thomas cook 1744 (25 risultati)

No Binding. Condizione: Good. Novr. 1st., 1806. Print (22 x 30cm). Light water-staining to margins. Line engraving by T. Cook after the original by William Hogarth (1697-1764). A scene in London, possibly near St Martin-in-the-Fields, with a musician at an open window holding his ears against the noise of the street; a ballad-seller chants while her baby cries, a milkmaid and other street-traders cry their wares, one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle, an itinerant oboist plays, a knife-grinder sharpens a cleaver, and so on.

1. Original-Kupferstich von Cook (in der Platte signiert) auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 9,5 x 15 cm, Blattgröße ca. 20 x 29 cm (jeweils Höhe x Breite), im breiten Blattrand minimal gebräunt, ansonsten sauber und sehr gut erhalten 1100 gr.

Size: 253 x 180mm. Some foxing to margins. Line engraving after a portrait by William Hogarth (1697-1764), originally engraved by James Basire (1730-1802). Morell is depicted half-length seated at a table, facing left, wearing a partly buttoned jacket, cravat and wide-brimmed hat. On the table are four books, sheets of paper (one with 'Aet. 60', the other with 'THESARUS') and an ink pot; Morell is about to use his right hand to write with a quill. He is seated on a chair, a curtain is draped from the top centre to behind the chair and in the top left corner are some organ pipes. From behind the curtain appears a coat of arms and below that a medal on a thread hangs from the wall. The letters after Morell's name refer to his Professorship of Sacred Theology and to being Secretary of the Society of Antiquaries. Hogarth's original drawing of 1762 is in the Horne Collection in Florence.

1. Original-Kupferstich von Cook (in der Platte signiert) nach Hogarth auf rückseitig unbedrucktem Büttenblatt, bildliche Darstellung ca. 12,5 x 15,5 cm, im breiten Rand außerhalb der bildlichen Darstellung etwas Alterspatina, ansonsten sauber und gut erhalten 1100 gr.

1. original line engraving by Thomas Cook (signed in the plate) on handmade paper with decorative platemark, platemark approximately 11 x 17,5 cm, original engraving in excellent condition, very rare 1100 gr.

tall 8vo. pp. viii, 386. woodcut tailpieces. A nice copy in contemporary half morocco, gilt back, t.e.g., others uncut. First Edition. Offered without the folio of plates.

