Ohara ken (96 risultati)

Condizione: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condizione: like_new. Fast Free Shipping â" Excellent condition book with clean cover and pages. Barely handled, with minimal wear. An outstanding copy, close to enjoy.

Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hard Cover. Condizione: Good. Condizione sovraccoperta: Good. Jacket has light wear. Boards show shelfwear, bumped bottom front corner. Pages are clean & text is free from markings. All pages secure in binding. Size: 8vo - 7¾" - 9¾" Tall.

Condizione: new.

Softcover. Condizione: Very Good. Revised and Updated. Some Light shelf and corner wear, has crease on back cover. Text appears clean. Binding is tight and solid in very good condition. 283 pages. Quantity Available: 1. Shipped Weight: Under 1 kilo. ISBN: 0812930088. ISBN/EAN: 9780812930085. Pictures of this item not already displayed here available upon request. Inventory No: 1561004108. …

Softcover. Condizione: Very Good. Revised and Updated. Has a name on the upper fly page, otherwise appears unused. 283 pages. Quantity Available: 1. Shipped Weight: Under 1 kilo. ISBN: 0812930088. ISBN/EAN: 9780812930085. Pictures of this item not already displayed here available upon request. Inventory No: 1560786758. …

Hardcover. Condizione: Fine. Tight clean copy. Jacket has several tears to upper edge. B/W portraits.

Hardcover. First edition, first printing. Near Fine quarter-cloth hardcover with light signs of handling in a Good+ printed vellum dust jacket with three short closed tears and chips to the edges of the back panel. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. "Ken Ohara's photographic series of one-hour exposure portraits create in their final form a new identity for each subject. The traditional evaluations we make of a portrait, i.e., How do you look? are lost in the blur of a passing hour. The soft outlines of heads and bodies take on a new power in their loss of detail, and we look to the objects that frame each sitter to give us a context for identity." Photographs by Ken Ohara; essay by Craig Nova. From a first edition limited to 2000 unnumbered copies. 148 pages; 133 duo-toned b&w plates; 8.5 x 10.25 inches.…

Hardcover. Condizione: New. New copy.

Hardcover. Condizione: New. Dust Jacket Included. 1st Edition. FIRST Edition. Limited to 2000 copies. Black cloth boards. Includes translucent grey paper dust jacket, which is a carefully chosen design feature of a book of semitransparent portrait photos. Light is allowed to pass, but the details of shapes and features are withheld. Some copies still in publisher's shrinkwrap. Ships fast with tracking.…

hardcover. Condizione: Like New. Condizione sovraccoperta: Very Good. First Edition. Publisher: Twin Palms, Santa Fe, 2006.FINE hardcover book in VERY GOOD mylar-protected glassine dust-jacket. Glassine jacket has three one ic h chips along the upper edge. As new. Unread. First Edition, First Printing. one of 2000 copies.…

Mass Market Paperback. Condizione: Very Good. First Edition. UK edition. Includes the stories in the July 1954 US edition, with the exception of the Winterbotham story and not all the essays and artwork, but has the same cover art by Fagg. Contains The Thing in the Attic by Blish (illustrated by Orban), A Monster Named Smith by Gunn (illustrated by Orban), Beauty and the Beast by Young (illustrated by Emsh), The Small World of M-75 by Clinton, Fair and Warmer by von Wald (illustrated by Orban), Has Anybody Here Seen Kelly by O'Hara (illustrated by Orban) and The Big Stink by Cogswell (missing the illustratons by Emsh). The back cover has a two inch crease to the top corner and a light stain but otherwise only slight wear to the covers. One or two spots to the page edges and there is some page browning but they are otherwise unmarked. Postage charge will be reduced by £1.50 when the order is processed. Valigursky, Ed; Orban, Paul; Emsh, Ed; Fagg, Ken;Young, Jerry; (illustratore).…

hardcover. 1st. Small 4to, unpag., Limited to 2000 copies Remainder mark lower edge, else a fine copy. Profusely illustrated (illustratore).

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

DVD. Condizione: New. Brand New copy.

Paperback (VG-); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover, 27 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condizione: New. No Jacket. 1st Edition. 4to size softbound volume still in shrink wrap.

Soft cover. Condizione: Very Good. 1st Edition. BOX packed with padding! Pages: not written on, clean, bright, odor free, fine edges. Cover: minor bumping to back corner tips. Message for photos. Ships from California. Ships same or next day (weekdays and Saturdays)! ABOUT.

Softcover. Condizione: Fine. No jacket.

Hardcover with dustjacket, unpaginated; tiny tears to top of rear cover of d; otherwise as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Very good. Condizione sovraccoperta: very good. First Edition. 24 cm, 285 pages. Illus. Signed by both authors.

paperback. Condizione: Very Good.

Paperback. Condizione: Very Good. Dustjacket included. Later Edition. ISBN 3822878669. Oversized, Heavy, Trade Paperback. Very Good Condition. Tight sound unmarked copy with minor rubs to edges and corners of covers. No statement of later printing on copyright page. No Signature.

Newspaper. 24p., folded tabloid newspaper, articles, news, editorials, services and resources, reviews, ads, photos, toning, very good on newsprint. Cover photo of the cast of "The Island" by Anthony Ingrassia at the NY Theatre Ensemble. Also gay therapist Rod Parks. Frank O'Hara profile and review of his collected poems. The King Who Was a Queen, James 1, Loosely About Transvestites. Ken Duncan photos. Clarke and Nichols were lovers who worked together on this long-running tabloid and several books. Clarke was murdered in Mexico in 1975. The newspaper, with stringers across the country and national distribution, lasted until executive editors Lige Clarke and Jack Nichols resigned after issue 105. While the publishers planned to continue, 105 appears to have been the final issue.…

Softcover. Condizione: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

paperback. Condizione: Good.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. First edition, first printing. Hardcover. Black paper-covered boards with title stamped in gray on cover and on black cloth-covered spine, with heavy translucent dust jacket printed with title in white on front and spine. Photographs by Ken Ohara. Essay by Craig Nova. Designed by Ken Ohara and Jack Woody. 144 pp., with 133 duotone plates. 10-1/4 x 8-3/8 inches. This first was edition limited to 2000 hardbound copies. New in publisher's shrink-wrap. From the publisher: "Ken Ohara's photographic series of one-hour exposure portraits create in their final form a new identity for each subject. The traditional evaluations we make of a portrait, i.e. 'How do you look?' are lost in the blur of a passing hour. The soft outlines of heads and bodies take on a new power in their loss of detail, and we look to the objects that frame each sitter to give us a context for identity. Like Meatyard before him, Ohara's collective subjects create a wry and melancholy portrait of the absent artist.". …