spencer ewen (20 risultati)

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. End of a century.In the late 1990s as a graduate from art school I began making pictures for my beloved Sleazenation magazine and in particular for the infamous listing pages to the rear of the magazine that were called "Savoir Vivre" (loosely translated as to know how to live!) The images were made in B&W and were immensely candid and full of characters that seems to be everywhere at that time.The images on the pages were essentially describing to those that liked to go clubbing what they actually looked like, what those in the provinces who desired the decadent lifestyle of the urban cool could eventually look like and for the international reader in the fashion capitals of Paris, Milan and Rome it kept them wondering what on earth was going on. London was at the epicentre of a cultural boom. Small clubs, parties and discos where a plenty in venues from North to South and I was in a minicab and night bus taking in 3-4 of an evening. My weekends were a write off and I slept most of Monday trying to recover.Here are the spoils for while my young son was sleeping I was involved in capturing a period in time that was filled with love, lust and messy authenticity, carefree and devoid of today's global, big tech cynicism. Nothing here was perceived or played out. It was done with wide eyed hope and wonder and I'm not sure we can ever return to this place or at least not for a good while. As my world as a photographer has expanded throughout the capitals of Europe and across the Atlantic shooting campaigns and fashion editorials for V magazine, POP and Vogue Hommes I can look at these pictures with perhaps some greater objectivity. My son, now in his early 20s sits beside me and discusses those times and how they differ from today as he negotiates the beginning of his creative journey.These pictures aren't about Teds, Skinheads, Northern Soul, Acid House or Jungle and Garage, they're not about Nu Metal or South London blackout clubs.but they are all here alongside high street carpet clubs because here in the UK we know how to throw a party, we work hard and play hard, grace under pressure, street style into high fashion To quote Ray Davies I ask, 'Where have all the good times gone'?I remain friends with many of the characters that were my colleagues at sleazenation at that time. Steve Beale and Justin Quirk were the irreverent editorial team eventually cherry picked by Emap and Conde Naste to become significant editors and creatives respectively. The Photo editor who gave me my break out of art school was Steve Lazarides who went on a few years later to represent and champion a graffiti artist called Banksy, The Magazines firebrand designer was for a while Scott King who immediately won awards for his controversial front covers and designs. I clearly remember meeting Wolfgang Tillmans at one of his exhibition openings in Herald Street in what must have been 1999. He raved about the pictures we had been making for the magazine and enjoyed the overall subversive sentiment. I was enthused and still am to this day. I'd suggest many of these collaborators to work alongside one another to help articulate and visualise this group of pictures into a book. Most of the images have never been seen before and I believe an international audience would be hungry for the authenticity found in an era that perhaps should have known better. I'm glad we didn't . Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condizione: New. An up-close portrayal of late-'90s London's many music scenes, from the pages of Sleazenation and beyond In the late 1990s, as a graduate from art school, the British photographer Ewen Spencer began making pictures for Sleazenation, in particular for the infamous listing pages at the rear of the magazine that were called "Savoir Vivre." The images were made in both black and white and color, and were immensely candid and full of characters that seemed to be everywhere at that time. London was at the epicenter of a cultural boom in this period. Small clubs, parties and discos were plentiful in venues from North to South, and Spencer was in a minicab and night bus taking in all the scenes-from Northern Soul, Acid House, Jungle and Garage to Nu Metal, South London blackout clubs and more. Spencer captures an era filled with love, lust and messy authenticity.

Condizione: New.

Condizione: NEW.

Condizione: New. 2022. Hardcover. . . . . .

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: Brand New. 156 pages. 11.00x11.00x0.75 inches. In Stock.

Condizione: NEW.