Encuadernación de tapa dura. Condizione: Bueno. 1ª Edición. [Descripción completa disponible en español, inglés y francés. Para pedidos desde fuera de España, por favor, consulte las condiciones de venta y envío, tipo B. / Complete record available in Spanish, English and French. For orders to be delivered outside Spain, please, let you see our sale and shipping terms, type B. / La notice complète est disponible en espagnol, anglais et français. Pour les commandes à livrer hors d'Espagne, s'il vous plait, voyez les conditions de vente et de livraison, type B.].- // Gran folio apaisado (515/518x328mm.); 12 h. de grabados de cobre.- Encuadernación de mediados del siglo XIX, posiblemente de Bucknall, a la holandesa con puntas, nervios, entrenervios, tejuelo y filo de lomera y puntas dorados. Cofia, pie y cobertura de dos entrenervios perdidos; charnela abierta restaurada y firme; cantos rozados, puntas abiertas. Los grabados presentan algo de oxidación en los márgenes (los posibles defectos de cada uno se detallan en su descripción particular).- // Proc.: Ex-libris encolado de la librería "Sold by B. Bucknall, Letter-Press & Copper-Plate; Printer; Bookseller & Binder, Stroud".- // "Plate I. The Fellow 'Prentices at their Looms" Proverbs Chap: 23, Ve: 21. "The drunkard shall come to poverty, and drowsiness shall cloath a man with rags."; Proverbs Chap: 10, Ve: 4. "The hand of the diligent maketh rich." (July 1st. 1795). (Huella 363x284mm.).- Desgarro en margen lateral sin afectar a la huella, reparado de época sin adiciones.- "Plate 2. The Industrious Prentice performing the Duty of a Christian" Psalm CXIX. Ver: 97. "O' how I love they Law it is my meditation all the day." (1February 1st. 1796). (Huella 365x301mm.).- Leve oxidación general en el cuerpo del grabado.- "Plate 3. The Idle 'Prentice at Play in the Church Yard during Divine Service" Proverbs Ch: XIX. Ver: 29. "Judgments are prepar?d for scorners & stripes for the back of Fools." (Octr. 1st. 1795). (Huella 362x284mm.).- "Plate 4. The Industrious 'Prentice a Favourite, and entrusted by his Master" Matthew Chap: XXV. Ver: 21. "Well done, thou good and faithfull Servant, thou hast been faithfull over a few things, I will make thee Ruler over many things." (December 1st 1795). (Huella 365x286mm.). "Plate 5. The Idle Prentice turn'd away, and sent to Sea" Proverbs Chap: X. Ve: 1. "A foolish Son is the heaviness of his Mother." (December 1st. 1795). (Huella 363x299mm.).- "Plate 6. The Industrious Prentice out of his Time, and Married to his Master s Daughter" Proverbs Ch: XII. Ver: 4. "The Virtuous Woman is a Crown to her Husband." - (February 1st. 1796). (Huella 365x301mm.).- "Plate 7. The Idle 'Prentice return'd from Sea, & in a Garret with a common Prostitute" Leviticus Ch: XXVI. Ver: 36. "The Sound of a shaken Leaf shall Chace him."- (Octr. 1st. 1795).- (Huella 363x281mm.).- "Plate 8. The Industrious 'Prentice grown rich, & Sheriff of London" Proverbs Ch: IV. Ver: 7,8. "With all thy gettings, get understanding Exalt her & she shall promote thee: she shall bring thee to honour, when thou. dost Embrace her." (February 1st. 1796). (Huella 366x291mm.).- "Plate 9. The Idle 'Prentice betray'd by his Whore, & taken in a Night Cellar with his Accomplice" Probervs Chap: VI. Ve: 26. "The Adultress will hunt for the precious life." (Octr. 1st. 1795). (Huella 363x286mm.).- Se trata de una de las tres variantes en las que puede aparecer este grabado: con la expresión "by his Whore", sin ella y con la diferente de "by a Prostitute".- "Plate 10. The industrious 'Prentice Alderman of London, the Idle one brought before him & impeach'd by his Accomplice" Psalm IX. Ver: 16. "The wicked is snar'd in the work of his own hands."; Leviticus Ch: XIX. Ver: 15. "Thou shall do no unrighteousness in Judgment." (July 1st. 1795). (Huella 364x283mm.).- Desgarro en margen lateral sin afectar a la huella, reparado de // Precio original / Original price / Prix d'origine: 1020,00. ( 11% de descuento temporal / 11% temporary off / Remise temporaire de 11% ).

Condizione: Good. Benjamin Hoadly, Bishop of Winchester c. 1800 Engraving 321×264 (12 1/16×10 3/8) on paper 573×442 (22 9/16×17 3/8); plate-mark 424×292 (16 11/16×11 1/2) Writing-engraving 'Painted by Wm. Hogarth| Engraved by T. Cook.|The Right Reverend Father in God |DR. BENJAMIN HOADLY, LORD BISHOP OF WINCHESTER| Prelate of the Most Noble Order of the Garter|London: Published by G. & L. Robinson, Paternoster Row, & F. Cook, No.38, Tavistock Street, Covent Garden' and the Bishop's seal within the Garter ribbon in the centre Hogarth's original painting of the Bishop is N02734 above. An engraving after it (facing the same way as the painting) by Bernard Baron was published in July 1743 (Paulson 1970, no.226, pl.266) and led to the erroneous assumption that this was also the date of the original, which, however, is signed and dated 1741. some foxing.

Condizione: Good. " Design'd and scratch'd in the true Dutch taste by W. Hogarth. resp. / Engrave(')d by T. Cook. 11 x 14.5 inches plate size on wide margined wove paper. Copy of Paulson, no. 191a.

