philip wilson steer (19 risultati)

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

First Edition. Very good paperback copy; wrappers slightly edgeworn and dust-dulled. Some leaves slightly creased at the lower corner. Remains well-preserved overall; internally tight, bright and clean. Physical description; 84 pages : illustrations (some colour) ; 20 x 22 cm. Notes; Organised by the Fitzwilliam Museum, Cambridge, and the Arts Council of Great Britain. Includes bibliographical references (pages 82-83). Subjects; Steer, Philip Wilson (b. 1860) Exhibitions. Painting, English 19th century Exhibitions. Painting, English 20th century Exhibitions. Watercolor painting, English 19th century Exhibitions. Watercolor painting, English 20th century Exhibitions. Impressionism (Art) England Exhibitions. Fitzwilliam Museum. Arts Council of Great Britain. 3 Kg.

First Edition. Very good paperback copy; wrappers slightly edgeworn and dust-dulled. Some leaves slightly creased at the lower corner. Remains well-preserved overall; internally tight, bright and clean. Physical description; 84 pages : illustrations (some colour) ; 20 x 22 cm. Notes; Organised by the Fitzwilliam Museum, Cambridge, and the Arts Council of Great Britain. Includes bibliographical references (pages 82-83). Subjects; Steer, Philip Wilson (b. 1860) Exhibitions. Painting, English 19th century Exhibitions. Painting, English 20th century Exhibitions. Watercolor painting, English 19th century Exhibitions. Watercolor painting, English 20th century Exhibitions. Impressionism (Art) England Exhibitions. Fitzwilliam Museum. Arts Council of Great Britain. 1 Kg.

Soft cover. Condizione: Fine. Fine copy. Particularly well-preserved; tight, bright, clean and strong. Internally the pages are immaculately clean and complete.

Soft cover. Condizione: Very Good. Tight, Unmarked Paperback. Just A Hint Of Rubbing To Uncreased Wrappers' Edges.

First Edition. Near fine paperback copy; wrappers slightly edge-dulled. Remains well-preserved overall; tight, bright and clean. Physical description; [38] pages : illustrations (some colour) ; 21 cm. Notes; Catalogue of an exhibition held at Browse & Darby, London, 31 October-30 November 1985. Subjects; Steer, Philip Wilson 1860-1942 Exhibitions. Painting, English 19th century. Painting, English 20th century. Watercolor painting, English 19th century. Watercolor painting, English 20th century. Impressionism (Art) England. Browse & Darby. London. 1985. 3 Kg.

First Edition. Near fine paperback copy; wrappers slightly edge-dulled. Remains well-preserved overall; tight, bright and clean. Physical description; [38] pages : illustrations (some colour) ; 21 cm. Notes; Catalogue of an exhibition held at Browse & Darby, London, 31 October-30 November 1985. Subjects; Steer, Philip Wilson 1860-1942 Exhibitions. Painting, English 19th century. Painting, English 20th century. Watercolor painting, English 19th century. Watercolor painting, English 20th century. Impressionism (Art) England. Browse & Darby. London. 1985. 1 Kg.

Soft cover. Condizione: Near Fine. 1st Edition. First edition, printed at the Curwen Press. 32pp. Stapled card wrappers. With an eight-page introduction by Andrew Forge, a chronology and twenty monochrome plates. Staples rusting just a little, else a virtually fine copy. The catalogue of an exhibition of 114 paintings and watercolours. [A light item, UK postage will be reduced].

Soft cover. Condizione: Very Good. No Jacket. 1st Edition. Wrappers. Foreward by D.S.MacColl.

Hardcover. Condizione: Very Good. Dust Jacket Included. First Edition. London, Faber, 1945. Octavo, xvi, 240 pages plus numerous illustrations. Cloth; an excellent copy with the slightly rubbed and creased dustwrapper sunned on the spine. Includes a full catalogue of paintings and list of watercolours in public collections by Alfred Yockney.

