palma giovane (29 risultati)

Loose Leaf. Condizione: New. Reproduction. Original title: Personalities of sculpture and painting German: Persönlichkeiten von Skulptur und Malerei French: Personnalités de sculpture et de peinture Spanish: Personalidades de la escultura y la pintura High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 16th century (1554). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Joseph and the wife of Potifar German: Joseph und die Frau von Potifar French: Joseph et la femme de Potifar Spanish: José y la esposa de Potifar High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 16th century (1554). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: Judith and Holofernes German: Judith und Holofernes French: Judith et Holofernes Spanish: Judith y Holofernes High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 16th century (1554). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Zustand: gut gebundenes Buch mit Schutzumschlag / Schutzumschlag mit kleineren Schäden.

London, Sotheby's. 88 pp. B./w. ills. Soft cover.

hardcover. Condizione: Ottimo (Fine). 1963. Opera con copertina rigida e sovraccoperta. ill. in b/n e a colori ft e nt. SLB.18.

Condizione: Good. 258 Palma il giovane Disegni inediti. , Credito bergamasco 1964 italiano, in quarto -- 41868258rilegato a tutta tela con sovracc.Buone condizioni, normali segni del tempoNB Questo libro, in quanto usato, potrebbe presentare segni di precedenti proprietari, quali sottolineature e scritte a matita o penna oppure timbri di appartenenza, non indicate nella scheda, come pure lievi abrasioni, piccoli strappi, piegature, tracce d'umidità, ingiallimenti delle carte, incurvamenti e foxing, tipici dei libri usati. Book.

hardcover. Condizione: near fine. Giacomo Negretti/Palma il Giovane (illustratore). Profusely illustrated in b/w and color. 739 pages with text in Italian. Large, square 4to, glossy pictorial boards. Bergamo: Bolis, (1980). A near fine copy.

[Bergamo], Edizioni Monumenta Bergomensia, [1964]. 27 pp. 121 plts. Orig. hardcover (clothbound). (Monumenta Bergomensia X).Text in Italian.

Condizione: buono. Storia e Critica Dal Rinascimento al Neoclassicismo Fine arts History and Criticism From Renaissance to Neoclassicism in folio, cartella in tela edit. muta contenente 56 tavole sciolte tavole a colori fuori catalogo.

Condizione: Ottimo (Fine). A cura di Luigi Grassi. Presentazione di Attilio Selva. Testo di Luigi Grassi. Ricco apparato di note. 56 tavole seppia f.t. Bibliografia . Folio. pp. 38 +56 tavole. . Ottimo (Fine). . . . "Da un'antica fonte si sa che 'i disegni fatti dal Palma il giovane in qualunque genere in più maniere. furono infiniti, da' quali traheva l'inventioni, che à far haveva, e molti ancora ne formava per isfogare il capriccio, poi che tantosto levata la tovaglia della mensa, si faceva recapitare il lapis, componendo sempre qualche pensiero." Di questa felice produzione è esempio il Libro dei Disegni palmeschi che si conserva gelosamente all'Accademia di S. Luca. La raccolta, finora nota solo a pochissimi specialisti, è resa adesso accessibile ad un pubblico più vasto per merito dell'edizione curata dal professor Luigig Grassi (.)". Attilio Selva. Rilegato tela, custodia (cloth, slip-case). Book.

Paperback. Condizione: New.

Hardcover. Condizione: Very Good. Published in 18th century, a copy of an academic album initially intended for the study of Classical drawing. It represents a collection of the drawings from the most powerful artists such as brothers Carracci (Agostino, 1557-1602, Annibale, 1560-1609, Ludovico, 1555-1619), Parmigianino (1503-1540) and Abraham Bloemaert (1566-1651). The album was assembled by Alexander Browne (active 1659-died 1706), who was an artist, publisher, printseller, auctioneer and dealer. The publisher and seller of this edition was Joseph Nutting (16601722) was an English engraver, working in London. He is known for his portraits, often used as book frontispieces. According to the pen inscription on the pastedown endpaper the album belonged to an unknown "MS. A. Hitchcock". Bound together with a collection of naive hand drawings and copies of the Classical masterpieces, including an urban plein-air landscape. No text. In 8vo. 27,3x19,95cm. [1]+30 etchings + [24 leaves of drawings]. Etchings, drawings in pencil, sanguine, pen and inks on paper. Possibly missing frontispiece. Five raised bands. Quarter leather hard cardboard binding. Worn. Spine title slip with golden lettering. Handwritten inscription on the front pastedown endpaper. Seller's sticker on the flyleaf "Araki Osaka Japan". Very good condition.

