thierry gaultier (19 risultati)

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: D'occasion - Comme neuf. ===ENVOI LE JOUR MEME=== Ref:ROM122.

Condizione: Neuf. ===ENVOI LE JOUR MEME=== Ref:ROM122.

Hardcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

1ST EDITION, NEAR FINE SOFTBACK. ENGLISH AND FRENCH TEXT.

Encuadernación de tapa dura. Condizione: Como Nuevo.

hardcover. Condizione: near fine. Jean Paul Gaultier (illustratore). Profusely illustrated in b/w and color. 424 pages. Folio, glossy pictorial boards, semi-transparent acetate slipcase (small tear at foot; lightly scratched). New York: Abrams, with the Montreal Museum of Fine Arts, (2013). Rear cover a bit sunned and with very lightly bumped corner, else a near fine copy.

Hardcover. Condizione: Fine. Large folio, fine in box.Lfloor.

Hardcover. Condizione: Near Fine. 424 pages, Folio. SIGNED with an original drawing by Jean Paul Gaultier. Includes slipcase. Minor shelfwear. Tightly bound, no marks. Volume is in Near Fine condition. Some scuffing and scratches on slipcase, crack and missing piece at bottom left corner of front of slipcase. Slipcase is in Very Good condition. Signed by Author(s).

Hardcover. Condizione: Near Fine. 424 pages, Folio. SIGNED with an original drawing by Jean Paul Gaultier. Includes slipcase. Minor shelfwear. Tightly bound, no marks. Volume is in Near Fine condition. Some scuffing and scratches on slipcase. Slipcase is in Very Good condition. Signed by Author(s).

Condizione: Bon. 422 pages : nombreuses illustrations en noir et en couleurs, couverture illustrée en couleurs ; 28,7 x 36,7 x 4,2 cm || Texte français || Impression 2011 || Sans aucune inscription.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Book has slight denting and mild wear along edges.otherwise, sharp copy with clean, unmarked, sturdy pages and tight binding. Plastic slipcase has mild smudging and rubbing.otherwise, sturdy and clear.

36 x 27 cm. 422, (2) pp. Profusely illustrated. Publisher's illustrated hardcover, in slightly damaged plastic slipcase. A Very Good copy.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. (2011.) (Montreal.) Large 4to. 1st edition. SIGNED with a sketch on the dedication page. Considerable bumping and creasing to head of spine and to corners of boards, with paper at bottom right corner of cover worn away slightly. Noticeable bumping to bottom edge of front board. Some uneven toning to boards. Moderate toning to edges of leaves. Slight soiling to plastic slipcase. Signifigant bumping to closed end of plastic slipcase, with some chippng to label and a 1 1/2' closed tear to one corner. VG/VG. Author.

Hardback. Condizione: Fine. Jean Paul Gaultier (illustratore). First edition. The first edition of this colourful look at the fashion creations of pioneering Jean Paul Gaultier. The first edition.In the original slipcase, in a very good indeed condition.A lavishly illustrated ode to Jean Paul Gaultier, the noted haute couture fashion designer.This volume studies Gaultier's unconventional and trend-setting designs, being published alongside an impressive world-wide exhibition of Gautlier's creations.Profusely illustrated throughout in both colour and monochrome.Edited by Thierry-Maxime Loriot. In the original publisher's paper covered boards, in the original slipcase. Externally, fine. Internally, firmly bound. Pages are bright and clean. Slipcase is smart, with a few small marks, and a chip to the tail. Slipcase is in a very good indeed condition. Fine. book.

Paris, Gabon, 1809, 8°, 83 pp., 1 Tafel, feiner Pappband, mit eigenhändiger Widmung des Verfassers auf Titel. First Edition! A rare and innovative work, containing important data for the history of cutaneous histology, dermatology and anthropology. It is divided into 2 parts: the first, illustrated with a plate, is devoted to cutaneous histology; the second to cutaneous pigmentation ("colouring matter") with its physiological and pathological variations. The author examined the skin of "Whites" compared with that of "Negroes". He distinguished between the "corion" (derma), the mucous body (with vascular buds, the albuginea membrane, the substance charged with brown colouring matter and the superficial albuginea membrane) and the epidermis (or cuticle). Gaultier's observations of hyperpigmentation and leucoderma attracted the attention of Rayer, who included several of them in his treatise on skin diseases. "It is not until Gaultier's 1809 Recherches sur l'organisation de la peau de l'homme et sur les causes de sa coloration that there is a representation of the layers of skin and the location of the colour in a French context. Printed in black and white and far less detailed than Lairesse's engraving it is more diagrammatic than the earlier Dutch prints. Spelling out the elements of the mucous layer, their function and the precise seat of the colouring matter, Gaultier treated the black substance more explicitly as a heuristic tool than had previous tracts on skin colour. Earlier anatomical studies, for example those of Littré and to some degree also Albinus's tract (after all dedicated to the 'colour of Ethiopians and other humans') used black skin to research the layering of human skin as such, but because the distinct visibility of one layer was enhanced by the dark substance, Gaultier made an explicit point about this when he stated that his observations were 'helped by the anatomy of the skin of negroes'. The dark colouring matter worked for him like the dyes already brought into play by early modern anatomists for injecting bodily vessels during dissection in order to highlight certain functional parts. Or, for a more recent example, it worked like the contrast-medium utilized in radiology and other modern medical imaging technologies to enhance the visibility of certain inner body parts." Fend, M.: Fleshing Out Surfaces: Skin in French Art and Medicine, 1650-1850, p. 153. See - Rey R: Hygiène et souci de soi, In: Le gouvernement du corps, Communications, 56 (19993), pp. 25-39; Rayer PFO: Traité théorique et pratique des maladies de la peau (1827), vol. 2, pp. 199, 203, 230, 431, 432.

Trois plaquettes promotionnelles 210x147mm, 12, 16, 18p., 1987/1990, agrafées.Illustrations pleine page de Thierry Perez. Une des plaquettes est largement annotée sur deux pages prévues à cet effet.(104903).

(Canada): The Montreal Museum of Fine Arts, (2013). Folio. Orig. illust. boards (corners lightly bumped). Profusely illust. with full-page col. photographs. Red endpapers. Housed in plastic slip-case with small hole to bottom corner. Fine.