Hardcover. Condizione: new. Hardcover. End of a century.In the late 1990s as a graduate from art school I began making pictures for my beloved Sleazenation magazine and in particular for the infamous listing pages to the rear of the magazine that were called "Savoir Vivre" (loosely translated as to know how to live!) The images were made in B&W and were immensely candid and full of characters that seems to be everywhere at that time.The images on the pages were essentially describing to those that liked to go clubbing what they actually looked like, what those in the provinces who desired the decadent lifestyle of the urban cool could eventually look like and for the international reader in the fashion capitals of Paris, Milan and Rome it kept them wondering what on earth was going on. London was at the epicentre of a cultural boom. Small clubs, parties and discos where a plenty in venues from North to South and I was in a minicab and night bus taking in 3-4 of an evening. My weekends were a write off and I slept most of Monday trying to recover.Here are the spoils for while my young son was sleeping I was involved in capturing a period in time that was filled with love, lust and messy authenticity, carefree and devoid of today's global, big tech cynicism. Nothing here was perceived or played out. It was done with wide eyed hope and wonder and I'm not sure we can ever return to this place or at least not for a good while. As my world as a photographer has expanded throughout the capitals of Europe and across the Atlantic shooting campaigns and fashion editorials for V magazine, POP and Vogue Hommes I can look at these pictures with perhaps some greater objectivity. My son, now in his early 20s sits beside me and discusses those times and how they differ from today as he negotiates the beginning of his creative journey.These pictures aren't about Teds, Skinheads, Northern Soul, Acid House or Jungle and Garage, they're not about Nu Metal or South London blackout clubs.but they are all here alongside high street carpet clubs because here in the UK we know how to throw a party, we work hard and play hard, grace under pressure, street style into high fashion To quote Ray Davies I ask, 'Where have all the good times gone'?I remain friends with many of the characters that were my colleagues at sleazenation at that time. Steve Beale and Justin Quirk were the irreverent editorial team eventually cherry picked by Emap and Conde Naste to become significant editors and creatives respectively. The Photo editor who gave me my break out of art school was Steve Lazarides who went on a few years later to represent and champion a graffiti artist called Banksy, The Magazines firebrand designer was for a while Scott King who immediately won awards for his controversial front covers and designs. I clearly remember meeting Wolfgang Tillmans at one of his exhibition openings in Herald Street in what must have been 1999. He raved about the pictures we had been making for the magazine and enjoyed the overall subversive sentiment. I was enthused and still am to this day. I'd suggest many of these collaborators to work alongside one another to help articulate and visualise this group of pictures into a book. Most of the images have never been seen before and I believe an international audience would be hungry for the authenticity found in an era that perhaps should have known better. I'm glad we didn't . Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condizione: new. Hardcover. End of a century.In the late 1990s as a graduate from art school I began making pictures for my beloved Sleazenation magazine and in particular for the infamous listing pages to the rear of the magazine that were called "Savoir Vivre" (loosely translated as to know how to live!) The images were made in B&W and were immensely candid and full of characters that seems to be everywhere at that time.The images on the pages were essentially describing to those that liked to go clubbing what they actually looked like, what those in the provinces who desired the decadent lifestyle of the urban cool could eventually look like and for the international reader in the fashion capitals of Paris, Milan and Rome it kept them wondering what on earth was going on. London was at the epicentre of a cultural boom. Small clubs, parties and discos where a plenty in venues from North to South and I was in a minicab and night bus taking in 3-4 of an evening. My weekends were a write off and I slept most of Monday trying to recover.Here are the spoils for while my young son was sleeping I was involved in capturing a period in time that was filled with love, lust and messy authenticity, carefree and devoid of today's global, big tech cynicism. Nothing here was perceived or played out. It was done with wide eyed hope and wonder and I'm not sure we can ever return to this place or at least not for a good while. As my world as a photographer has expanded throughout the capitals of Europe and across the Atlantic shooting campaigns and fashion editorials for V magazine, POP and Vogue Hommes I can look at these pictures with perhaps some greater objectivity. My son, now in his early 20s sits beside me and discusses those times and how they differ from today as he negotiates the beginning of his creative journey.These pictures aren't about Teds, Skinheads, Northern Soul, Acid House or Jungle and Garage, they're not about Nu Metal or South London blackout clubs.but they are all here alongside high street carpet clubs because here in the UK we know how to throw a party, we work hard and play hard, grace under pressure, street style into high fashion To quote Ray Davies I ask, 'Where have all the good times gone'?I remain friends with many of the characters that were my colleagues at sleazenation at that time. Steve Beale and Justin Quirk were the irreverent editorial team eventually cherry picked by Emap and Conde Naste to become significant editors and creatives respectively. The Photo editor who gave me my break out of art school was Steve Lazarides who went on a few years later to represent and champion a graffiti artist called Banksy, The Magazines firebrand designer was for a while Scott King who immediately won awards for his controversial front covers and designs. I clearly remember meeting Wolfgang Tillmans at one of his exhibition openings in Herald Street in what must have been 1999. He raved about the pictures we had been making for the magazine and enjoyed the overall subversive sentiment. I was enthused and still am to this day. I'd suggest many of these collaborators to work alongside one another to help articulate and visualise this group of pictures into a book. Most of the images have never been seen before and I believe an international audience would be hungry for the authenticity found in an era that perhaps should have known better. I'm glad we didn't . Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condizione: Neu. Neuware - An up-close portrayal of late-'90s London's many music scenes, from the pages of Sleazenation and beyond In the late 1990s, as a graduate from art school, the British photographer Ewen Spencer began making pictures for Sleazenation, in particular for the infamous listing pages at the rear of the magazine that were called 'Savoir Vivre.' The images were made in both black and white and color, and were immensely candid and full of characters that seemed to be everywhere at that time. London was at the epicenter of a cultural boom in this period. Small clubs, parties and discos were plentiful in venues from North to South, and Spencer was in a minicab and night bus taking in all the scenes-from Northern Soul, Acid House, Jungle and Garage to Nu Metal, South London blackout clubs and more. Spencer captures an era filled with love, lust and messy authenticity.

