Sutnar ladislav (169 risultati)

Trade Paperback. Condizione: Very Good+. Condizione sovraccoperta: Fair. First Edition; First Printing. DJ has large piece missing on front; chips and wear with insect damage. fmc2%262D.

since broadside, folded once. 4to. since broadside, folded once. 4-panel fold-out. This reprint of the article which was featured in Business Week, August 12, 1961. A fine copy. The article announces the exhibition of Ladislav Sutnar's work at the Pepsi-Cola Building in New York hosted by the American Institute of Graphic Arts. Black and white illustrations of the exhibition. Ladislav Sutnar (1897 - 1976) has won acclaim both in Europe and the United States. After leaving Nazi-occupied Czechoslovakia, he was the Chief designer for Czechoslovakia at the 1939 World's Fair. After one desperate year of looking for a job in New York, in 1941 Ladislav Sutnar met Knud Lönberg-Holm,the Danish-born architect who was director of Research at Sweet's Catalog Service. Holm hired Sutnar as art director. Sweet's Catalog Service was the producer of trade, construction,and hardware catalogs that were distributed to businesses and architects throughout the United States. Sutnar and Holm radically transformed the organization and presentation of technical and commercial information. Although he is uncredited, his contributions to business organization benefited society, which included creating a user-friendly telephone directory by implementing parenthetical area codes. Mildred Constantine wrote about Sutnar in 1961: " There is a force and meaningful consistency in Sutnar's entire body of work, which permits him to express himself with a rich diversity in exhibition design and the broad variations of graphic design. Sutnar has the assured stature of th integrated designer." Sutnar said "If a graphic design is to elicit greater intensity of perception and comprehension of contents,the designer should be aware of the following principles: 1) optical interest,which arouses attention and forces the eye to action; 2) visual simplicity of image and structure allowing quick reading and comprehension of the contents; and 3) visual continuity, which allows the clear understanding of the sequence of elements.". Sutnar, Ladislav (illustratore).…

paperback. Condizione: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

paperback. Condizione: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

Paperback. Condizione: Very Good. 138 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. Remainder mark bottom fore-edge. NOTE: Book is still in the original publisher shrink wrap.

First Edition. First edition. Hardcover. First printing. 119 pages. A critical examination of the work of Sean O'Casey. Book designed by famed graphic artist Ladislav Sutnar. A tight near fine copy in an about good dust jacket that has a number of edge chips and tears and wear.

Softcover. Condizione: Fine. Leichte Gebrauchsspuren; Leichte Verformung / umgeknickte Seiten; Leichte Verschmutzung / Farbtonveränderung.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Clean and solid.; Illustrations; Oblong 4to; 138 pages.

Hardcover. Condizione: new. Hardcover. A meticulously created facsimile edition of a classic work on design by the progenitor of today's information design.A meticulously created facsimile edition of a classic work on design by the progenitor of today's information design.Long before the internet and its vast stores of information in digital form, information in analog form needed to be organized so that it was legible and accessible. One designer who revolutionized the presentation of printed information was modernist pioneer Ladislav Sutnar (1897-1976). In 1950, Sutnar and architect K. Lonberg-Holm published Catalog Design Progress, a guide to modernizing the design of printed materials through typographic simplicity, compositional ingenuity, and navigational devices that signal the logical flow of information. This meticulously created facsimile of the original book illustrates and enacts Sutnar's ideas, making clear their continuing influence on graphic design.In the book, Sutnar contrasts his design style with the conglomeration of text and pictures that characterized earlier printed material. He identifies and illustrates visual features, including typography, pictures and charts, and covers, and shows how the arrangement and organization of visual units allows information to flow smoothly. For this edition, the Ladislav Sutnar Faculty of Art and Design at the University of West Bohemia in Pilsen, Czech Republic, has carefully recreated the original, with redrawn figures, retouched photos, re-typeset texts, five-color printing, and spiral binding. A separate reader's guide by celebrated design historian Steven Heller accompanies the book. Both book and guide are packaged in a slipcase. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condizione: New. A meticulously created facsimile edition of a classic work on design by the progenitor of today's information design.Long before the internet and its vast stores of information in digital form, information in analog form needed to be organized so that it was legible and accessible. One designer who revolutionized the presentation of printed information was modernist pioneer Ladislav Sutnar (1897-1976). In 1950, Sutnar and architect K. Lonberg-Holm published Catalog Design Progress, a guide to modernizing the design of printed materials through typographic simplicity, compositional ingenuity, and navigational devices that signal the logical flow of information. This meticulously created facsimile of the original book illustrates and enacts Sutnar's ideas, making clear their continuing influence on graphic design.In the book, Sutnar contrasts his design style with the conglomeration of text and pictures that characterized earlier printed material. He identifies and illustrates visual features, including typography, pictures and charts, and covers, and shows how the arrangement and organization of visual units allows information to flow smoothly. For this edition, the Ladislav Sutnar Faculty of Art and Design at the University of West Bohemia in Pilsen, Czech Republic, has carefully recreated the original, with redrawn figures, retouched photos, re-typeset texts, five-color printing, and spiral binding. A separate reader's guide by celebrated design historian Steven Heller accompanies the book. Both book and guide are packaged in a slipcase.…

Condizione: New.

Soft cover. Condizione: Good. 1st Edition. 8vo. Original paper wrapper with wrap-around title band. Drawings by Vojtech Tittelbach, documentation, lacking one of the two mounted colour plates. Covers rubbed and frayed.

Hardcover. Condizione: New.

Hardcover. Condizione: Good. No Jacket. 1st Edition. First edition. Oblong. Profusely illustrated. Corners frayed. Scattered wear at edges. A bit of a musty smell. Else, good condition. (N5).

