Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 33,04
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Aggiungi al carrelloCondizione: New. Editor(s): Page, Suzanne. Num Pages: 180 pages, 100 color illus. BIC Classification: ACBP; ACXJ; AGC. Category: (G) General (US: Trade); (P) Professional & Vocational. Dimension: 286 x 210. Weight in Grams: 681. . 2016. Illustrated. Paperback. . . . .
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
EUR 52,03
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Aggiungi al carrelloCondizione: New. Editor(s): Page, Suzanne; Parent, Beatrice. Num Pages: 284 pages, 125 color illus. BIC Classification: ACX; AGC. Category: (G) General (US: Trade). Dimension: 301 x 266 x 40. Weight in Grams: 1902. . 2015. Hardcover. . . . .
Prima edizione
EUR 41,34
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Aggiungi al carrelloPaperback. Condizione: Very Good. First Edition. Wraps. 4to. Colour illustrated wraps/paperback. Copiously illustrated in colour throughout. ISBN: 2879007976 Pages: 212 Very good indeed.
Editore: , Hazan / Fondation Louis Vuitton, 2022, 2022
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
EUR 39,95
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Aggiungi al carrelloPaperback, 240 pages, Texte en Francais, 320 x 270 x 20 mm, Nouveau, illustrations pleine page en couleur. ISBN 9782754112833. Le catalogue de l?exposition Monet Mitchell , organis e la Fondation Louis Vuitton en partenariat avec le mus e Marmottan Monet, explore les correspondances entre les ?uvres tardives de Claude Monet (1914-1926), qui anticipent les d buts de l?abstraction, et les peintures de Joan Mitchell (1925-1992). Peintre am ricaine issue de l?expressionnisme abstrait, Joan Mitchell voyage en France d s 1948 et s?installe en 1968 V theuil, lieu d?inspiration o v cut aussi Monet de 1878 1881. Les chefs-d??uvre et les essais ici r unis soulignent les points de convergence li s la couleur, la lumi re, la gestualit , la nature et aux paysages de Giverny et V theuil, qui ont profond ment inspir les deux artistes. 1860 g.
Editore: , Fondation Louis Vuitton, Paris / Citadell, 2023, 2023
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
EUR 45,00
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Aggiungi al carrelloHardcover, 316 pages, dition fran aise, 320 x 300 mm, NOUVEAU, illustr en couleur / n/b. ISBN 9782850889295. Une peinture n'est pas la repre sentation d'une expe rience. C'est l'expe rience me me". Mark Rothko Mark Rothko, apre s son installation aux E tats-Unis, commence a peindre au de but des anne es 1930. Si ses oeuvres figuratives du de but sont marque es par l'influence de la mythologie antique et du surre alisme, il s'oriente de s les anne es 1940 vers une esthe tique abstraite avec sa se rie des Multiformes, puis celle des Classiques et des Black and Grays. Ses couleurs sature es aux formes flottantes et expansives invitent a une expe rience sensible, tactile, laissant au spectateur sa part de cre ation dans l'oeuvre. Cette vision du peintre aspire a un langage universel s'adressant a tous, loin de l'intellectualisation et des processus techniques de re alisation. Derrie re un apparent myste re et un caracte re insaisissable empreints de spiritualite , ses toiles convient par leur impact e motionnel a interroger l'horizon de nos origines, de notre destine e, de notre existentialite . "Les oeuvres de Rothko sont des tableaux vivants ! C'est un art habite par l'observateur, anime et constamment revivifie par des vivants". (Christopher Rothko) 2410 g.
EUR 89,76
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Aggiungi al carrellopaperback. Condizione: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.
Editore: , Fondation Louis Vuitton, Paris / ACC, 2023, 2023
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
EUR 55,00
Quantità: 1 disponibili
Aggiungi al carrelloHardcover, 316 pages, ENG edition, 320 x 300 mm, NEW, illustrated in colour / b/w. ISBN 9782850889509. Mark Rothko (1903-1970), originally called Markus Rothkowitz, was an American painter and representative of abstract expressionism, more specifically the so-called color field painting. His artistic work in the 1930s was influenced by the work of Milton Avery and Henri Matisse with simplified compositions and color areas, after which he sought connections with the surrealist movement. Around 1947 he broke with surrealism and turned to abstraction. His canvases contain, on a uniformly colored ground, two or three rectangles in different colors, varying in width or height, but rarely both at the same time. The saturated colors with floating and expansive shapes invite a sensitive, tactile experience, giving the viewer a creative role. Rothko strove for a universal language that appeals to everyone, far away from intellectualization and technical creation processes. His later works in the years fifties and sixties became increasingly gloomy in color. 2410 g.