perling (47 risultati)

Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Perling, Anita (illustratore). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Perling, Anita (illustratore). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Fair. No Jacket. Perling, Anita (illustratore). Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Condizione: Good. Good condition. Good dust jacket. In protective mylar cover. (Literature, Biography, John Tyler) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Paperback. Condizione: Very Good. Binding sound, text clean, light shelfwear. Book.

HC. 451pp NO DUSTJACKET - a few pencil marks good, soiled tan cloth (hardcover) no dustjacket few pencil mark.

hardcover. Condizione: Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Nice copy in like dust jacket, which has not been price clipped. 451 pages. Dust jacket has light chipping to the top and bottom of the spine and minor wear along the extremities.

hardcover. Condizione: very good. Condizione sovraccoperta: good. First. Illus. 451pp. 8vo, tan cloth, d.w. chipped and lightly soiled, d.w. repaired with tape on blank side. New York: Odyssey Press, (1947).

Condizione: Good. The Odyssey Press New York 1947 8vo. 451 pages. soiling to beige cloth boards. corners lightly bumped. spine slightly age toned and creased. previous owner signature to ffep. binding secure.

Condizione: Good. First edition copy. . Acceptable dust jacket. Dust jacket chipped, with minor text loss on front panel. (presidents' spouses, historical fiction).

Hardcover. Condizione: Fair. 181p. A purple hardcover ex-library book in original binding. Faint label residue on spine. Label, card pocket, and pasted-in jacket panel on endpapers; label and stamp on title page. Otherwise, very good condition with text clean and binding tight.

Condizione: Very Good. Denlinger's Middleburg, VA 1959 red glossy cloth boards. previous owner bookplate to front pastedown. text block crisp. rubbing to dust jacket.

Cloth. Near Fine/Very Good +. First Printing. 8vo - over 7¾" - 9¾" tall. 368 pages with historical sources.

Couverture souple. Condizione: Bon. Pas de jaquette. VIII + 451 p. Texte en anglais / text in english ! Probable envoi d'un parent de l'auteur (son épouse ?) Leona B. Perling en page de garde. 1st edition. 16x24,5 cm. 451 p. Broché. Etat correct. Intérieur en bon état. Plats défraîchis tachés. Rares rousseurs. Tranches passées. Date en page de garde. Sans Jaquette Fort in-8°.

Loose Leaf. Condizione: New. Reproduction. Original title: Family tree of the Duchy of Savoy, ca. 1675-1715 German: Stammbaum des Herzogtums Savoyen, ca. 1675-1715 French: Arbre généalogique du duché de Savoie, vers 1675-1715 Spanish: Árbol genealógico del Ducado de Saboya, hacia 1675-1715 High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1675). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Condizione: As New. Unread book in perfect condition.

Hard Cover. First Edition, First printing. NEAR-FINE IN VERY GOOD DJ.

Hardcover. Condizione: VG+. Hardcover with color printing on cloth. 244 pp, generously illustrated with color reproductions. For the past fifteen years, Emily Mae Smith has brought her lush, humorous, and highly stylized sensibility to bear in one visually stunning canvas after another, artfully blending a Surrealist spirit with the flair of Pop Art and her own feminist aesthetic. Emily Mae Smith, the first standalone volume of the artist's work, provides a panoramic view of Smith's playful, illusionistic, and deeply intelligent oeuvre. With more than 250 illustrated pages, boasting over 150 full-color reproductions that bring Smith's crisp and exquisitely detailed paintings to life, the book takes a close look at her career to date.

Soft cover. Condizione: Very Good. No Jacket. Very good condition. Tight binding. Some foxing to interior but mostly clean with no inscriptions.

Condizione: Fair. First edition copy. . No Dust Jacket Book Good. No dust jacket. (Presidents, United States, Biography).

Hardcover. Condizione: Very Good. No Jacket. Signed by author.