Trade Paperback. Condizione: New. A meticulously created facsimile edition of a classic work on design by the progenitor of today's information design. Long before the internet and its vast stores of information in digital form, information in analog form needed to be organized so that it was legible and accessible. One designer who revolutionized the presentation of printed information was modernist pioneer Ladislav Sutnar (1897-1976). In 1950, Sutnar and architect K. Lonberg-Holm published Catalog Design Progress, a guide to modernizing the design of printed materials through typographic simplicity, compositional ingenuity, and navigational devices that signal the logical flow of information. This meticulously created facsimile of the original book illustrates and enacts Sutnar's ideas, making clear their continuing influence on graphic design. In the book, Sutnar contrasts his design style with the conglomeration of text and pictures that characterized earlier printed material. He identifies and illustrates visual features, including typography, pictures and charts, and covers, and shows how the arrangement and organization of visual units allows information to flow smoothly. For this edition, the Ladislav Sutnar Faculty of Art and Design at the University of West Bohemia in Pilsen, Czech Republic, has carefully recreated the original, with redrawn figures, retouched photos, re-typeset texts, five-color printing, and spiral binding. A separate reader's guide by celebrated design historian Steven Heller accompanies the book. Both book and guide are packaged in a slipcase.…

Hardcover. Condizione: Good. Irish literary presentation inscription on FFEP by noted author and Rice University professor, George G. Williams. Hardback with dust jacket. Dust jacket has wear, open tears and is protected by an archival cover.

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

Hardcover. Condizione: Good. Pellegrini & Cudahy, 1952. Hardcover, unpaginated. Horizontal format. Classic title on advertising by one of the early fathers of modern design. This copy is in good condition only with shelf wear and rubbing, boards worn through at corners, a stain on spine. Rear board feels loose but there are no visible cracks. Interior pages are clean and bright. No dust jacket. Please see all photos.…

The book contains plates with 31 beautiful photos of the Baroque Prague (architecture, plastic art .). The introductory essay is in Czech, captions are in Czech, French, German and English. Graphic design by Ladislav Sutnar; 18 photographs were made by Josef Sudek. The third edition. /// Paperback, 36+[64]+[4] pp., 8° (15 x 21 cm), dust jacket slightly yellowed and faded, with some edge wear and tiny tears, starting hinge, condition: good Book Language/s: Czech, French, German, English. …

Soft cover. Condizione: Very Good. 1st Edition. Folio. 230pp. Original paper wrappers. colour cover design by Ladislav Sutnar. Adverts. Covers thumbed and creased, Thumbed throughout.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First edition. Profusely illustrated. Fine condition in fine dust jacket. (AA9).

Condizione: Near Fine. Near Fine. [Zurich]: Lars Muller Publishers, 2015. Facsimile Reprint. Two volumes; quartos; first volume bound in cloth with black and white pictorial dust jacket, second volume bound in black printed card wrappers, housed together in clear plastic sleeve; illus. throughout, many in color. Very light wear and dust-soil, else a Very Good to Near Fine set. …

OHeft, ca. 20 Seiten, 8°, mit farb. Textabbildungen. Neues Exemplar || brand-new copy. Book Language/s: English.

OHeft, ca. 20 Seiten, 8°, mit farb. Textabbildungen. Neues Exemplar || brand-new copy. Book Language/s: English.

Soft cover. Condizione: Fine. 1st Edition. In excellent condition. 206 pages, softcover in thick wraps, 9.5" by 7". Bilingual text in English and Spanish. Scarce book published for a Spanish exhibition on pioneering Czech modern publishing collective Druzstevni Prace, spearheaded by Ladislav Sutnar, with special focus on contributions by photographer Josef Sudek. Extensively researched and amply illustrated in color with examples of the firm's graphic design and typographical approaches, applied to commercial work, book design, announcements, brochures, posters, and more. Excellent book, highly recommended. Uncommon. …

Condizione: New.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. In a plastic slipcase.

Soft cover. Condizione: Fine. Self-wrappers. Brochure prepared by Ladislav Sutnar presenting his design philosophy. Beautifully designed and printed in vivid colors. Fine, unused copy. This brochure was designed as a signature to be used within the book Visual Design in Action (New York, Hastings House, 1961). This is an excess copy that was never bound.…

Hardcover. Condizione: Very Good+. No Dust Jacket.

Soft cover. Condizione: As New. 1st Edition. A 4 signature from 'Visual Design in Action' published by Hastings House in New York, 1961. Here 4 pages with examples for the image design for 'Carrs Self Service Department Store' New Jersey (1956-57). This brochure with several texts, among which: "creating a store personality"? Sutnar, 1956-57 [for Katz/Waisman/Blumenkranz/Stein/Weber, Architects Associated] To make shopping easier and also more exciting, "Carr's" self-service department stores wished to establish a store atmosphere expressing unity of design with utility and beauty.? The original program called for an extensive study of the visual means that would create an effective prototype environment. The design had to support the store's approach to merchandising. It also had to provide a disciplined visual framework which would be interesting and rapidly understandable with relation to the overwhelming variety of goods on sale. To achieve this, several systems of design controls were set up to provide a distinguishing identity for everything from store signs to shirt labels. These included coordinated layouts, alphabets and colors on the variety of information forms required. Further, a group of symbols was introduced to facilitate recognition of the various departments. The findings of this study were applied when the store was built. Examples of bags and boxes are illustrated here, with the store identifying design in primary colors. Other problems involved in the execution of the preliminary study are shown on the following visual unit. …