parr nathaniel (18 risultati)

Condizione: Near fine. One-sided 23 x 38 cm page with b&w side-by-side copperplate engravings. Key below right hand plan identifies buildings. Plate 154, No. 89, Vol. 2, p. 360. Single page from "The Universal Traveller: Or, A Compleat Description Of the several Nations of the World" by Mr. Salmon, printed for Richard Baldwin, London, 1759.

Condizione: Very good. One-sided 38 cm page with two b&w copperplate engravings, one above the other. Edges have small tears. Plate 91, No. 33, P. 150. Single page from "The Universal Traveller: Or, A Compleat Description Of the several Nations of the World" by Mr. Salmon, printed for Richard Baldwin, London, 1759. 16th century portrait at top was taken from an historical account by the Dutch traveler and historian Jan Huyghen van Linschoten (1562-1611). In Western Europe, for many centuries, this portrait was one of the best known images of India. It shows the King of Cochin seated on his royal elephant attended by his Nair soldiers. Bottom engraving said to be by Nathaniel Parr.

Condizione: Near fine. One-sided 23 x 38 cm page with 3 b&w copperplate engravings. Left: Plate 71, No. 26, p. 14. Right: Plate 72, No. 26. Single page from "The Universal Traveller: Or, A Compleat Description Of the several Nations of the World" by Mr. Salmon, printed for Richard Baldwin, London, 1759. Title of right plate continues: "on ye River Tay, whose Tops are wrapped in the Clouds, which makes the Passage dark and gloomy as well as very rapid.".

Condizione: Near fine. One-sided 38 cm page with b&w copperplate engraving. Plate 190, No. 110, Vol. 2, p. 401. Mark on rear. Single page from "The Universal Traveller: Or, A Compleat Description Of the several Nations of the World" by Mr. Salmon, printed for Richard Baldwin, London, 1759. Depicts the king of Kongo on a throne surrounded by bodyguards and retainers with Dutch emissaries kneeling in front of him.

Condizione: Near fine. One-sided 23 x 38 cm page with 4 b&w copperplate engravings. Top: Plate 68, No. 25. Bottom: Plate 69, No. 25. Single page from "The Universal Traveller: Or, A Compleat Description Of the several Nations of the World" by Mr. Salmon, printed for Richard Baldwin, London, 1759.

Condizione: Near fine. One-sided 38 cm page with two b&w copperplate engravings. Top: Plate 74, No. 27, p. 9; Plate 75, No. 27, p. 40. Single page from "The Universal Traveller: Or, A Compleat Description Of the several Nations of the World" by Mr. Salmon, printed for Richard Baldwin, London, 1759.

Condizione: Good. Engraving. 23 x 34.5 cm. (sheet). Very Good, minor surface wear.

Framed. Condizione: Good. Parr. (illustratore). 1st Edition. Panoramic copper engraved view of this palace, with later hand colouring. In20th century white mount, a little grubby. the print is flat and mounted onto backing card, so not loose. Clean and very presentable copy. the 2 examples that are found in the Royal collections are dated 1753 and 1794. This is dated withing the titles as August 20th 1751. Approx 10 x 16 inches. (25 x 40 cm). Clean image, but sold only as "good" due to the being backed onto later. (Will post with mount).

