v pisani (272 risultati)

Condizione: BUONO. NOTA:Fondo di magazzino, fioriture alla copertiina, / Roma, Edizioni dell'Ateneo cm.16x24, pp.XIX,340, num.tavv.bn.nt. brossura A cura dell'Istituto Italiano di Studi Germanici.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: new.

Paperback. Condizione: New. Throughout the nineteenth century, people heard more music in the theatre - accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom's Cabin, Lady Audley's Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller - than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds.Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music - in addition to song - was a common feature in the production of stage plays.The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe.Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.

Condizione: New.

hardcover. Condizione: very good+. Condizione sovraccoperta: very good+. 422 pages; 6 1/4 x 9 1/2" "This book offers a comprehensive look at music representations of native America from the precolonial past to the heyday of the American West and up to the present." Inked out sticker on spine and jacket spine; library stamping and the usual markings on page edges and a few pages; barcode sticker and pocket on rear pastedown; jacket in mylar sleeve.

Hardcover. Condizione: Very Good. VG, rebound to hardcover, text block nice and clean.

Condizione: New. 2014. 1st Edition. Paperback. Series: Studies in Theatre History and Culture. Num Pages: 384 pages, illustrations. BIC Classification: 1DBKESL; 1KBBEY; 3JH; ANF; AVG. Category: (G) General (US: Trade). Dimension: 236 x 156 x 25. Weight in Grams: 612. . . . . .

Paperback. Condizione: Brand New. 1st edition. 384 pages. 8.00x5.00x1.00 inches. In Stock.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2014. 1st Edition. Paperback. Series: Studies in Theatre History and Culture. Num Pages: 384 pages, illustrations. BIC Classification: 1DBKESL; 1KBBEY; 3JH; ANF; AVG. Category: (G) General (US: Trade). Dimension: 236 x 156 x 25. Weight in Grams: 612. . . . . . Books ship from the US and Ireland.

Trade Paperback. Condizione: Good Plus. Good Plus, internally clean except for a small stain on the title page and the front blank page, solid paperback. Some light corner bumping. 766 pages. Text in Italian and English. Substantial extra postage required except for domestic media mail. #.

Condizione: New.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

ril. ed. piena tela, sovracc. pp. 297 8° 1 tavola rip. f.t. Sottolineature a matita.

In 16° massimo, bross., pp. 610 + 6 n.n. Le letterature del mondo.

Condizione: DISCRETO. COPIA CON PICCOLE MACCHIE ALLA COP. E AL TAGLIO DELLE PAGINE. Roma, Ediz. Dell'Ateneo Completo in 2 voll. cm.17x24,5, pp.XXIV-780, brossura Completo in 2 voll.

Condizione: As New. Unread book in perfect condition.

brossura. Condizione: Buono (Good). In 8, pp. XIV+624. Brossura. Lievissime fioriture alle pagine e segno di piega all'angolo inf. della cop. ant. Buono (Good) . Book.

8°, br.pp. 232.

Milano, Istituto Lombardo di Scienze e Lettere, 1966, in-8, br. edit., pp. 4.

Paperback. Condizione: New. Throughout the nineteenth century, people heard more music in the theatre - accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom's Cabin, Lady Audley's Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller - than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds.Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music - in addition to song - was a common feature in the production of stage plays.The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe.Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.

rilegato rigida. Condizione: Good. Copertina uso tela con titolo in oro al dorso. Sovraccoperta sporca lievemente. Tagli e pagine ingialliti lievemente. rigida XIV+624 Buono (Good) . Book.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9780300108934.

Bern 1953. 199 S. (Wiss.Forsch.ber.).

Paperback. Condizione: Used: Like New. Libro proveniente da collezione privata. Non sono presenti rilevanti segni di usura. Consegna 24/48 ore 55 c1.

Roma, 1924, 17 febbraio, fascicolo di 16 pagine de "La tribuna illustrata", con copertina illustrata.

Rilegato. Condizione: Perfetto (Mint). V. Pisani Storia delle letterature antiche del'india. La Nuova Accademia 1959 Rilegato .

203 pp.; 29.5 x 21 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph of new art and artists selected by fifteen artists and writers in 1973 - 1974. Edited by Willem Sandburg. Introduction by Sam Hunter. Artists selected by Jean-Christophe Ammann, Ludo Bekkers, Richard Bellamy, Gilbert Brownstone, Yona Fischer, Klaus Groh, Pontus Hultén, Zelimir Koscevic, Achille Bonito Oliva, Ad Petersen, Barbara Reise, Alfred Schmeller, R. Stanislawski, Harald Szeemann, and Rafael Santos Torroella. Artists include Sergi Aguilar, Gilles Aillaud, Keith Arnatt, Gábor Attalai, Lothar Baumgarten, Ola Billgren, Alighiero Boetti, Christian Boltanski, Marcel Broodthaers, Boris Bucan, Luciano Castelli, Mary Corse, William Crozier, Hanne Darboven, Jan Dibbets, Braco Dimitrijevié , Gino De Dominicis, Benni Efrat, Luciano Fabro, Robert Filliou, John-E Franzén, Hamish Fulton, Tibor Gayor, Avital Geva, Zbigniew Gostomski, Allan V. Harrison, Jeroen Henneman, Martha Jungwirth, Zdzislaw Jurkiewicz, Per Kirkeby, Christof Kohlhöfer, Harriet Korman, Piotr Kowalski, Richard Long, Urs Lüthi, Inge Mahn, Richard Nonas, Lev Nusberg, Panamarenko, Antonio Soler Pedret, Ireneusz Pierzgalski, Vettor Pisani, Juan Hernández Pijuán, Carl J. Plackman, Markus Raetz, Franz Ringel, Salvador Saura, Kjartan Slettemark, Hugo Suter, Endre Tót, Jerzy Trelinski, Carel Visser, Rolf WinnewisserSergi Aguilar, Gilles Aillaud, Keith Arnatt, Gábor Attalai, Lothar Baumgarten, Ola Billgren, Alighiero Boetti, Christian Boltanski, Marcel Broodthaers, Boris Bucan, Luciano Castelli, Mary Corse, William Crozier, Hanne Darboven, Jan Dibbets, Braco Dimitrijevié , Gino De Dominicis, Benni Efrat, Luciano Fabro, Robert Filliou, John-E Franzén, Hamish Fulton, Tibor Gayor, Avital Geva, Zbigniew Gostomski, Allan V. Harrison, Jeroen Henneman, Martha Jungwirth, Zdzislaw Jurkiewicz, Per Kirkeby, Christof Kohlhöfer, Harriet Korman, Piotr Kowalski, Richard Long, Urs Lüthi, Inge Mahn, Richard Nonas, Lev Nusberg, Panamarenko, Antonio Soler Pedret, Ireneusz Pierzgalski, Vettor Pisani, Juan Hernández Pijuán, Carl J. Plackman, Markus Raetz, Franz Ringel, Salvador Saura, Kjartan Slettemark, Hugo Suter, Endre Tót, Jerzy Trelinski, Carel Visser, and Rolf Winnewisser. Tex in English. Good / Very Good. Wear to spine, light wear to covers and edges. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.