ontani (85 risultati)

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condizione: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condizione: Good. Some light external wear. Otherwise, very clean, tight, square, and unmarked. A good copy. Pages are clean, text and pictures are intact and unmarred.

Paperback. Condizione: Very good. Paperback. 151pp. Lightly edgeworn, else very good. Text in English and Italian.

Soft cover. Condizione: New. Still in publisher's shrink wrap. Text is in Italian and English. 149 p., well illustrated. [otob: 32(mid) ; B1:6:2].

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Hard cover. Condizione: Good. No jacket. The cover is shelf worn and slightly rubbed. Binding is secure and inside is clean and unmarked.

Condizione: New. NEW, shipped from the UK.

Hardcover. Condizione: Used-Very Good. Cloth, dj. Minor shelf wear. Mild toning to text block, but text and images remain clean and bright.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. 1st Printing. 192 pages. Published in 1996. Retrospective exhibition monograph on artist. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited print run as a hardcover original only. The First Edition is now scarce. A brilliant production by Peter Renn: Oversize-volume format. Deep brown linen cloth boards with gilt titles embossed on spine, as issued. Art by Luigi Ontani. Edited by Peter Weiermair. Contributions by various scholars, art historians, and critics. List of Plates and Chronology appended at the end. Printed on pristine-white, thick coated stock paper by EBS in Verona, Italy to the highest standards. In pictorial DJ with red titles on the cover and spine, as issued. Published on the occasion of the travelling exhibition of the same name in 1996 and 1997. Presents "Luigi Ontani". The single most comprehensive assessment of the achievement of the Italian artist who has successfully incorporated the cultural heritage of his country into his oeuvre. As such, Ontani has worked in just about every conceivable medium: Drawings, illustrated texts, installations, paintings, glass, ceramics, papier-mache, photographic tableaux, masks, and other media. His is a democracy of art, which sees an exquisite ceramic plate as being on the same level of achievement as a large-scale painting that rivals those of his contemporary "transavanguardia" colleagues like Francesco Clemente and Sandro Chia. They all evoke a life devoted to the fictions of fantasy as drawn from the rich iconography of "heathen cultures and classical mythology". Ontani inserted himself, as obtrusively as possible, in his celebrated self-portraits, where he often posed naked, showing a body that is neither ideal nor real, but somewhere in the middle, a theatrical self-presentation of one of the most fascinating artistic personalities of the last quarter of the 20th century. An absolute "must-have" title for Luigi Ontani collectors. This title is a contemporary art classic. This is one of few copies of the First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Copies available online have serious flaws, are subsequent printings, or are remainder-marked. This is surely an accessible and lovely alternative. A scarce copy thus. One of the most brilliant Italian artists of our time. A fine copy. ISBN 3908162319. no.

Hardcover without dustjacket as issued, 312 pages, in English, German and Italian; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

191 S. , zahlr. Abb. 27 x 25 cm. Orig.-Kart. (neuwertig).

Hardcover. Condizione: Sehr gut. 1. Auflage. Z : 20 x 26 cm, Hardcover, 272 Seiten/pages, 237 color & 66 b/w illustrations, ribbon bookmark) - Luigi Ontani (b. 1943) holds a singular position in the contemporary art landscape. Dealing since the beginning of the 1970s with such notions and topics as identity and sexuality, the sacred and the profane, the hybrid and the kitsch, and Occidental and Oriental cultures, he creates a corpus of art works that are qualified by their polymorphous aspect and their denial of boundaries. Whether in his photographic portraits in which he impersonates Leonardo, Dante, Pinocchio, or San Sebastian, in his ceramic or papier-mâché sculptures, in his large paintings, or in his early video works, he affects a new reading of art history, postmodernism, and appropriation strategies.

Softcover, staple-bound, 28 pages, in English and Italian; good condition, long diagonal crease to front cover; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Very Good. 1st Edition. Hardcover with dust jacket, 191 p. : illustrations (chiefly in color) ; 27 cm. Very good/fine, clean, crisp, unmarked.

