Tom claes (54 risultati)

2 vol. : vol. 1 : 143 pp. ; vol. 2 : 281 pp.; 2 vol. : vol. 1 : 27.6 x 21.2 cm. ; vol. 2 : 27.6 x 21.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Two volume exhibition catalogue published in conjunction with show held at the Museum of Contemporary Art, San Diego, July 27 - September 5, 1998. Traveled to Museo de las Artes and Instituto Cultural Cabañas, Guadalajara, México, September 10 - November 22, 1998; Museo de Monterrey, Mexico, February - April, 1999; Museo Universitario Contemporáneo de Arte, Mexico City, April - June, 1999; Auditorio de Galicia and Iglesia San Domingos de Bonaval, Santiago de Compostela, Spain, July 10 - September 5, 1999 and Sala Amos Salvador, Logroño, Spain, November 1999 - February 2000. Volume one texts by Elizabeth Armstrong, Julian Zugazagotta, and Kevin Power. Volume two texts by Karal Ann Marling and an interview with Ralph Rugoff by Tom Patchett. Texts about the artists in the exhibition, in both volumes, by Tania Owcharenko Duvergne, Rita Gonzalez, Melissa Ho, Karal Ann Marling, Holly Myers, and CC:Collector's Comments. Artists (A - L, Vol. 1) include Janine Antoni, John Baldessari, Beattie & Davidson, Joseph Bertiers, Joseph Beuys, Dominique Blain, Chris Burden, Mónica Castillo, Chema Cobo, Meg Cranston, Georganne Deen, Georganne Delvoye, Marcel Duchamp, Nicole Eisenman, Fluxus, Llyn Foulkes, Robert Gober, David Hammons, David Ireland, Ray Johnson, Mike Kelley, Martin Kippenberger, Rachel Lachowicz, Sherrie Levine, and Charles Long. Artists (M - Z, Vol. 2) include Daniel J. Martinez, Paul McCarthy, Cady Noland, Manuel Ocampo, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Rubén Ortiz Torres, Burt Payne 3, Raymond Pettibon, Alan Rath, Charles Ray, Man Ray, Edward Ruscha, Cindy Sherman, Kiki Smith, Mark Tansey, Fred Tomaselli, Andy Warhol, John Wesley, and Christopher Wool, as well as Americana, Neon Signs, and Vernon Kilns Dinnerware. Texts in English and Spanish. Very Good. Yellowing and light soiling of covers with light bumping of corners. Light yellowing of pages. Two-volume set. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.…

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; edition size 3000; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D''Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. Contents clean and unmarked.…

116 pp.; 24.5 x 16.5 cm.; black-and-white & color; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at University Art Museum, California State University, Long Beach, CA, August 26 - October 26, 1997. Traveled to The Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, November 22, 1997 - February 22, 1998; The Baltimore Museum of Art, Baltimore, MD, March 25 - May 31, 1998; Montgomery Museum of Fine Arts, Montgomery, AL, June 27 - August 23, 1998; Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis, MN, October 3 - December 6, 1998; Marion Koogler McNay Art Museum, San Antonio, TX, January 18 - Marh 14, 1999; Wichita Art Museum, Wichita, KS, April 11 - June 6, 1999; Muskegon Museum of Art, Muskegon, MI, July 29 - September 12, 1999; Joslyn Art Museum, Omaha, NB, October 23, 1999 - January 9, 2000; Lowe Art Museum, University of Miami, Coral Gables, FL, February 3 - March 26, 2000 and The Toledo Museum of Art, Toledo, OH, June 4 - August 13, 2000. Curated and with text by Constance W. Glenn. Additional contributions by Linda Albright-Tomb, Dorothy Lichtenstein, and Karen L. Kleinfelder. Artists include Allan D'Arcangelo, Jim Dine, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Robert Rauschenberg, Larry Rivers, James Rosenquist, Edward Ruscha, Lucas Samaras, George Segal, Wayne Thiebaud, Ernest Trova, Andy Warhol, Roberty Watts, and Tom Wesselmann. Includes exhibition checklist and annotated bibliography. Very Good / Fine. Light rubbing of cover edges. "Carley 3/2000" written in black ink on title page. Contents otherwise clean and unmarked.…