No Binding. Condizione: Fair. Portrait of Henry VIII of England. Born 28 June 1491 in Greenwich, England. Died 28 January 1547 in London, England. Etching and Engraving by Thomas Cook (c. 1744 - 1818), 1792. Reasonable condition. Paper slightly soiled, with a slittle stain in the upper left margin. The right edge slightly ragged. Verso: blank. Dimensions: 138 x 85 mm. Henry VIII of England was King, King of England, King of Ireland, King of England and Ireland, Supreme Head of the Church of England, Member of the House of Tudor, Initiated the English Reformation, and "The father of the Royal Navy". Print.

Condizione: Good. Engraving. 18.5 x 21 inches with margins.

Condizione: Good. 33.9 × 26.2 cm (image) 38.5 × 29.2 cm (plate) 39.4 × 29.5 cm (sheet)printed in ink l.l.: Painted by W. Hogarth.printed in ink l.r.: Engraved by T. Cookprinted in ink l.c.: GULIELMUS HOGARTH. / Published June 1.st (st in superscript above . ) 1801 by G.G. & J.Robinson Paternoster Row London,-printed (diagonally) in ink (in image) l.r.: The / Line of Beauty. Marginal tears and some foxing & dampstains in margins.copy of Paulson, no. 181.

Condizione: Good. Engraving. 18.5 x 21 inches with margins.The Pool Of Bethesda. The Curative Pool At Jerusalem's Sheep's Gate, Visited By The Sick And Healthy With Jesus As Good Samaritan In The Center.

Condizione: Good. Etching and engravings wove paper. 58 x 44 cm (sheet). Very Good, light scattering of foxing in the margin areas.

Condizione: Good. Etching and engravings wove paper with J. Watman watermark. 44 x 58 cm (sheet). Good, light scattering of foxing in the margin areas, toning along sheet edges, some tears along bottom sheet edge.

Condizione: Good. Etching and engravings on wove paper. 43 x 58 cm (sheet). Very Good, light scattering of foxing in the margin areas, toning along sheet edges.

Condizione: Good. Etching and engraving wove paper. 44 x 58 cm (sheet). Good, light scattering of foxing in the margin areas, toning and water staining along sheet edges.

Condizione: Good. Two engravings on one sheet 23 x 16.25 inches.

Condizione: Good. 12 Engravings on 12 sheets. 23 x 17 inches/55 x 45 cm. sheet sizes. Copies of Paulson, nos. 168-179. Stained, mainly visible in marigins; Plate 12 torn in half, but without loss.lndustry and Idleness is the title of a series of 12 engravings created by William Hogarth in 1747, intending to illustrate to working children the possible rewards of hard work and diligent application and the sure disasters attending a lack of both. Plate 1: The Fellow 'Prentices Industry and Idleness at their Looms Plate 2: The Industrious 'Prentice performing the Duty of a Christian Plate 3: The Idle 'Prentice at play in the Church yard during Divine Service Plate 4: the Industrious 'Prentice a favourite, and entrusted by his master Plate 5: The Idle 'Prentice turn'd away, and sent to Sea Plate 6: The Industrious 'Prentice out of his time a7 Married to his Master's Daughter Plate 7: the Idle 'Prentice return'd from Sea and in a garret with a common Prostitute Plate 8: The Industrious 'Prentice grown rich and Sheriff of London Plate 9: The Idle 'Prentice betrayed and taken in a Night-Cellar with his Accomplice Plate 10: The Industrious 'Prentice Alderman of London, the Idle one brought before him & Impeach'd by his Accomplice Plate 11: The Idle 'Prentice Executed at Tyburn Plate 12: the Industrious 'Prentice Lord-Mayor of London The images were Painted and Engraved in 1747. Plates 1 - 10 are within plate mark sized 265 x 350 mm. Plates 11 and 12 are sized 270 x 405 mm. On paper sized 480 x 630 mm. Painted by William Hogarth (Heath edition, 1820-22)The plates were bought by the publisher Baldwin, Cradock and Joy at the Boydell sale in 1818 "The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All 'Hogarth' prints appearing after this date are merely copies with either a recut plate or the 'engravers version'.

