Urbini silvia (29 risultati)

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Hardcover. Condizione: new. Hardcover. A landmark study of an underappreciated printmaking technique - the woodcut - exploring its explosion in popularity and subsequent fall from favour. The woodcut technique was notably popular during the Italian Renaissance, when artists would create designs for specialist cutters to transform into woodcuts for printing. This publication explains the regional differences in the production of woodcuts, highlighting the leading schools, designers and cutters, and charts how and why such a flourishing aspect of Italian print production declined so quickly in favour of engraving. The technical requirements behind cutting into a block of wood and foreseeing what would be printed in relief were formidable, a challenge that attracted first-rate artists. The medium inspired designs of extraordinary ingenuity and beauty across a broad range of subjects, such as landscapes, mythology, devotional images and imagined portraits. Some of the resulting prints were on a spectacular scale, such as Titian's Submersion of the Pharaoh's Army in the Red Sea, which is over 2 metres long. With a few exceptions, woodcuts fell out of favour after the mid-sixteenth century, when the medium became confined to the cheap, popular end of the print market and was neglected by collectors. This change in status means that many works in the Museum's collection are either the sole surviving examples or one of just a handful. This generously illustrated book focuses on a little-studied aspect of Italian printmaking, exploring stunning works in generous detail to reveal their hidden depths. A landmark study of an underappreciated printmaking technique - the woodcut - exploring its explosion in popularity and subsequent fall from favour. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: New.

Hardback. Condizione: New. A landmark study of an underappreciated printmaking technique - the woodcut - exploring its explosion in popularity and subsequent fall from favour. The woodcut technique was notably popular during the Italian Renaissance, when artists would create designs for specialist cutters to transform into woodcuts for printing. This publication explains the regional differences in the production of woodcuts, highlighting the leading schools, designers and cutters, and charts how and why such a flourishing aspect of Italian print production declined so quickly in favour of engraving. The technical requirements behind cutting into a block of wood and foreseeing what would be printed in relief were formidable, a challenge that attracted first-rate artists. The medium inspired designs of extraordinary ingenuity and beauty across a broad range of subjects, such as landscapes, mythology, devotional images and imagined portraits. Some of the resulting prints were on a spectacular scale, such as Titian's Submersion of the Pharaoh's Army in the Red Sea, which is over 2 metres long. With a few exceptions, woodcuts fell out of favour after the mid-sixteenth century, when the medium became confined to the cheap, popular end of the print market and was neglected by collectors. This change in status means that many works in the Museum's collection are either the sole surviving examples or one of just a handful. This generously illustrated book focuses on a little-studied aspect of Italian printmaking, exploring stunning works in generous detail to reveal their hidden depths.…

Condizione: New.

Paperback. Condizione: Brand New. 170 pages. Italian language. 9.45x6.69x0.39 inches. In Stock.

Condizione: New.

Hardcover. Condizione: Brand New. 288 pages. 10.04x9.33x1.14 inches. In Stock.

Condizione: Buone. italiano Condizioni dell'esterno: Discrete con difetti, segni d'uso Condizioni dell'interno: Discrete con Difetti, bruniture.

Hardcover. Condizione: new. Hardcover. A landmark study of an underappreciated printmaking technique - the woodcut - exploring its explosion in popularity and subsequent fall from favour. The woodcut technique was notably popular during the Italian Renaissance, when artists would create designs for specialist cutters to transform into woodcuts for printing. This publication explains the regional differences in the production of woodcuts, highlighting the leading schools, designers and cutters, and charts how and why such a flourishing aspect of Italian print production declined so quickly in favour of engraving. The technical requirements behind cutting into a block of wood and foreseeing what would be printed in relief were formidable, a challenge that attracted first-rate artists. The medium inspired designs of extraordinary ingenuity and beauty across a broad range of subjects, such as landscapes, mythology, devotional images and imagined portraits. Some of the resulting prints were on a spectacular scale, such as Titian's Submersion of the Pharaoh's Army in the Red Sea, which is over 2 metres long. With a few exceptions, woodcuts fell out of favour after the mid-sixteenth century, when the medium became confined to the cheap, popular end of the print market and was neglected by collectors. This change in status means that many works in the Museum's collection are either the sole surviving examples or one of just a handful. This generously illustrated book focuses on a little-studied aspect of Italian printmaking, exploring stunning works in generous detail to reveal their hidden depths. A landmark study of an underappreciated printmaking technique - the woodcut - exploring its explosion in popularity and subsequent fall from favour. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condizione: NEW.