Istituto Europeo di Storia d'Arte, 1963. Format 23x31 cm, reliure pleine toile, sous jaquette illustree, 24 pages suivies de 121 planches. Ouvrage en langue italienne. Longue fente sur la couverture qui traverse et marque le premier plat.Bon etat.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1608 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 92 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 92 Language: Italian.

Acquaforte, 492 mm x 354 mm (parte incisa). Pieni margini. Bella acquarellatura, probabilmente d'epoca. Nell'inciso in basso a sinistra: "Dom. Rossetti Sculp.".Nell'inciso, in basso a destra: "Giac. Palma in.". Nel margine inferiore: "Ambasciatori Veneti all'Imperator Federico Barbarossa Opera di Giacomo Tintoretto nella Sala del Gran Consiglio IIII". Proveniente da: "Il Gran Teatro delle Pitture e Prospettive di Venezia, in due tomi diviso".Il dipinto e di conseguenza la stampa rappresenta Papa Alessandro III e il doge Ziani inviano Otto a negoziare la pace con suo padre l'imperatore Federico Barbarossa; Otto si inginocchia davanti al Papa, che siede su un trono elevato; il doge gli sta accanto; folla a sinistra e a destra. Il foglio, fa parte della grande opera di Domenico Lovisa, pubblicata a Venezia nel 1720. La suite si componeva di due volumi: il primo, relativo a vedute veneziane e lagunari, venne disegnato da Giuseppe Valeriani, mentre è ignoto chi ne fu l'incisore; il secondo, relativo a pitture di celebri artisti veneziani, venne realizzato da Andrea Zucchi. L'album di vedute rappresenta la più ampia documentazione sulla vita privata a Venezia nel 1700: la scena è sempre ricolma di azione, spesso anche spiritosa, tutta tesa ad una rappresentazione cronachistica, più che architettonica, di Venezia. Cicogna 4541, Succi 230 18mo secolo.

