rigby oliver (16 risultati)

Paperback. Condizione: Very Good. Tom Bonson (illustratore). The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condizione: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Tom Bonson (illustratore). Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: Good. Tom Bonson (illustratore). Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Soft cover. Condizione: Near Fine. No Jacket. Rigby Graham (illustratore). 1st Edition. Single sided broadsheet printed on laid watermarked Bodleian cream paper. Untrimmed lower page edge. Black ink drawing of Markfield, Leicestershire by Rigby Graham dated xi. '69. Two-stanza poem by Oliver Goldsmith. Slight crease to top left-hand corner. Otherwise in fine condition. Will adjust overseas shipping costs to reflect the light weight of this item.

Paperback. Condizione: Very Good. Graham, Rigby (illustratore). Single sheet broadsheet in bright condition, slight crease to one corner, illustrated by Rigby Graham, number nineteen from a series of 22. Distributed at the Ampersand Folk Club, Barwell in editions of 150 - 175 Size: 8vo - over 7¾" - 9¾" tall.

Book. Condizione: Used. The Bristol Giants Save Christmas. These are USED books. Please only purchase if you are happy with that. Images & Editions We use stock images and database descriptions based on the ISBN. The image shown may NOT be the actual book cover you will receive. Covers, editions, printings, and publishers may differ. If you need a specific cover, edition, or printing, please contact us before purchasing. What ?Used? Means Because these books are pre-owned: Colouring books may be coloured in Textbooks may have answers filled in, highlighting, notes, or underlining Workbooks may have writing inside Access codes, download codes, CDs, DVDs, or online content are usually missing or already used Books that originally came with toys, inserts, maps, cards, or bonus items will usually NOT include them Pages may be folded, marked, or show normal signs of use If you are buying a book for anything other than reading (e.g. colouring, study use, collecting, gifts, specific covers, bonus items, or digital access), used books may not be suitable. Condition All books are listed as Used ? Good Books are clean and readable but not new Some books may have: Writing, highlighting, or markings Folded pages or minor wear A small warehouse or inventory sticker on the spine Original retailer stickers (we do not remove them) Our Process We purchase books by the pallet and scan thousands at a time. For this reason, we cannot photograph or individually inspect every book. Acknowledgement By purchasing, you acknowledge that: You understand the book is used You accept the condition and limitations described above Stock images and descriptions may not exactly match the item received Thank you for supporting Oak Books and helping give books a second life.

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

Hardcover. Condizione: Near Fine. Creme linson vellum boards gilt, DW, 4to., 4, 19 pages + eight full page line block illustrations on separate leaves by Rigby Graham. One of "less than 400 copies" attractively designed and printed by Will Carter at the Rampant Lions Press, and signed by John Mason. Printed on Milbourn, Wookey Hole, Hayle Mill and John Mason's Twelve by Eight Private Mill handmade papers. At the time, these were the last commercial hand papermakers in England; they have all since gone out of business. Elaborate prospectus and advertising card loosely inserted. A fine copy in the original clear DW.

Hardcover. Condizione: Very Good. Graham, Rigby (illustratore). Limited Edition. Limited edition no.216/400. Signed by John Mason (Publisher). Bound in full cream parchment, gilt title to spine and gilt publisher's emblem to upper board. In clear plastic protective wrap-around. Minor spotting to board edges. Contents generally clean and bright. The verses come from a translation of a 17th century Latin poem 'Papyrus' by Father Imberdis S.J. of Auvergne, France. The hand-made paper comes from Millbourn (Devon), Wookey Hole (Somerset), Hayle Mill (Kent) and Twelve by Eight (Leicester). Illustrated by Rigby Graham. A Very Good copy. Signed by Author(s).

Couverture rigide. Condizione: Très bon. Condizione sovraccoperta: Très bon. Berne, Imprimerie nationale éditions, 2010. In-4, 276pp. Plein cartonnage de l'éditeur, jaquette illustrée. Catalogue des expositions de Bonn, Vienne, et Berne. Nombreuses illustrations et 599 n° décrits. Traduction française de Charles Moysan. Très bon exemplaire.

Hardcover. Condizione: Fine. No Jacket. 1st Edition. Size of the binding: 8 in. x 12 in., tan textured paper leaf; white laid paper leaf with watermark; half-title; frontispiece by Rigby Graham, printed in black & blue-green on light gray-green paper; title-page printed in red-brown and black on light gray-green paper; printer's leaf, numbered & signed by John Mason. [6]pp., pp. 1-19 (text of the poem), with seven wood-cut type illustrations by Rigby Graham, each is printed on a sheet of pastel-colored, textured paper, in a matching but darker colored ink: light tan, green, blue, gray, etc.; white laid paper sheet and tan textured sheet of paper flyleaves. This copy is Newly bound from sheets, according to a pencilled notation on the front paste-down. Bound with dark brown morocco leather spine and sides, with two raised bands on the spine, and the author's name and title gilt-lettered vertically along the spine, with gilt tooling, and blindstamped line along the leather sides, with lighter brown cloth over boards, white laid paper endpapers. The cloth on the cover edges & margins show very slight age-related fading, a light spot on upper back cloth cover. The binding is unsigned. [The Papermaker's statement]: We produced this book because Oliver Bayldon chanced one day to visit my small paper mill, and watched entranced the transmutation of growing things into sheets of textured paper. He came again bearing sacks of stalks, roots, and leaves, and stayed himself to turn them into paper. One day he brought these verses, his own free translation from a 17th century Latin poem Papyrus by Father Imberdis S.J. of Ambert, the papermaking district of Auvergne in France. Will Carter agreed to print it for us. Most of the white paper used for the text is from Millbourn at Tuckenhay in Devon. The small amount of thinner white was made at Wookey Hole in Somerset. Jack Green produced the grey green sheets at his Hayle Mill in Kent. The rest of the coloured paper is from my Twelve by Eight Private Mill in Leicester. Alas, no longer is paper made by hand anywhere else in England [in 1965]. Of this edition there are less than four hundred copies, of which this is Number 96 [signed]: John Mason. [-From the signed & numbered leaf].

One of "less than 400 copies", this no. 287, signed by the printer John Mason in Leicester. 8 illustrations by Rigby Graham printed in different colours on different papers. Tall thin 4to., original full cream paper covered boards, 12x8 device in gilt on upper cover, an extremely good, bright and fresh copy in the scarce original white thick card wrappers with 12 x 8 device in gilt. 19 page verse about paper making by Oliver Bayldon, being a free translation of Father Imberdis's 17th century poem "Papyrus." Various English handmade papers have been used from Tuckenhay, Wookey Hole, Hayle Mill and from Mason at his Twelve by Eight private mill.

no binding. Condizione: good. First Edition. Original Printed patent disbound institution stamp About 27cm by 18cm some wear and tear due to the disbinding.