Condizione: Good. 12 Engravings on 7 sheets. 25 x 18.5 inches sheet sizes. Copies of Paulson, nos. 82-93. Few mariginal tearsIllustration to the the 17th Century work ofSamuel Butler who was influenced by Rabelais and Cervantes' Don Quixote. While in Cervantes, the noble knight although being mocked is supposed to draw readers' sympathies, Hudibras is offered nothing but derision.The title comes from the name of a knight in Edmund Spenser's Faerie Queene who is described as "not so good of deeds as great of name" and "more huge in strength than wise in work". Spenser in turn probably got the name from the legendary king of the Britons, Rud Hud Hudibras.Made by T. Cook after W. Hogarth. Thomas Cook (1744-1818) was a London engraver. Thomas was a student of Ravenet, the well-known French engraver who resided in London at the time. He has copied the entire engraved work of Hogarth, which was published under the name 'Hogarth Restored' from 1806. William Hogarth (1697-1764) was an English painter, printmaker, social critic and cartoonist.

No Binding. Condizione: Good. Portrait of Lavinia Powlett, Duchess of Bolton. Born 1708 in London, England. Died 24 February 1760 in London, England. Etching and Engraving, and Stipple engraving by Thomas Cook (c. 1744 - 1818), after William Hogarth (1697?1764), 1807. Good condition. Ample margins. Paper slightly soiled. The right edge slightly ragged. Verso: blank, with traces of former mounting. Note: dimensions reflect the entire leaf. Dimensions: 300 x 240 mm. Lavinia Powlett, Duchess of Bolton was Actress, English Actress, Child Prostitute, Waitress, Barmaid, and "Lavinia Fenton". Print.

No Binding. Condizione: Good. Portrait of Sarah Malcolm. Born c. 1710 in Durham, England. Died 1733 in London, England. Etching and Engraving by Thomas Cook (c. 1744 - 1818), after William Hogarth (1697?1764), 1802. Good condition. Paper slightly browned and a bit soiled, with some minor creasing. Verso: blank. Dimensions: 177 x 176 mm. Sarah Malcolm was British murderer, Murderer, and Criminal. Print.

Thomas Bambridge (?-ca. 1750) was sedert 1728 een berucht gevangenisbewaarder van de Fleet Prison in Londen die zijn gevangenen martelde etc. Na een onderzoek in 1729 door het House of Commons werd hij opgesloten in Newgate Prison en vervallen verklaard uit zijn functie. Hij staat op de prent als tweede van links en wordt ondervraagd door James Oglethorpe. Op de voorgrond een gevangen Portugees Jacob Mendez Solas die gevangen zat in ijzeren boeien in de Fleet Prison wegens schulden. Her en der martelwerktuigen. Gravure door J. Cook, naar een schilderij van W. Hogarth. Published Londen, Robinson, 1-6-1803. De prent toont Bambridge, 15 heren rond een tafel en een gevangen Portugees. [EN] Interior of the Fleet Prison with the House of Commons committee appointed to enquire into the state of gaols (after Hogarth's painting of c.1729 in the National Portrait Gallery); to left, James Oglethorpe, Chairman of the Committee, confronts the warden of the Fleet, Thomas Bambridge; in the foreground, a prisoner (probably Jacob Mendes da Sola) kneels in shackles. l Engraving on paper with margins; plate mark: 440 x 560 mm, total: 450 x 550 mm; damaged along the plate mark.

No Binding. Condizione: Fair. Portrait of Samuel Butler. Born 3 February 1612 in Strensham, England. Died 25 September 1680 in London, England. Etching and Engraving by Thomas Cook (c. 1744 - 1818), after William Hogarth (1697?1764), c. 1810. Reasonable condition. Paper slightly browned and slightly soiled. Minor creasing. A few faint to very faint small stains. Verso: blank. Note: in an attractive, but later handcolouring. Dimensions: 234 x 341 mm. Samuel Butler was Poet, Writer, Satirist, and Known for a long satirical poem titled Hudibras. c. 1810. Print.

all 16,9 x 20,9 cm. (platemark), all prints lettered with title, artists' names and publication line: "Published by Longman, Hurst, Rees, & Orme, Novr. 1st. 1806.