Palma Giovane (illustratore). '199'Original antique print showing the Madonna and Child with St. Catherine and St. John.Made by Jan Popels after Palma Giovane.Etching / engraving on hand laid (verge) paper.Sheet size: 31 x 24.5 cm (12.2 x 9.65 inch). Image size: 22 x 16 cm. (8.66 x 6.3 inch).MADONNA-CHILD-ST. JOHN-PL. 199PCOX-E2-21BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Iacopo Negretti (1548/50 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane was an Italian painter from Venice and a notable exponent of the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Palma Giovane (illustratore). '179'Original antique print showing the dead body of Christ supported by an angel.Made by Jan Popels after Palma Giovane.Etching / engraving on hand laid (verge) paper.Sheet size: 24 x 30 cm (9.45 x 11.81 inch). Image size: 16 x 21 cm. (6.3 x 8.27 inch).BODY OF CHRIST-ANGEL-PL. 179PCOX-E2-20BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Iacopo Negretti (1548/50 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane was an Italian painter from Venice and a notable exponent of the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Palma Giovane (illustratore). '198'Original antique print showing three angels mourning over the dead body of Christ.Made by Rombout Eynhoudts after Palma Giovane.Etching / engraving on hand laid (verge) paper.Sheet size: 31 x 24.5 cm (12.2 x 9.65 inch). Image size: 21.7 x 15.5 cm. (8.54 x 6.1 inch).CHRIST-ANGELS MOURNING-PL. 198PCOX-E2-20BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Iacopo Negretti (1548/50 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane was an Italian painter from Venice and a notable exponent of the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Palma Giovane (illustratore). '177'Original antique print showing the Madonna and child with John the Baptist.Made by Pieter van Lisebetten after Palma Giovane.Etching / engraving on hand laid (verge) paper.Sheet size: 25 x 32.5 cm (9.84 x 12.8 inch). Image size: 16.7 x 22.5 cm. (6.57 x 8.86 inch).MADONNA-CHILD-ST. JOHN-PL. 177PCOX-E2-19BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Iacopo Negretti (1548/50 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane was an Italian painter from Venice and a notable exponent of the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Palma Giovane (illustratore). '181'Original antique print showing Saint Peter.Made by Lucas Vorsterman after Palma Giovane.Etching / engraving on hand laid (verge) paper.Sheet size: 24 x 31.5 cm (9.45 x 12.4 inch). Image size: 16.3 x 22 cm. (6.42 x 8.66 inch).SAINT PETER-PL. 181PCOX-E2-25BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Iacopo Negretti (1548/50 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane was an Italian painter from Venice and a notable exponent of the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Palma Giovane (illustratore). '183'Original antique print showing the Madonna / Virgin / Mary and child.Made by Jan van Troyen after Palma Giovane.Etching / engraving on hand laid (verge) paper.Sheet size: 24.5 x 32 cm (9.65 x 12.6 inch). Image size: 16.5 x 21.5 cm. (6.5 x 8.46 inch).MADONNA-CHILD-VRGIN MARY-PL. 183PCOX-E2-26BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Iacopo Negretti (1548/50 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane was an Italian painter from Venice and a notable exponent of the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Palma Giovane (illustratore). '182'Original antique print showing Saint Paul.Made by Lucas Vorsterman after Palma Giovane.Etching / engraving on hand laid (verge) paper.Sheet size: 24.5 x 32.5 cm (9.65 x 12.8 inch). Image size: 16.3 x 22 cm. (6.42 x 8.66 inch).SAINT PAUL-PL. 183PCOX-E2-25BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Iacopo Negretti (1548/50 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane was an Italian painter from Venice and a notable exponent of the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Palma Giovane (illustratore). '173'Original antique print showing St. Mary Magdalene in the wilderness.Made by Pieter van Lisebetten after Palma Giovane.Etching / engraving on hand laid (verge) paper.Sheet size: 24 x 31.5 cm (9.45 x 12.4 inch). Image size: 16.4 x 21.5 cm. (6.46 x 8.46 inch).MARY MAGDALENE-WILDERNESS-PL. 173PCOX-E2-19BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Iacopo Negretti (1548/50 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane was an Italian painter from Venice and a notable exponent of the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Palma Giovane (illustratore). '175'Original antique print showing Daniel in the lion's den.Made by Jan van Troyen after Palma Giovane.Etching / engraving on hand laid (verge) paper.Sheet size: 24 x 31 cm (9.45 x 12.2 inch). Image size: 16.3 x 21.5 cm. (6.42 x 8.46 inch).DANIEL IN LION'S DEN-PL. 175PCOX-E2-23BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Iacopo Negretti (1548/50 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane was an Italian painter from Venice and a notable exponent of the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Palma Giovane (illustratore). '186'Original antique print showing Salome carrying the head of John the Baptist / St. John.Made by Jan van Troyen after Palma Giovane.Etching / engraving on hand laid (verge) paper.Sheet size: 24.5 x 31.5 cm (9.65 x 12.4 inch). Image size: 16.2 x 21.5 cm. (6.38 x 8.46 inch).SALOME-JOHN THE BAPTIST-HEAD-PL. 186PCOX-E2-20BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Iacopo Negretti (1548/50 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane was an Italian painter from Venice and a notable exponent of the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

