nigel shafran (15 risultati)

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. First Edition. 8.75 X 1.125 X 10 inches; 247 pages; color photographs and illustrations throughout the book. Very minimal shelf wear on the covers' bottom edges. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Hardcover. Condizione: New. 1st Edition.

Soft cover. Condizione: As New. OTA-bound softcover on multiple paper stocks. 376pp, 10.5 x 8 in., 256 photos. As new. Interviews throughout with Phil Bicker, Anna Cockburn, Charlotte Cotton, Katie Grand, Alex Harrington, Phyllis Posnick and Kathy Acker.

paperback. Condizione: Nuovo (New). Prima edizione (First Edition). Riproduzione degli sketchbooks di Nigel Shafran con fotografie, disegni, appunti. Con segnalibro editoriale Design di Linda van Deursen. Cm 23x17. pp. 512. . Nuovo (New). . Prima edizione (First Edition). . I libri sono stati il mezzo principale attraverso il quale il lavoro fotografico di Nigel Shafran è diventato noto. L'artista ha investito molto nell'aspetto dei suoi libri e nella loro realizzazione. Ma l'investimento di Shafran nella produzione di libri è anche parte integrante del modo in cui costruisce le sue idee e i suoi progetti. La sua pratica artistica è radicata in un processo che vede le sue fotografie, subito dopo la loro realizzazione, stampate, modificate e incollate nelle pagine di volumi rilegati che sono in parte quaderni di lavoro, in parte diari, in parte guide-memoria.Questi documenti di lavoro sono libri informali, ma, in parte per preparare le decisioni che definiranno in seguito le pubblicazioni vere e proprie, sono accuratamente assemblati e abbelliti. Ognuno di essi è pieno di disegni, appunti e frammenti di effimeri quotidiani, oltre che di fotografie, ed è caratterizzato da un'estetica particolare, con una grande sensibilità per l'artigianato materiale e una semplicità e chiarezza visiva che è caratteristica dei principi organizzativi intuitivi di Shafran e del suo intero processo di lavoro.- David Chandler -. Book.

Hardcover. Condizione: Very Good. First Edition. (2018). Oblong 8vo. 1st edition. INSCRIBED by Shafran on half title. With exposed binding and styrofoam boards. Mild bumping to fore corners and light bumping to upper joint ends of covers. Minor chipping to middle fore edge of front cover styrofoam. Rear styrofoam board slightly loose from cover at upper joint end, remedied with simple glue repair. VG. INSCRIBED.

Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. This is a fine hardcover copy with a fine dust jacket with no wear at all. Completely clean. Stated first edition. Illustrated in color. Essays by David Chandler and Paul Elliman. 11" high X 8" wide. A beautiful copy. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Photoworks Monograph. 1st printing (2004). 142pp. VG+/VG+ copy, now preserved in archival jacket protector.