191 pp.; 19.5 x 19.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with "The Pop Project," a series of shows presented by the Institute for Contemporary Art at The Clocktower Gallery, New York, from October 22, 1987 - June 12, 1988. The four part series of shows included: "This is Tomorrow Today: curated by Brian Wallis; "Public Image: Homeless Projects by Krzysztof Wodiczko," and "Dennis Adams," curated by Tom Finkelpearl; "Present Tensions: 25 Years of Irreverence in Architecture," curated by Patricia Phillips and Glenn Weis and "Nostalgia as Resistance," curated by Thomas Lawson. Texts by Edward Leffingwell, Brian Wallis, Thomas Lawson, Lawrence Alloway, Graham Whitham, Judith Barry, Kenneth Frampton, Alison and Peter Smithson, Richard Hamilton, Reyner Banham, Eugenie Tsai, Dick Hebdige, Leo Castelli, John Coplans, Betsey Johnson, Roy Lichtenstein, Claes Oldenburg, Tom Finkelpearl, Patricia Phillips, Glenn Weiss, Howard Halle, and Alanna Heiss. Includes a bibliography and index. Very Good. Light yellowing of covers and rubbing of cover edges. 7.2 cm. pricing sticker on verso. Contents clean and unmarked.…

[20] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held December 4 - 31, 1970. Artists include Oyvind Fahlström, Ellsworth Kelly, Marisol, Claes Oldenburg, George Segal, Saul Steinberg, and Tom Wesselmann. Includes exhibition checklist. Good. Rubbing and scratching of covers with light edge wear and handling wear. Contents clean and unmarked.…

Softcover. Condizione: Very Good+. First Edition. Perfect bound illustrated covers, bright and square, with general shelf wear. Book is firm in binding, 175 pages, b&w color photographs throughout. Free of any markings, not ex-library. ; 4to 11" - 13" tall; 175 pages.

[20] pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 1 - 31, 1969. Artists include Jim Dine, Oyvind Fahlström, Ellsworth Kelly, Marisol, Claes Oldenburg, George Segal, and Tom Wesselmann. Includes exhibition checklist and installation images. Good. Rubbing and scratching of covers with light edge wear and handling wear. Contents clean and unmarked. …

Condizione: New. New.

Soft cover. Condizione: Very Good. In Wraps. Minor wear to corners.

[48] pp.; 26 x 23.5 cm.; sewn bound; black-and-white & color; edition size 1500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 19, 1989 - March 11, 1990. Curated and with text by Kerry Brougher. Artists include Francis Bacon, John Baldessari, William Baziotes, Alexander Calder, Willem de Kooning, Richard Diebenkorn, Mark di Suvero, Jean Dubuffet, Tim Ebner, Eric Fischl, Sam Francis, Alberto Giacometti, Hans Hofmann, Jenny Holzer, Neil Jenney, Wassily Kandinsky, Ellsworth Kelly, Anselm Kiefer, Franz Kline, Jannis Kounellis, Fernand Léger, Roy Lichtenstein, Morris Lewis, Henry Moore, Elizabeth Murray, Claes Oldenburg, Pablo Picasso, Jackson Pollock, Robert Rauschenberg, Gerhard Richter, Susan Rothenberg, Edward Ruscha, Joel Shapiro, Alexis Smith, David Smith, Frank Stella, Andy Warhol, Boyd Webb, Terry Winters, and Tom Wudl. Includes a collector's statement and exhibition checklist. Very Good. Dust soiling, yellowing, and light handling wear to dust-jacket. Light yellowing of pages. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Condizione: Good. 4to. [180] pp. Soft Cover. Color and black and white plates throughout. Text in English. Very Good. Minor rubs to the cover edges.*Heavy volume, could cost extra for shipping.

4to, 175pp. Colour and black & white illustrations. A very good paperback copy. Swedish glass designer Gunnel Sahlin - her work & the craftsmen at the Kosta Boda glassworks.

