robert day director (13 risultati)

Vintage studio still photograph of actor Maximilian Schell from the 1979 film. A crew on a spaceship in the next century is looking for life on other planets. They find an old spacecraft thought to be missing sitting near the open mouth of a black hole. 8 x 10 inches. Fine. Weldon 1983.

Vintage studio still photograph of Maurice Denham and Lionel Jeffries, with Peter Sellers, David Lodge, and Bernard Cribbins behind, from the 1960 film. Dodger Lane (Peter Sellers) and two of his prison mates plan to break out of prison the day before their release, steal a fortune in diamonds, and break back in before anyone notices. Set in and shot on location in West Sussex, Surrey, Berkshire, and London. 8 x 10 inches. Near Fine, light edgewear. Dayrl Lee, "The Heist Film.".

Vintage studio still photograph from the 1949 film, seen here under the alternate title "I Married a Communist." One of the most arresting noirs of the late 1940s, predicting Samuel Fuller's "Pickup on South Street" (1953), in which communist intrigue and noir non-ethics are woven together to achieve maximum paranoia. 10 x 8 inches. Very Good plus, lightly toned at the edges. Grant US. Selby Canon. Silver Classic Noir. Spicer US.

Final Draft script for Season 2 Episode 14 of the 1972-1977 television series. Based on characters that originally appeared in Carolyn Weston's 1972 detective novel "Poor, Poor Ophelia," the series followed two homicide detectives in San Francisco. In this episode, a young woman who has just given birth is told that her child was stillborn, but suspects that the baby has been stolen as part of a black-market adoption ring. Originally aired on ABC on December 20, 1973. Green pictorial titled wrappers, dated May 25, 1973, and noted as Final Draft on the front wrapper, noted as production No. 5003. Title page present, dated May 25, 1973, and noted as Final Draft on the front wrapper, noted as production No. 5003, with credit for screenwriter Jerome Coopersmith.

Original US one sheet poster for the 1968 film. Doris Day was nominated for a Golden Laurel for Female Comedy Performance (1968) for this role. Day was actually forced into this film because her husband, then Martin Melcher, issued power of attorney, signing her to the film without her knowledge. 27 x 41 inches, folded. Studio stamp on the verso. Very Good plus, with a couple of pinholes, and light staining to the verso.

Vintage reference photograph from the 1958 film, showing an outraged actress Vera Day as someone pours champagne down her dress. Mimeo snipe on the verso. From the collection of artist and author Duncan Hannah. Duncan Hannah was a key figure in the burgeoning New York underground arts scene, befriending Andy Warhol and his superstars, Lou Reed, Allen Ginsberg, Patti Smith, Salvador Dali, and many others. A graduate of the Parsons School of Design, his paintings were exhibited in the influential 1980 Times Square Show alongside work by Keith Haring and Jean-Michel Basquiat, and several of his paintings are held in the permanent collection of the Metropolitan Museum of Art. A man researching a long-dead serial killer becomes possessed by the spirit of the murderer. 8 x 10 inches. Very Good plus, with annotation in manuscript ink on the top margin of the recto, and faint horizontal crease on the upper portion of the photograph.

Third Draft script for the 1988 television film, originally broadcast on CBS. Copy belonging to actor Brandon Marsh, who portrayed Tommy, with annotations in manuscript ink related to his role. Country musician John Denver stars as John Clayton, a disillusioned CIA agent, who retires to become a bush pilot in the Alaskan wilderness with his best friend. When his friend is murdered and branded a bootlegger, Clayton works to solve the crime and clear his name. Set in Alaska, shot on location in British Columbia, CA. White titled wrappers. Title page present, dated Februay 5, 1988, noted as THIRD DRAFT, with credits for screenwriter Michael Eric Stein. 117 leaves, with last page of text numbered 115. Xerographic duplication, first generation. Pages Near Fine, wrapper Near Fine bound with two gold brads.

Two vintage studio still photographs from the 1959 British-American film. An astronaut becomes the first human to successfully reach outer space, but returns a changed man, with a murderous appetite for blood. Released as a double feature with "The Mysterians." Shot on location in Brooklyn, New York, and in New Mexico, and in Hampstead in the UK. 10 x 8 inches. Near Fine.

Vintage studio still photograph from the US release of the 1958 British horror film. A surgeon develops a groundbreaking anesthetic for use in surgery, only to become addicted to the substance-leading him to work with a gang of criminals in order to fund his addiction. Released as a double feature in the US with the 1961 Italian film "Werewolf in a Girls' Dormitory." 10 x 8 inches. About Fine. Criterion Collection 368.

Nine vintage black-and-white reference still photographs from the 1966. Each still shows a particular location in Mexico City and in Acapulco, Mexico, various scenes used for shooting the film. Tarzan (Mike Henry) travels from Africa to Mexico at the request of an old friend to help rescue a kidnapped boy named Ramel (Padilla, Jr.). Augustus Vinero (Opatoshu), the kidnapper, forces Ramel to lead him to the city supposedly made of gold. Tarzan sets out with Ramel's pet leopard, a lion and a chimpanzee and soon locates the boy. Ramel shows him the way to the lost city where Tarzan confronts Vinero and his henchmen. 8 x 10 inches. Tiny edge tears and creases, else Near Fine overall.

Vintage oversize, double weight still photograph from the 1960 film, depicting stars Doris Day and Rex Harrison relaxing on a restaurant set between takes. Based on the play "Matilda Shouted Fire" by Janet Green. Nominated for an Academy Award. Shot, struck, and mounted by the film's still photographer, Bob Willoughby, with a manuscript notation on the verso in his hand. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 14 x 11 inches. Near Fine.

[Movie Memorabilia] ORIGINAL LOBBY CARDS. A set of eight lobby cards from the film "She", directed by Robert Day, and starring Ursula Andress, Peter Cushing, Bernard Cribbins, and Christopher Lee. Colour lithographic images on thin stock measuring 28 x 36cm, with production credits to lower margin. In the original glassine sleeve. Extremely rare thus. Some toning, minor splash marks, and pin holes. One card has a small section 5 x 3cm cut from the top right corner. Glassine sleeve quite heavily torn, as expected, but still just about functioning as a container. Good. Note on Format: the Lobby Card is a small poster or titled still printed on card stock, usually 8 x 10 inches (UK and Europe) or 11 x 14 inches (US) in a landscape view. Generally produced in sets of eight in colour for Britain and America, intended for display in a cinema foyer or lobby.

Vintage reference photograph from the 1946 film noir, seen here under the working title "What Nancy Wanted," showing actor Robert Mitchum in an artist's studio. Printed mimeo snipe affixed to the verso. RKO Radio Pictures stamp on the verso crediting photographer Alex Kahle. Moments before his wedding, a man learns that his fiancée is a kleptomaniac who has cheated, lied, and even killed in her previous relationships. Set in Manhattan. 8 x 10 inches. Near Fine. Godard, Histoire(s) du cinema. Grant US. Selby US Canon. Spicer US.