Morris glass (23 risultati)

Condizione: good. USED book in GOOD condition. Great binding, pages and cover show normal signs of wear from use.

Condizione: good. USED book in GOOD condition. Great binding, pages and cover show normal signs of wear from use.

Unknown. Condizione: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: UsedVeryGood. ASIN: B0000CLFW2 Hardcover; light fading, light shelf wear to the cover; o therwise in very good condition with clean text and tight binding. Dust jac ket shows fading, edge wear, and a few small tears.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First. 12mo. A very nice copy. No marginalia. Couple of small tears to edge of dw. Book.

Paperback. Condizione: Good. Some wear and previous owner's name in pen on front cover, binding sound; good to very good overall. Book.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. First edition, first printing. Octavo hardback, xiv + 242 pp. illustrated Page edges tanned otherwise Very Good + condition in Very Good unclipped dust jacket Gift inscription by the author to a family member. Four card/letters enclosed which recount the reception of the book and becoming an honorary fellow of Trinity College Oxford and his various health problems (on two Oxford scenic Christmas cards). Signed by Author(s).…

Perfect. Condizione: Very Good. - Potential author's signature. Difficult to tell. Book is in great overall condition. No writing or major blemishes. Minor wear.; - We're committed to your satisfaction. We offer free returns and respond promptly to all inquiries. Your item will be carefully wrapped in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.…

Encuadernación de tapa dura. Condizione: Bien. Buen estado, sin marcas, subrayados ni señales de uso.

Not Bound. Condizione: Very Good. Manuscript. Handwritten letter dated Feb. 13th, 1882 on Theo.W. Morris company letterhead, acknowledging payment of a debt:".We cannot but express our pleasure, for your sake more than our own, at this phenomenal experience. It is so unusual that we hardly know how to refer to it, and trust that you may reap the firm benefit of your honorable and exceptional course ." signed Theo. W.Morris. Approx. 5 3/4" x 9" size; (with) (2) checks affixed at side edges, made to the McAnerney & Co. and to Morris Co. (with) a printed sheet dated in ms. 1878. This is a notice regarding the insolvency of John McAnerney and Henry St. George Offutt, the firm of John McAnerney & Co. and its assignment to Bentley D. Hassell for the benefit of the creditors, of which the Morris Co. was one. Witnessed by Theo. W. Morris Co. with a small red seal. Old paper tape residue at sides; light wear to all; in very good condition; interesting 19th century business and banking history ephemera.…

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. The second in the series, concentrates on the insignia not previously covered in the Royal Hampshire Regiment and related military units in Hampshire and the Isle of Wight. Some 330 items of shoulder belt plates, pouch plates, waist belt clasps, buttons and uniforms have been identified, measured, described and photographed for this book covering the period 1702-1995. Photographic illustrations throughout (illustratore). …

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. The second in the series, concentrates on the insignia not previously covered in the Royal Hampshire Regiment and related military units in Hampshire and the Isle of Wight. Some 330 items of shoulder belt plates, pouch plates, waist belt clasps, buttons and uniforms have been identified, measured, described and photographed for this book covering the period 1702-1995. …

Brossura. Condizione: come nuovo. Condizione sovraccoperta: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studios, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know n.…

Paperback. Condizione: New.

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.…

Condizione: Very Good. Original stapled cream card covers. 8vo. 10½'' x 8¼''. Contains 8 pages with advertisements. In Very Good condition. Member of the P.B.F.A. PLAYS (Theatre Performance).

Condizione: Good. Ex-library book with stamps. Nicks/wear/small tears at edes/corners of dust jacket. Marks, wear, fading and scratches to dust jacket. Some bumps/marks/wear to hard board. Marks/stamps to text blocks. Text very good.

Paperback. Condizione: New.

paperback. Condizione: New. In shrink wrap.

Condizione: Very Good. A set of 3 original press releases 1. 'Two films by Michael Snow, Canadian-American filmmaker, painter, sculptor and musician will be shown (.) The films are entitled One Moment in Montreal and ⇌ (Note to the editor: the symbol is one used in chemistry or physics denoting that the reaction is reversible). [1 pp.] 2. "ANTI-ILLUSION" EXHIBITION AT WHITNEY A currently controversial movement in painting, sculpture, film and music is the basis for the exhibition. ANTI-ILLUSION: PROCEDURES / MATERIALS to open at the Whitney Museum (.) The new art trend to be shown by the Whitney exhibition has been receiving wide attention. It has been variously called Process, Anti-form, and one recent article on the subject was entitled "Impossible Art"(.) The Whitney's special evening events for the exhibition include two separate concerts by composers Philip Glass and Steve Reich, the first public projection of two new films by Michael Snow, extended time pieces by Richard Serra and Bruce Nauman and a lecture by art critic Max Kozloff. The artists in the exhibition are: Carl Andre, Michael Asher, Lynda Benglis, William Bollinger, John Duff, Rafael Ferrer, Robert Fiore, Philip Glass, Eva Hesse, Neil Jenney, Robert Lobe, Barry Le Va, Robert Morris, Bruce Nauman, Steve Reich, Robert Rohm, Robert Ryman, Richard Serra, Joel Shapiro, Michael Snow, Keith Sonnier, Richard Tuttle. (.) [2 pp.] 3. Two unique musical experiences will be offered to the public (.) when concerts by composer-performers Philip Glass and Steve Reich are presented as part of the exhibition: Anti-Illusion: Procedures / Materials . [1 pp.] ~~ 3 original press releases published in conjunction with the seminal show Anti-Illusion: Procedures / Materials at Whitney. A total of 4 pages filled with densely packed information charting a new territory in art at the moment. This exhibition curated by James Monte and Marcia Tucker was one of the early and important shows breaking new ground in terms of art and theory. Given the transitional and ephemeral nature of the artworks presented these press releases offer a vibrant sense of the project much more so than the fixed formality of the catalogue accompanying the exhibition. One sheet with hand-written notes verso.…

Eleven vintage studio still photographs and one reference photograph from the 1988 documentary film. Notable in the set are two photographs of Errol Morris, one showing the director holding his young son, Hamilton. Seven with provenance labels on the versos. A groundbreaking film, investigating the conviction of drifter Randall Dale Adams in the murder of a Dallas police officer. Morris' masterpiece, today considered by many to be one of the most important and influential documentaries of the twentieth century. Shot on location throughout Texas and Brooklyn. 8 x 10 inches. Fine. National Film Registry. Criterion Collection 783.…

Vintage reference photograph of director Errol Morris and crew members posing together on the set of the 1988 documentary. From the collection of production designer Shelley Houis. A groundbreaking film, investigating the conviction of drifter Randall Dale Adams in the murder of a Dallas police officer. Morris' masterpiece, today considered by many to be one of the most important and influential documentaries of the twentieth century. Shot on location throughout Texas and Brooklyn. 8 x 10 inches. Lightly age toned, with a small bruise on the bottom left corner of the recto, else about Near Fine. National Film Registry. Criterion Collection 783.…

Cardboard box with paper title label affixed to top of box and list of artist's labels affixed to all 4 sides of the box top; includes 44 loose pages of xerox quality that reproduce the proposals of the artist's land art and performance projects for the NJ site and a text by Lenore Malen; very good condition except the top of the box is slightly crushed; 2 of the side labels are not firmly attached to the box; contents fine and untorn. I can only locate 4 copies of this item in US libraries; a very rare group exhibition catalog on land / conceptual art.…