Uhlenbeck chris editors (13 risultati)

paperback. Condizione: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.…

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Condizione: Very Good. Orders shipped daily from the UK. Professional seller.

Hardcover. 256p., profusely illus., very good condition in like dust jacket.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good+. 1st American edition. NYC: Mallard, 1990. 1st USA edition, VG/NF. Tall book has scraping to lower edges, spine ends & corners. DJ has some wear to spine end & some edges. 248 color illustrations & 44 b & w drawings cover this long period of a great, traditional art form (details for every illustration). Triple-column text. 10 essays cover all the major periods of Ukioyo-E, including it s creation and techniques. Includes an chapter on Illustrated books and albums, glossary, bibliography and index. 256 pp. BP.…

Hardcover. Condizione: VG. Condizione sovraccoperta: VG. NICE, COLLECTABLE COPY, OVERSEAS ORDERS WILL REQUIRE SUBSTANTIAL ADDITIONAL,POSTAGE.

Hardcover. Condizione: Fine in Fine dust jacket. Contributors: Richard Kruml, Richard Illing, David Waterhouse, Julia Hutt, Lawrence Bickford, Jonathan Bennett, Charlote Van Rappard-Boon, Amy Newland, Haruo Matsuoka. Shipping will be extra for this large and heavy book, please inquire. ; 10 3/4 x 14 1/2"; 256 pages.…

Hardback. Condizione: Very Good. 1st Edition. Folio Size [38x28cm approx]. Near Fine copy in a Very Good dustjacket. DJ now protected in our clear archival purpose-made plastic sleeve. An excellent copy. The dustjacket is faded at the spine and a small portion of the front. Illustrated with many colour plates - most full page. This is a heavy book and will cost more to ship internationally. Please contact us for a precise quote for your part of the world. 256 pages. Contents: 1. The Techniques of Japanese Printmaking; 2 The Primitives to Harunobu; 3. Suzuki Harunobu, Isoda Koyyusai and the Early Katsukawa School, 1760-80; 4. The Golden Age 1780-1810; 5. The Nineteenth Century unti the Meijii Restoration; 6. Woodblock Prints of the Meijii Period; 7. The advent of Sosaku hanga; 8. The Artistic Legacy of Shin hanga; 9. Illustrated Books and Albums. Includes Glossay, Bibliography, and Index. Robust, professional packaging and tracking provided for all parcels.…

Hardcover. Condizione: Very Good. Dustjacket included. First Edition. ISBN 9780792453406. Hardback; oversize. No statement of later printing on copyright page. Very slight wear to corners and edges; slight dustsoiling to edges; otherwise tight, sound and unmarked in Very Good condition. Dustjacket with slight wear to corners and edges; Very Good condition. No Signature.…

Hard Boards. Condizione: Good. Condizione sovraccoperta: Good. Hardback 1993. SOME WATER DAMAGE. ALL PAGES FLOW FREELY. Clean & tight book. No inscriptions. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref A3.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Size 370mmX275mm. The authors of Ukiyo-e to Shin hanga include scholars of international reputation from seven countries and three continents. Together they tell the full story of Japanese printmaking, both single-sheet prints and illustrated books and albums. As well as the Edo period the book covers in detail the often-neglected but beautiful prints of the Meiji (1868-1912) and Taisho (1912-1926) periods. All this is illustrated with more than 200 colour plates, many of rarely seen pieces in private collections, together with black and white photographs and diagrams. The book is in very nice condition EXCEPT for heavy rubbing at the top and bottom while the jacket has 2 tiny tears at the top near the spine. Please note: The postal rate for this title, within Australia, will vary between A$15.00 and A$29.00. Please check with the seller.…

Hardcover. Condizione: Good. Dust Jacket Included. 1st Edition. English text.; Hardcover (with dust jacket).; 27 x 37 cm.; 2 kg.; 256 pages with colour illustrations.; Used with signs of wear. The dust jacket show edge wear, scuffs and scratches on the front cover, spine and back cover, has a tear at the bottom of the front cover. The rear of the front cover show signs of have been bent at the bottom. Interior with a previous owner name and date written with a pen on title page. Remaining interior with minor signs of wear. Good condition overall.; Japanese prints today enjoy greater popularity in the West, as well as at home, than ever before. Images such as Hokusai's Great Wave or Hiroshige's Sudden Shower at Ohahi have assumed the same iconic status through wide- spread and instant recognizability as the Mona Lisa or the Laughing Cavalier. Yet these prints have been seen outside Japan for little more than a century, and they belong to a very different cultural tradition from these european paintings. Although the history of Japanese prints is usually traced from near the beginning of the Edo period (1600-1868), as early as the thirteenth century woodblock prints had been used to illustrate Buddhist texts. What differed about the prints of the seventeenth century was that they illustrated secular subjects or ukiyo, the floating world, which came to mean anything which gave pleasure in the transience of life, from the tea-house to the brothel, from sumo wrestlers to kabuki actors. Ukiyo-e, or pictures of the floating world' were the main- stay of Japanese printmaking for 250 years. By the mid-eighteenth century hand-colouring gave way to the sophisticated full-colour printing, using up to nine printed pigments, invented by Suzuki Harunobu (c. 1725-1760). Harunobu and his artistic heir, Isoda Koryusai, not only transformed the technical pro- duction of prints, they initiated the use of a much wider variety of sizes and subjects Such developments set the scene for the 'Golden Age of Japanese prints, the era of Kitagawa Utamaro (1753-1806). With his prints of bijin (beautiful women) he brought printmaking to new heights of technical virtuosity and artistic sensibility. The nineteenth century which produced the most famous of Japanese prints, the landscapes of Hokusai and Hiroshige, also saw the impact of westernization and photography, which resulted in the opposing but complementary early twentieth-century prints of sosaku hanga and shin hanga.…

folio. pp. 256. profusely illus. (majority colour). biblio. index. bds. dw. First Edition.