New renaissance (25 risultati)

Soft cover. Condizione: Very Good. 180 pages. Illustrated. "The Spanish plucked viola in Renaissance Italy, 1480-1530" Hiroyuki Minamino / "The court of don Fernando de Aragón, Duke of Calabria in Valencia, c.1526-c.1550: music, letters and the meeting of cultures" Bernadette Nelson / Morales's Officium, chant traditions, and performing 16th-century music" Grayson Wagstaff / New polyphonic fragments from 15th-century Spain: a preliminary report" Ángel Manuel Olmos / Annibale Stabile and performance practice at two Roman institutions" Ruth Lightbourne.…

Staple Bound. Condizione: Good - Cash. General use wear, surface and edges rubbed. Corners bumped and show wear. Pages show reader wear. Cover has creases. Stock photos may not look exactly like the book.

First Edition. Fine cloth copy in an equally fine dw. Particularly well preserved; tight, bright, clean and sharp cornered. ; 195 pages; Description: 8vo. Xv, 195 p. : ill. ; 24 cm. Subjects: Women--History--Middle Ages, 500-1500--Congresses. Social history--Medieval - Women--Social conditions - Women in literature. 1 Kg. …

First Edition. Fine cloth copy in an equally fine dw. Particularly well preserved; tight, bright, clean and sharp cornered. ; 195 pages; Description: 8vo. Xv, 195 p. : ill. ; 24 cm. Subjects: Women--History--Middle Ages, 500-1500--Congresses. Social history--Medieval - Women--Social conditions - Women in literature. 1 Kg. …

Soft cover. Condizione: Very Good. 180 pages. Illustrated. Christopher Page "Around the performance of a 13th-century motet" / Magnus Williamson "Pictura et scriptura - the Eton Choirbook" / Klaus Pietschmann "A Renaissance composer writes to his patrons - Cristobal de Morales to Cosimo I de' Medici and Cardinal Alessandro Farnese" / Noel O'Regan "Tomas Luis de Victoria's Roman churches revisited" / Edmund A Bowles "Music in court festivals of State: festival books as sources for performance practices" / Edward Corp "Francois Couperin and the Stuart court at St-Germain-en-Laye, 1691-1712: a new interpretation" / Bernard D Sherman "Bach's notation of tempo and early music performance: some reconsiderations" / Eva Badura-Skoda "The Anton Walter fortepiano - Mozart's beloved concert instrument".…

Soft cover. Condizione: Very Good. 168 pages. Illustrated. Ruth Smith "Early music's dramatic significance in Handel's Saul" / Naomi J Barker "Un-discarded images: illustrations of antique musical instruments in 17th and 18th-century books, their sources and transmission" / Christopher Macklin "Approaches to the use of iconography in historical reconstruction, and the curious case of Renaissance Welsh harp technique" / Jane A Bernstein "Publish or perish? Palestrina and print culture in 16th-century Italy" / DonFader "Philippe II of d'Orleans's 'chanteurs italiens', the Italian cantata and the gouts-reunis under Louis XIV" / Alexandro Vera "Santiago de Murcia's Cifras Selectas de Guitarra (1722): a new source for the Baroque guitar" / Graham Pont "French overtures at the keyboard: the Handel tradition".…

Soft cover. Condizione: Very Good. 176 pages. Illustrated. 'Unscarr'd by Turning Times'? The Dating of Purcell's Dido and Aeneas (pp. 372-390) Bruce Wood and Andrew Pinnock The Earliest Notice of Purcell's Dido and Aeneas (pp. 392-394+397-398+400) Mark Goldie Musicians in 18th-Century Venice (pp. 402-408) Denis Stevens New Documents on the Bassano Family (pp. 409-413) Giulio M. Ongaro The Bassanelli Reconstructed: A Radical Solution to an Enigma (pp. 417-422+424-425) Charles Foster An 18th-Century Singer's Commission of 'Baggage' Arias (pp. 427-433) Daniel E. Freeman Tenorlied, Discantlied, Polyphonic Lied: Voices and Instruments in German Secular Polyphony of the Renaissance (pp. 434-442+444-445) Stephen Keyl. …