HARDBACK. Condizione: VERY GOOD ( AVERAGE). First Edition. Ex library copy.POSTED AT OUR STANDARD RATES FULLY INSURED!

Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Condizione: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condizione: Good. First edition hard back binding in publisher's original black cloth covered boards, blocked and lettered white back and front. 4to. 12'' x 9''. Contains 78 plates including 4 mounted colour on thick card stock. Rubbing to the boards, and in Good condition, no dust wrapper. Member of the P.B.F.A. ART [British].

Paperback. Condizione: Very Good. First Edition. Wraps. 8vo, pp 36, illustrations. Exhibition 31 October-30 November 1985. Very good indeed.

Softcover staple-bound, 28 total pages; good condition; pen writing on front cover; no internal marks. Errata slip laid in.

Frontis., 213 illus., some in colour, catalogue of paintings, index; xx+167pp. folio orig. cloth,

Framed and Glazed. Condizione: Very Good. Philip Wilson Steer. (illustratore). Original Artwork. A 1918 pencil and wash drawing of "Dover", looking down on the docks. In an original mount & off white textured slip mid-20th century frame, this damaged at surfaces. With the details of the artist and scene on the mount. The back of the picture has a Manchester Gallery label affixed for Charles A. Jackson Gallery, 12 St Anne's Square and hand written titles dated as 1918, drawing NOT signed. There is a facsimile letter from the gallery stating the work was acquired from the artists nephew Major Hamilton and this is dated 1949. Measures. 9.5 x 14 inches or 18 x 23 inches with frame/ mount and glass. Mount a little foxing in one or two places. NOTES* Born Birkenhead in1860-died 1942. He was an influential art teacher & painter. His sea and landscape paintings made him a leading figure in the Impressionist movement in Britain but in time he turned to a more traditional English style, and spent more time painting in the countryside rather than on the coast. As a painting tutor at the Slade School of Art for many years he influenced generations of young artists. Exhibited at the R.A. had a major show at the Goupil Gallery in 1889, professor of painting at the Slade School c1893. He was recruited by Lord Beaverbrook to paint in the Great War and mostly naval and coastal scenes, this was probably done for this project. Sold as genuine NOT a copy or some mechanical print.

Uniformly Bound Hardcovers. Condizione: Very Good/Fine. John Singer Sargent, Aubrey Beardsley, Charles Conder, William Rothenstein, Walter Sickert, Philip Wilson Steer, et al. (illustratore). First Editions. Thirteen volumes. 8vo. Profusely illustrated with over 200 plates. Original black-stamped yellow cloth. Bound without advertisements. Spine of Vol. I a tad dulled; front cover a touch rubbed; rear hinge of Vol. XII cracked. Withal, original cloth bright, in VG-Fine condition. First editions of all thirteen volumes of Beardsley's celebrated art-nouveau quarterly with plates after works by Beardsley, Sargent, Sickert, Rothenstein and may others. With literary contributions from luminaries such as W. B. Yeats, H. G. Wells, Henry James, Anatole France, Kenneth Grahame, et al.The renowned journal was conceived in 1894 by Beardsley and the American novelist Henry Harland, who explained: "In one of the densest and soupiest and yellowest of all London's infernalest fox, Beardsley and I sat together the whole afternoon . we thought it quite a pity that London publishers should fee themselves under any obligation to refuse any of our good manuscripts . and then and there we decided to have a magazine of our own and the next day we had an appointment with John Lane."What they had in mind was a literary journal that would attract attention for its content, format, and unique artistic vision. Beardsley, who served as the art director for the quarterly until his dismissal in 1895, due to his association with Oscar Wilde, was responsible for the cover designs for the first five volumes and, more importantly, for setting an aesthetic tone that touched on morbidity, eroticism, perversity and irony, The Yellow Book carried on until 1897, giving rise to a variety of artists and writers whose collective spirit gave rise to a cultural spirit that transcended Victoriana.A magnificent set.