padgett jim illustrator (16 risultati)

Hardcover. Condizione: Good. Padgett, Jim (illustratore).

Hardcover. Condizione: Fair. Padgett, Jim (illustratore).

hardcover. Condizione: Good. Jim Padgett (illustratore).

Trade Paperback. Condizione: Very Good. Padgett, Jim (illustrator) (illustratore). Trade Paperback. Very Good. Fiction. 8vo - over 7¾" - 9¾" tall. This older trade sized paperback for younger readers and those who like to think young is in excellent condition with very little wear. The covers are yellow and dark red with black lettering. The covers have only very minor wear. The spine is tight with little wear and no creases. THe pages are white with very little wear and few marks. The illustrations are great and helpful to following the narrative. 198 pages. CHEAP SHIPPING MEDIA MAIL!

Hardcover. Condizione: Good. Sturdy hardcover w/jacket. Light wear and tear, discoloration on jacket. Light edge-wear. WF.

Softcover. Condizione: Very Good. First Edition. Shelfwear, 4 pages have tiny rust spots from paperclip; 192 pages.

Pictorial Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. No Edition Stated. Light edgewear; 126 pages.

Pictorial Hardcover. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. First Edition; First Printing. Mild shelfwear; 175 pages.

Hardcover. Condizione: Good. Jim Padgett (illustratore). pictorial hardcover without dust jacket, pages clear and bright, shelf and edge wear, cocked, cracked, corners bumped, lamination ripples on back cover, one page has closed edge tear, from private collection, NOT ex-library, packaged in cardboard box for shipment, tracking on U.S. orders.

Paperback. Condizione: Brand New. Garborg, Chris; Padgett, Jim (illustratore). 224 pages. 8.75x6.50x0.50 inches. In Stock.

Hardcover. Condizione: Good. Chris Garborg; Jim Padgett; Myron Netterlund (illustratore).

hardcover. Condizione: Fair. Padgett, Jim (illustratore).

hardcover. Condizione: New. Padgett, Jim (illustratore). In shrink wrap. Looks like an interesting title!

hardcover. Condizione: New. Jim Padgett (illustratore). In shrink wrap. Looks like an interesting title!

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Flat-signed by Jim Dine and dated 2015 on the title page. The binding is tight and straight with traces of soiling to cloth and top edge of text block. Text and images are unmarked. The dust jacket is lightly shelf worn and toned, a short closed tear and a crease to bottom of rear fold, traces of soiling and wear along top edge, in a mylar cover. 128pp. Signed by Illustrator.

LIMITED DELUXE EDITION, of 250 hand-numbered copies SIGNED by both the translator and artist and with Dine's eight original glossy Pochoir plates signed by the artist and hand-numbered and laid in. Printed on Euroset offset paper. Illustrated throughout with black and white photographs and photo-collages plus the eight original numbered colour pochoir plates by Jime Dine with all tissue guards intact. 4to, loose in printed chemise as issued within the publisher's wrap of stiff paper covered in glassine and printed in black. In the original cloth covered slipcase with photographic image printed in hot pink. 128 pp. plus the eight additional plates. A very fine copy, internally as new, the glassine wrapper also fine and just a tad mellowed at the spine, the slipcase very fresh and clean with very minor mellowing to the pink at the rear panel. SCARCE LIMITED EDITION OF ONLY 250 COPIES. This English edition of Apollinaire's "Le Poète Assassiné" is one of the great works of the "Pop Art" movement created around one of the foundational works of surrealist literature. This edition is signed by both Ron Padgett and Jim Dine and includes eight original pochoir plates which are also hand-numbered and signed by the artist. Padgett studied 20th-century French literature in Paris during 1965 and 1966. In 1962 Dine's work was included, along with Roy Lichtenstein, Andy Warhol, Robert Dowd, Phillip Hefferton, Joe Goode, Edward Ruscha, and Wayne Thiebaud, in the historically important and groundbreaking "New Painting of Common Objects", curated by Walter Hopps at the Norton Simon Museum. This exhibition is considered historically as one of the first "Pop Art" exhibitions in America. At a time of major social unrest and socio-political change, the painters included began a great new movement, shocking America and the art world in general and changing modern art for all time.