Condizione: New.

Brossura. Condizione: new. Traduzione di Baghini P. S. Roma, 2014; br., pp. 272, cm 15x21. (La Storia. Temi. 35). Lo storico dell'arte Henry Thode (Dresda 1857 - Copenhagen 1920) fu dominato dalla passione per l'Italia, sentimento inscindibile dal contesto amatissimo di molti anni della sua vita, il lago di Garda. Qui creò l'officina della maturità, la villa divenuta poi il Vittoriale degli Italiani di Gabriele D'Annunzio, che conserva molte memorie dello studioso tedesco. Il libro tenta di riportare alla luce sia le tracce della presenza di Thode al Vittoriale, sia le sue "Kunstnovellen", le novelle sull'arte italiana, che vengono tradotte e commentate criticamente. Il titolo di questo libro, "Somnii explanatio", è ispirato a una di esse: la descrizione di una villa rinascimentale e del sogno umanistico e antiquario del suo proprietario. I saggi di Thode appartengono a una tradizione di scienza romantica, il cui padre nobile era stato Goethe, dove la scrittura scientifica e in particolare storico-artistica intreccia l'indagine documentaria e filologica con una narrazione romanzata delle vicende e del loro scenario culturale. Entriamo quindi con Henry Thode in una "Terra di mezzo", dove il Neoromanticismo e il Positivismo camminano - per un breve tratto e non senza schermaglie - sullo stesso sentiero. Libro.…

Paperback. Condizione: Brand New. 1st edition. 108 pages. Italian language. 9.45x6.69x0.26 inches. In Stock.

Buch. Condizione: Neu. Neuware - A landmark study of an underappreciated printmaking technique - the woodcut - exploring its explosion in popularity and subsequent fall from favour. The woodcut technique was notably popular during the Italian Renaissance, when artists would create designs for specialist cutters to transform into woodcuts for printing. This publication explains the regional differences in the production of woodcuts, highlighting the leading schools, designers and cutters, and charts how and why such a flourishing aspect of Italian print production declined so quickly in favour of engraving. The technical requirements behind cutting into a block of wood and foreseeing what would be printed in relief were formidable, a challenge that attracted first-rate artists. The medium inspired designs of extraordinary ingenuity and beauty across a broad range of subjects, such as landscapes, mythology, devotional images and imagined portraits. Some of the resulting prints were on a spectacular scale, such as Titian's Submersion of the Pharaoh's Army in the Red Sea, which is over 2 metres long. With a few exceptions, woodcuts fell out of favour after the mid-sixteenth century, when the medium became confined to the cheap, popular end of the print market and was neglected by collectors. This change in status means that many works in the Museum's collection are either the sole surviving examples or one of just a handful. This generously illustrated book focuses on a little-studied aspect of Italian printmaking, exploring stunning works in generous detail to reveal their hidden depths.…

Hardback. Condizione: New. A landmark study of an underappreciated printmaking technique - the woodcut - exploring its explosion in popularity and subsequent fall from favour. The woodcut technique was notably popular during the Italian Renaissance, when artists would create designs for specialist cutters to transform into woodcuts for printing. This publication explains the regional differences in the production of woodcuts, highlighting the leading schools, designers and cutters, and charts how and why such a flourishing aspect of Italian print production declined so quickly in favour of engraving. The technical requirements behind cutting into a block of wood and foreseeing what would be printed in relief were formidable, a challenge that attracted first-rate artists. The medium inspired designs of extraordinary ingenuity and beauty across a broad range of subjects, such as landscapes, mythology, devotional images and imagined portraits. Some of the resulting prints were on a spectacular scale, such as Titian's Submersion of the Pharaoh's Army in the Red Sea, which is over 2 metres long. With a few exceptions, woodcuts fell out of favour after the mid-sixteenth century, when the medium became confined to the cheap, popular end of the print market and was neglected by collectors. This change in status means that many works in the Museum's collection are either the sole surviving examples or one of just a handful. This generously illustrated book focuses on a little-studied aspect of Italian printmaking, exploring stunning works in generous detail to reveal their hidden depths.…

Paperback. Condizione: New.