Couverture souple. Condizione: Comme neuf. Edition originale.

Soft cover. Condizione: As New. 1st Edition. Ewen Spencer's photographic exploration into the British Grime scene shares a uniquely personal perspective into the quintessential and increasingly popular genre. In this beautifully presented graphic paperback, Spencer treats us to an intimate portrait of many rising stars and young hopefuls based predominantly in East London. Including text from The Streets' Mike Skinner and legendary British photographer Martin Parr, explore the careers of iconic Grime, Rap and Hip-Hop artists such as Roll Deep, Lady Sovereign, Kano and Tinchy Stryder in Ewen Spencer's breakthrough publication.

hardcover. Condizione: Very Good. Edition C, 13in x 8.5in. Signed. signed.

hardcover. Condizione: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Condizione: Bueno. 1st ed. 22x33. 316pp. Publisher's boards. Cartoné editorial. Edición española / japonesa. Japanes / Spanish edition. Francesca Woodman, François Marie-Banier, Lea Crespi, Ewen Spencer, Zofia Kulik, Andreas Gefeller, Floria Sigismondi, Chema Prado, Ryan Weldeman, Kyungwoo Chun, Marie Taillefer, Francesc Català-Roca, Dennis Hopper, etc. Muy buen ejemplar, como nuevo. Publisher's boards. Cartoné editorial.

Single Issue Magazine. Condizione: Good. Illustrated by Hill, James (Cover Art); Miller; Bell, Ken; Rockett, Paul;Wm. Notman and Son; Spencer, Sue; Suter, Eugene; Cahen, Oscar; (illustratore). First Edition. 92 pages. Features: Nice colour ad for the 1953 Ford Customline Fordor Sedan; Magnificent full-page photo ad for Allis-Chalmers Tractor Division features Montreal's Miron & Freres Ltd. using an HD-20G, the world's largest tractor shovel with a 4-yard bucket; Very colourful full-page ad for BA service stations; Great colour photo full-page ad for the General Electric Twin-System refrigerator; The fight over Vitamin E - a bonus length feature on how Dr. Evan Shute and Dr. Wilfred Shute claim to be using Vitamin E to improve major health problems of their patients - with photos; Response to the Vitamin E article by the Canadian Medical Association; The corpse that hoaxed the Axis - Part One of the amazing story of how "Major Bill Martin" was part of a British Secret Service plot to mislead the Nazis into thinking the Allies would invade Sardinia, not Sicily; Anna had to be a clown - Claudia Anna Russell-Brown is a funny lady! - with large photo; The Duke of Edinburgh - the man behind the Queen - part 7 and final instalment of series "The Family in the Palace"; Can the West Stand Peace? - will Malenkov's peace offensive increase the danger of a slump and turn it into a propaganda victory for the Communists?; Louis Hemon - Vagabond Genius - article with photos; The Strange Death of Daddy Daniels (fiction); Henry Morgan and Company Limited, of Montreal, are the holdest and most courtly department store keepersin Canada - article with great photos; Never tell a woman anything (humour); The fastest man on four legs - Horse Jockey Johnny Longden - article with photos; Colour ad for the Chevrolet Bel Air 4-Door Sedan; Nice vintage colur ad for Cycla-matic Frigidaire refrigerators; Nice full-page two-colour ad for 1953 GMC trucks; Electrohome television and radio ad; Excellent colour photo Caterpillar ad inside back cover shows 1953 scraper in action plus a rare 1923 photo of a tractor pulling a scraper which is loading a horse-drawn wagon with earth; Great Coke ad on back cover shows smiling woman at gas station; and more. Clean and unmarked with moderate wear. A quality vintage copy.; Folio - over 12" - 15" tall; Maclean's, Canada's National Magazine, June 15, 1953 Dr. Wilfred Shute and Vitamin E Big Pharma History Mrs. R.J. Shute Harold Magnan Peter Bauslaugh Blue Baby Mary Salmond Father C.A. MacKinnon Maria Chapdelaine 1953 Ford Customline Fordor Sedan; Magnif.