Pichon leon (73 risultati)

Condizione: New.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

4°, 168 SS., Originalbroschur (etwas angestaubt, kleine Läsuren, ca.2 cm des Rückens fehlen). Special winter number of The Studio" 1924.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

No Binding. Condizione: Good. This is a xerox copy of Pichon's "New Book-Illustration in France; all sheets are loose, but it is complete; viii, 168 pages; translated from the French by Herbert B. Grimsditch; the work of 79 artists are described & illustrated in only b&w; in GOOD COND.

Softcover. Condizione: Fair. From the Library of John Russell Taylor.

1st printing. pp. 168.,4to, Card covers show wear and soiling. Very occasional foxing to preliminary pages, else contents clean and tight. A good copy. woodblocks, color, b&w ills. (illustratore).

English Edition. Poor copy in stiff-card wrappers. Spine bands worn with some loss. Front cover missing. Some minor scattered foxing. Text remains in fine condition. Physical description: vii, 168 pages: illustrations (some color); 30 cm. Subjects: Book illustration 20th century France. Books and reading France History 20th century. Illustration of books 20th century France. 1 Kg.…

4to. later cloth with original stiff paper wrappers bound-in. viii, 168 pages. The work of 79 artists are described and illustrated including a number in full color. Excellent reference book. Some wear at head of spine and faint spotting of cloth on spine. later cloth with original stiff paper wrappers bound-in.…

Paperback. Condizione: Good. Lower spine frayed, some sunning to edges.

Soft cover. Condizione: Good. Tan wrapper printed in orange and black, 4to., vii, 168 pages, profusely illustrated, many in two-color. A good only copy with front cover detached and rear cover lacking; however, it is preserved in an attractive professionally-made slipcase and three-part chemise, with leather spine label gilt. …

Condizione: Fair. Envoi rapide couverture défraîchie garniture écorchée au niveau de la charnière du premier plat. in12. 1892. Relié. Fair.

Paperback. Condizione: Very Good. 168p large format paperback, illustrated cover, illustrations throughout, excellent copy, spine tight, decorative bookplate, very good indeed Language: English.

VII, 168 S.mit zahlreichen tls. farb. Abbildungen. 4°. Mod. priv. Halbleinen-Einband. (Special autumn number of The Studio 1924). - (Einbd. unbeschriftet, durchgeh. stockfl.).

Paperback. Condizione: Good. cover shows minor wear and tanning. pages are faintly tanned and clean.

Hardback. Condizione: VG-. No DW. 1st Edition. Grey-blue publisher's cloth, lettered in gold. AN EX LIBRARY BOOK with typical library marks. Else Book is in very good minus condition with minor but noticeable signs of wear and/or age.

1st edition. 4to. vii + 168pp. Colour and b/w. illustrations. F.e.ps. browned. Original gilt lettered green cloth, spine lightly browned, some minor wear to edges. T.e.g. US$24.

Hardcover. Condizione: Good Condition. Condizione sovraccoperta: No Dust Jacket as Issued. Translated from the french by Herbert B. Grimsditch. Green cloth binding with Green Marbled on front and back covers.with corners of binding bubbed. Rubbed leather label on spine with gilt ruling, author, title, country published and small decoration on spine. Ribboned. Marbled end papers. Original front and back card covers with advertisments bound in. 168pp. Content clean, bright and sound. This book may require additional postage. Photos available on request. B/W and Color Illustrations. (illustratore). …

Taschenbuch. Condizione: Neu. Neuware - 'The New Book-Illustration in France' provides a comprehensive survey of the artistic renaissance in French publishing during the early twentieth century. Written by Léon Pichon, a pivotal figure in the Parisian printing and publishing scene, this work explores the dynamic shifts in aesthetic trends and technical innovations that redefined the book as a work of art. The study highlights the transition from traditional wood engraving to more modern techniques, including lithography and etching, which allowed for a more integrated and expressive relationship between text and imagery.This volume serves as an essential record of the diverse styles that emerged during the post-war period, capturing the creative spirit of a generation of artists dedicated to the craft of book design. From the intricate details of bibliophilic editions to the bold visual language of contemporary illustrators, the work examines the contributions of key figures who shaped the visual identity of French literature. Leon Pichon offers deep insights into the collaboration between authors, artists, and craftsmen, making 'The New Book-Illustration in France' a valuable resource for historians of art, graphic design enthusiasts, and collectors of fine books.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Hardcover. Condizione: Good+. First Edition. Translated from the French by Herbert B. Grimsditch. 168 pages. 11.75x8.25 inches. Green cloth covers with gilt printing. The spine and cover edges are slightly toned and soiled. The spine ends and corners are rubbed and frayed. The contents are bright and complete. A Good+ copy.…

London; The Studio, 1924. 29,5x21 cm. vii, (1 blank), 168 pp. Richly illustrated. Publisher's green, decorated cloth with gilt top edge. Spine ends and corners are slightly bumped, and there is a small bump mark on the fore-edge of front board. A fine copy. Among the illustrators treated in this volume are Frank Brangwyn, Maurice Denis, Raoul Dufy, André Dunoyer de Ségonzac, Chas. Laborde, J. F. Laboureur, Marie Laurencin, and André Lhote.…

First edition, first printing. Very good magazine.

Rústica. Condizione: Bueno. 1ª ed. 20.8x29. 168pp. Unas 150 reproducciones, 25 en color. Rústica. El arte de la ilustración en Francia, reproduce diseños de Frank Brangwyn, Maurice Denis, Raoul Dufy, André Dunoyer de Ségonzac, Chas. Laborde, J. F. Laboureur, Marie Laurencin, etc. Huellas de óxido. .

