morris jan ed (22 risultati)

Hardcover. Condizione: Very Good. 1st Edition. Blue cloth, gilt-stamped spine, illustrated endpapers, glossary, indexes. Slight shelf wear, text clean.

Soft cover. Condizione: Near Fine. soft cover in fine condition.

Soft Cover. Condizione: Very Good. Clean unmarked book in rubbed covers with bump/creasing to lower corner tips; 437 pp. Great series.

hardcover. Condizione: near fine. Condizione sovraccoperta: very good(-). John Ruskin (illustratore). Illustrated in color and b/w. 239 pages. Tall 8vo, light green boards, pictorial d.w. (tattered top edge, small tear on bottom back cover). London: Moyer Bell Ltd., (1981). A near fine copy in a very good(-) dust wrapper.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good+. 1st Edition. 127pp - brown cloth - minor foxing to content edges - dustwrapper is lightly rubbed and soiled - light wear to edges - price-clipped.

HC. Condizione: Gut. Oln, Ou., gr 8?, 316s., in gutem Zustand., [LSC44,1a]., Deu 700g.

Sm octavo hardcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs.

Hardback. The Black Galaxy beckons, and the mysteries of the living bioverse wait to be discovered! The Celestials are converging, the High Evolutionary and his new race of men are prepared to exploit the new universe, and the Watcher.watches. Meanwhile, Thor, Hercules and the Avengers must face the threat of Stellaris on Earth before rocketing into space! You won't believe what waits for the God of Thunder in the deadly Black Galaxy! Collecting THOR (1966) #419-425. 1978, First edition. A fine copy with a previous owners bookplate on the verso of the front free endpaper. The d/w is unclipped and fine.

Hardcover. Condizione: Very good. Condizione sovraccoperta: good. Cloth/dust jacket Octavo. blue cloth, gilt lettering, dust jacket, 402 pp, previous owner's signature on front endpaper.

Original publisher's blue paper hardback, gilt lettering spine, pictorial dustjacket, 8vo: pictorial endpapers, xij, 402pp., plan oxford, illustrated, glossary, acknowledgements, index. Although library-copy still very fine.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. Very nice copy: unmarked, unread, unclipped. In protective wrapper.

1st edition hardback with dust jacket As New octavo xi + 402pp., b/w ills., map, glossary, index, Loosly inserted News from Oxford U. P. from 1978.

Hardcover. pp. 350. 8vo. Bound in a decorated burned orange cloth. Illustrated. Light shelfwear; very good in lightly scuffed black slipcase.

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title!

Hard. Condizione: Very Good. Condizione sovraccoperta: Good. Pages clean and bright. Binding tight. Boards tidy. Light rubbing to cover. Back top corner of jacket ripped and missing (20x20mm) Size: 8vo.

Hardcover. xlvi, [30] pages of plates, 350 pages : illustrations ; 26 cm. This abridged ed. originally published: Faber, 1981. Includes index. Top edge dyed Orange; Colour plates; Black & white plates; Colour frontispiece.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. Andrea Pinnington (wraparound jacket design) (illustratore). 1st Edition. " . . . impressions are highly individualistic , reflecting her own sensibilities as much as the landscape." (front flap) book has very light ends-of-spine wear and start of vertical crease on spine. Unclipped DJ is plastic protected with slight sunning of spine. Bookseller's Inventory # 221884.

Woolf, Virginia 1st. ed. new. d.j. Please email for info concerning any book or dust jacket. If d.j. does not appear in description, it means there is no dust jacket. Photos on request. Some books may have remainder marks. Heavy and/or oversized books require additional postage.

Cloth. Condizione: Very Good Indeed. Condizione sovraccoperta: Very Good. Not Stated; None (illustratore). A varied collection of uncommon to very scarce titles, all in original dust wrappers, featuring several illustrated works. A varied collection of several unusual modern publications, featuring titles on local history, travel, and a very scarce first edition novel, 'The Frights'.The entirety of this set contains the following:VeniceExperimenting with an AmenCountry CompanyCerne AbbasThe Last Victorian R. D. Blackmore and his novelsCountryside CharacterThe FrightsAll in original dust wrappers - Volumes 1, 2, 4, 5 and 7 unclipped, and volumes 3 and 6 clipped.Featuring several first editions: volume 7, volume 2, and volume 1 - which is first edition 2nd impression.'Venice' is a highly celebrated travel title by Welsh author Jan Morris, who transitioned from 'James Morris', the name listed on this copy, in 1972.Within, Morris enchants with a charming exploration of the city, with striking gilt motif to the front board.Featuring illustrated endpapers, a monochrome frontispiece, and 17 double-sided monochrome plates, and 1 single-sided monochrome plate. Collated, complete.The uncommon volume 3 features a colour frontispiece and 7 further colour plates, as well as further monochrome vignette illustrations. Collated, complete.Volume 4 features a monochrome frontispiece, 8 further unlisted double-sided monochrome plates, and a double-sided folding map/plate. No other collation record available.Volume 5 features 2 monochrome plates. Collated, complete.Volume 6 features a colour frontispiece, an unlisted colour plate, and 16 unlisted double-sided plates of monochrome photography, in addition to vignette illustrations. No other collation record available. Bound in original cloth. In original dust wrappers. Only dust wrappers 3 and 6 clipped. Externally, very smart. Occasional mild bumping to extremities. Spotting to vol4 boards. Occasional mild age toning to endpapers. Ink inscription to vol3 front free endpaper. Occasional chipping to dust wrapper extremities. Rubbing to vol1 dust wrapper extremities. Mild sunning to vol1 dust wrapper spine. Slight age toning to fly leaf of vol2 dust wrapper. Spotting to vol3 dust wrapper reverse. Small loss to paper to vol5 dust wrapper front cover. Loss to vol6 dust wrapper front cover. Creasing and chipping to vol6 dust wrapper extremities. Ink inscription to vol6 dust wrapper fly leaf. Internally, firmly bound. Pages generally bright and clean, with the odd spot. Slight cockling to vol6 pages. Closed tear to 1 plate in vol1. Very Good Indeed. book.

[4] pp.; 30 x 30 cm.; black-and-white; edition size 20; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include: Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. The 2008 screenprinted gatefold cover, produced by Specific Object, is an exacting reproduction of original 1969 offset printed cover, which incorporates an installation image on the back cover, and extensive introductory text and additional texts on each participating artist. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolįs Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Fine. Original 1969 vinyl LP housed in 2008 screenprinted facsimile album cover. Vinyl in good condition, jacket is New.

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolįs Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine including scratching and scuffing. 2.5 cm. and 3 cm. of soiling to recto. Yellow spitting to verso. Yellowing and dust soiling to inside of album cover. Light scratching of record. This is a copy of the original album jacket and original vinyl LP.

[4] pp.; 30 x 30 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. Artist notes and texts on gatefold interior. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolįs Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Good. Mild bump to top left corner of jacket and light surface wear to album covers and spine. LP's vinyl is clean showing only light wear. LP has been played and tested and has no material defects. This is a copy of the original album jacket and original vinyl LP.