Condizione: New.

Hardcover. Condizione: new. Hardcover. A landmark study of an underappreciated printmaking technique the woodcut exploring its explosion in popularity and subsequent fall from favour. The woodcut technique was notably popular during the Italian Renaissance, when artists would create designs for specialist cutters to transform into woodcuts for printing. This publication explains the regional differences in the production of woodcuts, highlighting the leading schools, designers and cutters, and charts how and why such a flourishing aspect of Italian print production declined so quickly in favour of engraving. The technical requirements behind cutting into a block of wood and foreseeing what would be printed in relief were formidable, a challenge that attracted first-rate artists. The medium inspired designs of extraordinary ingenuity and beauty across a broad range of subjects, such as landscapes, mythology, devotional images and imagined portraits. Some of the resulting prints were on a spectacular scale, such as Titians Submersion of the Pharaohs Army in the Red Sea, which is over 2 metres long. With a few exceptions, woodcuts fell out of favour after the mid-sixteenth century, when the medium became confined to the cheap, popular end of the print market and was neglected by collectors. This change in status means that many works in the Museums collection are either the sole surviving examples or one of just a handful. This generously illustrated book focuses on a little-studied aspect of Italian printmaking, exploring stunning works in generous detail to reveal their hidden depths. A landmark study of an underappreciated printmaking technique - the woodcut - exploring its explosion in popularity and subsequent fall from favour. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Brossura. Condizione: new. A cura di Urbini S. Modena, 2020; br., pp. 288, ill., cm 23,5x28,5. (Arte e Architettura). Catalogo della mostra delle Gallerie Estensi dedicata a William Henry Fox Talbot, "L'impronta del reale" racconta l'era embrionale della fotografia, nel suo passaggio da fenomeno scientifico a forma di espressione artistica. Talbot fu il primo a elaborare una tecnologia che permetteva di ottenere più stampe da un solo negativo e il suo The Pencil of Nature, del 1844, è stato il primo libro con illustrazioni fotografiche mai pubblicato. "L'impronta del reale" raccoglie opere fotografiche sia di Talbot sia di suoi contemporanei; tra le prime si trovano anche alcune delle immagini che inviò allo scienziato modenese Giovan Battista Amici tra il 1839 e il 1844. Ma si trovano anche opere di fotografi e artisti novecenteschi che hanno omaggiato Talbot o rielaborato le sue intuizioni, in un dialogo continuo tra passato, presente e futuro. Libro.…

Rilegato. Condizione: nuovo. edizione illustrata. pp. 255; ill. a colori; rilegato cartonato The woodcut technique was notably popular during the Italian Renaissance, when artists would create designs for specialist cutters to transform into woodcuts for printing. This publication explains the regional differences in the production of woodcuts, highlighting the leading schools, designers and cutters, and charts how and why such a flourishing aspect of Italian print production declined so quickly in favour of engraving. The technical requirements behind cutting into a block of wood and foreseeing what would be printed in relief were formidable, a challenge that attracted first-rate artists. The medium inspired designs of extraordinary ingenuity and beauty across a broad range of subjects, such as landscapes, mythology, devotional images and imagined portraits. Some of the resulting prints were on a spectacular scale, such as Titian's Submersion of the Pharaoh's Army in the Red Sea, which is over 2 metres long. With a few exceptions, woodcuts fell out of favour after the mid-sixteenth century, when the medium became confined to the cheap, popular end of the print market and was neglected by collectors. This change in status means that many works in the Museum's collection are either the sole surviving examples or one of just a handful. This generously illustrated book focuses on a little-studied aspect of Italian printmaking, exploring stunning works in generous detail to reveal their hidden depths.…

