Peter botticelli (46 risultati)

single_issue_magazine. Condizione: As New. Appears to be unread.

paperback. Condizione: Like New. Ships in a BOX from Central Missouri! Like Brand NEW. No tears, highlighting or writing because it's never been used! May have minor shelf wear. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condizione: New.

paperback. Condizione: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condizione: As New. Unread book in perfect condition.

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condizione: New.

Condizione: New.

paperback. Condizione: New. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condizione: As New. Unread book in perfect condition.

68 S. : Ill. ; 23 cm . Orig.-Kart. Bilderhefte der Staatlichen Museen Preußischer Kulturbesitz ; H. 56/57. - (gut erhalten).

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: New. This book offers insights into changes brought about by the enormous growth of the internet. There are new ways to share cultural heritage materials through online finding aids, exhibits, and other initiatives. What has been accomplished across libraries, archives, and museums? The authors consider that question by using case studies to explore activities in 14 libraries, archives, museums, and other heritage organizations. They consider what we can learn from current collaborations within and across libraries, archives, and museums and why some collaborations are successful while others cannot be sustained. Their findings are based on observations and interviews at institutions and organizations in the United States, Australia, and the U.K.These organizations have worked to make their collections accessible. Some have simply digitized their collections, while others have enhanced their collection management systems. Others have incorporated digital asset management systems to organize and retrieve media, and to manage digital rights and permissions. Most of these institutions and organizations have succeeded through strategic partnerships, strategic planning, and insightful leadership. However, the book also contains examples of institutions that have undergone transitions: one of the museums closed, and another closed its library. Taken together, the fourteen institutions shed light on professional practices today.…

Condizione: New. 2019. paperback. . . . . .

Condizione: New. In.

Condizione: New.

Paperback. Condizione: Brand New. 169 pages. 9.00x6.00x0.50 inches. In Stock.

Condizione: New. 2019. paperback. . . . . . Books ship from the US and Ireland.

Condizione: very good. Gebunden. Sofortversand aus Deutschland. Artikel wiegt maximal 500g. Schutzumschlag. 548 Seiten. Schutzumschlag dezent gebräunt sowie mit minimalen Läsuren. (Leinen-)Einband und Seiten in gutem Zustand.

Condizione: As New. Unread book in perfect condition.

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condizione: New.

Condizione: New. In.

Condizione: New.

Paperback. Condizione: New. This book offers insights into changes brought about by the enormous growth of the internet. There are new ways to share cultural heritage materials through online finding aids, exhibits, and other initiatives. What has been accomplished across libraries, archives, and museums? The authors consider that question by using case studies to explore activities in 14 libraries, archives, museums, and other heritage organizations. They consider what we can learn from current collaborations within and across libraries, archives, and museums and why some collaborations are successful while others cannot be sustained. Their findings are based on observations and interviews at institutions and organizations in the United States, Australia, and the U.K.These organizations have worked to make their collections accessible. Some have simply digitized their collections, while others have enhanced their collection management systems. Others have incorporated digital asset management systems to organize and retrieve media, and to manage digital rights and permissions. Most of these institutions and organizations have succeeded through strategic partnerships, strategic planning, and insightful leadership. However, the book also contains examples of institutions that have undergone transitions: one of the museums closed, and another closed its library. Taken together, the fourteen institutions shed light on professional practices today.…

Hardcover. Condizione: Brand New. 184 pages. 9.00x6.00x0.50 inches. In Stock.

Condizione: New.

Hardback. Condizione: Fine. First edition. A richly illustrated first edition to accompany the 2000-2001 Royal Academy exhibition of Sandro Botticelli. First edition. In the publisher's original pictorial boards. Tipped in is the National Gallery pamphlet for the 1999-2000 exhibition "Kingdom Come", similarly displaying a range of Botticelli's works. This is the accompanying art work for the 2000-2001 Royal Academy exhibition, exploring the drawings of eminent Florentine Renaissance painter Sandro Boticelli to illustrate Dante's Divine Comedy, approximated to have been created around 1480 to 1495. Attractively illustrated throughout and containing an interesting selection of essays by leading critics and historians, such as Horst Bredekamp and Andreas Kablitz, with entries also by Robert Fuchs, Oliver Hahn and Doris Oltrogge. In the publisher's original pictorial boards. Externally, lovely condition with only minor shelf wear and light marking. Internally, firmly bound. Very bright and clean. Fine. Sandro Botticelli (illustratore). book. …

Parigi, Diane de Selliers, 1996, Prima edizione della traduzione italiana. Eccellente esemplare, senza pecche; esemplare n. 294 delle copie numerate riservate alla Cassa di Risparmio di Firenze. Monumentale edizione d'arte della Divina Commedia, impreziosita dalla riproduzione integrale dei 92 celebri disegni di Sandro Botticelli per il poema dantesco, realizzati tra il 1480 e il 1495 per Lorenzo di Pierfrancesco de' Medici e oggi conservati tra la Biblioteca Apostolica Vaticana e il Kupferstichkabinett di Berlino. Il testo è preceduto dalla prefazione di Jacqueline Risset, autrice anche della traduzione e dell'apparato di note nell'edizione francese, mentre Peter Dreyer, già conservatore del Kupferstichkabinett berlinese, firma la presentazione generale e il commento analitico a ciascun disegno, corredando il volume con studi sulla storia del manoscritto, sull'iconografia botticelliana e sul contesto storico e artistico della Firenze di Dante e del Rinascimento. Stampato in grande formato (34 cm), con 33 tavole ripiegate, costituisce una delle più importanti edizioni moderne dedicate al ciclo illustrativo botticelliano, riunendo per la prima volta in un unico volume l'intero corpus superstite dei disegni, molti dei quali riprodotti a colori. in 4°, mezza pelle avana, piatti in cartonato finta pergamena; al dorso, cinque nervi e titoli in oro; cofanetto in mezza pelle avana e cartone finta pergamena, pp. 474 [4]; numerose riproduzioni delle illustrazioni di Botticelli. Prima edizione della traduzione italiana. Eccellente esemplare, senza pecche; esemplare n. 294 delle copie numerate riservate alla Cassa di Risparmio di Firenze. mezza pelle avana, piatti in cartonato finta pergamena; al dorso, cinque nervi e titoli in oro; cofanetto in mezza pelle avana e cartone finta pergamena.…