Rod taylor starring (35 risultati)

Soft cover. Condizione: VGF. A VGF folded 8-page pressbook with no cuts or missing pages. Book.

Soft cover. Condizione: VG+. A VG+ pressbook with no cuts from the film "Sunday in New York" based on the play by Norman Krasna. Size: 11" X 14". Book.

No Binding. Condizione: VGF. 1842-6E. A VGF or better original release 8 x 10 still. Photographic Image.

No Binding. Condizione: VGF. 1842-55. A VGF or better original release 8 x 10 still. Photographic Image.

No Binding. Condizione: VGF. A VGF or better original release 8 x 10 still. Photographic Image.

No Binding. Condizione: VGF. A VGF or better original release 8 x 10 still. Photographic Image.

No Binding. Condizione: VGF. 93-1135. A VGF or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

Soft cover. Condizione: VG. A VG or better 20-page pressbook with no cuts or missing pages. Book.

No Binding. Condizione: Very Good. 1st Edition. A good or better original release 8 x 10 still. Poster.

No Binding. Condizione: VGF. 93-617. A VGF or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condizione: VGF. 93-116. A VGF or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

No Binding. Condizione: Very Good. A lot of seven good or better original release 11 x 14 lobby cards. Poster.

No Binding. Condizione: Very Good. A good or better original release lobby card set of eight cards Size: 11" X 14". Poster.

Three vintage color British front-of-house cards from the 1965 film. The film follows the 1911 protest against British rule in Ireland. A young laborer-turned-playwrite combats the regime with his artistic practice. Shot on location in Ireland and England. 8 x 10 inches. Near Fine.

Vintage studio still photograph from the 1965 film. The film follows the 1911 protest against British rule in Ireland. A young laborer-turned-playwrite combats the regime with his artistic practice. Shot on location in Ireland and England. 8 x 10 inches. Near Fine.

Soft cover. Condizione: VG. A VG or better 12-page unfolded pressbook with no cuts or missing pages. Size: 12 1/2" x 17". Book.

Collection of 3 vintage black-and-white still photographs from the 1963 film. Ditto-style mimeograph still credits printed on the verso of each photo. Eileen is 22 and is smarting from her breakup with Russ. She comes to New York to visit her brother, Adam, who is an airline pilot. Eileen confides to her brother that she thinks she may be the only 22 year old virgin left in the world. Adam assures her that sex is not what all men look for and insists he hasn't slept around. Of course, Adam is lying and is in hot pursuit of a tryst with his occasional girlfriend Mona. However, Adam's date with Mona has a series of job related interruptions. Meanwhile, Eileen decides to see if she can have some fun for herself in New York, and seems to find the perfect candidate in Mike, a man she meets on the bus. But things get complicated when Russ pops in with a proposal and a mistaken assumption. 8 x 10 inches. Fine.…

Vintage studio still photograph from the 1963 film. During the Cold War, a Strategic Air Command B-52 wing commander attempts to whip his unit into shape in time to pass a readiness test. 5 x 4 inches. Near Fine.

Vintage reference photograph of actor Barry Fitzgerald from the 1956 film. With manuscript ink annotation on the verso identifying Fitzgerald. Based on the 1955 television play by Paddy Chayefsky. The daughter of a taxi driver is engaged to be married. Her mother wants to use the opportunity to have the big wedding she always dreamed of. Set in and shot on location in the Bronx, New York City. 8 x 10 inches. Very Good plus, with some slight creasing and wear to the finish.…

Vintage studio still photograph from, "Powderkeg," the feature-length pilot for the 1971 television series. A man holds a train hostage to try and force a stop on his brother's execution by the US government. Set in the American West, shot on location in Arizona. 10 x 8 inches. Near Fine.

Condizione: Very Good. Black and white press photograph, promotional device resembling lobby card. 8'' x 10''. In Very Good condition. Member of the P.B.F.A. CINEMA [Front of House Press Photograph].

Vintage reference photograph from the 1965 film, showing Julie Christie smiling. Mimeo snipe and provenance label on the verso. A biographical drama based upon the life of playwright Sean O'Casey, about a young laborer who becomes a playwright, combatting the regime with his artistic practice. John Ford was originally slated to direct but fell ill early in the shooting. Shot on location in Ireland and England. 8 x 10 inches. Near Fine.…

Draft script for the 1973 film. Copy belonging to uncredited costume designer Betty St. Clair, with her name in manuscript ink on the first page of text. Based on the 1938 autobiograhy "Trader Horn: The Ivory Coast in the Earlies" by Alfred Aloysius "Trader" Horn, about an ivory trader in central Africa working to thwart the efforts of Germans mine platinum using slave labor during World War I. Taken from the same source material as the 1931 film of the same name, directed by W.S. Van Dyke and starring Harry Carey and Edwina Booth, although the plots are very different. Set in Africa, shot on location in Kenya, Tanzania, and Uganda. Director Badiyi (1930-2011) also directed episodes of several television shows, including "Sliders," "Moral Kombat: Conquest," "La Femme Nikita," "Baywatch," and the title visualizations for "Get Smart" and "Mary Tyler Moore." Goldenrod titled wrappers, rubber-stamped copy No. 122, dated January 22, 1973, with credits for producer Lewis J. Rachmil, director Badiyi, and screenwriter Norton. 97 leaves, with last page of text numbered 97. Mechanical duplication. Pages and wrapper Near Fine, bound with two gold brads.…