Hardback. Condizione: New. A landmark study of an underappreciated printmaking technique - the woodcut - exploring its explosion in popularity and subsequent fall from favour. The woodcut technique was notably popular during the Italian Renaissance, when artists would create designs for specialist cutters to transform into woodcuts for printing. This publication explains the regional differences in the production of woodcuts, highlighting the leading schools, designers and cutters, and charts how and why such a flourishing aspect of Italian print production declined so quickly in favour of engraving. The technical requirements behind cutting into a block of wood and foreseeing what would be printed in relief were formidable, a challenge that attracted first-rate artists. The medium inspired designs of extraordinary ingenuity and beauty across a broad range of subjects, such as landscapes, mythology, devotional images and imagined portraits. Some of the resulting prints were on a spectacular scale, such as Titian's Submersion of the Pharaoh's Army in the Red Sea, which is over 2 metres long. With a few exceptions, woodcuts fell out of favour after the mid-sixteenth century, when the medium became confined to the cheap, popular end of the print market and was neglected by collectors. This change in status means that many works in the Museum's collection are either the sole surviving examples or one of just a handful. This generously illustrated book focuses on a little-studied aspect of Italian printmaking, exploring stunning works in generous detail to reveal their hidden depths.…

Condizione: Ottmo USATO. Per conoscere Bologna ITALIANO Libro usato che à già stato letto, ma in condizioni ottime. Nessun danno evidente alle coperte, potrebbe presentare minimi segni di usura alle copertine e alle pagine. Nessuna pagina mancante o strappata, nessuna sottolineatura/evidenziazione di testo nà scritte ai margini. La foto corrisponde al libro in vendita. Altre foto su richiesta.…

Paperback. Condizione: New.

Paperback. Condizione: New.

Hardcover. 36 : 29,5 cm. Holzkassette komplett mit Faksimille, Begleitband, Kommentarband, Würfel und Schlüssel. Offensichtlich unausgepackt, sehr gut erhalten. Umgeben ist der Codex mit einem Einband aus üppig vergoldetem Pergament. Die 256 Seiten in den Maßen 17,4 x 24,4 cm sind genauestens analysiert und Wiedergegeben. Neben der humanistischen Minuskel-Schrift sind auch die zahlreichen ganzseitigen Miniaturen übernommen worden. Wunderschön illuminiertes Gesellschaftsspiel mit schönen Miniaturen von religiösen und astrologischen Symbolen. Faksimille der Ausgabe von 1482. Beeindruckend ist der Codex nicht nur wegen seines spielerischen Ansatzes, sondern auch wegen der farbgewaltigen Illustrationen und dem Goldschmuck, die das Schicksalsbuch umgeben. Heute gehört das Werk zu den geschätzten Exponaten des Biblioteca Nazionale Marciana im italienischen Venedig und ist unter der Signatur lt. IX, 87 (=6226) zu finden. Originalgetreue Reproduktion in italienischer und lateinischer Sprache. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Wenn es draußen stürmt, können Sie es sich mit einem guten Buch gemütlich machen und ein warmes Getränk dazu genießen. Bei uns finden Sie die passende Lektüre! -- Wir kaufen Ihre werthaltigen Bücher! FL2500.…

Frontespizio: Con una nota di Susy Marcon. Il Libro delle Sorti di Lorenzo Spirito Gualtieri. Un gioco di società del Rinascimento italiano. Stampa con speciale retino stocastico e riproduzione dell'oro in lamina e in polvere. Legatura artigianale con quinterni cuciti a mano. Copertina in pergamena con incisioni in oro. Biblioteca Nazionale Marciana di Venezia, It. IX, 87 (=6226). Commentario a cura di Silvia Urbini, per le regole del gioco Lia Cesare Modena, Franco Cosimo Panini Editore 2007, cm.17,5x24,5, pp.128, legatura in piena pergamena, contenuto in elegante cofanetto in mogano, di cui manca la chiave, si acclude commentario e manuale d'uso del gioco e tre dadi per svolgerlo. Edizione in fac-simile. Edizione in 980 esemplari. Cofanetto con lievissime mende. Buone condizioni.…