Paperback. Condizione: VG+. Color-illustrated softcover with white lettering. xv, 396 pp. 467 illustrations, mainly in color. Some 250 works explore three distinct periods in American history when mainstream and outlier artists intersected, ushering in new paradigms based on inclusion, integration, and assimilation. The exhibition aligns work by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican with both historic folk art and works by self-taught artists ranging from Horace Pippin to Janet Sobel and Joseph Yoakum. It also examines a recent influx of radically expressive work made on the margins that redefined the boundaries of the mainstream art world, while challenging the very categories of "outsider" and "self-taught." Historicizing the shifting identity and role of this distinctly American version of modernism's "other," the exhibition probes assumptions about creativity, artistic practice, and the role of the artist in contemporary culture. The exhibition is curated by Lynne Cooke, senior curator, special projects in modern art, National Gallery of Art.--Provided by publisher. Contents as follows: Director's foreword / Earl A. Powell III -- Lenders to the exhibition -- Acknowledgments -- Note to the reader -- Boundary trouble : navigating margin and mainstream / Lynne Cooke -- Modernism's war on terror / Darby English -- How to make a modern primitive / Richard Meyer -- Find-and-seek : Discovery narratives, Americanization, and other tales of genius in modern American folk art / Jennifer Jane Marshall -- Black folk art redux : a curatorial roundtable / Lynne Cooke, John Beardsley, Katherine Jentleson. Faheem Majeed -- Museums, oh museums / Thomas J. Lax -- Affinities in abstraction : textiles, otherness, paintings in the 1970's / Jenni Sorkin -- Archives of femininity / Douglas Crimp -- Personal voyages / Suzanne Hudson -- Plates -- c. 1924 to 1943 : folk aesthetics refigured -- c. 1968 to 1992 : commensurables and incommensurables -- c. 1998 to 2013 : determining difference differently -- Biographies -- Checklist of the exhibition -- Index.

Hardcover. Condizione: Fine. 1st Edition. 207 pages : illustrations (some color) ; 31 cm. Catalog published to accompany the exhibition Drawing then: innovation and influence in American drawings of the sixties held at Dominique Lévy on January 27, 2016 - March 19, 2016.

Wrappers. Condizione: Bueno. 1st ed. 18.5x23.5. 161pp. Wrappers. Good. Girl Love - Kaja Silverman; Reanimations (I) - George Baker; The Projected Image in Contemporary Art - Round Table featuring Malcolm Turvey, Hal Foster, Chrissie Iles, George Baker, Matthew Buckingham, Anthony McCall; The Revolutionary Energy of the Outmoded - Christian Thorne; Beauty and the Status of Contemporary Criticism - Suzanne Perling Hudson; The Jesse Helms Theory of Art - Richard Meyer; Eva Hesse Retrospective: A Note on Milieu - Mignon Nixon; Letters and Responses: Juan Ignacio Vidarte and Allan Sekula. . English.

Hardcover. Quarto. Hardcover. Grey cloth boards with large plate pasted center front and two small ones side by side on rear. 311 pages (some folded) : illustrations (some color), portraits ; 32 cm. "Accompanying the large-scale traveling exhibition 'Ellsworth Kelly at 100', this volume celebrates the groundbreaking career of the beloved American abstractionist. This publication highlights key aspects of his multifaceted art from his lifelong drawing practice through his later explorations of layered canvas panels. Kelly frequently revisited shapes and motifs observed throughout his career, exploring form, color, line and space through painting, sculpture, collage, drawing and photography. The fully illustrated publication highlights works from major public and private collections alongside key works from Glenstone's collection, including seminal early pieces such as Painting for a White Wall (1952) and Painting in Three Panels (1956), as well as examples from the iconic Chatham and Spectrum series. Also featured is Yellow Curve (1990), a monumental floor painting installation that spans nearly 1,000 square feet, on view for the first time in more than 30 years since it was conceived for an exhibition at Portikus am Main in Frankfurt. Essays by Jean-Pierre Criqui, Alex Da Corte, Suzanne Hudson, Corey Keller and others explore and expand upon Kelly's canon. With three gatefolds and a tip-on cover image, the book also includes unpublished archival materials from the artist's studio and the Glenstone archives" --. VG-. Some scuff and damage to plate on front cover, otherwise clean and unmarked.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: VG+/VG+. Quarto. Hardcover. Gray paper over boards with red lettering; color illustrated dustjacket, white spine with red lettering; color illustrated end pages and frontispiece; xv, 396 pp. 467 illustrations, mainly in color. "The exhibition is organized by the National Gallery of Art, Washington. Exhibition dates: National Gallery of Art, Washington, January 28-May 13, 2018; High Museum of Art, Atlanta, June 24-September 30, 2018; Los Angeles County Museum of Art, November 18, 2018 - March 18, 2019"--Title page verso " Some 250 works explore three distinct periods in American history when mainstream and outlier artists intersected, ushering in new paradigms based on inclusion, integration, and assimilation. The exhibition aligns work by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican with both historic folk art and works by self-taught artists ranging from Horace Pippin to Janet Sobel and Joseph Yoakum. It also examines a recent influx of radically expressive work made on the margins that redefined the boundaries of the mainstream art world, while challenging the very categories of "outsider" and "self-taught." Historicizing the shifting identity and role of this distinctly American version of modernism's "other," the exhibition probes assumptions about creativity, artistic practice, and the role of the artist in contemporary culture. The exhibition is curated by Lynne Cooke, senior curator, special projects in modern art, National Gallery of Art."--Provided by publisher.

Condizione: New.