Softcover, staple-bound, 20 pages; very good condition; light rubbing to covers; no internal marks.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Lovely clean copy of this catalogue, 140 pages with many rich color illustrations and some fold out pages for expanded viewing. Very sharp copy. Binding solid, tight, sturdy, square. Interior is bright and clean and free of marks of any kind. DJ is excellent - covers have some lightly rubbed areas but very bright and clean, now in brodart.…

Softcover. Condizione: Very Good Minus. First Edition, 1 of 4000 Copies. [ART]. Thomas M. Messer, Billy Kluver, Oyvind Fahlstrom, Claes Oldenburg, Pontus Hulten, Carl Frederik Reutersward, et al. Translator: Tom Geddes. "Oyvind Fahlstrom." New York: Solomon R. Guggenheim Museum. Printed in Sweden by Bohuslaningens Boktryckeri AB, 1982. First Edition, 1 of 4000 Copies. English language. Softcover with full-color card wrappers. Nonfiction art exhibition catalog with art critical texts, biography, bibliography, index, checklist, and full-color reproductions of artwork. 10 x 8 1/4 inches. 15 oz. 120 pp. Shelf-wear. Crease to front wrapper. Spine rubbed. Toned. Text clean. Very Good Minus. ISBN: 0892070358. "Oyvind Axel Christian Fahlstrom (1928-1976) was a Brazilian-born Swedish multimedia artist.".…

Condizione: Very Good.

Condizione: Good. 4to. [180] pp. Soft Cover. Color and black and white plates throughout. Text in English. Very Good. Minor rubs to the cover edges.*Heavy volume, could cost extra for shipping.

176 S., Klappenbroschur, Quart, unzählige Abbildungen, Abrieb ( cirrca 4 x 4 cm ) auf vorderem Deckblatt, ansonsten, wohlerhaltenes Exemplar.

Hardcover. Condizione: USED Very Good. Good Jacket. Jacket has wear to edges. Small tear at top of spine. Front cover near bottom has small chip/tear.

