strauß max (91 risultati)

Soft cover. Condizione: Very Good. 1st Edition. First edition, third printing # W 704 of this collection of 21 fantasy / horror short stories written by HG Wells, Rudyard Kipling, EM Forster, Edgar Allen Poe, Robert Louis Stevenson, Lord Dunsay, F Scott Fitzgerald and more. Light chipping to tips of the spine. Light edgewear. Reading crease near spine. In Very Good Condition.

wraps. Very Good condition. with Gene Barry.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Unbound. Condizione: Good. No Jacket. 7 pp. Lyrics in German and English. Scored for high solo voice and piano in F-sharp. The spine fold of the cover has been repaired with strapping tape. The score is clean.

Softcover, 54 pages, in German, very good condition except clear tape around bottom of spine; no internal marks.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

OHLwd., Condizione: Papier gebräunt. 13. - 16. ergänzte Aufl. Berlin, Schuster & Loeffler, 1922. 8°. 261 S. mit vielen Notenbeispielen. OHLwd., Papier gebräunt. Sprache: de.

39 SS. mit s/w Abb. 8°. OHeft. Aufgrund der von der Europäischen Union erlassenen EPR-Handels-Erschwernisse kann in folgende Länder KEIN VERSAND mehr erfolgen: Bulgarien, Griechenland, Luxemburg, Polen, Österreich, Rumänien, Dänemark, Schweden, Slowakei, Spanien. Sollte eine deutsche Lieferadresse möglich sein, kann an diese aber problemlos geliefert werden! * * * due to EPR-Restrictions NO SHIPPING to Austria, Bulgaria, Danmark, Greece, Luxembourg, Poland, Romania, Sweden, Slovakia and Spain * * * Sprache: Deutsch 499 gr.

185 pp.; 26.5 x 26.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman "Ambitious: A project for Artforum," by Janet Zweig. Reviews by Bill Berkson, Charles Hagen, Donald Kuspit, John Yau, Patricia C. Phillips, David Rimanelli, Matthew A. Weinstein, Catherine Liu, Kirby Gookin, Dennis Cooper, Ronny Cohen, Jude Schwendenwien, Lois E. Nesbitt, Richard C. Ledes, John Howell, Francine A. Koslow, Eileen Neff, Howard Risatti, Glenn Harper, Linda Frye Burnham, Donald Kuspit, James Yood, Joan Seeman Robinson, Bill Berkson, David Levi Strauss, Colin Gardner, Amy Gerstler, Benjamin Weissman, Susan Freudenheim, Catherine Cafapoulos, Alessandra Mammi, Anthony Iannacci, Gloria Moure, Alexandre Melo, Daniel Soutif, Max Weschsler, Helmut Draxler, Noemi Smolik, Justin Hoffman, Norbert Messler, Martin Hentschel, Doris von Drateln, Michael Tarantino, Michael Archer. Cover: Komar & Melamid. Fair / Good. Yellowing and dusting of covers with curl and rippling to left side edge of publication and light creasing. Rubbing of covers. 2 cm. tear to verso carrying through to last 20 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Gr.-8°, 159 SS., Originalbroschur.

8° Broschiert. ohne Schutzumschlag deutliche Lesespuren an Einband und Block Block sauber ohne handschriftliche Anmerkungen oder Anstreichungen Rücken bestoßen Einband und Ecken knickspurig Eintrag auf Einband und Vorsatz 96 Deutsch 350g.

Audio CD. Condizione: Used: Very Good. Edition 2005, harmonia mundi, voir photo.

Softcover. 4°. 2 DoppelBlatt. Mittig geknickt. Noch ganz gut erhalten. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K01083-228892.

Hardcover. 328pp. Very good plus condition with text clean & binding tight / chipped and worn dust jacket.

Softcover. 8°, Originalheft mit 20 Seiten und vielen Notenbeispielen. Sauberes, gutes Exemplar. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Lesen Sie etwas Schönes auf einer Bank in der Frühlingssonne! Wir haben die passende Lektüre. -- Wir kaufen Ihre werthaltigen Bücher! K04806-436531.

Condizione: gut - gebraucht. Gebundene Ausgabe, 360 S., Buch in gutem altersbedingtem Zustand, Namenseintragung, ohne Widmung, Einband mit Gebrauchsspuren, Text sehr gut, Inhalt sehr gut, Zustand: 3, gut - gebraucht, Gebundene Ausgabe, Sponholtz, Hannover, , cop. 1938 360 S., Ein Stern erlischt, Strauß, Max Otto.

Paperback. Condizione: New. Print on Demand. This book offers a fascinating glimpse into the architectural landscape of a specific region during a period of significant change and growth. Through detailed descriptions and photographs, the author takes us on a journey through a diverse collection of buildings, from grand public structures to intimate residences. The book's focus on a specific geographical area allows readers to appreciate the unique architectural styles and trends that emerged in response to local needs and tastes. The diverse selection of buildings, encompassing hospitals, schools, theaters, and commercial spaces, provides a comprehensive overview of the era's architectural aspirations. The author explores not just the aesthetics of these buildings but also the practical considerations that influenced their design, highlighting the role of technology, materials, and the changing social fabric. The book's detailed descriptions and accompanying imagery offer a unique window into a bygone era, revealing the ingenuity and vision of architects and builders who shaped the physical landscape. The book provides a rich and nuanced portrait of a period of significant architectural innovation, offering a valuable resource for anyone interested in the history of building design, regional architecture, and the cultural forces that shape our built environment. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.

3. Auflage,. zahlreiche Bilder aus Leben und Arbeit, 216 Seiten, Zustand: gutes Exemplar, Vor- und Nachsatz mit Gebrauchsspuren (beim Preis berücksichtigt). Leichter Lagerungsgeruch. Sprache: Deutsch Gewicht in Gramm: 1550 24,0 x 29,5 cm, gebundene Ausgabe, Hardcover/Pappeinband.