Hardcover. Condizione: g to vg. First edition. 12mo (6 1/2 x 4"). Volume I: [i]-xxii + iii-viii + [i]-cxxxiv-[135]-384pp. The second pagination (iii-viii) is the table of contents of Volume II. Copper engraved frontispiece portrait of Rabelais and two fold-out copper engravings (between pp. xvi-xvii, and pp. 252-253); Volume II: [2], v-x + [11]-251pp. Fold-out copper engraved frontispiece, full page engraving (facing page 188), fold-out plate at page 217; Volume III: [i-iv] + v-xx + [21]-22 + 3-367 + [5]pp (Index). Fold-out copper engravings facing pages 108, 191 & 229 (last plate missing its folded part); Volume IV: [i-v] + vi-xc + [1]-281 + [1] (blank) + [8] (Contents) + [4]pp (Adverts). Fold-out engraved frontispiece, fold-out plate facing page xxix, and full copper plate facing page 49; Volume V: [i]-lxiv + [1]-267 + [5]pp (Contents). Fold-out plates facing pages 41 and154, and full-page plate facing page 149. On page 189 features the text of a poem titled "Bottle!" within the illustration of a bottle. Contemporary full spotted calf, with gold lettering and ruling to spines. Title pages in red and black lettering. Decorative head-, tailpieces and initials. Books housed in a later cloth covered slipcase. First English translation of Francis Rabelais' first critical edition by Jacob Le Duchat* (1711) containing the followings works: - Volume 1: The First Book of Rabelais, Treating of the Inestimable Life of the Great Gargantua - Volume 2: The Second Book of Rabelais, Treating of the Heroic Deeds and Sayings Of the Good Pantagruel - Volume 3: The Third Book of Rabelais's Works - Volume 4: The Fourth Book of Pantagruel - Volume 5: The Fifth Book of Rabelais, Treating of the Heroic Deeds and Sayings Of the Good Pantagruel This work is complete with its 15 copper plates (including 11 fold-out), with only one missing its folded part (Vol. 3, page 229). A few plates are unsigned, and the remaining bear the signatures of engravers Henry Roberts and Nathaniel Parr. Slipcase rubbed. Each spine partly reinforced by binder's tape (not affecting gilt lettering). Armorial bookplate of contemporary previous owner on inside of each front cover (George Manners), with the armorial motto "Pour y Parvenir" (So as to accomplish). Ex-Libris of last previous owner on inside of each back cover (G. Eisenberg). Front hinge of first volume repaired. Sporadic age-toning and minor foxing throughout. Slipcase in overall good- to good, bindings in good-, interior in good to very good condition. * Jacob Le Duchat (1658-1735) was a French literary scholar whose 1711 edition of the works of Rabelais was the first to include historical and critical commentary. "Le Duchat's is the first of the critical editions. It takes account of differences in the texts, and begins to point out the variations. His very numerous notes are remarkable, and are still worthy of most serious consideration. He was the first to offer useful elucidations, and these have been repeated after him, and with good reason will continue to be so. Le Duchat's commentary was translated into English by John Ozell for his 1737 edition of Gargantua and Pantagruel." (For more information, see: Rabelais, François (ca. 1483-1553), The Works of Francis Rabelais. Translated from the French by Sir Thomas Urquhart and Motteux; with explanatory notes, by Duchat, Ozell, and Others. Volume I [Books 1, 2, and 3 to Chapter 13]. Thomas Urquhart and Peter Motteux, translators. London: H. G. Bohn, 1851. Introduction).

Bildgrösse: 19,2x25 cm. Blattgrösse: 25,2x30,8 cm. Passepartout: 34,5x41,5 cm. Passepartout oben mit Kratzspuren. - Sauber.

Ten copperplate engravings arranged as storyboards, on two leaves, 21 x 16.5 cms (border); 26 x 20 cms (sheets including captions and platemark), sheets a little age-toned with faint offsetting, but in very good condition. Each of the ten engravings shows a stage in the production of silk. The two leaves of engravings (Plates 25 and 26) were published as part of Du Halde's account of China included in an important 18th century compendium of travel writing: "A New General Collection of Voyages and Travels" (known as the Astley Collection, for its publisher).

Nathaniel Parr (illustratore). Print. Hand colored engraving. Image measures 10 1/2" x 15 1/2". London: 1750 Lovely 18th century engraving of the Royal Palace and Gardens at Hampton Court in London. Depicting the palace from the southeast, the view shows the Privy Gardens and part of the Great Fountain Garden, with many courtiers seen strolling and conversing. In good condition, cropped to plate line. Overall wear throughout.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1758 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 150 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 150 Shakespeare, William, 1564-1616,Grove, Joseph, -1764, editor,Browne, Daniel, -1762, bookseller,Whiston, John, 1711-1780, bookseller,White, Benjamin, approximately 1724-1794, bookseller,Nourse, J. (John), -1780, bookseller,Pote, Thomas, bookseller,Tovey, Barnes, -1806, bookseller,Parr, Nathaniel, -1751, engraver,Benning, R., engraver,Barton, Thomas Pennant, 1803-1869, former owner.