Condizione: Wie neu. Bei dem Schicksalsbuch des Lorenzo Spirito Gualtieri handelt es sich wohl um den ersten Bestseller Italiens mit Fragen und Antworten zum Schicksal der Spieler. Ein herrlich illuminiertes Gesellschaftsspiel mit wunderschönen Miniaturen von religiösen und astrologischen Symbolen. Konzipiert wurde es um das Jahr 1482 von Lorenzo Spirito Gualtieri (1426-1496). Dieser galt als einer der bedeutendsten Dichter und Gelehrten des 15. Jahrhunderts. Beeindruckend ist der Codex nicht nur wegen seines spielerischen Ansatzes, sondern auch wegen der farbgewaltigen Illustrationen und dem Goldschmuck, die das Schicksalsbuch umgeben. Heute gehört das Werk zu den geschätzten Exponaten des Biblioteca Nazionale Marciana im italienischen Venedig und ist unter der Signatur lt. IX, 87 (=6226) zu finden. Eine Prophezeiung der Zukunft für die Menschen Wie wird meine Zukunft aussehen. Seit Anbeginn der Zeit beschäftigt sich die Menschheit mit dieser Frage. Dabei vertrauten vor allem die Menschen im Mittelalter auf die Deutung der Sterne und den Stand der Planeten als Vorhersagen für das eigene Leben. Die Astrologie erlangte damals eine Hochphase und übte große Faszination aus. Der Dichter und Gelehrte Lorenzo Spirito Gualtieri verfasste seinerzeit einen verzierten und per Hand geschrieben Codex, welcher sich mit der Deutung der Zukunft beschäftigte. Das beeindruckende Werk vereint ein Gesellschaftsspiel mit aufwendigen Miniaturen, religiösen Symbolen und astrologischen Ansätzen und erlaubt tiefe Einblicke in das Leben im 15. Jahrhundert. Das Schicksalsbuch gab den fragenden Menschen Antworten im Bereich von Ehe, Geburt der Kinder, Tod, Glück und der Gesundheit und war im Zeitalter der Renaissance sehr beliebt. Liebevolle Illustrationen treffen auf Handschrift Entstanden ist der Codex am prächtigen Hofe einer Adelsfamilie in Perguia (Italien). Lorenzi Spirito Gualtieri war dort als Gelehrter angestellt und verbreitete sein Wissen. Einige Experten gehen davon aus, dass es sich hierbei um die adelige Familie Braccio da Montone handelt. Die Überlieferungen sind hierzu allerdings nicht eindeutig. Klar hingegen ist, dass das Schicksalsbuch von einem sehr reichen Gönner in Auftrag gegeben worden sein muss. Immerhin enthalten einige Seiten edle und opulente Verzierungen aus echtem Gold. Kombiniert werden sie mit detailreichen Darstellungen des Rades der Fortuna, der Könige, den Himmelssphären, den Propheten und jeder Menge astrologischer Zeichen und Symbole. Beteiligt waren hier vor allem Maler aus dem Umkreis von Pietro Perugino und des jungen Raffaels, der schon damals als Buchmaler bekannt war. Eine limitierte Reproduktion wird auf den Markt gebracht Im Jahr 2010 erweckte der Franco Cosimo Panini Editore Verlag den Codex wieder zum Leben. Dabei wurden die insgesamt 256 Seiten in den Maßen 17,4 x 24,4 cm genauestens analysiert und aufgenommen. Mit einem entsprechend hohen Arbeitsaufwand entstand so nach und nach eine originalgetreue Reproduktion in italienischer und lateinischer Sprache. Neben der humanistischen Minuskel-Schrift sind auch die zahlreichen ganzseitigen Miniaturen übernommen worden. Der Verlag entschied sich dafür, lediglich eine limitierte Auflage von 980 Exemplaren zu veröffentlichen. Umgeben ist der Codex mit einem Einband aus üppig vergoldetem Pergament. Franco Cosimo Panini Editore / Kunstblatt 2010 / 2021. (TN) Sprache: Italienisch Gewicht in Gramm: 5700. …