Querformat, Gr.8° Halbleinen. ohne Schutzumschlag geringe Gebrauchsspuren an Einband und Block Block sauber und fest ohne Einträge Stichworte: zzseif 146 Deutsch 710g.

4° , OPpd. Heft I UE 11901;. 12 S.; Einband bestoßen, ansonsten guter Zustand Sprache: Deutsch Gewicht in Gramm: 550.

Farbige Fotoporträtpostkarte als Staatssekretär, eigenhändig signiert.

Hardcover. Condizione: Good. First German edition of Agnon's first novella, originally published in Hebrew in Jaffa in 1912. (1), 162, (1) pages. 180 x 122 mm. First two leaves detached. Otherwise in good condition. Binding water stained and with some wear. Agnon related that he wrote this novella in four days during his first stay in Eretz Israel. Translated from the Hebrew by Max Strauss. The Hebrew title: Ve-hayah he-'akov lemishor. Agnon was the 1966 Nobel Laureate in Literature. While the book's interior is in very good condition the binding is far from perfect. White silk page marker bound in. Shmuel Yosef Agnon (Shmuel Yosef Halevi Czaczkes)(Buczacz, Polish Galicia, then part of the Austro-Hungarian Empire, now Buchach, Ukraine, July 17, 1888 [ Jerusalem, February 17, 1970) was an Austro-Hungarian-born Israeli novelist, poet, and short-story writer. He was one of the central figures of modern Hebrew literature. In Hebrew, he is known by the acronym Shai Agnon. In English, his works are published under the name S. Y. Agnon. His works deal with the conflict between the traditional Jewish life and language and the modern world. They also attempt to recapture the fading traditions of the European shtetl (village). In a wider context, he also contributed to broadening the characteristic conception of the narrator's role in literature. Agnon had a distinctive linguistic style, mixing modern and rabbinic Hebrew. In 1966, he shared the Nobel Prize in Literature with the poet Nelly Sachs. His father, Shalom Mordechai Halevy, was ordained as a rabbi, but worked in the fur trade, and had many connections among the Hasidim, his mother's side had ties to the Mitnagdim. He did not attend school and was schooled by his parents. In addition to studying Jewish texts, Agnon studied writings of the Haskalah, and was also tutored in German. At the age of eight, he began to write in Hebrew and Yiddish, At the age of 15, he published his first poem, in Yiddish, about the Kabbalist Joseph della Reina. He continued to write poems and stories in Hebrew and Yiddish, which were published in Galicia. In 1908, he moved to Jaffa in Ottoman Palestine. The first story he published there was "Agunot" ("Chained Wives"), which appeared that same year in the journal Ha`omer. He used the pen name "Agnon", derived from the title of the story, which he adopted as his official surname in 1924. In 1910, "Forsaken Wives" was translated into German. In 1912, at the urging of Yosef Haim Brenner, he published a novella, "Vehaya Ha'akov Lemishor" ("The Crooked Shall Be Made Straight"). In 1913, Agnon moved to Germany, where he met Esther Marx (1889-1973), the sister of Alexander Marx. They married in 1920 and had two children. In Germany he lived in Berlin and Bad Homburg vor der Höhe (1921-24). Salman Schocken, a businessman and later also publisher, became his literary patron and freed him from financial worries. From 1931 on, his work was published by Schocken Books, and his short stories appeared regularly in the newspaper Haaretz, also owned by the Schocken family. In Germany, he continued to write short stories and collaborated with Martin Buber on an anthology of Hasidic stories. Many of his early books appeared in Buber's Jüdischer Verlag (Berlin). The mostly assimilated, secular German Jews, Buber and Franz Rosenzweig among them, considered Agnon to be a legitimate relic, being a religious man, familiar with Jewish scripture. Gershom Scholem called him "the Jews' Jew". In 1924, a fire broke out in his home, destroying his manuscripts and rare book collection. Later that year, Agnon returned to Palestine and settled with his family in the Jerusalem neighborhood of Talpiot. In 1929, his library was destroyed again during anti-Jewish riots. Agnon writes about Jewish life, but with his own unique perspective and special touch. Agnon's writing often used words and phrases that differed from what would become established modern Hebrew.

turtleback. Condizione: Gut. 328 Seiten; Fehlender Schutzumschlag. Seiten sind sauber ohne Markierungen. Kann Gebrauchsspure aufweisen.Wir bieten eine 100% Geld-zurÃck-Garantie. A43-026 Sprache: Deutsch Gewicht in Gramm: 1.

Das Jahrhundert des Walzers 1.Band (mehr nicht erschienen ). 8°, 368 zahlreiche Abbildungen u. Notenbeispiele, ZUSTAND 1. Original-Leinenband mit Deckel- und Rückenvergoldung, Original-Schutzumschlag (OU/SU).

Gebundene Ausgabe. Condizione: Wie neu. 1. 328 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Die Ausgabe des gelieferten Exemplars kann um bis zu 10 Jahre vom angegebenen Veröffentlichungsjahr abweichen und es kann sich um eine abweichende Auflage handeln. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Original in Folie. Sprache: Deutsch Gewicht in Gramm: 606.

Condizione: Sehr gut. 1. 328 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Schutzumschlag weist leichte Gebrauchsspuren auf. Sprache: Deutsch Gewicht in Gramm: 606 turtleback, Maße: 16.7 cm x 3.1 cm x 24.1 cm.

37 S. Original-Leinwand. 4° quer. Faksimile-Druck der Ausgabe von 1941, mit Kommentar. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. In Pappschuber. Schuber leicht bestoßen. Sprache: deu.