No binding. Palma Giovane (illustratore). '184'Original antique print showing St. Justina of Padua.Made by Jan van Troyen after Palma Giovane.Etching / engraving on hand laid (verge) paper.Sheet size: 25 x 32 cm (9.84 x 12.6 inch). Image size: 16.5 x 22.5 cm. (6.5 x 8.86 inch).SAINT JUSTINA OF PADUA-PL. 184PCOX-E2-16BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Iacopo Negretti (1548/50 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane was an Italian painter from Venice and a notable exponent of the Venetian school. Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Palma Giovane (illustratore). '189'Original antique print showing Diana and Apollo on a cloud in the top, firing arrows at Niobe's sons and daughters.Made by Nicolaas van Hoy after Palma Giovane.Etching / engraving on hand laid (verge) paper.Sheet size: 35 x 35.5 cm (13.78 x 13.98 inch). Image size: 27.2 x 27.2 cm. (10.71 x 10.71 inch).DIANA-APOLLO-NIOBE-PL. 189PCOX-E2-28BACKGROUND INFORMATIONFrom: 'Theatrum Pictorium', (transl.: Theatre of Painting), is a collection of prints published as a boook in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It was a depiction of 243 Italian paintings in the Archduke's collection of over 1300 paintings, with engravings of the paintings taken from small models that Teniers had personally prepared. A second edition with page numbers was published in 1673. During the years 1646-1656 Leopold Wilhelm was governor of the Netherlands and formed one of the greatest art collections of his age. Teniers effectively became its curator after the death of his predecessor Jan van den Hoecke in 1651. Leopold Wilhelm's collection came to hold works by Hans Holbein the Elder, Pieter Bruegel the Elder, Jan van Eyck, Raphael, Giorgione, Paolo Veronese and more than 15 works by Titian. Teniers employed a team of 12 engravers for reproducing the 243 paintings in the Theatrum. He produced small copies in oil of each of the chosen paintings, issuing these as models to his engravers and 120 of which were auctioned by the estate of John Spencer-Churchill, 7th Duke of Marlborough in 1886. Teniers' painted copies measuring approximately 17 x 25 cm are now spread among various collections. The Courtauld Institute of Art Gallery holds 14 of these works, the largest group in any public collection. Of the 12 engravers, the five who contributed most were Jan van Troyen with 56, Lucas Vorsterman the Younger with 52, Pieter van Lisebetten 40, Theodoor van Kessel 27, and Coryn or Quirin Boel 25. Johannes Popels contributed five engravings. David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator.David Teniers the Younger or David Teniers II (bapt. 15 December 1610 25 April 1690) was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. Iacopo Negretti (1548/50 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane was an Italian painter from Venice and a notable exponent of the Venetian school. Condition: good, given age. Vertical crease. Original fold line as published. Crease in bottom right corner. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

senza rilegatura. Condizione: ottimo. Acquaforte 147 x 207 mm Jacopo Negretti conosciuto come Palma il giovane, per distinguerlo da bisnonno Jacopo Palma il Vecchio (Serina 1480 - Venezia 1528), è un pittore e incisore. Dopo l'apprendistato presso la bottega del padre e del prozio, grazie al duca di Urbino Giulio II della Rovere, si trasferisce a Roma per un periodo di otto anni. Successivamente, rientrato a Venezia collabora con Tintoretto e Veronese. Nel primo decennio del Seicento viene scelto per collaborare alla realizzazione delle incisioni per due trattati: Il vero modo et ordine per dissegnar tutte le parti et membra del corpo humano, 1608 edito da Justus Sadeler in collaborazione con il bolognese Odoardo Fialetti, e il De excellentia et nobilitate delineationis libri duo, edito a Venezia nel 1611. Tavola n 15 del gruppo di ventisei acqueforti che Palma incise da suoi stessi disegni. La serie, completata da un secondo Libro con 19 incisioni di Giacomo Franco e di Luca Ciamberlano da disegni di Palma, è pubblicata da Giacomo Franco nel 1611 con il titolo: De excellentia et nobilitate delineationis libri due. Poi nel 1636 a Venezia Marco Sadeler ripubblica la serie con il titolo:Regole per imparar a disegnar i corpi humani diuise in doi libri delineati dal famoso pittor Giacomo Palma. Libro primo. La serie è ispirata all'album per il disegno di Odoardo Fialetti, al quale Palma stesso aveva collaborato. Si conoscono altre due edizioni rispettivamente nel 1659 e 1700. L'intento di Palma era di fornire modelli compositivi ma anche di dimostrare e diffondere la propria abilità nel disegno e nell'incisione. Firma incisa in alto a destra: Palma fece. Stato unico. In basso a sinistra timbro di collezione: lettere P E intrecciate (Lugt 893). Il collezionista, certamente francese e attivo nelle prima metà del XVIII secolo, non è stato identificato con chiarezza, oggi si ritiene possa chiamarsi Edmund Prideaux, collezionista di disegni e stampe. Impressione eccellente con effetti di pulitura di fondo impressa su carta vergellata con filigrana "corona entro cerchio sormontato da stella e mezza luna". Minimo margine. Ottimo stato di conservazione. Bibliografia: Bartsch XVI 290 15; TIB 15 (290); Bury, The print in Italy, n 141-146.