thorpe adrian editor (6 risultati)

Hardback. Condizione: VG+. Condizione sovraccoperta: VG- DW. Joseph Wolf (illustratore). 1st Edition. 565 x 435 mm. Limited Edition of 1,000 copies. Signed by J. Cadfryn Roberts at limitation. This an unnumbered copy. Book is in nearly fine condition with only slightest signs of wear and/or age. BUT slightly bumped at top of spine. Clean bright DW has some wear with very slight loss and some internal magic tape repair. (NOT in slipcase) SPECIAL POSTAGE RATES APPLY Packed weight 3400g. NOT AVAILABLE OVERSEAS.

Hardback. Condizione: VG+. Condizione sovraccoperta: VG- DW. Joseph Wolf (illustratore). 1st Edition. 565 x 435 mm. Limited Edition of 1,000 copies. Signed by J. Cadfryn Roberts at limitation. Numbered 364. Book is in nearly fine condition with only slightest signs of wear and/or age. Clean bright DW has some wear to spine. Dustwrapper/dustjacket is in very good minus condition with minor but noticeable signs of wear and/or age. (All in a worn and marked slipcase). SPECIAL POSTAGE RATES APPLY Packed weight 3800g. NOT AVAILABLE OVERSEAS.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: good. Limited edition . This is no 410. Some fraying to d/w.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. London: Ariel Press, 1979. Elephant Folio. 12 pages of text with accompanying colour plates. Very fine beige cloth with burgundy leather label. Dust jacket shows slight wear at the edges, with some slight chipping at the base of the dust jacket spine. LARGE HEAVY BOOK. WILL COST MORE TO SHIP.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. London: Ariel Press, 1979. Elephant Folio. 14pp. Explanatory text accompanied by twelve colour plates; limited to 1000 numbered copies. Glossy paper dust jacket. Emerald green cloth, with leather title label in burgundy, all in very fine condition. Dust jacket in very fine condition. Comes with grey stiff paper slipcase. LARGE HEAVY BOOK. WILL COST MORE TO SHIP.

Folio,[36] pp.,twelve colour plates, fine copy in dustwrapper, scarce in this condition (trhe dustwrapper is prone to substantial tears because of the book's size). Edward Lear was eighteen when he commenced work on Parrots and wherever possible he sketched live birds at Regent's Park Zoological Gardens. He also controlled every aspect of production, including the lithography. Parrots set new standards and established a style and format that others, particularly Gould, would follow. "Lear worked in great detail, outlining every feather and filling in the details with fine lines. This scientific accuracy extended to every part of the bird, from the beak to the claws. He noted on the plate the scale of the bird as shown in relation to its life-size, whenever he had reduced it. Only one bird was figured on each signed and dated plate, more often, only the bird itself was coloured, but occasionally parts of a branch adjacent to the bird figure were also painted. The colouring was done with opaque water-colours with touches of egg-white for parts of the feathers requiring sheen and for the eye to add that 'life-touch'. The foregrounds were sketches of branches, leaves and twigs only, and no background details were added" (Jackson, Bird Illustrators p.35).