Soft cover. Condizione: Very Good. 148 pages. Illustrated. Ralph Kirkpatrick "On playing the clavichord" / David Lasocki and Terence Best "A new flute sonata by Handel" / Colin Lawson "Telemann and the chalumeau" / Filadelfio Puglisi "Signor Settala's'armonia di flauti'" / Peter Downey "A renaissance correspondence concerning trumpet music" / Peter Williams "BWV565: A toccata in D minor for organ by J.S.Bach?" / Cedric Thorpe Davie "A lost Morley song rediscovered".…

Hardcover. Condizione: Good+. Condizione sovraccoperta: Fair. Tight square unmarked book in black ribbed cloth with faint staining to area at lower spine; noticeably soiled/darkened edges all around; despite these defects, the text is bright and crisp. In dust jacket with stains and tears.; 12.0 X 9.1 X 1.7 inches. Profusely Illustrated (illustratore).…

Condizione: Very Good. 15 Pages. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: 16 x 24 cms. Category: Edinburgh Review; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Hardcover. Condizione: Very Good. No Jacket. xiii, 293 pages [16] leaves of plates : illustrations ; 24 cm. "Papers of the fourth and fifth annual conference of the Center for Medieval and Early Renaissance Studies, State University of New York at Binghamton, 2-3 May 1970, 1-2 May 1971.".

Paperback. Condizione: Good. Binding tight, pages unmarked except for name on title page. Cover shelf worn. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 293 pages; Description: xiii, 293 p. : 16 leaves of plates : ill ; 24 cm. Subject: Heroes in literature --Congresses. 2 Kg. …

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 293 pages; Description: xiii, 293 p. : 16 leaves of plates : ill ; 24 cm. Subject: Heroes in literature --Congresses. 2 Kg. …

Condizione: Very Good. First edition hard back binding in publisher's original blue cloth covers, gilt title and author lettering to the spine. 8vo. 9'' x 6''. Contains [x] 180 page play. Very Good condition book in Good condition dust wrapper with chips and short closed tears to the spine ends and edges, not price clipped, 15/-. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. PLAYS (Theatre Performance).…

Condizione: Good. First edition hard back binding in publisher's original scarlet paper covered boards, gilt title lettering to the red cloth spine and to the front cover. Folio 14'' x 10¼''. Contains 64 printed pages of text with 46 reproductions, including 12 in full colour. Spotting to the end papers and in Good condition, no dust wrapper. Member of the P.B.F.A. ART [Spanish].…

Buch. Condizione: Neu. Neuware - 'Examines Michelangelo's understanding of internal anatomy and demonstrates its effect on the artist's representations of the body in painting, sculpture, poetry, and architecture'--.

Buch. Condizione: Neu. Neuware - Studies Raphael's images of supernatural phenomena, including apparitions and prophetic visions, within their contemporary artistic and religious contexts. Asks how a fundamentally naturalistic style of painting like that of the Italian Renaissance can accommodate representations of the supernatural without self-contradiction.…

First Edition. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. Physical description: 499 p. : ill. ; 31 cm. Notes: Catalogue of the exhibition held at the Metropolitan Museum of Art, New York, April 8-June 22, 1986, and at the Germanisches Nationalmuseum, Nuremberg, July 24-September 28, 1986. Includes bibliography. Subject: Art, German - Art, Gothic - Art, Renaissance - Art, Medieval - Germany - Nuremberg - Exhibitions. Germany (West). Nuremberg. Other names: Kahsnitz, Rainer. Wixom, William D. Germanisches Nationalmuseum Nürnberg. Metropolitan Museum of Art (New York, N.Y.) Genre: Illustrated, text. 1 Kg. Profusely Illustrated (illustratore).…

Condizione: Fine. The book is in fine condition.

Condizione: Fine. The book is in fine condition.

First Edition. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. Physical description: 499 p. : ill. ; 31 cm. Notes: Catalogue of the exhibition held at the Metropolitan Museum of Art, New York, April 8-June 22, 1986, and at the Germanisches Nationalmuseum, Nuremberg, July 24-September 28, 1986. Includes bibliography. Subject: Art, German - Art, Gothic - Art, Renaissance - Art, Medieval - Germany - Nuremberg - Exhibitions. Germany (West). Nuremberg. Other names: Kahsnitz, Rainer. Wixom, William D. Germanisches Nationalmuseum Nürnberg. Metropolitan Museum of Art (New York, N.Y.) Genre: Illustrated, text. 1 Kg. Profusely Illustrated (illustratore).…

299 / 329 / 210 Seiten mit wenigen Abbildungen und Tafeln. Bedruckte Original-Broschur. Jg. 1961 mit Lagerspuren und Aufkleber (unfrisch); die beiden anderen Jahrgänge ordentlich (etwas muffig).