HARDCOVER. Condizione: New. Condizione sovraccoperta: New. 1st Edition. Signed by Nigel Shafran and dated March 2016, in pencil on the title-page (no other marks or inscriptions). 4to in thick board covers with colour printed dust jacket, unpaginated, approx. 160pp on thick glossy art paper, mainly colour photos. . [CONDITION: A well preserved AS NEW unmarked copy in an AS NEW complete Dust Jacket ] . To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condizione: Good. 4to. 21x 29.7cm. Sheets loose as issued in original silver printed chemise and box. 28pp. text; poster and 50 signed broadsides, folded from 59.5 x 42cm. to 8 pages. Fine condition. .The deluxe portfolio, 2000-01, comprising 50 offset lithographs, on smooth wove paper, with title-page and text, each signed by the respective artist, the sheets folded (as issued), within the original silver Solander box with debossed cover and spine.Richard Hamilton, Gavin Turk, Tim Stoner, Philip Treacy, Caruso St John, John Hilliard, Liam Gillick, Georgie Hopton & Josephine Soughton, Jake & Dinos Chapman, Mark Hosking, Grayson Perry, Simon Patterson, Runa Islam, Anish Kapoor, Bella Freud, Tacita Dean, Antony Gormley, Carey Young, Marine Hugonnier, Will Self, Fiona Rae, Tracey Emin, Christopher Le Brun, Liam Gillick, Douglas Gordon, Carsten Holler, Pierre Huyghe, Philippe Parreno, Rirkrit Tiravanija, Nigel Shafran, Anya Gallaccio, James White & Tim Sheward, Mark Lewis, Richard Deacon & Martin Kreyssig, Wolfgang Tillmans, Joao Penalva, Matthew Higgs, Oliver Payne & Nick Relph, John Latham, Gilbert & George, Enrico David, Mona Hatoum, Andrew Lewis, Cerith Wyn Evans, Howard Hodgkin, Tom Gidley, Sam Taylor-Wood, Harland Miller, Peter Doig, Hussein Chalayan, Patti Smith, Darren Almond, Michael Craig-Martin, Jeremy Deller, Bridget Riley."fig-1" was a project initiated by Mark Francis and White Cube founder Jay Jopling, who held 50 one-week exhibitions at a disused venue in Soho, London.The project called together 49 British artists of different generations, from veterans such as Richard Hamilton, Howard Hodgkin, Anish Kapoor, and Bridget Riley, to established YBAs including Jake & Dinos Chapman, Tracey Emin, and Gavin Turk, and up and coming, soon to be illustrious names, such as Peter Doig, Grayson Perry and Harland Miller - each one of them exhibiting for one week, with Richard Hamilton showing twice in the first and last week.Divided into 50 sections, the book chronicles each project in the words of the participants through interviews, essays and visual documentaries. .Arrangment of the prints: 01. Richard Hamilton02. Gavin Turk03. Tim Stoner04. Philip Treacy05. Caruso St. John06. John Hilliard07. Liam Gillick08. Georgie Hopton + Josephine Soughan09. Jake + Dinos Chapman10. Mark Hisking11. Grayson Perry12. Simon Patterson13. Runa Islam14. Anish Kapoor15. Bella Freud16. Tacita Dean17. Antony Gormley18. Carey Young19. Marine Hugonnier20. Will Self21. Fiona Rae22. Tracey Emin23. Christopher Le Brun24. Liam Gillick, Douglas Gordon, Carsten Höller, Pierre Huyghe, Philippe Parreno, Rirkrit Tiravanija25. Nigel Shafran26. Anya Gallaccio27. James White + Tim Sheward28. Mark Lewis29. Richard Deacon + Martin Kreyssig30. Wolfgang Tillmans31. João Penalva32. Matthew Higgs, Oliver Payne + Nick Relph33. John Latham34. Gilbert + George35. Enrico David36. Mona Hatoum37. Andrew Lewis38. Cerith Wyn Evans39. Howard Hodgkin40. Tom Gidley41. Sam Taylor-Wood42. Harland Miller43. Peter Doig44. Hussein Chalayan45. Patti Smith46. Darren Almond47. Michael Craig-Martin48. Jeremy Deller49. Bridget Riley50. Richard Hamilton.

Soft cover. Condizione: New. The Well - Nigel Shafran Shafran's relationship with the world of commercial photography begins in the mid-1980s as a teenager, continuing through to the iconic magazine years of i-D and The Face, and into a recent resurgence in his idiosyncratic, unpretentious approach to the fashion shoot within the pages of Vogue and more. Only recently did Shafran who is known for his delicate, personal approach of weaving together converging photographic narratives begin to understand his continuous engagement with the commercial world as a project in itself. The Well is a space to critique and reflect the worlds of fashion from the inside, bringing his trademark simplicity and capacity to disarm the viewer into this charged, complicated world. This landmark publication, edited and designed by Linda van Deursen, chronicles Shafran's commercial and un-commercial approach to photography, with interviews and reflections between Shafran and his peers threaded throughout. Loose Joints, 2022 Softcover, 376pp 267 x 200 mm.