Paperback. Condizione: Good. Rapport van een studie in opdracht van de VRWB betreffende de impact van de wetenschappen op de hedendaagse cultuur en de bijzondere problematiek van de cultuur- en gedragswetenschappen Dutch RAPPORT VAN EEN STUDIE IN OPDRACHT VAN DE VRWB BETREFFENDE "DE IMPACT VAN DE WETENSCHAPPEN OP DE HEDENDAAGSE CULTUUR EN DE BIJZONDERE PROBLEMATIEK VAN DE CULTUUR- EN GEDRAGSWETENSCHAPPEN". WOORD VOORAF In Vlaanderen is de stelregel "wat we zelf doen, doen we beter" ongetwijfeld ingegeven door verantwoordelijkheidszin eerder dan door verwaandheid. Men moet echter weten wat men kan en wat men niet kan. Wellicht was het zonder meer van ons verwaand te denken dat we in zes maanden de omvangrijke opdracht konden klaren die de VRWB had uitgeschreven. Maar gelukkig moesten we het niet alleen doen. Ons onderzoek naar de stand van zaken in de cultuur- en gedragswetenschappen hield de consultatie in van vele gesprekspartners, en dit zowel voor de kwantitatieve als voor de kwalitatieve gegevens. Wat in dit rapport wordt aangeboden is evenzeer hun prestatie als het werk van de auteurs. Het stuk bestaat immers vooral uit de gegevens en antwoorden van vele professoren, onderzoekers en ambtenaren. Hoewel ze te talrijk zijn om hier allen met naam te worden vermeld zijn we hen in elk geval bijzonder erkentelijk voor hun vlotte en bereidwillige medewerking. Ook een even ruim aantal professoren en ambtenaren die we niet rechtstreeks geconsulteerd waren voor ons onderzoek bijzonder betekenisvol via diverse publikaties en helder opgestelde administratieve stukken. Bedrijfsdirecteurs en bankafgevaardigden bleken eveneens bereid om over cultuurwetenschappen en economie te praten en ingenieurs bevestigden nadrukkelijk de noodzaak van de reeds door henzelf georganiseerde cultuurwetenschappelijke bezinning in de actuele commerciële en technologische revolutie. We hopen dat ze allen hun attitudes en antwoorden in onze formuleringen correct verwoord terugvinden. De opdracht hield ook de exploratie in van buitenlandse ontwikkelingen. We hadden het geluk daarbij gebruik te kunnen maken van het netwerk van contacten met wetenschapsonderzoekers dat EASST (European Association for the Study of Science and Technology) en 4S (Society for Social Study of Science) biedt. Een bijzonder woord van dank richten we ook tot de Onderzoeksraad van de Universiteit Gent, die onder het voorzitterschap van vice-rector Etienne Vermeersch bereid werd gevonden dit onderzoeksproject aanvullend te steunen, zodat een lid van de Vakgroep Wijsbegeerte en Moraalwetenschap extra kon worden ingeschakeld. Overigens hebben meerdere leden van de vakgroep, waaronder in het bijzonder Erwin De Nil, ons in hun vrije uren op tal van punten geholpen. Bij de diverse tussentijdse rapporteringen en besprekingen is ons door het VRWB-begeleidingscomité veel bijgebracht dat we ter verbetering van dit verslag hebben kunnen aanwenden. Als het verslag op enige verdienste aanspraak kan maken is dat in ruime mate aan het advies en de toewijding van alle leden van het begeleidingscomité te danken. Speciaal willen we professor Leo Apostel vermelden die in ons het enthousiasme heeft gewekt voor de interdisciplinaire wetenschapsbeoefening. We hopen dat dit rapport een bescheiden bijdrage kan leveren tot de volwaardige uitbouw van het type van multidisciplinair onderzoek ? geesteswetenschappen en natuurwetenschappen samen ? waarvoor hij al zolang ijvert. Edwin Land, de auteur van de retinex theorie voor kleurenwaarneming en uitvinder van de succesvolle Polaroid camera hanteerde als stelregel: "niets zelf te doen wat anderen even goed doen." De combinatie van cultuur en wetenschap die Apostel voorstaat behoort wellicht tot de taken die Vlaanderen het best zelf kan uitvoeren.…

hardcover. Condizione: New. In shrink wrap. Looks like an interesting title.

Couverture souple. Condizione: Assez bon. Plaquette agrafée, 295 X 210 mm, pagination absente. 48 reproductions en couleurs. Texte bilingue français-anglais de David Bourdon. Couverture légèrement passée, éraflure en tête d'une page (n'empiète pas sur l'illustration), intérieur bon.

paperback. Condizione: New. Brand new. Paperback. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Condizione: Very Good.

Paperback. Condizione: New.

Condizione: New.

Condizione: New.

Condizione: New. InhaltsverzeichnisTom Claes and David Seth Preston: Introduction Sociocultural Frontiers of Higher Education Seth A. Agbo: The Cultural Politics of Educational Inequality: Discarding the Prevailing Eurocentric Formulations of Academic Fa.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: New. This truly international book brings together authors from different regions of the world including North America, South Africa, Europe, Iran and Russia all of whom are concerned with aspects of the challenges involved in the expansion of higher education, both in student numbers and areas of study. Some are concerned about the loss of guiding principles which steered university education for centuries. The traditional purposes of higher education have come under such pressure that we have achieved "conflicting models of the university" (Claes) and "ambiguity" in regard to teaching and research (Simons et al). For others, the problems are at a different stage. Contributions from South Africa look at three challenges: Can we provide enough places in higher education? How do we deal with institutional mergers? How do we make staff development effective in a situation in which English is the first language of less than five percent of the staff? Young scholars in Russian regions face formidable hurdles in achieving academic careers while the best law graduates in Canada are faced with the ethical dilemma of personal career advancement or social justice (Topsakal). The problem of integrating nursing into a traditional Irish university is reviewed by Grant while the role of a university in regional development is addressed from a Greek perspective by Papaelias et al. The comparative international approach features in research into teacher job satisfaction in India and Iran while McMahon reviews the impact of the Bologna Process.…