4 inches. First Penguin printing. Nicely designed and produced. With French flaps and quality paper. AS NEW. All corners pointed. Binding tight, without stress creasing and square. Without tears, creases, bumps or chips. With slight wear from handling. Not marked and very clean and bright. All books carefully wrapped and sent boxed. …

Soft cover. Condizione: Near Fine. First Thus. Stunning tale told entirely in black-and-white woodcuts. Unpaginated. Orig. published in 1919 as "Mein Stundenbuch,'' with an Introduction by Thomas Mann, both translated into English by Joseph M. Bernstein in 1987. This is the First Mass Market Paperback edition by Penguin, First Printing, from 1988 with French flaps. Condition is Near Fine: completely clean, binding strong & straight, pages white & unmarked. Very slight rubbing to extremities. Our photos depict the exact book you will receive, never "stock" images of books we don't actually have! Same day shipping if ordered by 2 pm weekdays (Pacific time); later orders, weekends & holidays ship very next day.…

paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

Kart. mit OSUmschlag im OSSchuber, Band 7 bis 12 plus Zusatzheftchen, ca. 350 Holzschnitte, 7: Die Stadt. 8: Bilder der Großstadt. 9: Cendrars / Maserell: Ostern in New York. 10: Capitale. 11: Das Gesicht Hamburgs. 12: Antwerpen. 13: Die Passion eines Menschen. 14: Handwerk u. Industrie. 15: Von Schwarz zu Weiss. 16: Der Weg der Menschen. 17: Die Internationale, sehr gut erhalten.…

In-4 broché ( 270x210 mm ) sous couverture rempliée et illustrée.Recueil de dessins en noir et blanc. Dessins.

Leinen. Quart. Unpag. Leinen (mit Schutzumschlag foliert). Mit 78 Originalholzschnitten. gutes Bibliotheksexemplar (foliert, gestempelt, mit Rückensignatur).

Saar Verl., Saarbrücken, (um 1950). 15 lose Tafeln mit Geleitwort von Heinz Dieckmann., quart. (Mappe fehlt.)--- 404 Gramm.

Hardcover. Condizione: Fair. 1st Edition. Unpaginated. No text, as with Frans Masereel's other books, just woodcuts depicting the life of a working class rebel and martyr. This is printed on high quality art paper. The only fault is the loss of the spine band, but the books is still very sold and extremely clean internally.…

Hardcover. First Edition; First Printing. Near Fine, Leather Bound. Book accented in 22kt gold. Printed on archival paper with gilded edges. The endsheets are of moire fabric with a silk ribbon page marker. Smyth sewing and concealed muslin joints to ensure the highest quality binding. This book is in full leather with hubbed spines. Illustrated by Frans Maserell (illustratore).…

Condizione: Très bon. Deux planches de Frans Masereel tirées de L'Idée (Die Idee), vraisemblablement provenant de l'édition Kurt Wolff de 1927, sous cadre léger. Dimensions : cadres 12 x 17 cm. ; composition env. 6,5 x 8,9 cm. Cette célèbre suite, conçue comme un roman graphique, comprend 83 bois et met en scène « l'Idée », personnifiée par une femme nue. Les deux scènes présentées ici appartiennent à cette suite : l'une montre l'Idée au milieu d'une foule hostile, sur l'autre l'Idée et l'homme qui la défend, entourés par la foule et les forces de l'ordre. Ravissant, non .…