Hardcover. Condizione: Wie neu. Schutzumschlag. 1. Auflage. Steidl, Göttingen. 2004. First edition, first printing. Mint, new, unread; still originally shrink-wrapped in publisher`s plastic foil. Flexicover. 220 x 290 mm. 112 pages. 50 colour plates, 20 duotone plates. With essays by Val Williams and Paul Elliman and an interview with Nigel Shafran by Charlotte Cotton. Text in english. Perfect condition! Collector`s copy! "Having established himself as one of the most respected fashion photographers in the UK during the 1990s, Nigel Shafran`s more recent work has been widely exhibited, including shows at The Photographer`s Gallery, the Victoria and Albert Museum and Fig-1. Shafran`s work is characterised by the quiet observation of everyday life. His chosen subject matter is deliberately low-key and often domestic in nature: the washing up, his Dad`s office, charity shops, car boot sales. And yet, his work extracts from this something profound and consistently beautiful, the sense of a natural order in ordinary things, or, as Shafran says `an acceptance of how things are` Shafran`s monograph surveys his work, including series such as Ruthbook, Washing Up 2000, Dad`s Office and Ruth On The Phone. The book also includes his most recent domestic interiors as well as a selection of his favourite snapshots." (from the publisher) "Having established himself as one of the most respected fashion photographers in the UK during the 1990s, Nigel Shafran`s more recent work has been widely exhibited, including shows at The Photographer`s Gallery, the Victoria and Albert Museum, Fig-1, and MW Projects. Shafran`s work is characterised by the quiet observation of everyday life. His chosen subject matter is deliberately low-key and often domestic in nature: the washing up, his Dad`s office, charity shops, car boot sales. And yet, his work extracts something profound and consistently beautiful, the sense of a natural order in ordinary things, or, as Shafran says "an acceptance of how things are?" (from the publisher)***************Steidl, Göttingen. 2004. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Flexicover. 220 x 290 mm. 112 Seiten. 50 Farbfotos, 20 Duotone-Fotos. Mit Essays von Val Williams und Paul Elliman und einem Interview mit Nigel Shafran von Charlotte Cotton. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Sprache: Englisch Gewicht in Gramm: 1600.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. A good clean copy of this book. The dust jacket has one small mark to the bottom front cover.

MACK books 2016 180 pages - 91 colour plates Hardcover with dust jacket. Nigel Shafran's new book takes five interconnected series of photographs and weaves them together with the common thread of domestic scenes. There is a constant sense of forward movement that is sometimes overt, as in the photographs of supermarket checkouts or underground escalators; sometimes implicit and more emotionally charged, as when the photographer faces the inventory of possessions in his mother's last house. But in each case these photographs deal as much with what has been left behind as with what lies ahead. They carry the inevitability of change and the psychological undertow of time passing moving forward. ******* Mint ! Verlagsfrisch! New ! Still sealed in publishers shrinkwrap. Noch in Schutzfolie eingeschweisst Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

MACK books 2016 180 pages - 91 colour plates Hardcover with dust jacket. Nigel Shafran's new book takes five interconnected series of photographs and weaves them together with the common thread of domestic scenes. There is a constant sense of forward movement that is sometimes overt, as in the photographs of supermarket checkouts or underground escalators; sometimes implicit and more emotionally charged, as when the photographer faces the inventory of possessions in his mother's last house. But in each case these photographs deal as much with what has been left behind as with what lies ahead. They carry the inevitability of change and the psychological undertow of time passing moving forward. ******* Mint ! Verlagsfrisch! New ! Still sealed in publishers shrinkwrap. Noch in Schutzfolie eingeschweisst Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

First edition, first printing. Edition of 50 signed by the artists. Fig-1 was 50 projects in 50 weeks initiated by Mark Francis and Jay Jopling, set in a small warehouse building in Soho, each project lasting one week. Each poster is signed by the relevant artist or artists. The projects embraced a broad range of contemporary creative productions including fine art, with 13 Turner Prize nominees, as well as literature, film and video, fashion, design, and architecture. Quarto, 32 page stapled booklet, A1 folded poster with photo-portraits of all the artists, 50 A2 folded posters. With the original silver card clamshell box. Box lightly rubbed to edges, else fine.