Brossura. Condizione: new. Monza, 2023; br., pp. 68, ill., cm 16,5x24.(Opere Site Specific). Luigi Ontani è considerato uno dei più influenti artisti italiani, dedito alla sperimentazione con numerosi media e tecniche: dalla fotografia alla scultura declinata nei più diversi materiali, dalla pittura fino alla performance, con i suoi celebri tableaux vivants. Filo conduttore della sua ricerca è il carattere anticonformista e ironico delle sue opere, in cui confluiscono echi e suggestioni mitopoietiche della tradizione iconografica occidentale e orientale, con particolare attenzione al tema della maschera. Questa pubblicazione è dedicata all'intervento site specific realizzato per il Museo d'arte della Fondazione Luigi Rovati. Affidata al suo estro citazionista e ludico, la sala dalle pareti color ciclamino è decorata da un ciclo pittorico di sei "ibridoli etruschi", come Ontani stesso li definisce, poiché il loro percorso verso la pienezza della forma è frutto di un processo di ibridazioni: gli attributi e i simboli della divinità sono qui elementi di un gioco di combinazioni, che è la vita stessa di ciò che è infinito, la sua pulsazione vitale, il suo ritmo di sistole e diastole. Praticando l'immaginazione attiva, Ontani produce forme che sembrano generate da una memoria ancestrale e impersonale, capace di attingere a quel livello mistico dell'esperienza in cui l'oggetto del ricordo consiste in ciò che deve ancora accadere - come se la sua mente si muovesse in una specie di passato imminente. Attraverso la visionaria narrazione di Emanuele Trevi - che insieme a Ontani ha intrapreso un viaggio, fisico e immaginifico, sulle tracce degli Etruschi - viene ripercorso il processo creativo e i suoi ingredienti, il rapporto con i modelli, l'ars combinatoria e il polimorfo legame con innumerevoli tradizioni artistiche. Libro.

Exhibition invite that unfolds with tipped in illustration, 4 x 5 inches; very good condition; a mailed copy with address and postal marks on rear.

[unpaginated]; 28 x 22.2 cm.; sewn bound; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed Monograph on the artists' books, prints, and multiples produced by Noire Editions in Turin, Italy from 1980 - 2015. Essay by Gabriele Detterer. Artists include Carla Accardi, Giovanni Anselmo, Alighiero Boetti, Stefano Cerio, Radu Dragomirescu, Sylvie Fleury, Hamish Fulton, Marco Gastini, Pietro Gallina, Dan Graham, Giorgio Griffa, James Lee Byars, Felice Levini, Sol LeWitt, Richard Long, Luigi Mainolfi, Fabian Marcaccio, Bruno Martinazzi, Eliseo Mattiacci, Jan Meissner, Mario Merz, Jonathan Monk, Zweletu Mthethwa, Maurizio Nannucci, Shirin Neshat, Richard Nonas, Luigi Ontani, Mimmo Paladino, Giulio Paolini, Claudio Parmiggiani, Giuseppe Penone, Giuseppe Salvatori, Salvo, Andres Serrano, Jessica Stockholder, David Tremlett, and Gilberto Zorio. Richly illustrated in black-and-white and color. Text in English. Very Good / Fine. Minimal dusting of covers, otherwise Fine. Contents clean and unmarked. Due to size and weight of this publication additional shipping charges will be required for international orders.

183 pp.; 30 x 27.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the photography collection of Groupe Lhoist in Belgium. Edited by Pauline de Laboulaye and Jacqueline de Ponton D'Amécourt. Introduction by Pierre Apraxine. Artists include Mac Adams, John Baldessari, Lothar Baumgarten, Bernd & Hilla Becher, Max Becher, Andrea Robbins, Barbara Bloom, Christian Boltanski, Rudolph Bonvie, Denis Brihat, Ellen Brooks, Victor Burgin, Jean-Marc Bustamante, Sophie Calle, Sarah Charlesworth, Pierre Cordier, Lili Dujourie, Jeanne Dunning, Sylvie Eyberg, Patrick Faigenbaum, Peter Fischli/David Weiss, Gunther Förg, Michel François, Peter Fraser, Adam Fuss, Lynn Geesaman, Gilbert & George, Nan Goldin, Rodney Graham, Andreas Gursky, Jan Henle, Craigie Horsfield, Alfredo Jaar, Louis Jammes, Jürgen Klauke, Karen Knorr, Wilmar Koenig, Suzanne Lafont, Marie-Jo Lafontaine, Louise Lawler, Richard Long, Urs Luthi, Robert Mapplethorpe, Guy Mees, Hélène Mugot, Vic Muniz, Bruce Nauman, Luigi Ontani, Pierre & Gilles, Sigmar Polke, Richard Prince, Olivier Richon, Gerhard Richter, David Robbins, Michal Rovner, Thomas Ruff, Andres Serrano, Cindy Sherman, Laurie Simmons, Seton Smith, Thomas Struth, Hiroshi Sugimoto, jan Vercruysse, Didier Vermeiren, Not Vital, Jeff Wall, Boyd Webb, William Wegman, and James Welling. Text in French. Good. Moderate sunning and discoloration of covers, rubbing of cover edges, and bumping of bottom right corner. Light dust soiling of text block edge, contents clean and unmarked.

