menashe kadishman (30 risultati)

No Binding. Condizione: Very Good. Postcard in Very Good condition, with minor marks on reverse. Unmailed. Cards are sent in stiff mailers. Postcard.

Softcover exhibition catalog, 52 pages, fair to poor condition, extensive brown stain across spine into parts of front and back cover, seeps into top and bottom corners of internal pages near spine; but does not affect images or text; with b/w and color reproductions.

Condizione: Gut. 4 nn. Seiten, 24 Bildseiten (jeweils mit Farbfoto), 11 nn. Seiten, Gutes Exemplar mit leichten Alters- und Gebrauchsspuren. Sprache: Englisch Gewicht in Gramm: 450 geheftete, farbig fotoillustr. Broschur. 27 x 23 cm.

hardcover. Condizione: New. Brand New.

Paperback. Condizione: Fine. A sheet of card folded into 4 pages, 13 catalogue entries, brief biography and exhibition chronology. 4 illustrations. A Fine copy.

Stiff Wrappers. Condizione: Near Fine. First Edition. Art and Art History, Most Recent Listing, Most Recent Listing; 4to; New York: Near Fine. 1988. First Edition. A lovely catalogue with color photographs of Kadishman's sculpture and paintings. This book from the collection of the violinist Isaac Stern [1920-2001] -- with his "chop" mark in Chinese characters at the rear. (In the Oscar-winning documentary of his 1979 trip to China, "From Mao to Mozart" Maestro Stern is seen receiving the gift of his chop with delight: "No more signing!" From now on, "Chop, Chop, Chop!") Isaac Stern (1920 - 2001) was an American violinist born into a Jewish family in Kremenets, Poland, now Ukraine. Stern came with his family to San Francisco when he was 14 months old. In 1928, he enrolled at the San Francisco Conservatory of Music, where he studied until 1931 before going on to study privately with Louis Persinger. He returned to the San Francisco Conservatory to study for five years with Naoum Blinder. In 1940, Stern began performing with Russian-born pianist Alexander Zakin, collaborating until 1977. Within musical circles, Stern became renowned both for his recordings and for championing certain younger players. Among his discoveries were cellists Yo-Yo Ma and Jian Wang, and violinists Itzhak Perlman and Pinchas Zukerman. Stern toured the Soviet Union in 1951, the first American violinist to do so. In 1967, Stern announced his refusal to return to the USSR until the Soviet regime allowed artists to enter and leave the country freely. His only visit to Germany was in 1999, for a series of master classes, but he never performed publicly in Germany. In the 1960s, he played a major role in saving New York City's Carnegie Hall from demolition, by organising the Citizens' Committee to Save Carnegie Hall. Following the purchase of Carnegie Hall by New York City, the Carnegie Hall Corporation was formed, and Stern was chosen as its first president, a title he held until his death. Carnegie Hall later named its main auditorium in his honor. In 1979, seven years after Richard Nixon made the first official visit by a US president to the country, the People's Republic of China offered Stern and pianist David Golub an unprecedented invitation to tour the country. While there, he collaborated with the China Central Symphony Society (now China National Symphony) under the direction of conductor Li Delun. Their visit was filmed and resulted in the Oscar-winning documentary, From Mao to Mozart: Isaac Stern in China. Stern began performing in the country in 1949 and always maintained a close relationship with the country. In 1973, he performed for wounded Israeli soldiers during the Yom Kippur War. During the 1991 Gulf War and Iraq's Scud missile attacks on Israel, he had been playing in the Jerusalem Theater. During his performance, an air raid siren sounded, causing the audience to panic. Stern then stepped onto the stage and began playing a movement of Bach. The audience then calmed down, donned gas masks, and sat throughout the rest of his performance. Stern was a supporter of several educational projects in Israel, among them the America-Israel Foundation and the Jerusalem Music Center. ; Experience the pleasure of reading and appreciating this actual printed item. It has its own physical history that imbues it with a character lacking in ephemeral electronic renderings. .

OKart., Condizione: in bestem Zustand. (s. Foto). Schwäbisch Gmünd, Galerie im Prediger, 2003. 4°. 80 S. mit vielen Reproduktionen. OKart., in bestem Zustand. (s. Foto). Museumskatalog Nr. 21. Sprache: ger/deu.

Softcover. glued, white pictorial wraps. 134 pgs w/ color & bw illustrations. In parallel German & English. A very nice catalogue on the Israeli sculptor and painter. Includes numerous color plates of the 'Sheep Head' series. Very cool. VG. light toning to cover edges. tight binding. pgs clean.