A playbill for the production of Hall Johnson's "Run Little Chillun" at the Mayan Theatre in Los Angeles. Considered an important product of the Harlem Renaissance, "Run Little Chillun" premiered on Broadway in 1933. Its production in Los Angeles from 1935 to 1937 was funded by the Federal Theater Project, a New Deal program supporting arts and entertainment that ran from 1935 to 1939. In Los Angeles, the play was directed by African-American actor, director, writer, and composer Clarence Muse. Muse, along with the production's musical director, company manager, and stage manager, are listed as "Production Staff: Colored Unit", separately from the remainder of the production staff. Of interest to historians of African-American theater. Toned with one fold; excellent to near fine. Double-sided sheet measuring 5 ½ x 11 ½ inches.…

Fine. Size 31.75 x 24 Inches. This is a 2003 pictorial map of the Harlem neighborhood in Manhattan, New York City, drawn by Tony Millionaire. It highlights the many facets of the Harlem Renaissance (1920s - 30s). A Closer Look The figures drawn on the map are a veritable who's-who of 20th-century African-American culture, from political leaders like Marcus Garvey and Adam Clayton Powell, to civil rights activists (Zora Neale Hurston), judges (Thurgood Marshall), religious leaders (Frederick Cullen), scientists and explorers (Matthew Henson), musicians and composers (Duke Ellington, Marian Anderson, Billie Holiday, Ella Fitzgerald), writers and poets (Countee Cullen, Claude McKay), artists of various stripes (Alvin Ailey, William H. Johnson, Augusta Savage), athletes (Joe Louis, Althea Gibson), and individuals like W.E.B. DuBois and Paul Robeson who transcended several of these categories. A banner at bottom and bottom-right discusses African-American life elsewhere in Manhattan, other Jazz Age writers and composers who were influenced by the Harlem Renaissance (including George Gershwin), and important figures (James Baldwin, Malcolm X) born too late to properly be part of the Harlem Renaissance but who were heavily influenced by it. Famous buildings, organizations, and institutions are also labeled, including churches, hotels, parks, brownstone apartment buildings that were home to the individuals depicted, and famous venues for theater and music, including the Apollo Theater, Cotton Club, and Savoy Ballroom. Other clubs appear, perhaps less famous to history but no less significant. In particular, a group of clubs between 131st and 134th St. are noted, including Smalls Paradise and Barron's Exclusive Club (also known as Barron Wilkin's Club), which were notable for being Black-owned and having an integrated clinetele (unlike the Cotton Club, which catered to a White clientele). Minton's Playhouse on 118th St. is something of a Mecca for jazz music, where jam sessions including the likes of Thelonious Monk and Charlie Parker pioneered the bebop genre. Some contemporary buildings (the Schomburg Center for Research in Black Culture with its modern extension) and placenames (Adam Clayton Powell Blvd., Malcolm X Blvd., Marcus Garvey Park) appear, but the street grid and most of the buildings in Harlem from the era of the Harlem Renaissance remain today, allowing a user of this map to retrace the steps of those illustrated on it. The Harlem Renaissance The Harlem Renaissance, known at the time as the 'New Negro Movement,' was a cultural, social, and artistic movement that took place primarily during the 1920s and early 1930s, centered in the Harlem neighborhood of New York City. It marked a period of prolific creativity among African American artists, writers, musicians, and intellectuals, who used their work to express pride in Black identity and culture, challenge racial stereotypes, and advocate for civil rights. Many leading figures of the Harlem Renaissance had been born in the Deep South and moved to New York City as part of the Great Migration to seek opportunities and escape racism. Other contemporary developments, especially Prohibition and the Great Depression, also had an important impact on the course of the Harlem Renaissance, as did the unique cosmopolitan environment of New York City, drawing in artists, writers, and activists from throughout the African Diaspora. In sum, the Harlem Renaissance marked a cultural flowering and coalescing of social-political consciousness that reverberated for decades afterward, even down to the present. Publication History and Census This map was drawn by illustrator Tony Millionaire and published in 2003 by Ephemera Press. The original 2001 edition of the map was designed by Kevin Hein, an Art Director at Ephemera Press, with the text done by Marc H. Miller, the founder of the press. The primary differences between the present map and the 2001 edition are the printing, verso content.…