Demi-cuir. Condizione: Très bon. Edition originale. 872 pages sous reliure demi-cuir, traces d'usure superficielles, volume complet de toutes ses pages et robuste, le dos est dégradé (coiffes et coins légèrement enfoncés). Attention : poids important (plus de 1,5 kilogramme), hausse des frais de port à envisager. EN STOCK : tous les exemplaires de ce journal bimensuel sous même reliure de 1879 à 1894, soit quatre-vingt treize volumes (nous consulter pour un éventuel achat groupé). TABLE DES MATIERES : Commandant Z : "Le Personnel de la marine", Anonyme : "L'Exercice et les manoeuvres de l'infanterie", Comte de ROCQUIGNY : "La Coopération dans les armées", Henry JOUIN : "James Pradier", A. de BERTHA : "L'Inceste wagnérien et l'esthétique", Louis GALLET : "Théâtres, musique", Jules CASE : "Drame et comédie", Frédéric LOLIEE : "Leconte de Lisle", Léon DAUDET : "Quinzaine littéraire", E. RODOCANACHI : "Les Livres nouveaux", Th. FUNCK-BRENTANO : "Les Pensées d'une dame", Prince de VALORI : "Florence Hier et aujourd'hui", Prince Georges BIBESCO : "Le Règne de Bibesco", Comte A. WODZINSKI : "Hedwige d'Anjou", Louis Napoléon BONAPARTE : "Lettres politiques", Hector de la FERRIERE : "Un Favori de Jacques Ier : Rocheste", G. LAVALLEY : "La Presse pendant la Révolution", G.-Eugène SIMON : "Les Biens communaux", S. PICHON : "Charles Fauvety", Louis GALLET : "Les Secouristes français", H. LICHTENBERGER : "L'Anarchisme en Allemagne" [à propos de Max STIRNER, auteur de "L'Unique et sa propriété"], Maurice VERNES : "Ernest Havet et son oeuvre religieuse", Oscar COMETTANT : "La Faim", NERGELE : "Tentation", Juliette ADAM : "Lettres sur la Politique extérieure", DE MARCERE : "Chronique politique", Comte Charles de MOUY : "Esquisse de psychologie politique", L. SEVIN-DESPLACES : "L'Egypte et le Traité anglo-congolais", Jean FACHE : "Notes d'un ouvrier", Hippolyte BOUSSAC : "Thèbes la Vallée aux reines", A. d'APLETSCHEIEFF : "Un Voyage d'inspection en Asie centrale russe", D. MENANT : "Un Mariage parsi", Duc de DINO : "Tante Raison", O. de BEZOBRAZOW : "A Leconte de L'Isle", Frédéric BATAILLE : "Sonnet", E. BLANCHARD : "L'Age de la Terre", Fernand ENGERAND : "Les Amusements des villes d'eaux au XVIIIe siècle", Henri MONTECORBOLI : "Nicotera, Beppe Bandi", Mme Véra VEND : "Une Sainte moderne", Noël BLACHE : "Le Trimestre agricole", O. DIAMANTI : "La Justice populaire dans la haute Egypte", Mme Stanislas MEUNIER : "L'Impossible amitié (2e, 3e, 4e et 5e parties)", Jean HESS : "L'Ame nègre (1e partie)", L. GIRAUDON-GINESTE : "L'Art et l'Argent", Charles de BORDEU : "Tableaux rencontrés", Mme Georges RENARD : "La légende du château de Coëtfrec", Jean RAULET : "L'Aveu". Livre.…

Light Green Cloth. Condizione: Minor Edge Wear. No Jacket. First Edition. Translated from the French by Herbert B. Grimsditch. Features works by 79 French artists. Replete with illustrations, some in color. Included are: Barbier, Dufy, Leroux, Latour, and, of course, many others. Fine typography throughout. 168pp. Size: Quarto.…

Hard Cover. Condizione: Near Fine. Very Good Minus. First Edition Thus. hard cover in dust jacket, heavily embossed light green cloth with gilt lettering, top edge gilt., light toning to gutters at each end at pastedowns. dj has edge-wear, chipping, dust-soiling. no other flaws or wear. sturdy binding, no markings or writing. no bumps.; english text translated from french original.; vii-168pp., illustrated throughout in color, b/w, special winter number of the studio. scarce in dust jacket. contains examples of numerous french book illustrators, dufy, denis, barbier, grasset, steinlen, laurencin, lhote, et al. Size: 4to - over 9¾" - 12" tall.…

Buch. Condizione: Neu. Neuware - 'The New Book-Illustration in France' provides a comprehensive survey of the artistic renaissance in French publishing during the early twentieth century. Written by Léon Pichon, a pivotal figure in the Parisian printing and publishing scene, this work explores the dynamic shifts in aesthetic trends and technical innovations that redefined the book as a work of art. The study highlights the transition from traditional wood engraving to more modern techniques, including lithography and etching, which allowed for a more integrated and expressive relationship between text and imagery.This volume serves as an essential record of the diverse styles that emerged during the post-war period, capturing the creative spirit of a generation of artists dedicated to the craft of book design. From the intricate details of bibliophilic editions to the bold visual language of contemporary illustrators, the work examines the contributions of key figures who shaped the visual identity of French literature. Leon Pichon offers deep insights into the collaboration between authors, artists, and craftsmen, making 'The New Book-Illustration in France' a valuable resource for historians of art, graphic design enthusiasts, and collectors of fine books.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…