Softcover. 4°, Originalbroschur, etwas randbestoßen und angestaubt. Etwa 40 unpaginierte Seiten mit zahlreichen s/w Fotos. Innen sauber und insgesamt gut erhalten. enthalten sind kurze Lebensläufe von 10 Künstlern und ganzseitige Fotos -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Ob Sonnenschein oder warmer Regen: mit einem interessanten Buch kommen Sie immer gut durch den Tag. -- Wir kaufen Ihre werthaltigen Bücher! K09730-436418.

Guter bis sehr guter Zustand. Softcover. Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Softcover. Condizione: Gut. 1. Auflage. Erstausgabe. Zweisprachig (Deutsch/English). Grossformat. Softcover, 134 Seiten mit zahlreichen Abbildungen, moderate Gebrauchsspuren, OP (out-of-print) beim Verlag. Text also in English. Large size Softcover, 134 pages, traces of use, please ask for international Shipping costs Da es sich um ein begehrtes Buch handelt bezahlen Sie diese Position bitte per Kreditkarte o. Vorauskasse (Banküberweisung) * Der Versand erfolgt nach der Zahlung als schnellere Paketsendung, ohne Aufpreis in DE.

SOFTCOVER. Condizione: As New. 1st Edition. Large 4to. in stiff card covers, unpaginated, approx. 44pp on thick art paper, colour plates, etc . [CONDITION: An extremely well preserved AS NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. Condizione: Very Good. Book. 307 x 241 mm. Includes articles Art of Israel I : Sculpture.' & Art in Israel II Gallery-Going in Tel Aviv ( features : Pinchas Shaar, Rubin, Naftala Bezem, Bella Brisel, Avshalom Okaski, Shamai Haber, Moshe Schwartz, Yitchak Danziger, Dov Feigin, Igael Tumarkin, Menashe Kadishman, Kosso Elul, Yeheil Shemi). Condition : red biro signature of artist Geoffrey Beaghen to cover, otherwise near fine. vg/nf.

gebunden. Condizione: Wie neu. 152 Seiten Text Englisch - Restexemplar - Einband und Schnitt leicht berieben/verstaubt - Buch sonst in Topzustand, wie neu und ungelesen - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 1350.

Hardcover. Condizione: New.

Paperback. Condizione: Very Good. . . . . 8vo, paperback. Presentation copy, SIGNED by the author on the inside back cover, along with a small sketch. Also full-page pen-and-ink sketch, signed by the artist on the inside front cover. Vg condition. Covers slightly age-toned, front cover with a small very light tan stain. Contents clean, no marking or writing. Binding sturdy and tight. Unpaginated (appx 36 pp.), chiefly color illustrations. Signed.

20.5X25.5 cm. Softcover. In good condition. The book is in : English.

IN HEBREW AND ENGLISH. 27X24 cm. Softcover. In good condition. The book is in : Hebrew English.

Softcover exhibition catalog, 52 pages, very good condition except light scuff to front cover, presentation copy, signed by artist with pen drawing of two kissing sheep on inside front cover, with b/w and color reproductions.

Wrappers. Condizione: Good copy. ills (illustratore). 8vo. S.P. Inscribed and with an original drawing by Menashe Kadishman.

Soft cover. Condizione: Near Fine. Condizione sovraccoperta: No Jacket issued. Minor staining and shelf wear to front and back cover. Signed by Menashe Kadishman. Drawing with signature.

Paperback. Condizione: Near fine condition. First Edition. 52 unnumbered pages of text. Paperback binding with minimal shelfwear. Contains more than 50 color illustrations, and a few in black and white. Contains an introductory poem dedicated to Kadishman by Edward Fry. Introductory essay titled "Kadishman. An Example of Existential Poetry in its Pure State" by Pierre Restany. Contains a bibliography and a list of exhibitions. The text is clean and unmarked. First edition. Size: Square octavo (8vo). Book.

Soft cover. Condizione: Very Good. 1st Edition. Catalog published in conjunction with an exhibition of work by Israeli sculptor Menashe Kadishman held at The Jewish Museum May 12-June 21, 1970. Square 4to, 20 pages with stapled printed wrappers, fully illustrated with black and white photographs. Signed and inscribed by Kadishman with a pen drawing of a corpulent suitor on the inside cover. Mild rubbing and gentle bumping to extremities. Inscribed by Author(s).

Paperback. Condizione: As New.

brosch. Condizione: Gut. 134 S. : Ill. ; 28 cm Guter Zustand. EA1312/EB1161 Sprache: Deutsch Gewicht in Gramm: 440.