Copertina morbida. Condizione: BUONE CONDIZIONI. 119 pg. ILLUSTRATO con fotografie e planimetrie. Envio C.REMBOLSO tiene un SOBRECOSTE de 4,00 EUR. 430 gr. 24 x 22 cm.

hardcover. Condizione: Gut. 191 Seiten; 9783908162315.3 Gewicht in Gramm: 500.

Condizione: NEW.

Soft cover. Condizione: Fine. Condizione sovraccoperta: Fine. Folio, 20 pages, 16 plates. Typographic wrappers. - First edition. Catalogue for an exhibition held from may 22 ? june 6, 1971. "Didascalie" (captions) by Renato Barilli .

Brossura. Condizione: Molto buono (Very Good). Artisti: Gilbert e George, Annie Ratti, Luigi Ontani, Aldo Mondino, Sandro Chia, Filippo di Sambuy, Tommaso Lisanti, Karen Forbes, Mimmo Rotella, Francis Picabia. Testi di Italo Tomassoni e Angela Vettese. Con 15 fotografie . 16mo. pp. 28. . Molto buono (Very Good). . . . Book.

Cartonato. Condizione: new. Locarno, Fondazione Ghisla, 8 settembre 2019 - 5 gennaio 2020.A cura di Madesani A. e Maggi A.Testo Italiano e Inglese.Milano, 2019; cartonato, pp. 96, ill. b/n e col., cm 25,5x32.(Catologhi Esposizioni). Catalogo della mostra (Locarno, Fondazione Ghisla Art Collection, 8 settembre 2019-5 gennaio 2020). Opere di Marina Abramovic, Vito Hannibal Acconci, Nobuyoshi Araki, Vanessa Beecroft, John Coplans, Nan Goldin, Izima Kaoru, Kimsooja, David LaChapelle, Urs Luthi, Robert Mapplethorpe, Fabio Mauri, Ana Mendieta, Bruce Nauman, Shirin Neshat, Luigi Ontani, Dennis Oppenheim, Gina Pane, Irving Penn, Bettina Rheims, Stefano Scheda, Andres Serrano, Cindy Sherman, Spencer Tunick, Peter Welz, Francesca Woodman. Si tratta di una lettura traversale dell'arte, dal dopoguerra a oggi, attraverso il tema del corpo in fotografia, nei lavori di artisti e fotografi internazionali. Un'articolata indagine attraverso il mezzo fotografico che, dai lavori socialmente impegnati degli anni Sessanta e Settanta, porta ai grandi autori della fotografia degli anni Ottanta e giunge sino alla contemporaneità. Libro.

Soft cover. Condizione: Near Fine. Artwork by Luigi Ontani (illustratore). First Edition. Catlalogue of an exhibition held at the Commune di Bolgna, Galleria d'Arte Moderna from October 28 1990 to January 6, 1991; a solid, clean, unread copy in collectible condition; light edge wear to card covers; essay by Renato Barilli; well illustrated with both black and white and colour photographs of Ontani's artwork; 79 pages. Book.

hardcover. Condizione: Very Good. No dust jacket, as issued. Photographically decorated boards have a light 1" mark over the "D" in Readiness on the cover, lightly rubbed otherwise. Interior fine condition. An artistic celebration of St. Sebastian, "the patron saint of soldiers, of homosexuals, of plague and AIDS sufferers." (from the Forward.) All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.

Hardcover in red faux leather padded covers without dustjacket as issued, 41 illustration pages; followed by unpaginated text pages Italian; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.