A North View of Westminster Bridge Engraved print. Westminster Bridge was designed by the Swiss architect Charles Labelye and completed in 1751. The project is notable for the first use of caissons, an invention which enables construction underwater. Westminster Bridge was the first bridge to be built nearer the city than Kingston for 600 years - it provoked the removal of the buildings on London Bridge and the construction of Blackfriars Bridge as the City tried to keep traffic in their domain. There is a description of the construction of the bridge and its cost - £389,500! - underneath the view. BL Maps K.Top.22.37.g.; RCIN 702539.

Edizione del 1794 di questa veduta animata della Curia Fiorentina secondo la prospettiva delle Logge vicino all'Arno. La veduta venne pubblicata per la prima volta nel 1744 nell'opera "Scelta di 24 vedute delle principali contrade, piazze, chiese e palazzi della città di Firenze" da Giuseppe Zocchi. Atlante: Laurie & Whittle London Autore: Nathaniel Parr su disegno di Giuseppe Zocchi (1716-1767) Data: 1794 Tecnica: acquaforte colorata a mano Dimensione del foglio: 445x300 mm Dimensione incisione: 430x265 cm Condizioni: Buone. Rare fioriture. MancanzeEdition of 1794 of this animated view of Florentine Curia according to the perspective of Lodges near Arno. The print was published for the first time in 1744 in the opera "Scelta di 24 vedute delle principali contrade, piazze, chiese e palazzi della città di Firenze" by Giuseppe Zocchi Atlas: Laurie & Whittle London Autore: Nathaniel Parr after Giuseppe Zocchi (1716-1767) Date: 1794 Technique: etching coloured by hand Leaf Dimension: 445x300 mm Engraving Dimension: 430x265 cm Conditions: Good conditions. Occasional foxing. Lackings.

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1758. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 150, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 150 150.

No Binding. Condizione: Reasonable. Leicester Square (.). A view of Leicester Square in London. Copper Engraving by Nathaniel Parr (fl. c. 1739-1767), after John Maurer (fl. c. 1713 - c. 1761), c. 1755. Reasonable condition. Paper a bit browned and a bit soiled. Some faint staiing. The margins made black. Some traces of wear in the margins, with a minor damage to the left edge of the image itself. Small tears along edges, including strenghtened on verso. Verso: blank. Note: dimensions reflect the entire leaf. Dimensions: 293 x 508 mm. c. 1755. Print.

Francis Swaine (illustratore). '"EVENING, OR SUN SETTING. LE SOIR, OU SOLEIL COUCHANT."'Evening maritime scene with ships under sail, a calm sea, and figures near the shore. Plate No. 100Made by Nathaniel Parr after Francis Swaine.Medium: Hand-colored engraving on hand-laid (verge) paper.Sheet size: 48.2 x 33.9 cm (18.98 x 13.35 inch). Image size: 39.8 x 29.4 cm. (15.67 x 11.57 inch).EVENING, SUNSET, MARITIME, SHIPS, 18TH CENTURY, FRANCIS SWAINE, SEASCAPE, WHITTLE, LAURIE | EXPO-425BACKGROUND INFORMATIONPublished in London for R. Sayer on August 1, 1751.Biography engraver: Nathaniel Parr (before 17421751) was an English copper engraver, printer, and publisher active in the mid-18th century. Based in Greater London, he was known for his finely detailed engravings, which often featured maritime and topographical themes. His career began around 1742, and he remained active until his death in 1751 in Westminster.Biography artist: Francis Swaine (1725-1782), British marine painter renowned for his detailed and atmospheric maritime scenes. Condition: very good, given age. Ghosting from previous matting. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.