Condizione: very good. [Tel Aviv] : The Genia Schreiber University Art Gallery, Tel Aviv University, 2005. Hardcover. 252 pp. 31 cm. Illustrations (color). Text in Hebrew & English. Catalogue for the exhibition held in the Genia Schreiber University Art Gallery, Tel Aviv University, 8 December 2005-2 March 2006. Rare. Condition : very good copy. ISBN 9789657160152. Keywords : ART, Kadishman, Menashe (1932-2015).

Condizione: Good. Crayon on paper. 14 x 11 inches. Signed in the image. Folded once. From the collection of the art historian, Peter Selz.After working with sculptors in his native Israel, Kadishman went to London in 1959, where he came under the influence of Anthony Caro at Saint Martin's School of Art. By the mid-1960s, he had established an international reputation for suspended sculptures that were gestural and full of dynamic tension. In some of his best-known works from this period, Kadishman attached glass or plastic sheets to wood or metal forms so that the mass seemed to float freely in space. Suspended represents his interest in such perceptual ambiguities. It is also a transitional work; by the late 1970s Kadishman began to focus on nature, particularly on tree and forest themes, and worked on an environmental scale. Eight Positive Trees reveals this ongoing fascination, which harkens back to his youth, when, like many other Israeli children, he planted trees throughout the new country. Kadishman's "negative" forms of stylized trees cut out from sheets of weathering steel were exhibited in the Venice Biennale in 1978. The viewer could see through the empty tree-shaped spaces, as well as walk through them to encounter the landscape. The steel silhouettes of Storm King's Eight Positive Trees are the shapes cut out from the trees exhibited in Venice. In contrast to their negative counterparts, the silhouetted shapes suggest both solid trees and shadows.

Condizione: Good. Crayon on paper. 14 x 11 inches. Signed in the image. Folded once. From the collection of the art historian, Peter Selz.After working with sculptors in his native Israel, Kadishman went to London in 1959, where he came under the influence of Anthony Caro at Saint Martin's School of Art. By the mid-1960s, he had established an international reputation for suspended sculptures that were gestural and full of dynamic tension. In some of his best-known works from this period, Kadishman attached glass or plastic sheets to wood or metal forms so that the mass seemed to float freely in space. Suspended represents his interest in such perceptual ambiguities. It is also a transitional work; by the late 1970s Kadishman began to focus on nature, particularly on tree and forest themes, and worked on an environmental scale. Eight Positive Trees reveals this ongoing fascination, which harkens back to his youth, when, like many other Israeli children, he planted trees throughout the new country. Kadishman's "negative" forms of stylized trees cut out from sheets of weathering steel were exhibited in the Venice Biennale in 1978. The viewer could see through the empty tree-shaped spaces, as well as walk through them to encounter the landscape. The steel silhouettes of Storm King's Eight Positive Trees are the shapes cut out from the trees exhibited in Venice. In contrast to their negative counterparts, the silhouetted shapes suggest both solid trees and shadows.

[20]pp. First edition. First edition. [20]pp. An exhibition catalogue from The Jewish Museum's 1970 exhibit "The Forest," a collection of Kadishman's abstract landscape works. Both endpapers feature playful original drawings of strange creatures resembling birds, humans, and cats, all with heads in the shape of a Star of David. The drawings are inscribed to the recipients of the catalogue, "with Love and Amore" Illustrated wraps, full plate black and white prints, original drawings with inscription on front and back endpapers and first page. Wraps lightly scuffed. Signed.

Condizione: Good. Full page charcoal drawings in the exhibition catalogue for the show ant the Nohra Haime Gallery, New York, Dec. 1988-Jan. 1989. Also a drawing of a bird on the cover as a companion of the printed bird devouring a man. 10.5 x 8.5 inches.From the collection of the art historian, Peter Selz.After working with sculptors in his native Israel, Kadishman went to London in 1959, where he came under the influence of Anthony Caro at Saint Martin's School of Art. By the mid-1960s, he had established an international reputation for suspended sculptures that were gestural and full of dynamic tension. In some of his best-known works from this period, Kadishman attached glass or plastic sheets to wood or metal forms so that the mass seemed to float freely in space. Suspended represents his interest in such perceptual ambiguities. It is also a transitional work; by the late 1970s Kadishman began to focus on nature, particularly on tree and forest themes, and worked on an environmental scale. Eight Positive Trees reveals this ongoing fascination, which harkens back to his youth, when, like many other Israeli children, he planted trees throughout the new country. Kadishman's "negative" forms of stylized trees cut out from sheets of weathering steel were exhibited in the Venice Biennale in 1978. The viewer could see through the empty tree-shaped spaces, as well as walk through them to encounter the landscape. The steel silhouettes of Storm King's Eight Positive Trees are the shapes cut out from the trees exhibited in Venice. In contrast to their negative counterparts, the silhouetted shapes suggest both solid trees and shadows.