Draft script for the 1986 pilot episode for the television show "Outlaws." A sheriff and his deputies are transported from the year 1899 into the future by a lightning storm, and they establish a new life as private detectives. Set in Houston in 1899 and 1999. Gray titled wrappers. Title page present, noted as production No. 86084 dated November 26, 1985, with credits for screenwriter/executive producer Nicholas Corea. 123 leaves, with last page of text numbered 120. Xerographic duplication, rectos only. Pages Fine, wrapper Fine, bound with three gold brads.…

Shooting Script for the 1967 Western film. Based on the 1961 novel by Richard Jessup, who also wrote the screenplay. A US army fort is under siege by Arapaho warriors. Chuka (Rod Taylor), a wandering gunman shows up to aid the those inside, each facing their troubled pasts in this moment of desperation. Green wrappers with a die cut title window. Title page present, dated September 6, 1966, noted as SHOOTING SCRIPT, with credits for novelist Richard Jessup and screenwriter Richard Fielder, production number 066. 106 leaves, with last page of text numbered 103A. mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with two gold brads.…

Draft script for the 1968 film. Laid in are two pages of corrections. With annotations in manuscript ink and pencil throughout. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema, best known for his work on "Beat the Devil" (1953), "Room at the Top" (1959), "Our Man in Havana" (1959), "Charade" (1963), and "The Spy Who Came in from the Cold" (1965). Based on Jon Cleary's 1966 novel of the same title. The New South Wales police sergeant Scobie Malone is summoned for questioning and cooperation when the Australian High Commissioner is wanted in England for murder. Now he must uncover the truth, as well protect the High Commissioner from assassination attempts. Set in London, shot on location there, as well as New South Wales, Australia. Teal blank wrappers with die cut title window in the British style. Title page present, dated October 20, 1967, with credits for author Jon Cleary, and screenwriter Wilfred Greatorex. 136 leaves, with last page of text numbered 132. Mechanical duplication, with pink revision pages throughout, dated variously between November 15, 1967 and January 8, 1968. Pages Very Good plus, wrapper Very Good plus bound internally with two gold brads. …

Draft script for an unproduced film. Copy belonging to crew member James H. Ware. Ware was a major presence in British and American cinema, best known for his work on "Beat the Devil" (1953), "Room at the Top" (1959), "Our Man in Havana" (1959), "Charade" (1963), and "The Spy Who Came in from the Cold" (1965). Based on the short story "The Skedule" by Helen H. Wilson, about a prim and proper English woman and an Aussie traveling together through the Outback, where an African Queen-esque romance soon develops. A pet project of Australian actor Rod Taylor, who struggled from 1964 until 1974 to get this film made, though he was ultimately unsuccessful. Set in Australia. Green blank wrappers with die cut title window in the British style. Title page present, dated July 1966, with credits for screenwriter Ted Willis, and author Helen H. Wilson. 144 leaves, with last page of text numbered 131. Mechanical duplication, with pink and yellow revision pages throughout, dated variously between September 24, 1967 and September 26, 1967. Pages Very Good plus, wrapper Very Good plus bound with two gold brads.…

Final Shooting script for the 1970 neo-noir film. Boldly SIGNED by lead actor Rod Taylor on the front wrapper. Based on the 1966 novel by John D. MacDonald, featuring his series character Travis McGee. Notable as the only feature film adaptation of MacDonald's wildly popular Travis McGee series, long unavailable on any kind of viewing format. Red titled wrappers, noted as Final on the front wrapper, dated 28 January, 1969, with credits for screenwriter Ed Waters and novelist John D. MacDonald. 114 leaves, with last page of text numbered 114. Mimeograph duplication, rectos only. Pages Fine, wrapper Fine, bound with two gold brads. In a custom quarter-leather clamshell box. Grant US. Larson, Warped and Faded. Signed. …

Eight vintage studio still photographs from the 1972 film. A low-fi grindhouse classic, one of the great examples of regionally-made horror films in the 1970s, this one shot in Little Rock, Arkansas. Three chilling tales of supernatural mystery and murder, loosely based on true events, narrated by Rod Serling. 10 x 8 inches. Near Fine. Nightmare USA. Code Red Blu-ray.…

Condizione: Very Good. Original British vintage movie film cinema poster one sheet lobby or outside advertisement poster. Quad crown, size 30 inches by 40 inches (762mm x 1020mm), landscape format. One small tear to the top edge, once folded. In Very Good condition. Member of the P.B.F.A. THEATRE (Cinema) POSTERS.…